SOTD February 2022

Picture: A soft mossy carpet
Photo: parfumista (c)

Continuing the olfactory discovery trip from January, with a few spontaneuos reflections.

1. Cap Néroli Edt (Parfums Nicolaï) - Sunny high quality néroli.

2. Misia Edt (Chanel Les Exclusifs) - My favourite lipstick iris-rose-violet

3. Misia Edp (Chanel Les Exclusifs) - Also the Edp is perfectly balanced

4. Coco Edt (Chanel) - Reminds me of Krizia Teattro de la Scala.

5. 222 (Le Galion) - Calming sandalwood

6. No 5 Edt (Chanel) - Serious, serene, austere aldehydic, chalky, slight animalic. On my other arm:

    No 22 Edt (Chanel Les Exclusifs) to compare. Joyful and flirty, aldehydic, flowery, chalky, sunny,              trés chic. They are definitly siblings, No 5 the older, takes all responsibility, No 22 the younger              one, carefree, playing around.

7.  No 22 Edt (Chanel Les Exclusifs) Still trés chic.

8. Diorella Edt (Dior) ca 2000 version on my left wrist melon, peach and white flowers over a green       chypre base. An outdoor fragrance. On my other wrist:

    Diorama Edp (Dior Les Creations de Monsieur Dior) 2010s version: A cousin to Diorella, without       melon and with deeper plum and caraway instead of  the greenery. An indoor formal version. A             real wristsniffer.
9.Lady Vengeance ( Juliette Has A Gun) The prototype of a good contemporary rose patchouli, not sweet  with a natural medium pink rose. Still going strong.
10. Midnight Oud (Juliette Has A Gun) Opens with an animalic leathery accord, a dark, sultry rose appears in the dry down . Probably the real Lady Vengeance.
11. Dioressence Edt (Dior) ca 2000 version. Smells like rosewood, orange, smooth cinnamon, rose, violet, iris over patchouli oakmoss. Scent memories from my childhood.
12. Hypnotic Poison Edt (Dior) ca 2000 version dry vanilla milky almond with contrasting subtle flowers and an almost mossy base, balances the blend. So comfortable and warm in grey windy weather.

13. Oud Bouquet Edp (Maison Lancôme) Sweet, dark, milky vanilla and rose ( the typical slight powdery Lancome rose) over a contrasting balanced oud. Delicious and very long lasting

14. No 19 Edt (Chanel) Flawless, cold, clean and dry green iris boquet. 

15. Eau de Ciel Edt (Goutal) The smell of the dry grass of a sundrenched meadow a sunny and hot  slight breezy day in the high summer. The smell of hay. Very special and distinct, light application is needed even if an Edt.
16. Attar Edp (Montale) A quite early batch, pleasant to wear, humble, deep, woody, red rosy , no screachy or peppery notes. 

17. Peut-Être Edp (Maison Lancôme) 2020 version. An uplifting, airy, straight forward pink rose, so easy and uncomplicated to wear. Nice!

18.  L'Autre Oud Edp (Maison Lancôme) 2020 version. More depth than Oud Boquet, boozy, incense, dark red rose supported by a well balanced oud to something almost winey, like a ruby red port.

19. Orchid Leather Edp (Van Cleef & Arpels) The slight boozy, plummy, balsmic aspects are dominating during this wearing, not so much leather more of cold spicy accents.

20. Leather Oud Edp (Maison Christian Dior) The electric smell of dust on a varm bulb (also present in fragrances as Mona di Orio carnation and Tèo Cabanel Kaspar) over a boozy accord almost as soaked in a dry plumliqueur and with a slight animalic touch. 

21. Gucci Oud Edp (Gucci) A darker woodier variation of Gucci by Gucci with the characteristic raspberry/rose combo sweetness  that is present in many contemporary fragrances.

22. Angel Edp (Mugler) The honeyed dark chocolade notes over that special clean, stripped down patchouli are still unique after almost 30 years. My bottle from ca 2007, the liquid  is still bright blue, stored under dark and cool conditions.

23. Angel Edp (Mugler) On repeat today, in a lighter dose, almost aquatic notes emerges and the fractioned patchouli.

24. La Vierge De Fer  Edp (Serge Lutens) The beautiful innocent white lily meets cold steel and incense, an olfactory illustration of this dark day.

25. Boxeuses (Serge Lutens) Subtle leather with dark plum sweet contrasted with some dry spicey notes. Discreet despite its name. 

26.Cristalle Edt (Chanel)  the symbol of true casual chic sunny cold green lemon perfect for a sunny winterday

27. Chance Eau Tendre Edp (Chanel) Light rosy musky cold sort of  D&G Light Blue fresh feeling even if not smelling alike.

28.  Les Eaux Paris - Riviera (Chanel) - Fresh, happy, sparkling and warm neroli/orange/citrus with its own twist, something that reminds me of the smell of orange and citrus hard candy pastilles. A contemporary orangeblossom.

Conclusion: Chanelfragrances seems to be the most worn in February. So glad I re-discovered the original Angel after neglecting it for years.

SOTD January 2022

Picture: A shy rose
Photo: Parfumista (c)

Trying to find out if there is a pattern/ some connection between the fragrances I'm wearing during a period of time. First step is to capture data about it, then analyzing.

Day/Month January 2022
1 L'Ombre Des Merveilles (Hermès) - Worn the Elixir Des Merveiilles on New Years Eve to warm up in the grey weather, wanted a lighter follow up on the first day of the new year.

2.Sucre d'Ebene (Pierre Guillaume, Huitieme Art Collection/Black Collection) - Cosy warm woodden sugar with touches of nutty elements. Perfect for a grey and rainy/snowy day (ca 0 C) as today. Beware: Very strong, unfortunately I overdosed a little from the small sample. 

3. Pour Monsieur (Chanel)  - I read somewhere Fragrantica? Basenotes? Bois de Jasmin?  somebody's notice that ladies shouldnt't miss to try this out for themselves. And I totally agree after todays testing from my sons bottle, the light green tinted formula, I think it's reformulated recently and is not longer green. CPM is so very good in a  timeless, casual, elegant way: Starts with a classy Chanel citrus-neroli accord over fresh soft cold spices grounded in okamoss and vetiver. Lasts very well on my skin and unisex IMHO. 

4. Angéliques Sous La Pluie (Frederic Malle) - Today it was sunny and not rainy at all. As ASLP reminds me of spring and I wanted something relaxing but distinctive  and the sample ASLP just appeared, it was the obvious SOTD.  The angelica and juniper are awesome in this timeless Jean Claude Ellena creation in his typical watercolour style. ASLP somehow reminds me of spring.

5. Orangers en Fleurs (Houbigant) - Grey outside today and it's snowing, Orangers en Fleurs is the perfect moodbooster with its sunny apperance. An orangeflower/white flowers in similar style but higher on the notescale than Serge Lutens Fleurs d'Oranger and the cumin of the latter exchanged with a soft note of nutmeg. 

6. Les Eaux Paris - Riviera (Chanel) - Fresh, happy, sparkling and warm neroli/orange/citrus with its own twist, something that reminds me of the smell of orange and citrus hard candy pastilles. A contemporary orangeblossom.

7. Les Eaux Paris - Riviera (Chanel) - Can't resist Riviera.

8. Les Eaux Paris - Édimbourg (Chanel) - The best of them all in the Les Eaux Collection a contomporary interpretation of lavender but most of all; juniper berry and juniper wood.

9.  Les Eaux Paris - Riviera (Chanel) - So sunny and warming during another grey winterday.

10. Une Rose (Editions de Parfums Frederic Malle) - A semidark red rose, polite and subtle, well balanced, natural smelling combined with a slight boozy accord. Calming and a real pleasure to wear.

11. Eau des Merveilles (Hermès) - This woody, salty ambregris reminds me of the sea by spring or early autumn. Versatile and strong, more than a few small spritzes will be too much.

12. 222 (Le Galion) - Elegant sandalwood with smooth leather notes fleeting around contrasted with a balanced note of myrrh and a tiny violet. A quiet and very comfortable skinscent with great longevity.

13. Bois de Violette (Serge Lutens) - a light and transparent version of the characteristic Serge Lutens woody smell  combined with  fresh flowering purple violets. In the basenotes the violets are combined with light powdery notes wich adds a slight vintage touch. Unobtrusive and calming. 

14. Roses Musk (Montale) - A bold fragrance intense as nuclear radiation. A true rosenote combined with a syntetic woody/oud note and white musk. The result is a pepper and rosecombo which is uncomplicated and strange as it may seem, a pleasure to wear once in a while.

15. Rose de Nuit (Serge Lutens) - An vintage styled dark green mossy rose chypre with musky slight animalic notes  and some almost herbal notes which take the fragrance from the feamale boudoir style in the opening of the fragrance in a masculine direction. A demanding and intriguing fragrance.

16. La Belle Le Parfum (Jean Paul Gaultier) - Either particularly sophisticated or elegant fragrance but very delightful and cozy. La Belle Le Parfum appears as a delicsious, luxurious cake with pear infused with liqeur and a fluffy boozy vanilla. Perfect for a grey windy winterday and with great longevity.

17. Rose de Nuit (Serge Lutens) - Tried RdN not as heavy applicated  today (ca 2,5 spritzes) as two days ago (ca six spritzes) and this is the right way to enjoy RdN. The same smell, not as dense when alternated with an airiness as a consequense of the lighter application, RdN qualities comes to the fore.

18. Drôle de Rose (L'Artisan Parfumeur) -  A pink rose, violet and iris paired with  a cold dry, chalky, slight dusty accord. All summon up in some kind of putty structure. Drôle de Rose reminds me of a grey windy day in early spring with some light purple clouds on grey skies. Drôle de Rose was a lipstick, the colour would be a light transperant cold pink-purple. A beautiful fragrance, reportedly discontinued.

19. Iris des Champs (Houbigant) - An unusual iris. No powder or lipsticknotes and the carrots are just glimpsing in the early topnotes. Starts dry and cold with slight peppery notes. Woody notes with the cold freshness of cedar follows and the woody impression remains during the whole dry down. In the basenotes a pleasent musk appears, its a musk somewhere in the middle, not skanky animalic nor clean white musk. A fragrance with many interesting nuances and with excellent longevity.

20. Lux (Mona di Orio) - A  play with light and dark contrasts,  a dark lemon is the main theme through the whole drydown, appears as growing in the shadow side of the lemon tree. A contrast to a  bright citrus in the sun.  Reminds me somehow of pickled lemons. Some fresh earthiness, contrasted with smooth, almost creamy woody slight dirty musky notes. A contemplating perfume, perfect for relaxing at home.

21. Black Afgano (Nasomatto) - Distinctive woody notes with a subdued oud, some glimpses of dark green, in the dry down also some dark, smooth rounded tobacco liqeuer notes. One of the best woody perfumes IMHO, no traces of that screechy woody note that is so common in woody perfumes. Maybe because my BA is well aged, it has rested under dark and cool for 10+ years, maybe it is just as good also in current formulation.

22. Akkad (Lubin) - A comforting, warm, high pitched and radiating light spicy-herbal amberfragrance. It's like the rays of sunshine.  Underneath some darker notes appears, like a well balanced, thick patchoulinote. Perfect for grey  and chilly winterdays.

23. Rubikona (Puredistance) - Such a pleasant and elegant classic chypre made in a contemporary style. A dark moss and patchouli accord, rose and a distict note of varm an bright orangeblossom and a natural sweet fruitiness. A real pleasure to wear.

24. Warszawa (Puredistnce) -  Such an elegant way to start an ordinary week .A darker chypre than Rubikona, dark iris , violet and dark moss, some dark plum liqeur, A classic in  acontemporary interpretation. reminds me  of  elegant dark  fruity chypres as YSL Yvresse, Guerlain Mitsouko and Rochas Femme.

25. Orchid Leather (Van Cleef  & Arpels)- Dark, oppulent, slight boozy, plummy, balsmic with sparkles of  fresh cardamom. Comforting in winter, a strong formula, that lasts for long,  just two or three spritzes is enough.

26. Cristalle Eau Verte (Chanel) - A beautiful and casual chic everyday fragrance not just for summer.
It's energizing glimmering slight green citrus magnolia profile is cheering the most gloomy grey winterday up.

27. Kiss me Intense (Parfums de Nicolaï) - So comforting, clean natural smelling like easter lily and heliotrope. A sweet impression, but not sugary sweet. A sort of natural flowery gourmand. Like sitting the whole day in the yellow, sunny flowerbell on an easter lily Perfect for grey winterdays.

28. Ambre Fétiche (Annick Goutal) -  One of the best ambres ever (IMHO) wearing the original formula  from an early batch. A glowing, close, velvety, tick amber with subtle incense and a dark smooth patchouli and some dry vanilla. The texture  is sort of honeyed, natural that gives it a slight gourmand feeling, A very comforting winterfragrance. 

29. Aomassai 10 (Pierre Guillaume) - To me this is a red wood cologne,. Warm, with natural gourmand notes as nut, caramel, milk, coffee and spices in a mix, offset by contrasting a woody accord which feels like it has a cologne structure. Great and unusual.

30.  Pentachords Auburn (Andy Tauer) - From AT:s earlier exprerimental line, where each fragrance consisting of just five syntetic notes inspired of a color. Auburn is an interpretation of  cinnamon, cold and dry in apperance. Waem, sunny, orangeblossom is contrasting, blended with a blond tobbacconote over some warm sandalwood and amber. A intriguing and challenging winterfragrance in a  strong formula, maximum two - three spritzes, lasts for over a day. A must try for Tauer fans.

31. Rose Pompon Edp (Annick Goutal) - A real rose favorite, so pleasant to wear.  A medium pink rose, it smells just like the color of the juice. A rose balanced with fresh raspberry and violet vanilla, but not lipstick powdery in texture. the 2020 edition.

Conclusion: Any pattern in the fragrance wearing during the wintermonth of january?  Light Chanel fragrances is the most obvious, most worn style. Besides that maybe as a opposite, heavier  oriental-ambery frags, some strong roses and gourmands reflects the season.

Parfums de Nicolaï - Néroli Intense

Picture: La Carmencita (1890)
Painting by John Singer Sargent  (1856-1925)
Musée d'Orsay

Néroli Intense (NI) is an elegant nérolicentered fragrance, created by perfumer Patricia de Nicolaï. NI is not a stronger version of Cap Néroli from this summer, it's a variation (just as with the different concentrations of classic Guerlains and Chanels) on the néroli-theme with less higher and lighter citrus notes and more of warm, sweet, dense and dark oriental notes. If NI had a color it's would be like the muted orange color of the dress of La Carmencita above. If it had a texture it would be like bitterorange marmalade

Néroli Intense starts like a massive warm glowing wall of orange néroli and other inteacting sweet and bitter citrus essences with a clever contrast of a dark green, "fat" herbal tarragon note. If Cap Néroli is the sunrise and the scent of a summer morning, NI is the golden sunset of the late afternoon.   There is an almost bloody, metallic accord that seems to rise from the depts of the fragrance and serves as an intriguing contrast to the elegant and well behaved notes of néroli and orange. This accord make me think of a similar twist in Serge Lutens La Fille de Berlin. Maybe this impression is created with a combination of the beewax absolue and the herbal tarragon. The musky base with patchouli is not like a separate stage of the fragrance, it's blended in the fragrance to support the other notes in a very well balanced way.  Another PdN fragrance that NI reminds me of is the discontinued dark hebal-néroli  Eau sOleil, an Eau Fraiche with good longevity. Even if I remember that one as creamier, almost soapy, with less néroli, with more other with flowers and a note of fresh mint accompained by other herbs.


NI is dense like velvet in it's structure but not at all cloying. Timeless in appreance, it has a clever retrotouch. NI is a top notch nérolidominated perfume with high quality ingredients, there absolutely no syntetic vibes about it. To me NI is leaning more to the feminine side of unisex, but just as with Cap Néroli, wearable for both. NI is an elegant fragrance and just as with Cap Néroli it goes well in the boardroom but for autumn and winter instead. NI would also be a perfect companion to our

patient, committed and beautiful Queen Silvia when celebrating her 75th birthday today. Long live the Queen!

Go for Néroli Intense if you wan't some glowing, warm, elegance for winter.

Rating: 5

Notes:

Picture: Olfactory pyramid of  Néroli Intense
Photo: PR Parfums de Nicolaï

Thanks to Parfums de Nicolaï for the opportunity to test Néroli Intense. Néroli Intense is also avaible by Fragrance & Art.

At the moment - Top 3 favourites

Picture: From a walk earlier this autumn,
before the leaves started to fall.
Photo: Parfumista (c)

As a Parfumista my longing for a certain fragrance or fragrancestyle are highly volatile, what I crave for is changing very fast. Top 3 by now:

Lankaran Forest (Maria Candida Gentile): Fresh, piny green, the undergrowth in a cold, autumnal forest. Nothing sweet or cloying, meditative to wear.
Rose Privèe (L'Artisan Parfumeur): When I first tested this three years ago it was not a favourite, even if intriguing, I thought it was to harsh and herbal. But now, I completely changed my mind, this is the smell of an English garden a chilly day. This is how the new Burberry Her should have smelled.

Cuir Cuba Intense (Parfums de Nicolaï): Sundried tobaccoleaves, in a light leathery context. Elements of hay, light, dry spices and dry patchoulileaves. Not a thick and dense but an airy and transparent tobacco.

Parfums de Nicolaï - Cap Néroli

Picture: Parfums Nicolaï Cap Néroli
Photo: PR Nicolaï

Cap Néroli is the new 2018 EDT from Parfums de Nicolï, a real favoritehouse of mine. Last years release was Rose Royale, a celebration to the pink roses of the palacegarden in the center of Paris. this year is celebrating néroli and what a celebration: This is not the usual soliflore niche stuff, this is lika a full fragrance, a bouquet of notes which makes one think that Cap Néroli doesn't belong to the soliflore genre.

Cap Néroli starts with an uplifting, cheering, burst of juicy, natural smelling full orange, like fresh oranges squeezed  in the sun by noon on the terrace of a villa in chic mediterrain surroundings. The orange liquid squeezed is natural, with fruit fibres, tick and not diluted or sugared. This is the accords of a early summer sunny day bearing all the expectations of the wonderful days which will come. In the nexte stage a chilly green, minty note appears blended with a herbal touch. The orange becomes more elegant, restrained and sincere in this stage, the néroli oil appears. Also a dry, salty note enters, a note similar to sea salt and also the scent which reminding me of old school bath salts, in this stage Cap Néroli has left the soliflore stage and enters the domains of a more complex fragrance. The salty ant bath salty aspects are also apperant in  Deco London Lawrence even if the latter is greener and colder in style, like an early summerday of the coast of Britan instead of the shores of the Mediterrain. Cap Néroli is grounded in oakmoss and musk an probably this is a part of the secret of the elegant retro feeling of the fragrance. The timeless elegant, green freshness could be the sign of the oakmoss and the herbs even if I guess that some of the typical Nicolaï geranium (think l'eau Chic) could be embedded in the base accord. During the whole drydown the slight herbal minty note gives Cap Néroli a certain sparkle and together with the salty note, offset the sweetness of the flowers of the fragrance. Compared to my other favorite Nicolaï neroli, Eau sOleil, Cap Néroli is brighter and higer on the fragrance note scale. Eau sOleil is the warm, glowing and slight spicy fragrance for the golden sunsets of the late summer, the orange of Eau sOleil is darker, with velvet nuances of gold and brown.

The overall impression of Cap Néroli is classic retro elegance, interpreted in a modern way. Cap Néroi is a modern take on the classic chypre accord, it's minimalistic and scaled down but still some of the moisty mossiness is there together  the with retro salty, slight soapy cleanness and retro freshness, elegant freshness as in vintage Eau de Rochas. To me Cap Néroli as a whole is more of a formal summer fragrance, it goes well in the boardroom. Both the radiance and longevity are very good to be an EDT, Cap Néroli lasts for over twelve hours. The fragrance is unisex, just as good on my skin as on Mr Parfumistas even if my skin amplifies more of the orange notes and his the green, salty and herbal notes. This fragrance shouldn't be missed, its perfect for effortless elegance both in formal and casual chic summer gatherings.

Rating: 5

Notes: Petitgrain bigaride, orange, mandarine, rosemary, mint, neroli, ylang-ylang, jasmine, orangeblossom, oakmoss, musk

Olfactory dessert

Picture: Olfactory dessert April 28, 2018
Photo: Parfumista (c)

As mentioned several times before in this blog, in this houshold there are very rarely desserts served after weekend dinners (only when we have guests). Instead Mr Parfumista often insists on sniffing/analyzing fragrances. As he in 9 of 10 times takes the initiatve to this "dessert", the inhabitants of his fragrance wardrobe are overrepresented. Yesterday evening there was two themes:

1) The frequently occurring comparison between two of Mr Parfumistas wardrobe staples Tom Ford Tuscan Leather (TL) and Acqua di Parma Colonia Leather  (CL) similar in style but both definitly needed. The role model Tuscan Leather is darker, denser, thicker, with smokey, tobacco, leathery notes, like a well worn bikers leatherjacket. TL also reminds me of a polished sibling to Mona di Orios wild Les Nombres d'Or Cuir. When it comes to CL the weird thing is that I always smell the raspberry which is a note in the Tuscan Leather pyramide and not mentioned in the CL pyramide and in TL I can hardly smell the raspberry at all. CL is more transparent in style, with an uplifting citiric aura which is not smelling citrus, it's blended in the texture per se, adding some sparkle to the brew. The leather in CL is the fine and noble leather, the inside of an exclusive handbag.
2) The random fragrance theme, which just occuring, was yesterday triggerd by Mr Parfumistas testing of Parfums de Nicolaï new Cap Néroli. He really likes it and said he will rather wear it than "that sample I was thinking of maybe buying a FB of ". I immediately thought he ment  MFK APOM Pour Homme which he has sampled lately but to my initial surprise, not when thinking twice, he brought out PFM Geranium pour Monsieur. Geranium is a note which is present in the typical Nicolaï "houseaccord", it's not mentioned in the notelist of Cap Néroli even if I suspect it's there as a part of the baseaccord. The other fragrance Mr Parfumista related to after a days wearing of Cap Néroli was Deco London Lawrence. Also a fragrance with a distinct dose of geranium, special and retro smelling, salty and dry like old-fashioned bath salts. These associations shows that one should not limit oneself to compare a certain fragrance to those in the same, in this case, neroli category, one should experience fragrances without any limitations in the mindset, which is hard to achieve.

And when it comes to Cap Néroli, a full review will follow probably after the next weekend when my birch pollen allergy hopefully has calmed down so I can smell and evalute this beautiful fragrance properly.

Rediscovering fragrances

Photo: Parfumista (c)

A New Year resolution 2018 is to rediscover fragrances that already are in my wardrobe as samples or fb:s.
From such exercise some short thoughts probably will appear in print over the year, even if I'm still in the writers block.
Here some rediscoveries from the recent holidays:

Rose Royale (Parfums de Nicolaï): This is an amazing pink rose where I now have discovered more of elegant, retro accords which make this beautiful rose intriguing too. It's much more than just a high quality pink rose.

Shanghai Lily (Tom Ford): A beautiful, velvety and in the same time tick and clean lily. The velvety thickness makes like this better than the other niche standard-lillies, Serge Lutens Un Lys  and Frederic Malle Lys Mediterrranee, both more transparent and sort of "thinner" in texture.

Gucci Bloom (Gucci): Wet, humid, chilly, crisp, white flowers like a graden with withe flowers after rain. Moderate interpretation of white flowers, not the classic voluminous type, balanced with a tangy accord that I really like. Not a rediscovery as this is new to me but worn quite often in December.

I suppose that my fragrancechoices are reflecting the green and rainy weather during the holidays. Flowers and also greens scents, see the choice of the 2017 Christmas Eve Tom Ford Vert de Fleur.

....and 5 other autumn frags

Picture: Maple leaves October 2017
Photo: Parfumista (c)

Last week was colder and autumn is now really here. Heavier stuff was worn, including some favourites such as:

White Oud (Montale): White, cuddling, with a white rose, something mashmallow-ish and a faint oudnote. Texture and smoothness like an angora kitten.

Amber & Spices (Montale): A pleasant, fizzy gingernote and warm spices with hints of a delicate rose and some oud. Smells like my grandmothers spice rack did.

Auburn (Andy Tauer): From the discontinued Pentachords-line (three fragrances built among just five notes). Auburn is warm, brown, cinnamon with tobacco and some white flowers. Even if a bit freaky synthetic, it's the ultimate autumnfragance. 

Sheiduna (Puredistance): Warm, embracing, spicy, balsamic whith some almost boozy notes. The ultimate pleasure to wear a grey, rainy day.

Incense Oud (Parfums de Nicolaï). Smells like the deep forest in autumn, damp and chilly, with dark green moss, tangy, slight herbal notes and earthy patchouli. A sort of refreshing fragrance. 

Parfums de Nicolaï - Rose Royale

Picture: Parfums de Nicolaï Rose Royale,
resting in the snow,
 reminding of the coming Spring
Photo: Parfumista (c)

Rose Royale is a celebration to spring, launched by Parfums de Nicolaï to Valentines Day 2017. This (pink IMO) rose soliflore is inspired of the rosegardens of Palais Royale in the center of Paris.

Rose Royale starts pink rosy with natural smelling fruity accents. The fruity notes are somehow almost dry in appreance and there is nothing too sweet or artifical about it. I especially recoginze the note of passionfruit but lighter and not as prominent as in for example Vero Profumo Rozy Edp or in the tribute to the passionfruit flower from Maître Parfumeur et Ganiter Fraîche Passiflore. In the topnotes also there is also a contrasting glimpse of the fresh, tangy nuance of blackcurrant as also the bergamot which provides the fragrance with a particular chic style. Coriander also brings a light green, refreshing spicy touch to Rose Royale, which togther with the bergamot, provides a slight retro vibe or perhaps it's more appropritate to call it timless.

Picture: Rose Royale
Photo: Parfums de Nicolaï (c)

Rose Royale is all about the rose flower itself, with no interference of stems and greenery. Its about the natural fresh smell of the velvet smooth pink rose petals. It's a bright but not at all shrill rose, it is happy and uplifting when waiting for spring in the last days of the winter. When Rose Royale dries further down, I can also recognize a more severe side of the fragrance, there are snapshots from a darker dept where traces of an accord familiar to the metallic, cold, bloody rose of Serge Lutens La Fille de Berlin are hiding. This gives an intresting twist to this over all polite, refreshing, pink, rose. The roses of Rose Royale resting in a elegant, well balanced musky smooth, warm, woody base where also a very light immortelle sparkles..

Beeing an "easy to go" EDT aimed for spring, Rose Royale has a good longevity if liberally applied. I can smell traces on skin after more then 12 hours. It's a very wearble daytime fragrance both for work and casual. The sillage is somewhere between close and medium.

Rose Royale is something to tray for those who like a uncomplicated but still wellconstructed, rose soliflore as for example Annick Goutal Rose Pompon, Maison Francis Kurkdijan À la Rose and Téo Cabanel Early Roses.

Rating: 5

Notes: Blackcurrant buds, passionfruit, bergamot, coriander, rose, ambrette, immortelle, sandalwood, guaiac wood, musk

Anatole Lebreton - Grimoire

Picture: Grimoire
Photo: PR Anatole Lebreton (c)

Grimoire is the fifth fragrance in bretonic perfumer Anatole Lebretons robust perfumeline "Parfums de Liberté". For reviews of the earlier releases from the house click here.

Grimoire  starts with distinctive green incense, which is the domiatning note in the whole dry down of the fragrance. The green incense is warm and has a resinous texture. In the backgroumd there is also an accompanying, sharp compact and deep citric note which also is green in appreance, probably the bergamot. In the opening there is also a blast of cummin, which for a while creates an almost sweaty impression but in a nice, horsy way. There are also herbal notes, which are leaning to the dry almost dusty side and conveys the
image of an old half-binding book with its old, dry musty paper and its dry leather.The base also shows some mossy, woody notes.

The overall impression is green, resinious incense, a fragrance with the robust, rual character which is the trademark for the Lebreton style. Grimoire is a fragrance of it's own even if it reminds me to some extent of Parfumerie Générale Bois Blond which lacks the incense but has a similar texture and the rual, natural character. When it comes to the green incense, Grimoire has similarities with Andy Tauers Reverie au Jardin even if the greenery in the Tauer is more sappy and even more outdoor, like resting in the green grass, Grimore is more like reading the old book sitting on the terrace surrounded by the greenery. As a fragrance in the outdoor category,one can perfectly imagine a relaxing stay in the countryside wearing Grimoire. Other fragrances which conveys that relaxed outdoor feeling (even if not smelling alike) are for example Pafumerie Générale Papyrus de Ciane and Parfums de Nicolaï Week End a Deauville.

Grimoire is an intense perfume, it is strong with 24h longevity and should be applied carefully. It's sort of
addictive, the more I try it, the more I like it. Grimoire is a daytime casual, fragrance, unisex, leaning to the
masculine side. It's suitable year around except when warm in summer. For that season there is better to wear the more hayish, flowery, green L'Eau de Merzhin also from Lebreton.

Rating: 5

Notes: Bergamot, patchouli, musk, basil, moss, cedar, lavender, elemi, olibanum, cumin

Best of 2016

As earlier years I've tested just a very small fraction of the huge number of fragrance releases. So my choice of the best of 2016 comes from a small selection based on my liking.

Picture: Galop d'Hermès
Photo: PR Hermès (c)

Picture: Chanel No 5 L'Eau
Photo: PR Chanel (c)

2016 I found the most interseting, in terms of having potential to be a "classic", and to me the most memorable fragrances of the year, in the designer segment. Galop d'Hermès (pink rose embedded in fine leather) and Chanel No 5 L'Eau (an airy, less aldehydic No 5) are, even if different types of fragrances, both chic and easy to wear, contemporary and in the same time with an anchor in the heritages of the iconic and still independet houses of Hermès and Chanel. I also appreciated Hermès Eau de Rhubarbe Ecarlate very much, it seems as Christine Nagels adopted style for Hermès works for me. Another designerfragrance, even if not of the great quality of the former mentioned, that I like from this year is the asphalt flower in the night My Burberry Black. Van Cleef & Arpels Moonlight Patchouli should also be mentioned, a beautiful, contemporary, dark and in the same time sort of rosy green chypre. The comforting, creamy, bold, warm and sunny tubereuse of Tom Ford Orchid Soleil makes me happy.

Picture: Tèo Cabanel Kasar,
also together with TC Jaspé and Galop d'Hermès
the best bottles of 2016 

In 2015 there was a battle between white flowers when it came to niche. This year my niche favorite has an abstract, dusty, almost electric (like a warm, dusty old sort of  bulb) carnation flowery scent dimension together with horse, leather and a light touch of cinnamon. The fragrance is classified as masculine and is a new favorite of Mr Parfumista: Tèo Cabanel Kasar, named after one of Emperor Napoleon I:s more than 150 horses. Another horse Jaspé, is also model for another TC release of 2016, a good aromatic fragrance. The house of Tèo Cabanel was also a close contender to the number one position in best of 2015. A very close contender in 2016 is the brilliant, in quality superior, Oud Sublime from Parfums de Nicolaï. Green, dark, velvety, woody with natural Cambodian oud it's refreshing in an elegant and intriguing way.

Picture: Oud Sublime Elixir
Photo: PR Parfums d'Nicolaï (c)

Other niche fragrances that I liked very much in 2016 was in the dark, green, tangy, woody category as Parfums de Nicolaï Incense Oud  with its similarities to Oud Sublime, Maria Candida Gentile Lankaran Forest and Rrose Selavy (which resembles Galop d'Hermès a bit). I also liked Puredistance Sheiduna and Rania J. Cuir Andalou very much, both relaxing, warm, dark, embracing, spicy and oriental styled in different ways.

The to me new house that I discocvered an enjoyed in 2016 was Anatole Lebreton a line of robust, genuine "back to the roots of perfumery" fragrances.

The fragrances of Christmas Eve 2016

Picture: Berliner Junge vom Weihnachtsmarkt, um 1890
Watercolor of Franz Skarbina (1849-1910)
Wikimedia commons
(I found this young Berliner when searching for a
 picture for the Christmaspost.
This sad year of terror,  this picture  will
remind us of the victims.)

Once again time for the regular Christmas Eve post: The Scent of Christmas Eve 2016 is the luxerious  Oud Sublime by Parfums de Nicolaï which is descibed in the former entry of the blog. A good alternative to this is a high quality blend is Parfums de Nicolaï Incense Oud. Both fragrances are sort of "forest-refreshing" dark green, mossy, woody with the delightful typical for Nicolaï dry, chalky element. Suits this green, warm, a bit sunny and windy Christmas Eve perfect.

Mr Parfumista is breaking his habit wearing Santos de Cartier vintage version for Christmas Eve. SOTD is an excellent  masculine release from this year: Téo Cabanel  Kasar light spicy, especially cinnamon, leathery accords with a touch of a floral note like carnation/clove. A choice when regarded, in style is close to a contemporary interpretation of Santos; leather and cinnamon   Will be reviewed in 2017. Below is the updated list of the fragrances I've worn the last thirteen Christmas Eves:


2015: Rose de Taif Extrait Perris Monte Carlo (high class smooth velvety rose petals)

2014: Impossible Iris Ramòn Monegal (an elegant, contempory iris with a delicious rasperrynote)
2013: Quintaesensia Ramòn Monegal, (a special retro styled blend, furry, ambery, herbal/spicy)
2012: Nothing, knocked down by the worst flu in ten years+.
2011: Betrothal, Grossmith (classic, light and exquisite florals)

2010: Cuir Mauresque, Serge Lutens (saddle leather, orangeblossom, jasmine, spices)

2009: Tribute Attar, Amouage (dark leather, smoke, oud, excellent spices)

2008: Incense rosé, Andy Tauer (rose, mandarine, cardamom, myrrh cedar, incense)

2007: Ambre Russe, Parfum d'Empires (boozy amber, the, wood, oriental)

2006: Jil Sander 4, Jil Sander (dark, overripe fruits, white almost withering flowers, oriental spices)

2005: Nuit de Noël, Caron (dusky, retro flowers, moss and a furry note)

2004: Cabochard,  Parfums Grès (leathery chypre, harsh green notes and retro flowers)

2003: Fracas Robert Piguet (the ultimate classic grand tubereuse)



I wish all of you a Great Christmas! As I'm very curious to know what you are wearing for Christmas, feel free to leave a comment.

Parfums de Nicolaï - Oud Sublime

Picture: The Moose in the snow
Painting by John Bauer (1882-1918)

Oud Sublime is a luxurious elixir based on real cambodian oud, created by perfumer Patricia de Nicolaï for her own house, Parfums de Nicolaï. As the rest of the Nicolaï ouds, Oud Sublime stands out as a different oud compared to the common, strong, medical, syntecial intrpretation of this woody note. In the oud fragrances of Nicolaï oud is gentler and not as dominating, it's one of several notes inteacting in well constructed accords.

Oud Sublime starts smelling almost as Incense Oud for a while. Then Oud Sublime takes a darker and deeper trail, with less patchouli, smoother and a bit mysterious. It's texture and color is like a mossy green velvet gown under a dark chocolate brown velvet coat. There is no harsh chemical notes and no cloggy thickness which could be an issue with some "commercial" oudfragrances. Instead, despite of it's darkness, there is an element that could be described as fresh in Oud Sublime, it's the freshness of walking in the forest in the mid-winter, not the acquatic or citrus sort of fresh. The patchouli in Oud Sublime is the same characteristic "Nicolaï patchouli" as in Patchouli Homme/Patchouli Intense and the note is intergrated with the other notes in a seamless way. The base are dominated by the characteristic dark green, chalky, slight mossy elegant Nicolaï accord, the Guerlinade of the house of Nicolaï. In Oud Sublime, this houseaccord seems to be wrapped in dark, woody, slight animalic and natural oudy notes with a hint of a clean incense.

Picture: Oud Sublime
Photo: PR Parfums de Nicolaï (c)

Overall, to me Oud Sublime seems to be an extrait variation of Incense Oud, darker, smoother and close to the skin whereas Incense Oud is the more radiant, brighter, higher positioned on the fragrant notescale.
When it comes to the difference/similarity between the two versions it's about the same relationship as between Andy Tauers versions of his moroccan desert fragrances L'Air du Desert Marocain and Au Coeur du Desert where the former is the brighter and more radiant and the latter extrait variation is darker, smoother and close to the skin.

Oud Sublime is a wearable fragrance both for gloomy autumn/winterdays and for evenings year around. It's a unisex fragrance, close to the skin with a longevity for more then 12h. Silage is somewhere between close to medium.

For a conniseur both Oud Sublime and Incense Oud are worth owning, just as the classic Guerlains and Chanels are different enough to justify owning all versions. As Oud Sublime is quite expensive, Incense Oud is a good option which on the other hand is quite friendly to the wallet.

Rating: 5

Notes: Davana, coriander, rose, ambretta, cambodian oud, patchouli, incense, styrax

Parfums de Nicolaï is now avaible on Fragrance & Art

Parfums de Nicolaï - Incense Oud

Picture: One summer's evening they went with Bianca Maria
deep into the forest (1913)
Watercolor on gouche by John Bauer (1882-1918)
Wikimedia
(The swedish artist John Bauer, his wife and three year old son were tragically drowned in a
shipwreck on the lake Vättern 20 November 1918, ie exactly  98 years ago yesterday. )

Incense Oud is created by one of the best noses of today Patricia de Nicolaï for her own perfumehouse Parfums de Nicolaï.

Incense Oud starts with a clean and clear incense embedded in the typical "Nicolaïade" accord, sofisticated, smooth, slight soapy, chalcy, green with a sort of contemporary, retro touch. This Nicolaï accord in its different settings has a carefree, parisian, elegance. The oud is not a major player here, it's one of the interacting notes from the dept of the fragrance. The oud is not of the dense, smokey variety, nor the chemical, medical one. It's a transparent, herbal and dark green oud (if it had a color), refreshing in the same way as stayning in the deep forest among trolls and elves.
The oudnote is in the same vein as the oud note in Vescace Pour Homme Oud Noir and as in By Kilian Pure Oud, cold and sort of airy but quiter, smoother and seamless integrated with the other notes.  In the background there is also a slight musky almost animalic dept to the fragrance. A more prominent note which is interacting closely with the oud is patchouli. It's the same elegant (in the higher octaves of the fragrance note scale) herbal-fresh patchouli leaves note as in one of my favorite Nicolaïs Patchouli Homme later renamed to Patchouli Intense. Incense Oud reminds me much of the Nicolaï patchouli but Oud Incense is chillier, fresher, a bit herbal whereas Patchouli Homme has spicy and warm notes interacting with the patchouli. In Incense Oud I can also detect some of the slight green, chalky note present in Vanille Tonka. There is no obvious similarities with fragances from fragrances outside the house of Nicolaï, the fragrances of Parfums de Nicolaï are unique in its style compared to the rest of the market. One fragrance I come to think of when it comes to the herbal leaves patchoulinote is Coquillete Herat which blend of tobacco and a canabisnote reminds a bit of the patchouli accord in Incense Oud. There are also a tonality reminding a bit of By Kilian Smoke for the Soul but Incense Oud is much more structured, clean and not as thick and on the verge to messy as the Kilian blend. 

Picture: Incense Oud
Photo: PR Parfums de Nicolaï (c)

Incense Oud is a versatile fragrance wearable the year around expect in the warmest summerdays. It's a casual chic fragrance, suitable for office or for a day in the city. Sillage is medium + and the longevity is great. Incense Oud is unfragmented after more then 12h wearing and it's fully detectable after 24h and on textile after many days. The fragrance is unisex. From what I have smelled from the perfumelaunches of 2016, this is one of the very best.

Rating: 5

Notes: Artemisia, ambretta, coriander, rose, cedarwood, oud, cypriol, patchouli, frankincense, styrax, castoreum, amber, musk

PS: Parfums de Nicolaï is now also avaible from Fragrance & Art .

Ormonde Jayne - Vanille d'Iris

Picture: Iris Germanica (Deutsche Schwertlilie)
Drawing by Franz Eugen Köhler, 1897
Köhler's Medizinal-Pflanzen,
Wikimedia commons

Vanille d'Iris is a 2015 release from Ormonde Jayne created by Geza Schon.

Vanille d'Iris starts with an iris with an light, fresh carrotnote, like from a tin and small carrot "priemeur", harvested in the early summer. After a while Vanille d'Iris becomes more flowery, the carrot disappears as in most irisfragrances which are starting up with the rooty accord which gives an intriguing and sort of fresh, despite the earthy connction, impression for the irisgenre. After a while a non-sweet vanilla shows up and it reminds me of the chalky vanilla of Parfums de Nicolaï Vanille Tonka. The iris as the protagonist among other florals which dominates the heart and reminds me in style of the Le Galion Iris and Acqua di Parma Iris Nobile even if both these fragrances are more lush, flowery and warmer in apperance. Vanille d Iris goes quickly through the flowery phase but iris is also clearly evident in the woody-green accord of the basenotes , reminding me of a contemporary iris-woody classic as Heely Iris de Nuit. The iris in the base is balanced by a clean vetiver as also a barely detectable vanilla, adds an opposing smoothess which, together with a light glowing amber, almost precisely placing Vanille d'Iris just over the border in the feminine iris territory. But Vanille d'Iris is perfectly wearable for men who likes for example Dior Homme where the lipstick texture actually is more feminine in style than the subtle vanilla/amber addition in Vanille d'Iris.The base is also lightly infused with a clean but not powdery or soapy musk which higlights the other notes and makes the fragrance last for long.

Picture: Vanille d'Iris
Photo: PR Ormonde Jayne (c)

Vanille d'Iris is a good, elegant, "basic iris" wearable year around. It doesn't bring anything new to the genre but is well crafted and well worth  sampling if searching for a(nother) basic iris. It's a perfect office fragrance if carfully applied as it's a strong formula which despite its clean character could be overbearing if to much is spritzed, three-four spritzes is the limit. Longevity is very good about 24h, sillage is heavy.

Those who likes irises in general both flowery and woody, will probably also like Vanille d'Iris.

Rating: 4

Notes: Coriander, bergamot, carrot seed, pink pepper, oris, jasmine, magnolia bud oil, osmanthus, vanilla, cedarwood, vetiver, amber, musk

Thanks to Fragrance & Art for the sample to test

Anatole Lebreton - L'Eau de Merzhin

Anatole Lebreton has founded his own fragrancehouse in his native part of France, Brittany. His perfumes are gathered under the slogan "Parfums de Liberté" and exudes a natural, carefree, sort of rual charm. Anatole is a collector of vintage perfumes, a perfume blogger and has also selling rare teas and fine chocolates.

Picture: L'eau Merzhin

Photo: PR Anatole Lebreton (c)

L'Eau de Merzhin is the first composition of Anatole Lebreton and the initial accords of this green, slight dirty perfume are just amazing: Smelling like a well managed, well maintained horsestable with the smell from the horeses themselves, combined by a very true  haynote, all emphasized by a light flowery breeze blowing into the open door of the stable a warm summerday. In the middlenotes the animalic impression decreases and green, grassy, galbanum, leafy and light flowery notes dominates with hints of fresh, humid moss and  tangy green notes in the base.  L'Eau de Merzhin smells like a sunny summerday in the forest, the bewitched forest of Merlin. A fullbodied spring and summer fragrance which make me think of the older version of Pierre Balmain Vent Vert, Parfumerie Generale Papyrus de Ciane, and the two Parfums de Nicolaï: Le Temps d'une Fête (for the tangy, green, flowers) crossed with Vie de Chateau (for the breezy haynotes).

Even if it seems to be dedicated for spring and summer, L'Eau de Merzhin is a strong fragrance with a solid texture which also make it appropriate for colder months. It's longevity is very good, unfragmented traces are left on skin after 24h. Sillage is big. L'Eau de Merzhin is unisex but leaning a step to the feminine side IMO.

Rating: 4

Notes: Galbanum, angelica, violet leaf, cassie, hawthorn, flouve, hay, tonka bean, orris, oakmoss.