Les Cocottes de Paris - La Belle Otero

Picture: Agustina Otero Iglesias (1868-1965)
"La Belle Otero"
Photo: PR Les Cocottes de Paris (c)

Les Cocottes de Paris is a brand started by Anaïs Biguine who also started the Jardins d'Ecrivains brand, inspired by litterature and gardens, some years ago. In the new brand, the inspiration comes from some famous nineteenth century courtesans who were active in the french capital. La Belle Otero is the first of three fragrances to be tested, inspired of a spanish artist, Agustina Otero Iglesias, who is said to have "devoted her life to dancing, men, precious stones, gambling, parties and all above freedom". The fragrance is said to be an invitation to misbehave and I can agree with that when testing La Belle Otero.

La Belle Otero starts sharp, fruity, boozy, chemical, almost as something that could be a sweet fruity floral celebrity fragrance but less sugary. Than the fragrance becomes more flowery, the violet accentuated by a crispy narcissus takes the center. There is almost a lipsticknote present but without the characteristic powdery-creamy smell that is the lipstick standard. The fruity note is still present in the basenotes, balanced by sandalwood and with musk which reinforces the blend. There is something vaugly dirty and decadant glimpsing through the floral-fruity facade, like dirty underwear hiding under a brand new amazing haute couture gown.

Picture: La Belle Otero
Photo: PR Les Cocottes de Paris (c)

Strong syntetical violet and narcissus over a light sandalwood infused by fizzy. musky, fruity elements is the synthesis of La Belle Otero. It's a demanding fragrance with rough edeges but in the same time a somehow pleasant fragrance to wear. It's a dangeroues fruity floral, something dark and beastly are lurking in the background. I think the syntetic smell is a bit too much in La Belle Otero but leaving that a aside, this is a intriguing and in the same time happy and taken as a whole, nice to wear fragrance.

Those who likes fragrances as Rober Piguet Jeunesse, Eau d'Italie Graine de Joie, Parfums MDCI Cio Cio San and By Kilian Playing with the Devil (which is much darker) could probably appreciate La Belle Otero.

Rating: 3

Notes: Neroli, pepper, absinthe, ginger, fig, violet, musk, lavender, narcissus, buchu, lavender, iris, frankincense, sandalwood 

Thanks to Fragrance & Art for the sample to test

Best of 2015

Picture: Lily of the valley
Photo: Mr Parfumista (c)

Last day of 2015 and I don't feel entitled to write this post as I havn't tested a fraction of the many fragrances released this year. I'm also aware of some samples *) of untested 2015s from which I know there will be some I'll like very much.

Regardless my limited testing of 2015 releases, this post optimally should be written in March/April 2016 to catch up, there was a battle between flowers. The winner is Puredistance White with Téo Cabanel Lace Garden as a close contender. White is not only a beautiful, well crafted, high quality fragrance, it's also a very happy fragrance, versatile, elegant and in the same time comforting, easy to wear. A staple for everyday life, as a concept reminding of the also very versatile Jour d'Hermès. Lace Garden is the white floral going contemporary, also happy and elegant, easy to wear but less formal, more casual than White.

Honorable mentions to the lovely, lush, fruity, airy floral Cio Cio San  from Parfums MDCI and in the same vein but a bit spicier; Neela Vermiere Creations Pichola, the creamy non oud - oud 1001 Ouds from Annick Goutal, the spectacular, almost gormand, citric, furry lavender Shermine from Huitème Art and last but not least the cosy, fluffy, lily of the valley vanilla Eau d'Italie Morn to Dusk.

Among designerfragrances releases Bulgari Eau Parfumée au Thé Bleu is the winner in my book. I also like Narciso Rodriguez Narciso Edt and Gucci Bamboo. Havn't smelled the praised Alaïa from Alaïa nor Equipage Geranium by Hermès.

A house I started to explore in 2015 was the (relatively) priceworthy, quality nichehouse Perris Monte Carlo. Their Edp:s are great and now I have just started to explore their wonderful Extraits, released in 2015. So Perris is my house of the year, even if in the fragrance business for decades.

*) Still untested 2015's which I suspect I'll like much are: Cuir L'Aigle Russe from Oriza L.Legrand, UNUM Rosa Nigra and Jehanne Rigaud Imperial Poudré. And I definitly must get my nose on Parfums MDCI Les Indes Galantes a late 2015 release.

Parfums de Nicolaï - L'Eau Corail

Picture: Thunderstorm over Corfu - Lightning Strikes
Photo: Simon Q (cc)
via Dorieo from Flickr to, Wikimedia.com 

L'Eau Corail is the summerfragrance for 2015 from Parfums de Nicolaï. The summer eaux fraiches are carefree fragrances for lazy (or busy) days. My favorite so far is the creamy but herbal orangeblossom Eau sOleil from 2013.Well balanced floral fruity fragrances seems to be en vogue in niche this summer and L'Eau Corail is a lighter take in the genre. For example Parfums MDCI Cio Cio San is a more intense version and even more so Neela Vermeire Créations Pichola.

L'Eau Corail starts with a juicy, natural smelling mangonote, the mango doesn't appears as chemical at all, even if I suppose it is. There is also a tangy bite, probably from black currant, just in the right dose as to me, heavy doses of that berry often is too much. But L'Eau Corail also has a dark side, just in the very begining of the top accords, there is also an almost electric smelling note, or mini-accord, glimpses by and this moment evokes the image of the dark sky in the beginning of a thunderstorm, with the flashes, before the rain sets in. There is some of the electric vibe still present also in the later stages of the dry down. Back to the main track: The mangonote is light, not the thick varity as in for example Neela Vermeire Créations Bombay Bling or Montale Mango Manga, L'Eau Corail is an Eau Fraiche after all. The texture is somehow creamy as also the smell and after a while a light boozy element apperars creating an intriguing contrast to the smooth creamyness. A fizzy, light and refreshing also non-chemical smelling mintnote appears as also cardamom from the depths of the fragrance. As L'Eau Corail dries further down the flowery elements steps forward and balances the fruityness, the cardamom is still contrasting and adding a sort of dry spicyness to this airy-creamy-moisty blend. I suspect that the teanote in the base is contributing a lot to the airyness of the fragrance, even if an Eau Fraiche and the ingredients are diluted, many of the ingredients by themselves are heavy in character. The rest of the base is a light regular wooden-ambery accord which act as a discrete background for the light fruity-flowery-spicy mainaccords of the fragrance.

Picture: L'Eau Corail in the regular
Parfums de Nicolaï bottle
Photo: PR Parfums de Nicolaï (c)

Even if contemporary in the notesetting with the fruits and cardamom,  L'Eau Corail gives me somehow a retro feeling. In expression, apperance and the feeling it gives me, this is very strange as it has completely different notes, L'Eau Corail reminds me of a modern and fruity Hermès Calèche Edt, just as the latter it intermediates a bright, confident, timeless, casual elegance which is present but not disturbing (if light applicated). As I got the same Calèche association to last years Musc Monoï which is aldehydic in style and therefore more obvious to be likened to the Hermès classic, there must be an overall similarity between the two Nicolaïs which I didn't caught immediately.

At first L'Eau Corail seems very feminine in style, at least for the first 80% of the fragrance it not at all feels unisex compared to eaux fraiches L'Eau Mixté or L'Eau Chic. Then apperantly something is happening:
In its later basenotes, Mr Parfumista (who hasn't smelled the earlier stages of L'Eau Corail said "Have you borrowed my Armani *) today"  "it smells as a mens cologne". L'Eau Corail is a lasting companion during warm, humid summerdays but I'm sure it will also be nice to cheer up gloomy days in the colder months. Sillage is big and longevity at least a day, very long lasting for an Eau Fraiche.

*) The first Armani, Armani pour Homme, aromatic-citrus with some moss, at least in Mr Parfumistas "vintage" version.

Rating: 4

Notes: Mango, black currant, lemon leaf, orange, spicy mint, jasmine, rose, osmanthus, cardamom, cedar, sandalwood, mate, musk, amber

Parfums MDCI - Cio Cio San

Picture: Poster for Madama Butterfly by Giacomo Puccini,
Author: Alberto Hohenstein (1854-1928), Wikimedia commons

Cio Cio San is the latest addition to the high quality Parfums MDCI line. Just as the intriguing Nuit de Andalouse from 2013, Cio Cio San is created by one of the brightest shining stars on the perfume heaven in the latest years: Cecile Zarokian. Cecile seems to have good hand (and nose) with oriental styled parfumes, she has created some of my favorites in the genre; Masque Tango, Laboratorio Olfattivo Kashnoir and Amouage Epic Woman.

Cio Cio San is also oriental styled but a floral oriental with intriguing, supporting fruity notes which are lightened up with skillfull handled teanotes which are note sharp or chemical at all. Cio Cio San starts sparkling with pink, lush floral notes, accentuated with fruits, with litchi as the leading star. I can't say that I can distinguish the cherry blossoms but I suppose they are involved in the sparkling, pink flowery opening.
From the very beginning Cio Cio San reminds me of a sort of reversed and less sweet Graine de Joie from Eau d'Italie. Where the fruits are the protagonists, supported by flowers in Graine de Joie, the flowers takes the central position in Cio Cio San even if distinctly supported by the fruits. Soon also deeper nuances appears in Cio Cio San which shows a wider spectrum of accords than in Graine de Joie. After a whlie a dark, rubbery note, similar to the rubber note of rose oil appears and as rose isn't mentioned I guess it comes from the peony. There is also a light glimpse of a fresh almost petrollike note in this stage. Soon also a dark woody note appears, it's similar to a light touch of oud (also not mentioned among the notes) and there is also something almost boozy lurking in the woody musky depths of Cio Cio San. Even in the deeper and darker dimensions of the fragrance, the loveliness of the flowers and fruits are clearly present. The teanote is perfectly intergrated and creates an airy and almost light impression also in the basenotes. There is also a pleasant sort of  tingling (maybe the ginger) tartness present during most of the dry down. The notes of Cio Cio San doesn't smell chemical which could be a problem in some fruity-florals and tea fragrances, respectively.

Picture: The "bust bottle" of Cio Cio San, there
is also a version with a plain cap.
Photo: PR Parfums MDCI (c) 

Just as Cio Cio San herself aka Madame Butterfly, the fragrance Cio Cio San is a fragrance with at least two faces: The happy one just as in the very beginning of the opera, then the melancolic and sad expression just as the way to, and the end of, this tragic drama. Another beautiful flower fragrance which honors Madame Butterfly is Amouage Honour Woman (swe) which is a creamy, well blended, but less original white floral which plays in a less dramatic scale and in higher octaves than Cio Cio San.

Cio Cio San is a intriguing fragrance where different ascpects/facetts are highlighted in different wearings depending for example from how much of the scent is applicated. I'm looking forward to test Cio Cio San also in cold weather as I suspect it will wears nice then too. For summer it's great. Cio Cio San is appropriate for many occasions, both for work and casual, but not for sports, it's too complex for that.
Sillage is somewhere between close to medium, longevity for at least a day with traces on skin the morning after.

Those who like good quality fruity florals as Neela Vermeire Creations Bombay Bling, By Kilian Playing With The Devil and Robert Piguet Jeunesse I suspect will also appreciate Cio Cio San.

Rating: 5

Notes: Yuzu, lemon, ginger, grapefruit, cherry blossom, peony, litchi, tea, guaiac wood, cedar, mus