Easter in Guerlain

Picture: Easter Egg, with no resemblance
to the fragrances worn….
Photo: Parfumista (c)

And here are my Guerlain choices for the second part of Easter 2019....

 

Easter Eve: Encens Mythique D'Orient - I know that EMD'O is a high quality and well blended perfume but it doesn't team up well with my skinchemistry, at least not when heavily overapplied, applied five tiny spritzes and even if I tried to wash it off, it lingered like a second skin. I'll try only one spritz to do it justice another day. Starts with an interesting accord of cedar, spices that creates that almost eletrical note or dust on warm a light bulb note that is present in Mona di Orios Carnation and Téo Cabanel Kasar. After that I lost contact with EMD'O, it becomes an unstructured muddle of spice, rose and woody notes. But I don't give up that easy, the notes are just my cup of tea and I'll conquer EMD'O sooner or later.

 

Easter Sunday: Apres l'Ondee Edt - A comforting and calming perfume experience compared with the suffocating experience on Easter Eve. Starts with a beautiful, clean, earthy, slight carrot-y irisaccord, after a while violet, anis and heliotrope joins and Apres l'Ondee smells just like the outdoor precursor to L'HB as it also is. Not as powdery and indoor as L'HB, elegant casual and almost fresh. A happy fragrance unlike L'HB.

 

Easter Monday: L'Heure Bleue Edt - As mentioned above, the more powdery, lipstick, deeper and darker variation along the iris-violet-anis-heliotrope theme which isalso  the core of Apres l'Ondee. In L'HB there is also neroli that combined with carnation and balsamic notes creates a more dramatic and sophisticated style than the cheerful Apres l'Ondee. L'HB is melancholy, beautiful and intriguing, one has to take time with this, it's not an easy fragrance. I tested the Edt version today to compare with Apres l'Ondee which also is in Edt. The Edt (vintage from 1989) has a great radiance and longevity, when it comes to Guerlain the Edt and Edp formulas are different variations of the fragence with some differences in notes/accords. It's not som much about strenght and longevity.
 
Wearing Guerlain for six days is not at all boaring, on the contrary, I'll explore the fragrances further.

Easter in....

Picture: Spring, Easter and Scilla´s in the garden
Photo: Parfumista (c)

 

This year I was pondering of what the theme for my Easterposting should be. Earlier years the theme almost always has been appropriate fragrances for Easter in the (to my nose) for the occasion appropriate fragrancesgroups gourmand, incense and green. As late as this Wednesday I had no clue what theme to choose when suddenly it stood all clear derived from my SOTD that day Mitsouko Edt: Fragrances from the honorable house of Guerlain should be the Eastertheme.

Wednesday (almost Easter): Mitsouko Edt (semivintage from 2001): This is a light sort of carefree Mitosuko, almost easy to wear. The typical peachy, spicy accord is cleaner, brighter, higher on the fragrance notescale and not as multifaceted  as the Edp. The latter could  sometimes, especially with a spritz to much applied, be perceived as almost muddled. The basenotes of the Edt, at least in this version, is dominated from an uplifting and pleasant note of vetiver. I think this verion of Mitisi is truly unisex.

Maundy Thursday: Rose Nacree du Desert - Starts like a green, elegant rose with also  the greenery botteled. Than it evolves to a radiating still very elegant creamy, clean rosy chypre with vintage vibes, if it had a color it would be powdery light salomonpink. When wearing RNdD I come to think of another elegant contemporary chypre Sisley Soir de Lune even if that one is deeper, heavier and more of a evening fragrance, whereas RNdD is a daytime fragrance.

Good Friday: La Petite Robe Noir Couture - Yesterday was very pleasant like I was wrapped in a delicious dessert during the whole day. Not too sweet if moderatly applied, with  just a few spritzes the earthy base with patchouli and vetiver are more present. Excellent longevity, even now  I can smell the pleasant notes of  cherry liqueur and patchouli on my wrists. To me it really smells cherry even if the berry in the notelist is raspberry.

 

 I will continue with a post about the fragrances for the last three days of this Easter on Monday.

Happy Easter!

 

 

In memory of Notre-Dame....

Picture: Notre-Dame Paris
Photo: Tristan Nitot (cc) some rights reserved
Wikimedia commons

….as we know her.

This morning I wanted to honour the Grand Dame of Paris and therefore choose an appropriate fragrance to remember this fascinating spiritual and cultural heritage. The SOTD was obvious:
Opus 1144 from UNUM/Filippo Sorcinelli, a fragrance inspired from the gotic era which was started approximately 1144. The fragrance is inspired from the stone in the cathedrals and the grey skies of Normandy, a birthplace for the Gotic style and Culture.

Opus 1144 is a lovely oriental styled perfume, comforting and cherishing, a Shalimar wrapped in a fluffy, creamy lemony note. What I don't understand is; where is the connection to the gothic era and the chatedrals? When I'm wearing Opus 1144 I come to think of the art deco style of the 1920s. Instead I'm associate Rosa Nigra from the same brand to medieval style and  atmosphere. This is some of the allure with perfume, different people have different associations. Positive news in this disaster are that two of the dominating luxury conglomerates will donate huge amounts to rebuild Notre-Dame and as a consequence, indirectly, we as parfumistas are also contributing. 

Puredistance - Aenotus

Picture: The visual feeling of Aenotus,
watercolor of Marleen Molenaar
PR Puredistance (c)

Aenotus is the just launched perfume from one of the most exclusive perfumehouses, Dutch  Puredistance. Aenotus is the result from an over three year long creative process where the founder of Puredistance, Jan Ewoud Vos, together with perfumer Antoine Lie, created the signature fragrance for Jan Ewoud. The name Aenotus is made-up by Jan Ewoud, inspired from the greek mythology and more precisely, Aeolus  the god of the winds.  Based from testing performed by both Mr Parfumista and me, I can tell the name definitely is suitable for this airy contemporary  citrus-aromatic creation.

The very first impression when spritzing Aenotus is the high quality and seamless blending of the ingreditents. This is of course the sign of all the Puredistance perfums and becomes obvious in a minimalistic and clean construction as Aenotus. The perfume (Aenotus, like the whole Puredistance line, is close to the skin, extrait formulas) starts with an accord of a very natural smelling lemon, a lemon with depth and a soft roundness, probably a contribution from the complementing orange fruits. There is also a note reminicent of lime. A glimpse of fresh minty leaves appears followed by a very light and well behaved touch of the moist, watery greeness of  one of my  favorite green fragrances Beaufort Fathom V (whereas Fathom V is not well behaved ). I also got a short impression of vintage Eau de Rochas and Mr Parfumista also smells a glimpse of vintage Bowling Green from Geoffrey Beene. Further in the dry down, a shining, white, dry chalky note appears, wrapping Aenotus in a soft rounded aura, not soapy at all, it conjures a similar smooth texture and feeling. There is also a spritzy dry, blond woody, peppery accord, probably from the black currant buds combined with mint and the musks in the base. The peppery effect is quite distinct on Mr Parfumista and Aenotus on his skin becomes reminiscent of a softer luxuary sibling to Hermès Eau de Citron Noir.

In the basenotes Aenotus is stronger on the musks and a sort of dry sunwarmed woody peppery accord amplifies when it comes to Mr Parfumista wheras my skin brings out more of chalky and minimalistic, contemporary mossy notes, even if some of that special woody/peppery accord is also there. Several testings of Aenotus confirms that the performance of the fragrance is very sensitive to the wearers skinchemistry and also to the dosage.  When I'm wearing Aenotus there is an impression in the baseaccord, maybe the mossy note, that reminds me of  the "scenery" (not the scent itself, except fragments of the mossy note) of Pierre Guillaumes beautiful contemporary, mossy Papyrus de Ciane.  Also there is something in common with the mossy musk in Chloé Nomade, even if  Nomade as a fragrance is different, it's floral and sweet compared to Aenotus. When I'm wearing Aenotus glimpses of the citron is still there, also in the base. On Mr Parfumista the base is more onedimensional, like a thicker and smoother, sunwarmed, dry, peppery wood à la Hermès Citron Noir. As I've smelled Aenotus projecting more times from Mr Parfumista than from myself,  Citron Noir is altogether the fragrance that most comes to my mind when evalutating Aenotus.

Picture: Aenouts in its elegant packing
in different sizes, 17,5 ml, 60 ml, 100 ml.
Photo: PR Puredistance (c)

Wearing Aenotus is comfortable but still intriguing as the fragrance triggers differnt associations, to other fragrances and also to the context of the fragrance. Imagines like a cooling breeze a sunny spring or early summerday by the sea with sun and a clear blue sky are the first impression. When leaving the direct seaside, scents from the rural landscape appears like greenery, woods and moss.

Aenotus is a versatile fragrance, it's suitable for daytime wearing year around. It's an understated and officefriendly perfume which wears close to skin. If properly applied of course, the rich formula allows only a few tiny spritzes, if overapplied it could  be almost suffocating. Longevity 24h + even if moderate applied. Compared to other aromatic fragrances, which in comparison often seems "thin" in texture, Aenoutus is multifaceted with a full texture, and something as rare as an aromatic fragrance in perfume formula. Even if Aenotus is a unisex fragrance leaning to the masculine side, I'm planning to wear it anyway and I'm certain I'll exploring new facetts and impressions. To be continued.

Notes: Orange, mandrin, lemon, yuzu, mint, blackcurrant bud, petitgrain, oakmoss, patchouli, musks

Thanks to Puredistance for the sample to test

Fragrances for late winter

The late winter, with spring around the corner, is the perfect season for a true parfumista: One day I'm carving a light and bright springfragrance and the other day a deep and dark oriental and the third day something in between. Below some nice frags from this week:


Picture: Prada (Amber)
Photo: PR Prada (c)

Prada (Prada): My bottle is from 2005 it's before Prada added "Amber" to the name. The perfect dark and embracing contemorary oriental with a rounded patchouli paired with amber and some vanilla.

Picture: Geranium Bourbon
Photo: PR Miller Harris (c)

Geranium Bourbon (Miller Harris): Green, dry, sunny, airy, with an austere and clean geranium flower note. A natural scent, like a garden a cool and windy summerday. Vintage in style but timeless anyway. Somehow GB resembles the intriguing Rose Noir in a bright version.

Picture: Aurore Nomade
Photo: PR The Different Company (c)

Aurore Nomade (The Different Company): A very special high quality, boozy, flowery, gourmand oriental with banana and rum accords. Warm and opulent, almost tasty. Comforting.

Picture: Galop d'Hermès
Photo: PR Hermès (c)

Galop d'Hermès (Hermès): The ulitmate rose-leather with the special addition of quince. Reminds me of a strictly and colder variation of Penhaligon's warm and spicy quince rose Vaara. Very classy and elegant.

Picture: Iris des Champs
Photo: PR Houbigant (c)

Iris des Champs (Houbigant): A light purple and grey fragrance. Starts with a delicious rooty iris then develops to a cloud of cold flowers with iris and lily of the valley as protagonists. Daytime springlike elegance.

Side by side test of....

....some Coco variations. I wanted to compare Coco Mad EDT with Coco Mad EDP and Coco Mad Intense EDP. As I had a fourth spot free, I also spritzed Coco Noir EDP even if that one probably should be compared with the original Coco's, especially the ETP.


Picture: Coco Mademoiselle EDT
Photo: PR Chanel (c)

Coco Mademoiselle EDT: Sort of pink fluffy, girly Coco Mad variation. It's like fluffy cotton on the plant growing on the cottonfield with the smell of dry soil a sunny summerday. This outdoor accord is also combined with a touch of what I imagine as fresh picked strawberries on a straw.


Picture: Coco Mademoiselle EDP
Photo: PR Chanel (c)

Coco Mademoiselle EDP: This is the ladylike Coco Mad variation. Flowers over a tangy, slight fruity accord, some green cold steems like the stems of bulbflowers. This chic and chilly bouquet is anchored in the patchoulibased Noveau Chypre accord, where the patchouli is just a part of the mix, it doesn't stand out as a dominant note. It's still daytime and sun with the EDP but colder outside, like spring or early fall.


Picture: Coco Mademoiselle Intense EDP
Photo: PR Chanel (c)

Coco Mademoiselle Intense EDP: In the dark Intense version an elegant velvet patchouli wrapped in some restrained amber is the protagonist. The flowers are not recognizable as an own accord, they are blended with the dark notes, creating a glimmering edge which comes up to the surface now and then. An comfortable and elegant perfume for evening or cold days in fall or Winter. Not as ladylike as the EDP, this is more the boho chic style. Reminds me in style of Prada Amber.

Picture: Coco Noir EDP
Photo: PR Chanel (c)

Coco Noir EDP: When compared directly to the Coco Mad there is obvious that Coco Noir has it's background in another branch of the Coco family tree. Elegant, light spicy with a distinct retro smell, the opening reminds me of a classic parfume which I could not place right now. I come to think of a resting in a backyard  garden in the shadows of the medival walls of an Mediterranean  ancient town a hot summerday. Noir is for the effortless, stylish globetrotter.

Best of 2018

Picture: Cap Néroli
Photo: PR Parfums Nicolaï (c)

Picture: Néroli Intense
Photo: PR Parfums Nicolaï (c)

As 2018 should be the year wearing from my own perfume wardrobe, I only tested a few perfumes launched during the year. Therefore I couldn't announce a winner in "Best of 2018" even if there where some that I enjoyed and will write about below. Of course both the nérolis Cap Néroli and Néroli Intense from the reliable quality house Parfums de Nicolaï were great.

I also enjoyed Atelier Cologne Iris Rebelle very much, the Rebelle is my favorite from the AC line together with Café Tuberosa which was launched in 2017.

Picture: Iris Rebelle
Photo: PR Atelier Cologne (c)

Picture: Rose Rouge
Photo: PR Van Cleef & Arpels (c)

Picture: Gucci Guilty
Absolue pour Femme
Photo: PR Gucci (c)

Gucci Guilty Absolue pour Femme is in the dark patchouly contemporary chypre genre that I appreciate much, here with a juicy blackberry touch. Even if good it's not reaching  the level of Gucci Guilty Absolue pour Homme. Rose Rouge from Van Cleef & Arpels was another nice addition this year which also has some dark tangy fruit involved. The new variation of Coco Mad,  Coco Mademoiselle Intense  (which I wear today) is the winner (of the few I've sniffed) in the dark patchouly, contemporary chypre genre, at least for me, an  admirer of the Chanel style.

Picture: Coco Mademoiselle Intense
Photo: PR Chanel (c)

Picture: Nomade
Photo: PR Chloé (c)
  

Picture: Flerur d'Argent
Photo: PR Miu Miu (c)

Picture: Ombré Leather
Photo: PR Tom Ford (c)
 

Other good releases in 2018 were Miu Miu Fleur d'Argent  a musky, cold, grand floral and the quiet and floating Chloé Nomade slight mossy and suedelike. A 2018 release   that Mr Parfumista appreciate much is Tom  Ford Ombré Leather even if he likes Tuscan Leather better, the dept, strenght and longevity of TL is better than OL.                   
 


Picture: Eau de Citron Noir
Photo: PR Hermès (c)

A fragrance that confuses me among the  launches is Hermès Eau de Citron Noir. On  me it smells as sort of a peppery hell, on my son it smells really good, like a sundried, salty, lime infused piece of wood on a sandy seashore.

 

Addition on 31 December 2018: I knew there was some good launch I've forgotten when I wrote this entry and today I'm remember which one, when reading the best of 2018 on Bois de Jasmin. It's Hermès Cédre Sambac which is actually no 1 of the ones I've tested 2018. Probably I forgot about it as there was only a only a brief test, a single spritz and a scentstrip at NK departmentstore. So maybe I can't include it as properly tested but who cares when it comes to this beauty, a clean woody jasmin that somehow reminds me of an upscale variation on Cacharel Scarlett a fragrance that i didn't like in it's heydays.

Picture: Hermessence Cédre Sambac
Photo: PR Hermès (c)

HAPPY NEW YEAR 2019!  

The Fragrances of Christmas Eve 2018

Picture: This years pretty
Christmas tree
before it get dressed up
Photo: Parfumista (c)

The Scent of Christmas Eve 2018 is Rubj Extrait in honour to it's creator Vero Kern who passed away last week. Vero was so kind, nice  and commited to the art of perfume and I hope that
her unique creations will be continued in production as Vero:s fragrances have to be experienced by
every true parfumista.  As Christmas this year actually is white with snow and  ca - 8 C degrees outside, the glowing, orange, white flowers, light spice of  Rubj  is the perfect warmer.  Yesterday I worn the fab Veroprofumo  Onda Extrait one of the best in the retro genre with its barnyard, soil, damp grass, leather vetiver accord.

Mr Parfumista is wearing  Eau d'Italie Bois d’Ombrie an almost fresh, chilly, woody scent with a pleasant vetiver/whiskey/tobacco/leather accord, inspired of the umbrian forest a rainy day. Eau d'Italie  Sienne l'Hiver would of course have suited even better, but B d'O fit well together with the greenery of the fresh Christmas tree.
 Below is the updated list of the fragrances I've worn the last fiftheen Christmas Eves:

2017: Vert de Fleur by Tom Ford (elegant retro but also contemporary austere flowery-green.)
2016: Oud Sublime Parfums de Nicolaï (quality "forest-refreshing" dark green, mossy, woody)
2015: Rose de Taif Extrait Perris Monte Carlo (high class smooth velvety rose petals)
2014: Impossible Iris Ramòn Monegal (an elegant, contempory iris with a delicious rasperrynote)
2013: Quintaesensia Ramòn Monegal, (a special retro styled blend, furry, ambery, herbal/spicy)
2012: Nothing, knocked down by the worst flu in ten years+.
2011: Betrothal, Grossmith (classic, light and exquisite florals)

2010: Cuir Mauresque, Serge Lutens (saddle leather, orangeblossom, jasmine, spices)

2009: Tribute Attar, Amouage (dark leather, smoke, oud, excellent spices)

2008: Incense rosé, Andy Tauer (rose, mandarine, cardamom, myrrh cedar, incense)

2007: Ambre Russe, Parfum d'Empires (boozy amber, the, wood, oriental)

2006: Jil Sander 4, Jil Sander (dark, overripe fruits, white almost withering flowers, oriental spices)

2005: Nuit de Noël, Caron (dusky, retro flowers, moss and a furry note)

2004: Cabochard,  Parfums Grès (leathery chypre, harsh green notes and retro flowers)

2003: Fracas Robert Piguet (the ultimate classic grand tubereuse)

Wish you a Great Fragrant Christmas! 

Picture: And here it's dressed up
for Christmas Eve
Photo: Parfumista (c)

 

Parfums de Nicolaï - Néroli Intense

Picture: La Carmencita (1890)
Painting by John Singer Sargent  (1856-1925)
Musée d'Orsay

Néroli Intense (NI) is an elegant nérolicentered fragrance, created by perfumer Patricia de Nicolaï. NI is not a stronger version of Cap Néroli from this summer, it's a variation (just as with the different concentrations of classic Guerlains and Chanels) on the néroli-theme with less higher and lighter citrus notes and more of warm, sweet, dense and dark oriental notes. If NI had a color it's would be like the muted orange color of the dress of La Carmencita above. If it had a texture it would be like bitterorange marmalade

Néroli Intense starts like a massive warm glowing wall of orange néroli and other inteacting sweet and bitter citrus essences with a clever contrast of a dark green, "fat" herbal tarragon note. If Cap Néroli is the sunrise and the scent of a summer morning, NI is the golden sunset of the late afternoon.   There is an almost bloody, metallic accord that seems to rise from the depts of the fragrance and serves as an intriguing contrast to the elegant and well behaved notes of néroli and orange. This accord make me think of a similar twist in Serge Lutens La Fille de Berlin. Maybe this impression is created with a combination of the beewax absolue and the herbal tarragon. The musky base with patchouli is not like a separate stage of the fragrance, it's blended in the fragrance to support the other notes in a very well balanced way.  Another PdN fragrance that NI reminds me of is the discontinued dark hebal-néroli  Eau sOleil, an Eau Fraiche with good longevity. Even if I remember that one as creamier, almost soapy, with less néroli, with more other with flowers and a note of fresh mint accompained by other herbs.


NI is dense like velvet in it's structure but not at all cloying. Timeless in appreance, it has a clever retrotouch. NI is a top notch nérolidominated perfume with high quality ingredients, there absolutely no syntetic vibes about it. To me NI is leaning more to the feminine side of unisex, but just as with Cap Néroli, wearable for both. NI is an elegant fragrance and just as with Cap Néroli it goes well in the boardroom but for autumn and winter instead. NI would also be a perfect companion to our

patient, committed and beautiful Queen Silvia when celebrating her 75th birthday today. Long live the Queen!

Go for Néroli Intense if you wan't some glowing, warm, elegance for winter.

Rating: 5

Notes:

Picture: Olfactory pyramid of  Néroli Intense
Photo: PR Parfums de Nicolaï

Thanks to Parfums de Nicolaï for the opportunity to test Néroli Intense. Néroli Intense is also avaible by Fragrance & Art.

It's the Puredistance time of the year....

November and December is the Puredistance time of the year. Of course I'm wearing them during other seasons too, but for this dark months, one need something extra. And as it's also soon is Christmas I come to think of  that the beautiful fragrances from this house are the ones to wear for the holidays. Below some suggestions:

Picture: Puredistance Warszawa
Drawing: PR Puredistance (c)

Warszawa (Puredistance): I've worn the dark, mysterious, almost plummy Warszawa  much during grey November. An elegant, high quality dark floral oriental, with vintage vibes, boardering to a chypre in the light spicy-fruity genre (think Guerlain Mitsouko, original Dior Poison and Tauer Loretta). 

Picture: Puredistance Opardu
Drawing: PR Puredistance (c)

Opardu (Puredistance): Even if Opardu is the ultimate perfume for spring, it has recently lightened the gloomy days up. It's a lilacperfume with many other facets (for example rose) and interesting twists, with something almost crystalized, slight gourmand.Opardu is not of the light, outdoor, airy variety, it has a much deeper texture and more body.

Picture: Puredistance Sheiduna
Drawing: PR Puredistance (c)

Sheiduna (Puredistance):The grey and gloomy weather demands some true quality and elegance to be defeataed. Sheiduna is a brilliant spicy, slight gourmand oriental with warm and boozy accords. There is also some almost refreshing, offsetting notes, almost like tea. Sheiduna is just superb and reminds me slightly of another gem from perfumer Cecile Zarokain Kashnoir from Laboratorio Olfattivio.

Picture: Puredistance M
Drawing: PR Puredistance (c)

M (Puredistance): An elegant, classical gentlemans leather fragrance but just as Marlene Dietrich with Knize Ten, M could be worn by women too. A smooth and close to the skin variation of Hermès Bel Ami.

And last but not least - the luxurious Puredistance sample giftset is the perfect Christmas gift.

Thank's to Puredistance for contributing with samples to test over the years.

At the moment - Top 3 favourites

Picture: From a walk earlier this autumn,
before the leaves started to fall.
Photo: Parfumista (c)

As a Parfumista my longing for a certain fragrance or fragrancestyle are highly volatile, what I crave for is changing very fast. Top 3 by now:

Lankaran Forest (Maria Candida Gentile): Fresh, piny green, the undergrowth in a cold, autumnal forest. Nothing sweet or cloying, meditative to wear.
Rose Privèe (L'Artisan Parfumeur): When I first tested this three years ago it was not a favourite, even if intriguing, I thought it was to harsh and herbal. But now, I completely changed my mind, this is the smell of an English garden a chilly day. This is how the new Burberry Her should have smelled.

Cuir Cuba Intense (Parfums de Nicolaï): Sundried tobaccoleaves, in a light leathery context. Elements of hay, light, dry spices and dry patchoulileaves. Not a thick and dense but an airy and transparent tobacco.

Blog anniversary 12 years

Picture: Rose hips
Photo: Parfumista (c)

November 1, today it's twelve years since my first blog-entry about perfume. As there is less time for blogging, my entries will appear irregular these days. During my most active years, there was about two to three entires per week, then decreased to one per week and now, now and then. I think that is a better alterntaive than to close the whole venture down. There is still plenty of scented impressions from which I want to share some. So here we go for another year!

Atelier Cologne - Part 2

The Atelier Cologne testing has continued .....

Picture: Trèfle Pur
Photo: PR Atelier Cologne (c)

Trèfle Pur: Elegant and minimalistic. Smooth lime, moss, not powdery but wet chalky. Contemporary but somehow retro in the same time. Reminds me of a favorite modern cologne Mugler Cologne in a more elegant chypre inspired version. Trèfle Pur has to be applied liberally to last during a whole day, almost a full sample is needed.

Picture: Orange Sanguine
Photo: PR Atelier Cologne (c)

Orange Sanguine: Juicy, sunny and so happy! Starts like fresh squeezed orange juice, sipped on the terrace, during a breakfest in the height of the summer. The orange-y scent stays during the whole musky slight ambery dry down. There is also green fragments of the orangetree leaves in the mix. In the later phases of the dry down, Orange Sanguine resembles Clémentine California but more sweet juicy where CC is greener and more tangy.

Picture: Grand Néroli
Photo: PR Atelier Cologne (c)

Grand Néroli: Elegant, citrus - bergamott opening,like  a contemporary interpretation of the 70s classics as for example Eau de Rochas and Chanel Cristalle Edt. After a while GN takes a different path and the nèroliaccord takes the center. The longer the drydown, the softer and creamier GN appears, as with Trèfle Pur, there are similarities with Mugler Cologne in the late stage of the dry down. Also Grand Nèroli has to be applied just as liberally as Trèfle Pur to last.

Picture: Rose Anonyme
Photo: PR Atelier Cologne (c)

Rose Anonyme: This is one of my favorite roseparfumes, I imagine a cool dark pink rose wrapped in fresh, earthy patchoulileaves and some cool spices, combined with a balanced woody oud. There is also something almost winey about it. Despite this, Rose Anonyme is not thick and heavy, instead it's surprisingly transparent. A woodier variation of Laboratorio Olfattive Rosamunda and a fragrance for those who loves dark roses as for example Marni Marni, Juliette has a Gun Lady Vengeance, Terry de Gunzburg Rouge Nocturne and so on.

Atelier Cologne - Part 1

Atelier Cologne is a house which I for many years have overlooked to discover properly. I love Jasmine Angelique and like Mistral Patchouli and Rose Anonyme very much. Café Tuberosa enticed me to try more of the line. Thanks to the generous Atelier Cologne Sales representative in Åhlens City, I've a bunch of samples to test. Here are my short impressions:

Picture: Tobacco Nuit
Photo: PR Atelier Cologne (c)

Tobacco Nuit: A stunning transparent Tobacco from one of the Edp sub-lines of Atelier, Collection Orient. On paperstrip it first smells like a anorectic version of Kerosene Copper Skies, on skin it's tobacco, citric notes, sort of a dry smell of soft paper and finally sparkling, fresh cardamon. A proper and clean tobacco for those who are afraid of a disruptive interpretation of the note. 

Picture: Encense Jinhae
Photo: PR Atelier Cologne (c)

 

Encens Jinhae: Also belonging to the Collection Orient, E J is dry incense wrapped in berries, pink pepper and roses. E J immediately reminds me of a smoother and more sophicated Vivienne Westwood Anglomania mixed with some Chopard Madness.

Picture: Clémentine California
Photo: PR Atelier Cologne (c)

Clémentine California: An almost natural smell of Clementine, slight bitter but in the same time juicy sweet. Green notes like the leaves of the tree and  also a cold, breezy impression. Compared to for example Hermès Eau de Mandarine Ambrèe  CC is brighter and sharper in apperance, In MA the mandarine is wrapped in a soft, glowing amber.Strong and longlasting for belonging to the cologne subline, somewhere between Edt and Edp on my skin.


Picture: Café Tuberosa
Photo: PR Atelier Cologne (c)

Café Tuberosa: I've already posted two mini-reviews of CT and therefore add both: "Starts with thick tuberose, bergamot, blended with dry cacao and maybe a hint of coffee. It's a thick blend, vintage in style reminding me in texture and style of Vero Profumo Rozy. Later there are traces of the colognestyle with hints of citric notes. " (April 2018) "What a comforting beauty! A dark oriental floral with chypre vibes. The coffee and cacao are not sharp or sticky, they blends very balanced with the tuberose in a retrostyled accord. The tuberose dosen't stand out as a flower, it's just a part of the dark blend. " (September 2018).

Further impressions from testing fragrances from Atelier Cologne will appear during the coming months.

5 fragrances for Fall

Picture: From a walk in the hoods
a crisp, sunny, autumn Sundaymorning 2018
Photo: Parfumista (c)

The early autumn month of September has (almost) passed, most sunny and crisp. Probably it's therefore I still don't crave for the dark, thick and heavy frags in the oriental genre. Instead there are most lighter fragrances I've wearing during the last month, fragrances which at least some of them are good examples of transition fragrances:

Iris Rebelle (Atelier Cologne): This is my new favorite iris. Light with a very pleasant opening smelling of fresh baby carrots. Then a beautiful, clean iris appears, wrapped in smooth citric notes.

Nomade (Chloé): The best mainstream release this year , at least from the not so many I've smelled. Like a transparent and contemporary version of Jean Couturier Coriandre. Coriander and moss with a ceratin warmth added to it by delicate soft flowers and light spices. Incredible longevity for such a transparent styled creation.

Mon Parfum Cheri, par Camille Edt (Annick Goutal): This is perhaps the messanger of the real autumn in the top 5. That even if the Edt of this elegant, dark, retro patchoulibased beuaty is more transparent than the Edp. A frag that boosts ones confidence. Full review (in swedish) here.

Café Tuberosa (Atelier Cologne): What a comforting beauty! A dark oriental floral with chypre vibes. The coffee and cacao are not sharp or sticky, they blends very balanced with the tuberose in a retrostyled accord. The tuberose dosen't stand out as a flower, it's just a part of the dark blend.

Fathom V (BeauFort): This damp, green, cold, watery, earthy creation reminds me of late winter/early spring but I crave this utterly intriguing composition for fall also. Full review here.

Midsummer 2018

Picture: Midsummerroses 2018
Photo: Parfumista (c)

Midsummereve was yesterday. The summer solstice up here in the north is much celebrated and a national holiday. This year the weather (always a big question in Sweden) was quite good, rainy and cold (+9  C in the morning) and mostly sunny and quite warm in the afternoon followed by a chilly evening. The day was without rain, except in the morning.

This year (again) I didn't feel to wear florals to match the occasion. I couldn't think of any light high pitched flowery fragrance that was right for me. Instead I wanted something heavy, dark and dense so I went for Penhaligon's Halfeti, a dark rosy, dry spicy oud based fragrance inspried from the  black shaded roses which is/was grown in the turkish town named Halfeti.


Picture: The black rose of Halfeti
Photo: PR Penhaligon's

Halfeti is a fragrance that intriguing me. When I blindbought it about two years ago I was a bit disappointed, to much of the screaming, peppery type of oud. But still there was something that fascinated me with Halfeti and I went back testing it multiple times, I didn't want do give it up. Yesterday I finally find out the trick to avoid the overload of pepper/spice and how to hold Halfeti in check: One has to be very careful when  applying it, just using tiny half sprays at four to five points on skin. Full sprays is much too much. Applied in this way the dark, deep and spicy rose appears in a beautiful way, there are also a warm, dry and in the same time creamy sandalwoodaccord. Halfeti is difficult to understand and to tame, but it was certainly worth all the experimentering. The long process to evalute and to finally understand a complex fragrance is definitly some of the features of this fascinating hobby. Midsummer 2018 will be remembered as when I finally understand Halfeti.

Let's have a great summer 2018, combining the holidays with evaluation of the fragrance wardrobe!