SOTD January 2022

Picture: A shy rose
Photo: Parfumista (c)

Trying to find out if there is a pattern/ some connection between the fragrances I'm wearing during a period of time. First step is to capture data about it, then analyzing.

Day/Month January 2022
1 L'Ombre Des Merveilles (Hermès) - Worn the Elixir Des Merveiilles on New Years Eve to warm up in the grey weather, wanted a lighter follow up on the first day of the new year.

2.Sucre d'Ebene (Pierre Guillaume, Huitieme Art Collection/Black Collection) - Cosy warm woodden sugar with touches of nutty elements. Perfect for a grey and rainy/snowy day (ca 0 C) as today. Beware: Very strong, unfortunately I overdosed a little from the small sample. 

3. Pour Monsieur (Chanel)  - I read somewhere Fragrantica? Basenotes? Bois de Jasmin?  somebody's notice that ladies shouldnt't miss to try this out for themselves. And I totally agree after todays testing from my sons bottle, the light green tinted formula, I think it's reformulated recently and is not longer green. CPM is so very good in a  timeless, casual, elegant way: Starts with a classy Chanel citrus-neroli accord over fresh soft cold spices grounded in okamoss and vetiver. Lasts very well on my skin and unisex IMHO. 

4. Angéliques Sous La Pluie (Frederic Malle) - Today it was sunny and not rainy at all. As ASLP reminds me of spring and I wanted something relaxing but distinctive  and the sample ASLP just appeared, it was the obvious SOTD.  The angelica and juniper are awesome in this timeless Jean Claude Ellena creation in his typical watercolour style. ASLP somehow reminds me of spring.

5. Orangers en Fleurs (Houbigant) - Grey outside today and it's snowing, Orangers en Fleurs is the perfect moodbooster with its sunny apperance. An orangeflower/white flowers in similar style but higher on the notescale than Serge Lutens Fleurs d'Oranger and the cumin of the latter exchanged with a soft note of nutmeg. 

6. Les Eaux Paris - Riviera (Chanel) - Fresh, happy, sparkling and warm neroli/orange/citrus with its own twist, something that reminds me of the smell of orange and citrus hard candy pastilles. A contemporary orangeblossom.

7. Les Eaux Paris - Riviera (Chanel) - Can't resist Riviera.

8. Les Eaux Paris - Édimbourg (Chanel) - The best of them all in the Les Eaux Collection a contomporary interpretation of lavender but most of all; juniper berry and juniper wood.

9.  Les Eaux Paris - Riviera (Chanel) - So sunny and warming during another grey winterday.

10. Une Rose (Editions de Parfums Frederic Malle) - A semidark red rose, polite and subtle, well balanced, natural smelling combined with a slight boozy accord. Calming and a real pleasure to wear.

11. Eau des Merveilles (Hermès) - This woody, salty ambregris reminds me of the sea by spring or early autumn. Versatile and strong, more than a few small spritzes will be too much.

12. 222 (Le Galion) - Elegant sandalwood with smooth leather notes fleeting around contrasted with a balanced note of myrrh and a tiny violet. A quiet and very comfortable skinscent with great longevity.

13. Bois de Violette (Serge Lutens) - a light and transparent version of the characteristic Serge Lutens woody smell  combined with  fresh flowering purple violets. In the basenotes the violets are combined with light powdery notes wich adds a slight vintage touch. Unobtrusive and calming. 

14. Roses Musk (Montale) - A bold fragrance intense as nuclear radiation. A true rosenote combined with a syntetic woody/oud note and white musk. The result is a pepper and rosecombo which is uncomplicated and strange as it may seem, a pleasure to wear once in a while.

15. Rose de Nuit (Serge Lutens) - An vintage styled dark green mossy rose chypre with musky slight animalic notes  and some almost herbal notes which take the fragrance from the feamale boudoir style in the opening of the fragrance in a masculine direction. A demanding and intriguing fragrance.

16. La Belle Le Parfum (Jean Paul Gaultier) - Either particularly sophisticated or elegant fragrance but very delightful and cozy. La Belle Le Parfum appears as a delicsious, luxurious cake with pear infused with liqeur and a fluffy boozy vanilla. Perfect for a grey windy winterday and with great longevity.

17. Rose de Nuit (Serge Lutens) - Tried RdN not as heavy applicated  today (ca 2,5 spritzes) as two days ago (ca six spritzes) and this is the right way to enjoy RdN. The same smell, not as dense when alternated with an airiness as a consequense of the lighter application, RdN qualities comes to the fore.

18. Drôle de Rose (L'Artisan Parfumeur) -  A pink rose, violet and iris paired with  a cold dry, chalky, slight dusty accord. All summon up in some kind of putty structure. Drôle de Rose reminds me of a grey windy day in early spring with some light purple clouds on grey skies. Drôle de Rose was a lipstick, the colour would be a light transperant cold pink-purple. A beautiful fragrance, reportedly discontinued.

19. Iris des Champs (Houbigant) - An unusual iris. No powder or lipsticknotes and the carrots are just glimpsing in the early topnotes. Starts dry and cold with slight peppery notes. Woody notes with the cold freshness of cedar follows and the woody impression remains during the whole dry down. In the basenotes a pleasent musk appears, its a musk somewhere in the middle, not skanky animalic nor clean white musk. A fragrance with many interesting nuances and with excellent longevity.

20. Lux (Mona di Orio) - A  play with light and dark contrasts,  a dark lemon is the main theme through the whole drydown, appears as growing in the shadow side of the lemon tree. A contrast to a  bright citrus in the sun.  Reminds me somehow of pickled lemons. Some fresh earthiness, contrasted with smooth, almost creamy woody slight dirty musky notes. A contemplating perfume, perfect for relaxing at home.

21. Black Afgano (Nasomatto) - Distinctive woody notes with a subdued oud, some glimpses of dark green, in the dry down also some dark, smooth rounded tobacco liqeuer notes. One of the best woody perfumes IMHO, no traces of that screechy woody note that is so common in woody perfumes. Maybe because my BA is well aged, it has rested under dark and cool for 10+ years, maybe it is just as good also in current formulation.

22. Akkad (Lubin) - A comforting, warm, high pitched and radiating light spicy-herbal amberfragrance. It's like the rays of sunshine.  Underneath some darker notes appears, like a well balanced, thick patchoulinote. Perfect for grey  and chilly winterdays.

23. Rubikona (Puredistance) - Such a pleasant and elegant classic chypre made in a contemporary style. A dark moss and patchouli accord, rose and a distict note of varm an bright orangeblossom and a natural sweet fruitiness. A real pleasure to wear.

24. Warszawa (Puredistnce) -  Such an elegant way to start an ordinary week .A darker chypre than Rubikona, dark iris , violet and dark moss, some dark plum liqeur, A classic in  acontemporary interpretation. reminds me  of  elegant dark  fruity chypres as YSL Yvresse, Guerlain Mitsouko and Rochas Femme.

25. Orchid Leather (Van Cleef  & Arpels)- Dark, oppulent, slight boozy, plummy, balsmic with sparkles of  fresh cardamom. Comforting in winter, a strong formula, that lasts for long,  just two or three spritzes is enough.

26. Cristalle Eau Verte (Chanel) - A beautiful and casual chic everyday fragrance not just for summer.
It's energizing glimmering slight green citrus magnolia profile is cheering the most gloomy grey winterday up.

27. Kiss me Intense (Parfums de Nicolaï) - So comforting, clean natural smelling like easter lily and heliotrope. A sweet impression, but not sugary sweet. A sort of natural flowery gourmand. Like sitting the whole day in the yellow, sunny flowerbell on an easter lily Perfect for grey winterdays.

28. Ambre Fétiche (Annick Goutal) -  One of the best ambres ever (IMHO) wearing the original formula  from an early batch. A glowing, close, velvety, tick amber with subtle incense and a dark smooth patchouli and some dry vanilla. The texture  is sort of honeyed, natural that gives it a slight gourmand feeling, A very comforting winterfragrance. 

29. Aomassai 10 (Pierre Guillaume) - To me this is a red wood cologne,. Warm, with natural gourmand notes as nut, caramel, milk, coffee and spices in a mix, offset by contrasting a woody accord which feels like it has a cologne structure. Great and unusual.

30.  Pentachords Auburn (Andy Tauer) - From AT:s earlier exprerimental line, where each fragrance consisting of just five syntetic notes inspired of a color. Auburn is an interpretation of  cinnamon, cold and dry in apperance. Waem, sunny, orangeblossom is contrasting, blended with a blond tobbacconote over some warm sandalwood and amber. A intriguing and challenging winterfragrance in a  strong formula, maximum two - three spritzes, lasts for over a day. A must try for Tauer fans.

31. Rose Pompon Edp (Annick Goutal) - A real rose favorite, so pleasant to wear.  A medium pink rose, it smells just like the color of the juice. A rose balanced with fresh raspberry and violet vanilla, but not lipstick powdery in texture. the 2020 edition.

Conclusion: Any pattern in the fragrance wearing during the wintermonth of january?  Light Chanel fragrances is the most obvious, most worn style. Besides that maybe as a opposite, heavier  oriental-ambery frags, some strong roses and gourmands reflects the season.

At the moment - Top 3 favourites

Picture: From a walk earlier this autumn,
before the leaves started to fall.
Photo: Parfumista (c)

As a Parfumista my longing for a certain fragrance or fragrancestyle are highly volatile, what I crave for is changing very fast. Top 3 by now:

Lankaran Forest (Maria Candida Gentile): Fresh, piny green, the undergrowth in a cold, autumnal forest. Nothing sweet or cloying, meditative to wear.
Rose Privèe (L'Artisan Parfumeur): When I first tested this three years ago it was not a favourite, even if intriguing, I thought it was to harsh and herbal. But now, I completely changed my mind, this is the smell of an English garden a chilly day. This is how the new Burberry Her should have smelled.

Cuir Cuba Intense (Parfums de Nicolaï): Sundried tobaccoleaves, in a light leathery context. Elements of hay, light, dry spices and dry patchoulileaves. Not a thick and dense but an airy and transparent tobacco.

A sunny winterwalk

Picture: Sunny fields
Photo: Parfumista (c)

Finally, winter has arrived with some snow and pleasing tempratures, some degrees below 0 C and this weekend the sun also was shining. Perfect for a walk aroumd the small lake nearby. Even if sunny and I took the walk in the middle of the day, some mysterious haze was hanging over the fields and the lake.

Picture: Colder in the wood in the
side of the small lake
Photo: Parfumista (c)

These conditions are the very best for wearing perfume imo, the grand orientals and voluminous  flowers comes to their right when contrasted with the cold. During the walk I come to think of some of my choices during last week, for example Guerlain Shalimar Edp and L'Artisan L'Eau d'Ambre Extreme both warm and comforting orientals suitable for the winter.

Picture: Soon the elves will start to dance ...
Photo: Parfumista (c)

The mystic haze reminded me of elves and of Carner Barcelona Rima XI which is a perfume that I associate with elves.

Picture: Sun and haze over the small lake.
Photo: Parfumista (c)

When walkning on the sunny side of the lake, with the sun glittering over the snow, I instantly come to think of the powdery, soapy icon Lorenzo Villoresi Teint de Neige which is also a fragrance that demands lower tempratures to come to its right. And a big white flower as for example  Estee Lauder Private Collection Tubereuse Gardenia would be great in the sun.

Picture: Ice skaters
Photo: Parfumista (c)

Finally, the ice skaters made me think of drinking hot chocolate when taking a break and of Mancera Roses & Chocolate. One know that one is a fragrance nerd when so many fragrance associations pops up during a regular walk

Carner Barcelona - Sweet William (Floral Collection)

Picture: Sweet William
Photo: PR Carner Barcelona (c)

Sweet William is Carner Barcelonas modern interpretation of the old-fashioned fragrance floral concept of carnation. Perfumer is Rodrigo Flores-Roux.

Sweet Williams starts very attractive, like a light, fresh, dry, almost ozonic carantion, as wild carnations in a field a sunny and windy day. The texture is of paper. Even if bright and high in the octaves of the fragrancescale, Sweet William is not shrill or annoying. There is nothing of the traditional dense and dark carnationfragrance, heavy supported with clove. Anyway, there is a touch of spice in Sweet William, but light and sparkling from the wellbalanced harmony of white pepper and cardamon. After the topnotes, Sweet William becomes less papery in etxture and a pleasant tangy, slight leafy note with sort of clean earthy glimpses, appears, maybe hints of the tobbaccoflower. This gives the fragrance a deeper contrast and the pleasant tangy accord is the mainplayer together with the clean carnation for the rest of Sweet Williams drydown. There is also a touch of something that reminds me of a natural smelling pearnote, not the chemical cloying version, and also some light woody rosy touches are also present. The base is light ambery together with sort of a clean resin note.

When comparing to the classics, Sweet William could be the modern Caron Bellodgia in Edt version, it has the same light and tonality even if Bellodgia is spicier and if it has a colour, I imagine Bellodgia as orange and Sweet William as bright red. Oeillet Sauvage from L'Artisan Parfumeur in current version, has similarities with Sweet William with the fresh, light, bright and almost sparkling opening and in the overall light and airy impression. Etro Dihantus also comes to my mind when it comes to the light and bright style.

Sweet William is a pleasant, mostly linear, versatile, non-complicated carnationfragrance which is not as challenging or demanding as classic carnationfragrances. It's very easy to wear and it's a carnation for summer and daytime wearing. Sillage is close and longevity for a day. The most unisex of the three fragrances in the Floral Collection even if leaning slight to the feminine side.

Rating: 4

Notes: White pepper, cardamom. cinnamon bark, galangal, dianthus, ylang-ylang, rose water, tobaccoflower, ambrarome, iris, styrax, vanilla

L'Artisan Parfumeur - Oeillet Sauvage (new version)

Picture: Dianthus caryophyllus
Photo by 撮影者：カールおじさん (cc)
Wikimedia.com, some rights reserved

L'Artisan Parfumeur Oeillet Sauvage created by Anne Flipo, was first released in year 2000, then discontinued, probably because of the though IFRA restrictions against the substances creating the scent of carnation. Now it's relaunched and the review is of the current version, I have not tested the vintage.

Oeillet Sauvage starts with a crisp, papery, carnation note. It's like the name implies, like wild, intensive red carnations, growing in a field surronded by fresh and dry hay where the smells mingles a windy summerday alternating sun with clouds in the sky. Oeillet Sauvage smells distinct of carantion, no dark or cloying clove seems to be unvolved. It's not as spicy as many traditional carnation, here the flower itself is highlighted even if other flowers and notes are supporting, they not overrides in any stage of the developement of the fragrance. A light powdery finish are persent but not as clear as in Oriza L.Legrand Oeillet Louis XV which ha similariteis in the interpretation of the flower but is much more of a mulitflower powder puff. Compared to the other Oriza L.Legrand carnation fragrance Royal Oeillet and also the great carnation of Aedes de Venustas Oeillet Bengale the two latter are darker, balsamic and overall more complicated. Oeillet Sauvage is not as peppery and diluted as another carnation on the lighter end of the spectra, Etro Dianthus or not as old world smelling as Caron Bellodgia.

Picture: Oeillet Sauvage (current version)
Photo: PR L'Artisan Parfumeur (c)

Oeillet Sauvage is a cheerful, easy to wear carantion which is suitable for daytime wear year around, Royal Oeillet and Oeillet Bengale is autumn/winterfragrances or for chilly summer evenings. Sillage is medium and longevity for more than a day. Oeillet Sauvage is a well made, uncomplicated, contemporary carnation which is definitely worth trying for those appreciate carnation.

Rating: 4+

Notes: Pink pepper, rose, carnation, ylang-ylang, lily, wallflower, morning glory, resin, vanilla

L'Artisan Parfumeur - Noir Exquis

Picture: Terrace of the café on the Place du Forum in Arles
in the evening,ca 16 September 1888
Painting by Vincent van Gogh (1853-1890)
Wikimedia commons

Noir Exquis is a fragrance in the gourmand style created by Bertrand Duchaufour, as most of the latest fragrances of L'Artisan Parfumeur.

Noir Exquis starts with dark vanillic, nutty slight flowery and soft spicy notes enlighted by a green, fizzy spicyness. The first section of the accord described reminds me of a paler version of the almond-vanilla bomb Montale Amandes Orientales. The second spicy part with soft spices brightened by the fizzy, a bit sharp green, spicyness reminds me of two fragrances from Carner Barcelona, most of Rima XI, the soft spices and comfortaura and Palo Santo especially when it comes to the green, spicy notes. As Noir Exquis dries down the pleasant, comforting spiciness remian as also the green fizzy vibe as a balance. The vanilla is pleasant and not too sweet, it's a fizzy vanilla in the style of Annick Goutal Vanille Exquise, maybe the Noir Exquis name isn't a coincident. Noir Exquis is overall quite linear in style, even if it also becomes woodier in the basenotes with a warm sandalwoodnote of the australian type, a bit herbal, not as smooth as the indian. Heliotrope also adds a cozy, familliar, very pleasant flowery, sweetness in the second part of the fragrance.

Picture: Noir Exquis
Photo: PR L'Artisan Parfumeur (c)

Noir Exquis is a moderate sweet gourmand in the contemporary caféstyle as Rima XI mentioned above and also Frederic Malle Dries van Noten, Noir Exquis just seems to be some years delayed. Just as the other Dries van Noten and Rima XI it is somehow light in texture despite it's gourmand character, the gourmands of later years are not as heavy and dense as the gourmands of the 90s-00s. Noir Exquis is a unisex comfortfragrance, easy to wear and appropriate for autumn, winter and early spring. Sillage is medium and longevity for more than a day.

Rating: 4
Update January 2018: Rating 5 This is a really good gourmand fragrance, the more I'm wearing it, the more I'm appreciating it.

Notes: Chestnut, orange, orange blossom, coffee, maple sap, ebony, heliotrope, vanilla, tonka bean, sandalwood

Thanks to Fragrance & Art for the sample to test

Fragrances for Christmas 2015 2(2) - Nichefragrances

In the second post about fragrances which could attract especially in Christmastime some appropriate gems from the niche segment will be commented.

Picture: Un Crime Exotique
Photo: PR Parfumerie Générale (c)

Un Crime Exotique (Parfumerie Générale): This is similar to the traditional sweet mulled wine called Glögg which swedes are drinking the in Advent and during the Christmas holiday. Un Crime Exotique is not as sweet as Glögg, the fragrance smells like Glögg mixed with an refreshing the like for example Oolong.

Picture: Loretta
Photo: PR Tableau de Parfums (c)

Loretta (Tableau de Parfums): A dark fruity, spicy, slight dirty, animalic tuberose which compared to for example Marc Jacobs Decadence really is decadent. A fragrance in the classic dark, style of Rochas Femme. One of Andy Tauers best fragrances IMO.

Picture: Mon Numero 10
Photo: PR L'Artisan Parfumeur (c)

Mon Numero 10 (L'Artisan Parfumeur): This one is a sort of merged fragrance with traces from Christmas appropriate classics as Fendi (original), Coco (Chanel) and also Un Crime Exotique (above) + some incense. Embracing and comforting to wear in cold and grey weather.

Picture: M.O.U.S.S.E
Photo: PR Oliver & Co (c)

M.O.U.S.S.E (Oliver & Co): This is the most similar fragrance to mimic real clove that I've tested so far. A sort of fresh, airy but in the same time intense, almost cold, spicy fragrance. Some incense also seems to be involved in a supporting role.

Picture: Wazamba (new bottle)
Photo: PR Parfum d'Empire (c)

Wazamba (Parfum d'Empire): A warm, a bit sweet and spicy incense, not the traditional cold, midnight mass churchy type as Comme des Garcons Avignon which is also a beautiful fragrance suitable for Christmas.

Eau d'Italie - Morn to Dusk

Picture: Amor and Psyche, children 
Painting 1890 by
William-Adolphe Bouguereau (1825-1905)
Wikimedia Commons

Morn to Dusk is the latest release from italian nichehouse Eau d'Italie. Morn to Dusk is created by Annick Menardo, the nose behind many sucesses around Y2K for example Dior Hypnotic Poison, Bulgari Black and Lolita Lempicka.As I like Annicks bold style, it's a bit exciting testing a new vanilla from her.

Morn to Dusk starts vanillic, just like fresh baked vanilla bread, right out from the oven. Soon a light, crispy lilylike flowernote appears, similar to an airy lily of the valley. A smooth musky base, not chemical or loud but fluffy like light clouds in the summer sky, anchors the smooth, flowery.vanilla.The fragrance which I'm thinking of when wearing Morn to Dusk is Elie Saab L'Eau Couture  but Morn to Dusk is a smoother and not loud version and without the orangeblossom and characteristic almond of L'Eau Couture. Morn to Dusk is going on like this in a linear and very pleasant drydown and one think this is all. Until in the very late dry down, when I thought the Morn to Dusk had vanished and I suddenly smelled a finetuned oriental, very light gunpowdery, vanillic accord, tinged with the withw flower  but in a deeper and muskier way than before. The fragrance had turned to be almost retro in style in its last phase, something reminding of a smooth and easy version of Lorenzo Villoresi Teint de Neige. The sillage when this beautiful accord appears seems to be wider, and whiffs are diffusing in the room and remaining for some moments in fluffy, angelic clouds.

Morn to Dusk is a very pleasant, straight forward vanilla with floral notes. It's not the thick, boozy vanilla of for example Mona di Orio Les Nombres d'Or Vanille or L'Artisan Parfumeur Havna Vanille (Vanille Absolument), Morn to Dusk is very easy to wear, smooth, angelic, fluffy without no sharp edges. My nine years old daugther just loves Morn to Dusk, with it's soft, vanillic, fluffy, cloudy aura. Thankfully she has'nt approached the Victoria Secrets, which seems to be the regular type of fragrances worn (if/when someone wears something) in her agegroup.

Picture: Morn to Dusk
Photo: PR Eau d'Italie (c)

Morn to Dusk is a very pleasant fragrance when searcing for something cosy but in the same time light and non-offending. It's clean, non-cluttered, seems to be simple in construction and could therefore be misjudged if not worn for several times, taking the time to sniff carefully and evaluating. Morn to Dusk suitable for daytime wear autumn, winter, spring and for grey, rainy summerdays. Sillage is close and longevity for at least a day.

Rating: 5

Notes: Bergamot, freesia, lily of the valley, vanilla, cedarwood, musk

1000 Jubilée

Picture: Avaible on the net, source in this case
Australian Perfume Junkies

Today I noticed that I just posted my 1000nd entry (the Rose Privee one) on this site, the entries from the almost three years on the fashionmagazine "Damernas Värld" (The Ladies World) are than not included. Many thanks to the readers over the years ! I assume the mix of readers are quite different now than in the earlier years. I think there are more people from the "perfumenerd category" reading today (as I'm Writing in english and reach out worldwide) and less from the broder "interested in beauty and fashion category" from the early years when written in swedish. But I could have completely wrong. Many thanks also to you who provides me with the samplevials of perfume which are the  basic commodites to run this place.

The speed was faster in earlier days with shorter entries which is rather good.per se. The more I get into perfume, the more impressions and connections to other earlier tested fragrances  I find out for the new ones I try. And the result is that each post get more extensive and there is less entries posted as a total. Also  the time that I can spare for this hobby has unfortunately decreased. In the "blog-library" I also see 333 old, unpublished entries, many of them are from my earliest blog "Parfumistans Blog" (The Perfumista diary) written in swedish and imported to this site from the first place where the blog was suitiated, on the newspaper Expressen. Expressen was early in Sweden to offer space for bloggers on their site. Other of the unpublished stuff is pre-written perfumereviews, most of them also in swedish and some in english. My intention is to publish at least  the english written entries from time to time between all the new stuff I review. And of course waitng for the great idea how to redefine the blog. In the meantime, there is business as usual.

PS: Celebrating the 1000nd by sampling the lovely floral, spicy, fruity, airy Pichola from one of my favorite houses, Neela Vermeire Créations. Review will follow later on of this beautiful huge white-flowery perfume.

L'Artisan Parfumeur - Rose Privee

Photo: Mr Parfumista (c)

Rose Privee is the latest rosecomposition from the classical nichehouse L'Artisan Parfumeur. Rose Privee is a creation of Bertrand Duchaufour and Stephanie Bakouche. Earlier rosecentered fragrances from the L'Artisan are the dark and dramatic Voleur de Roses and the rose-violet powder Drole de Rose. Rose Privee is something in the territory in between despite the pink, rosy packaging which indicates a light and sheer pink rose.

Rose Privee has one of the strangest openings that I have smelled for years which is definitly positive in my book. When described it will probably not be perceived as positive but it is as the fragrance balancing on the edge to smell unplesant but don't turn over to the wrong side. Rose Privee starts with
the for roseoil typical rubbernote which very soon turns to the smell of warm tires and then transforms in something similar to the smell of catpee in dry, hayish grass. If separating the notes in this cat-accord I smell mandarine, hay and basil and it seems as theese notes blended evokes this fatal olfactory combination.

Picture: Rose Priveè
Photo: PR L'Artisan Parfumeur (c)

After this nose-catching and challenging start, Rose Privee in its middlenotes becomes a more ordinary, rose dominated, floral (lilac, magnolia) musky blend with both fruity and herbal accents which creates a slight schizofrenic fragrance which couldn't chose which personality to be. In the basenotes there are dark notes with a dry patchouli which smell almost like dry tobbacoleaves combined with traces of basil  and amber. The somehow messy and uncertain impression of the middle- and basenotes unfortunately offsets the edgy start of the fragrance and lowers the overall impression of Rose Privee.  In the middle and basenotes there is something that reminds me of Vero Profumo Rozy Edp, probably the rose-lilac combo. Despite its messy character and the fact it's a bit annoying (the same phenomen as in Coqullite Tudor) I think Rose Privee is better than its reputation, it has got some negative comments in the blogosphere.

Rose Privee is suitable to wear for non-casual occasions year around. Sillage is medium and longevity great, about 24h.

Rating: 3+

Notes: Basil, mandarine, hay, lilac, carnation, magnolia, may rose, violet leaves, patchouli, amber

Thanks to Fragrance & Art for the sample to test

L'Artisan Parfumeur - Mon Numéro 9

Picture: Citrus x limon,
Franz Eugen Köhler, Köhler's Medizinal-Pflanzen (1897)
Wikimedia commons

Mon Numéro 9 is a contempoary styled but in the same time classic cologne in one of the sub-lines of L'Artisan, the numbered Collection. See also my earlier review of the directe opposite to Mon Numéro 9, the boozy oriental Mon Numéro 10.  Both No 9 and No 10 are composed of superperfumer Bertrand Duchaufour, nowadays active in most wellestablished, older nichhouses and of courese also in some newcomers as BD seems to be a safe bet.

Mon Numéro 9 starts with a smooth, juicy and round lemon over green notes, on a light flowery carpet. The lemon is not sharp like the smell of chemical detergent which sometimes is present when lemon is dominating nor harsh-herbal as in some old styled mens colognes. The lemon-green-flowery accords are grounded in and contrasted by a typical contemporary vetiver, patchouli, woody, musky base. The musk is quite present but is not taking over the composition but assure that the longevity is very good for a citrus cologne. As described above, Mon Numéro No 9 goes on until it last traces fades away about twelve hours after application.

Mon Numéro 9 is a perfect, safe officefragence, fresh without the ordinary annoying, chemical freshness. Even if colognes traditionally are imagined as summerfragrances I think No 9 has enough body and tenacity to be worn also to bring some sunshine into autumn and winter. An versatile and well made fragrance even if nothing new in style.

Mon Numéro 9 reminds me to some extent of Sisleys Eau de Sisley 3 despite the latter is more uncommon and a bit more interesting as it also features a fizzy gingernote. Also Parfums de Nicolaï Cedrat Intense comes to my mind even if that one is heavier on the woody/patchouli notes.

Rating: 4

Notes: Citron, lime, petitgrain, lavender, coriander, rhubarb, cyclamen, shiso, rose, myrrh, vetiver, musk, patchouli, amber, wood

Thanks to Fragrance & Art for the sample to try.

Maison Nicolas de Barry - L'impératrice Sissi

Picture: Emperess Elisabet of Austria (1837-1898)
Painting by Amanda Bergstedt (1841-1918)
Wikimedia commons

L'impératrice Sissi from the historic line of Maison Nicolas de Barry is inspired of the Empress of  Austria-Hugary the beautiful  redhead Elisabeth of Bavaria. L'impératrice Sissi is create by Nicolas de Barry and Eddie Blanchet.

L'impératrice Sissi starts sparkling, flowery where natural smelling violets blended with iris, the flowery irisinterpretation are featured. Later on the fragrance goes more cosmetic, like the smell of lipstick, a bit putty- powdery, and this impression deepens as the dry down goes further on. The base is slight vanillic, musky powdery in a  pleasant way.

L'impératrice Sissi is a well made, not candy sweet pastille smelling violet, the flowery iris blances the violet in a perfect harmony. Simple in notes but well balanced and with good ingredients, L'impératrice Sissi is pleasant to wear year around, this is not the typical transaprent spring violet. It's a comforting but in the same time casual chic fragrance, wearable in most occasions.

Frederic Malle Lipstick Rose and L'Artisan Drole de Rose are fragrances in the same vein as L'impératrice Sissi in its later stages. The flowery opening is more in the style of Acqua di Parma Iris Nobile and Le Galion Iris.

I don't konw why  Elisabeth inspired to a violet fragrance, maybe because she liked to wandering in the nature or simply because violets where popular in the romantic era in the 19th century.

Rating:4
Rating: 5 (November 2016)

Re-testing Sissi in November 2016 - its a really great fragance, I like it even better now, the natural vanilla together with an almost herbal facet shines through in a much better way this time. 

Notes: Bergamot, violet, iris, vanilla

Thanks to Fragrance and Art for the sample to try

Teo Cabanel - Lace Garden

Picture: Lady in Flower Garden, 1891
Painting by Childe Hassam (1859-1935)
Wikiart 

The venerable french perfumehouse Téo Cabanel founded 1893 in Algeria, moved to Paris 1908, has some glorius decades then declined and almost closed down around Y2K. The house was restored by Caroline Ilacqua, a relative to the founder in 2005. Téo Cabanel produces high quality fragrances, most of them in a timeless style with some resembles to the fragrances of Annick Goutal and Parfums de Nicolai. Personally, I (and my nose) think this hidden gem of perfume house is worth much more attention among perfumecritics/ perfumewrites.

Lace Garden is a delicate, white floral bouquet which starts with accords highlighten a transparent tubereuse with its classical white flower supporters; jasmine and orangeblossom. The tubereuse is less prominent and more integrated with the rest of the bouquet than in L'Artisan La Chasse aux Papillion  or Annick Goutal Gardenia Passion which ar two classics that comes to my mind, when it comes to the tubereuse part, wearing Lace Garden. A smooth magnolia is contrasting with its pale yellow, slight lime flowery scent. The base is soft and discrete vanillic, balsamic, woody seamless blended and the overall expression, style and scent reminds me of the signaturefragrance of Gianfranco Ferré which bears the same name, of the delicate bouguet Floral Veil from Grossmith and the first fragrance from Parfums de Nicolaï Number One.

Picture: The beautiful bottle of Lace Garden
Photo: PR Téo Cabanel (c)

Lace Garden is fleeting and transaperant, the name is a perfect description of the impression which this lovely, very feminine fragrance conveys. The fragrance feels natural, there are no traces of the artifical notes smell which often are present in contemporary "high-octave" florals. Lace Garden is the perfect spring and summer fragrance but it is also suitable for winter when longing for the warmer months. It's elegant in style and suits well for festive occasions, it's a perfect bridal fragrance IMO. A must try for lovers of delicate white flowers.

Rating: 5

Notes: Ylang-ylang, lemon, tubereuse, jasmin, orangeblossom, magnolia, vanilla, wood, benzoin, powdery notes

Maison Nicolas de Barry - Eau du Cardinal

Picture: Cardinal de Richelieu (1585-1642)
Painting by Philippe de Champaigne (1602-1674),
Wikimedia commons

Eau du Cardinal is a creation based on neroli from the house Nicolas de Barry. Nicolas has composed the fragrance and according to productinformation "Nicolas de Barry became perfumer of the Church Princes and wanted to recreate a fresh and delicate Eau de Cologne, paying tribute to the great Cardinals of France." .

Eau du Cardinal starts smooth citrusy, with the neroli and probably also orangeblossom, even if not mentioned in the notelist. A smooth and not harsh at all woody accord appears after a while to balance the citric-flowery notes, which also feels very natural, and it add a ticker texture almot dry to the fragrance, quite different to the usual, fleeting colognes.The sandalwood-neroli combinaton is very pleasant and there is also something almost soapy (probably musk) to Eau du Cardinal despite it never reach into the soapy territory, just touches it. The frankincense in the basenotes doesn't stand out as a singular note, it's so well blended with the woods.

Picture: Eau du Cardinal
Photo: Maison Nicolas de Barry (c)

Eau du Cardinal is a minimalist, unisexfragrance, composed of fine ingredients. It lasts very well to be a Cologne, it is also mentioned as an Edt and I think thats the correct concentration even if one has to applicate it liberally. As it's denser and ticker in texture than a real cologne Eau du Cardinal is suitable to wear year around for daytime. It adds sun an warmth a cold, grey winterday and don't disappears too soon as most colognes during the summerheat.

When wearing Eau du Cardinal I'm reminded of Parfums MDCI Nuit de Andalouse and there is also something from Annick Goutal Néroli. Eau du Cardinal is well worth trying for those who likes well made orangeblossom/neroli dominated fragrances as for example L'Artisan Seville à l'Aube and Oscar de la Renta Granada.

Rating: 4

Notes: Bergamot, lemon, neroli, teakwood, sandalwood, frankincense

Le Galion - Tubéreuse

Picture: Le Galion Tubéreuse
Photo: PR Le Galion (c)

Tubéreuse is one of the re-issued and re-constructued fragances of the french house Le Galion (more about that in the previous post). The original Tubéreuse was created 1937 by Paul Vacher and the current interpretation is performed by Thomas Fontaine.

Tubéreuse starts with a blast of fresh cut, white flowers with some of the crispy, green leaves also clearly present. The tuberose is dominating in the first stage but as Tubéreuse dries down, the fragrance developes, on the verge to, a  voluminous white floral bouquet with some sweet, almost fruity elements. Tubéreuse is fresh and innocent in style, there is neither an indolic interpretation of the flower, like Robert Piguet Fracas, nor a cold, earthy  and green interpretation of the contemporary style like L'Artisan Parfumeur Nuit de Tubéreuse. The flowers are clean and clear, a (white) rose is another flower which steps forward in some passages, and a light spicy accords reinforces as Tubéreuse dries down. There is no powder or soap in the mix, and what it smells like is an uncomplicated, well balanced and very comfortable white bouquet composed with good ingredients. The delicious flowers rests on a musky, slight woody, ambery base balanced with an almost animalic note. The musky-animalic bases gives the fragrance a good longevity and medium silage.

Tubéreuse is very wearable white flower, suitable year around for daytime wearing. It's a bright and happy fragrance and it's reminds me in style of other white bouqet tuberoses such as Gianfranco Ferre signature fragrance with the same name, Oscar de la Renta Mi Corazon (both quite timeless in style), Guerlain Jardins de Bagatelle (older and denser in style) and Ramón Monegal Kiss My Name (more contemporary in style).

Rating: 4

Notes: Mandarin, galbanum, pink pepper, pear; tuberose, rose, orange blossom, raspberry, cedar, amber, musk

Thanks to Fragance & Art for the sample to test

L'Artisan Parfumeur - Mon Numero 10

Picture:  Cover of the pulp magazine Oriental Stories
(Spring 1932, vol. 2, no. 2)  featuring Scented Gardens by Dorothy Quick.Cover art by Margaret Brundage, Wikimedia commons

Mon Numero 10 is created by  the highly productive perfumer Bertrand Duchaufour for the well known, pioneer, nichehouse L'Artisan Parfumeur.

Mon Numero 10 starts with a very special accord which smell almost like stewed fruits in  liqueur. Soon a clean airy incenseote appears, similar to the clean incense in Andy Tauers Incense Extreme. The incense is followed by a very well mixed note of cedar which smells like smooth pencil shavings, the note of pencil shavings I sometimes percieve as too sharp. Leather is another note which slowly evolve and becoming clearer in the middle of Mon Numero 10 and together with the other notes the fragrance adopts an almost furry texture. From here on, Mon Numero 10 smells similar to the iconic Fendi  Femme (original) but thinner and sweeter, like a contemporary, slight gourmand adaption to the classical Fendi theme. I could also detect Chanel Coco. This pleasant phase goes on until the later stages where suddenly the sweet, cinnaber infused, glüwein accord found in Parfumerie Generale Un Crime Exotique appears.

Picture: L'Artisan Parfumeur Mon Numero 10
Photo: PR L'Artisan Parfumeur

Mon Numero 10 is a perfect oriental for fall and winter, comforting and with  interesting twists as described above. The longevity is good, for a day and with traces left the following morning, it's especially these remaining notes which are very close to Un Crime Exotique. As Mon Numero 10 appears as an intresting mix of other attractive perfumes it somehow feels like Duchaufour was not especially inspired when he composed this blend, it's like this fragrance was created by routine. Despite this Mon Numero 10 is a good, multifacetted and wearable oriental. If I had not been familiar with the other perfumes which I detect in this fragrance and also liked each of them better than the "merged" fragrance, I would have considered more than a sample of Mon Numero 10.

Rating: 4 (November 2014)

Rating: 5 (Re-rated in June 2015 as I liked No 10 even more when tested after the review. It turned to be a fragrance which I couldn't get out of my mind = FBW)

Notes: Fennel, bergamot, aldehydes, pink pepper, cardamon, cinnamon, cabreuva, leather, incense, rose, geranium, jasmine, cedar, musk, vanilla, benzoin, hyrax, heliotrophe, tonka been, styrax, ambregris

Thanks to Fragrance & Art  for the sample

Maria Candida Gentile - Noir Tropical

Picture: Noir Tropical
Photo: PR Maria Candida Gentile (c)

Noir Tropical is a vanilla, silght gourmandy fragrance from  italian perfumer Maria Candida Gentile whos fragrances, I appreciate very much. See reviews and other posts tagged MCG.

Starts with an vanillic accord which is almost chocolaty in the first stages. This part reminds me of old Trussardi Python but a smoother and gentler interpretation. The chocolade vanish after a while and a woody, slight rummy vanilla takes the centerplace. In this stage Noir Tropical reminds me of a mixture of Boucheron Trouble, the characteristic dry woody vanillanote, similar to the smell of old books, and the rummy vanilla of L'Artisan Parfumeur Havana Vanille/Vanille Absolument. After that there is not much more happening, Noir Tropical is a cozy plain vanilla, nothing original or challenging which is a bit disappointing as some of MCG:s first fragrances Sideris, Cinabre and Exultat are exactly just that. The longevity is for at least a day, the sillage is close and Noir Tropical is a perfect, not offending, perfume for the workplace. But as said above, no sensations. The name Noir Tropical to me recalls the image (or smell) of a dense night blooming, dark perfume, something with heavy flowers and vanilla and compared to that, Noir Tropical seems seems a bit lightweighted.

To summarize: A nice, and pleasant vanilla perfume which could be appreaciated by a much  wider audience than MCG:s earlist fragrances. A good sort of basic vanilla fragrance to consider I one needs a new one in this genre for the grey and cold months to come.

Rating: 3

Notes:  Bergamot, almond, vanilla, rum

Thanks to Fragrance & Art for the sample to try

Fragrances for Easter

Picture: Easter postcard early 20th century
Wikipeda Commons

During the years my Easterfragrances mostly have been from the following cathegories: Incense, gourmand or green. This year therefore I'll feature one favorite from each category that will fit for Easter in some sense.

Passage d'Enfer (L'Artisan Parfumeur): The well balanced incensenote combined with an elegant white lily gives me associations of a cathedral in Easter. Rays of springlight flowing through the high, gotic windows and the voices from the choir is rises towards the gotic arches.

Imperial Tea (ByKilian):Technically this is of course not a gourmand but as I've a bit stomach ache and less appetite than usual, nothing really gourmand attracts me at the moment. It does however this refreshing and calming jasminetea fragrance. Review will follow next week.

Déjà de Printemps (Oriza L. Legrand): What could be more springlike green than the crisp and fresh leaves of springtime bulbflowers, fresh grass and glimpses of Lily of the Vally. Déjà de Printemps captures a just blooming springgarden perfectly.

Happy Easter!

Maria Candida Gentile - Burlesque

Picture: Perfumer Maria Candida Gentile
started to create her own rosewater as a little girl.
Photo: This cute photo of Maria is published on her website
(c) Maria Candida Gentile

The initial impression of Burlesque is like a candied iris accord, enhanced by dark, balsamic notes. There are also swirls of a light incense which performs in an almost sweet woody accord, for a while this part smells like wood from a juniper bush. Burlesque smehow reminds me of a balanced and non-excessive L'Artisan Explotions D'Emontions Skin on Skin. Later on, there is a light cosmetic note shining through in Burlesque, combined with a touch of gunpowder. There is something that reminds me a bit of a clean interpreation of Etat Libre d'Orange Putain des Palaces. The longer in the drydown, the more the beautiful blended patchoulinote comes forward. The patchouli is warm, smooth a bit sweet and almost light herbal. There are absoluetly no harsh or dusty impression from the patchouli. Burlesque is my favorite from the three tested from the Exclusive Collection, very pleasant and in the same time intresting to wear during a whole workday. As a perfume the sillage is close, a real wristsniffer where interesting things going on. Longevity about a day. 

Rating: 5

Notes: Blood orange, iris, rose, patchouli, incense

Thanks to Fragance & Art for the sample to test