A sunny winterwalk

Picture: Sunny fields
Photo: Parfumista (c)

Finally, winter has arrived with some snow and pleasing tempratures, some degrees below 0 C and this weekend the sun also was shining. Perfect for a walk aroumd the small lake nearby. Even if sunny and I took the walk in the middle of the day, some mysterious haze was hanging over the fields and the lake.

Picture: Colder in the wood in the
side of the small lake
Photo: Parfumista (c)

These conditions are the very best for wearing perfume imo, the grand orientals and voluminous  flowers comes to their right when contrasted with the cold. During the walk I come to think of some of my choices during last week, for example Guerlain Shalimar Edp and L'Artisan L'Eau d'Ambre Extreme both warm and comforting orientals suitable for the winter.

Picture: Soon the elves will start to dance ...
Photo: Parfumista (c)

The mystic haze reminded me of elves and of Carner Barcelona Rima XI which is a perfume that I associate with elves.

Picture: Sun and haze over the small lake.
Photo: Parfumista (c)

When walkning on the sunny side of the lake, with the sun glittering over the snow, I instantly come to think of the powdery, soapy icon Lorenzo Villoresi Teint de Neige which is also a fragrance that demands lower tempratures to come to its right. And a big white flower as for example  Estee Lauder Private Collection Tubereuse Gardenia would be great in the sun.

Picture: Ice skaters
Photo: Parfumista (c)

Finally, the ice skaters made me think of drinking hot chocolate when taking a break and of Mancera Roses & Chocolate. One know that one is a fragrance nerd when so many fragrance associations pops up during a regular walk

Peccato Originale - Quick reviews

Picture: Papaver somniferum. (Schlofmoon)Franz Eugen Köhler (1897), Köhler's Medizinal-Pflanzen, Wikimedia commons

Peccato Originale (Original Sin) is an Italian nichebrand founded by chemist/pharmacist Silivia Monti inspired from her her work in a pharmacy and the clients she met there. The fragrances har created by Siliva in collaboration with not revealed pefumers, expect one which is mentioned; Lucca Maffei. I have tested samples of four fragances from the line which consists of at least eight fragrances which is defined as unisex.

Antidoto Reattivo is a juicy citrusdominated fragrance with a cold spicy vibe from cardamon. There are also contrasting, green notes with an almost dry, airy, very light flowery, tangy touch and also a boozy slight antiseptic element in the base. Maybe the dry, flowery, tangy impression is from mate which is mentioned among the notes. Something in the over all expression reminds me of a less flowery Une Nuit de Bali Fleur des Fleurs.


Iniezione di Morfina despite its name this one is a classical, powdery, floral aldehydic musky fragrance with the usual flowers rose, iris, jasmine but here with an noticeable addition of lily of the valley. A late follower to fragrances in the style of Lorenzo Villoresi Teint de Neige, Etat Libre d'Orange Putain de Palaces and Frederic Malle Iris Poudre et al. The Morfina is very feminine to my nose

Picture: Tintura Spiritosa
Photo: PR Peccato Originale 

Tintura Spiritosa starts like a random Mancera/Montale fragrance with rose and spice but much less oud. The oudy impression soon disappears and TS becomes sweeter with a tangy blackcurrant (the berry) note combined with  a light boozy touch and tea accents. This over a  musky peppery resin amber base where the pepper is quite detectable.

Cantaride the softest and most polite of the four tested. A light amber with angelica which creates the typical contemporary classic suedenote. Some very light animalic passages as also a very light touch of booze glimpses by and all is grounded in a pleasant musky base. A comforting, calming and pleasant "wrist-sniffer". Cantaride makes me think of fragrances as Guerlain Cuir Beluga and to a soft and tame variation of Annick Goutal Sables.

My impression from the sampling is that the Peccato Originale line is quite ok but nothing as spectacular as some of the names of the fragrances indicates. All the first three tested fragrances have a cold (not Cantaride which is warm), almost boozy strike to them, maybe a recollection from the Pharmacy. The longevity is impressive, around 24h for all four fragrances. Taken as a whole, my impression from sampling three the Peccato Originales is that the house have some own characteristic even of beeing one in the crowd of new fragrancehouses which have flooded the market during the latest years.

Jehanne Rigaud - Imperial Poudré

Picture: Bianca Castafiore
"Milanese Nigthingale" apperant in several albums
of  "Les aventures de Tintin" created by Hergé
(Georges Remi)
Picture borrowed from Comicvine

Jehanne Rigaud is perfumehouse based in Grasse. The inspiration comes from the treasure of vintage perfumes. The style of the house reminds me of Les Nereides, which also provides a range of robust, vintagestyled perfumes. There are also connections to the Oriza L.Legrand style even if find that house a bit less loud and maybe a bit more refined. Imperial Poudré is the first Jehanne Rigaud perfume I've tested.

Imperial Poudré starts with a blast of powder, it's dry and gunpowdery in style and applied with a gigant powderpuff with creamcolored fluff. The dry gunpowder smell reminds me of the dry gunpowder in Mona di Orio Les Nombres d'Or Ambre. After a while flowery elements balanced by a delicate, a bit earthy but flowery iris shows up, reminding me of Lorenzo Villoersi Teint de Neige, soon also sweet almond and warm heliotrophe appears. The more Imperial Poudré dries down, the more putty and moist in texture the powder emerges. A big retrostyled musky note supports and creates dept to the other notes during the whole dry down even if more present the longer Imperial Poudré has developed, it dominates in the latest stage. In the basenotes also an intriguing jasmine and rose combo appears which smells clearly vintage, it's a distinct animalic touch in the accord, probably the musk and jasmine contributes to that. In this stage I associate Imperial Poudré to Oriza L.Legrand Jardins d'Armride even if the special accord described is missed in the latter.

Picture: Imperial Poudré
Photo: PR Jehanne Rigaud (c)

Imperial Poudré is a "grand" fragrance, a perfume that makes a statement. It's an evening perfume, a perfume for a ball or the Opera, I can imagine an opera diva wearing this, Bianca Castafiore is the incarnation of Imperial Poudré. Of course one can wear it during daytime but than has to be very careful in application, a litte goes for long. It's a fragrance for the cold months, I suspect it could be cloying in the summer, except for a really cold early summer evening of the swedish type. Sillage is big and the longevity for over 24h. Its a very feminine perfume.

Imperial Poudré is an extreme fragrance of a type which almost isn't produced today. It's as Imperial Poudré originates from another century, a batch was forgotten in some warehouse and now showing up on the market. It's pushy on the verge to vulgar, not in the trashy but more in the nouveau riche way. Imperial Poudré definitly has its own personality and stands out from the crowd, which I really appreciate. Unfortunately Imperial Poudré dosen't mix well with my chemisty and therefore doesn't reach the highest score in my subjective rating.

Rating: 4

Notes: Ylang-ylang, iris, vanille, almond, powder, florals, musk, jasmine, rose, heliotrope

Thanks to Fragrance & Art for the sample to test

Eau d'Italie - Morn to Dusk

Picture: Amor and Psyche, children 
Painting 1890 by
William-Adolphe Bouguereau (1825-1905)
Wikimedia Commons

Morn to Dusk is the latest release from italian nichehouse Eau d'Italie. Morn to Dusk is created by Annick Menardo, the nose behind many sucesses around Y2K for example Dior Hypnotic Poison, Bulgari Black and Lolita Lempicka.As I like Annicks bold style, it's a bit exciting testing a new vanilla from her.

Morn to Dusk starts vanillic, just like fresh baked vanilla bread, right out from the oven. Soon a light, crispy lilylike flowernote appears, similar to an airy lily of the valley. A smooth musky base, not chemical or loud but fluffy like light clouds in the summer sky, anchors the smooth, flowery.vanilla.The fragrance which I'm thinking of when wearing Morn to Dusk is Elie Saab L'Eau Couture  but Morn to Dusk is a smoother and not loud version and without the orangeblossom and characteristic almond of L'Eau Couture. Morn to Dusk is going on like this in a linear and very pleasant drydown and one think this is all. Until in the very late dry down, when I thought the Morn to Dusk had vanished and I suddenly smelled a finetuned oriental, very light gunpowdery, vanillic accord, tinged with the withw flower  but in a deeper and muskier way than before. The fragrance had turned to be almost retro in style in its last phase, something reminding of a smooth and easy version of Lorenzo Villoresi Teint de Neige. The sillage when this beautiful accord appears seems to be wider, and whiffs are diffusing in the room and remaining for some moments in fluffy, angelic clouds.

Morn to Dusk is a very pleasant, straight forward vanilla with floral notes. It's not the thick, boozy vanilla of for example Mona di Orio Les Nombres d'Or Vanille or L'Artisan Parfumeur Havna Vanille (Vanille Absolument), Morn to Dusk is very easy to wear, smooth, angelic, fluffy without no sharp edges. My nine years old daugther just loves Morn to Dusk, with it's soft, vanillic, fluffy, cloudy aura. Thankfully she has'nt approached the Victoria Secrets, which seems to be the regular type of fragrances worn (if/when someone wears something) in her agegroup.

Picture: Morn to Dusk
Photo: PR Eau d'Italie (c)

Morn to Dusk is a very pleasant fragrance when searcing for something cosy but in the same time light and non-offending. It's clean, non-cluttered, seems to be simple in construction and could therefore be misjudged if not worn for several times, taking the time to sniff carefully and evaluating. Morn to Dusk suitable for daytime wear autumn, winter, spring and for grey, rainy summerdays. Sillage is close and longevity for at least a day.

Rating: 5

Notes: Bergamot, freesia, lily of the valley, vanilla, cedarwood, musk

Oriza L.Legrand - Héliotrope Blanc

Picture: Héliotrope Blanc
Photo: PR Oriza L.Legrand

Héliotrope Blanc is a recreation of a 1886 Oriza L.Legrand release on the sweet. powdery heliotrope-theme. Responsible for the recreation is as always, Oriza co-owner Hugo Lambert.

Héliotrope Blanc starts powdery mixed with the orangeblossom/violet. The powder is of the dry gunpowder type which is clearly present in fragrances such as Lorenzo Villoresi Teint de Neige and Mona di Orio Les Nombres d'Or Ambre, especially in the topnotes. After a while a bit strange, not at all unpleseant, vegetal note appears as some mouldering leaves where thrown into the brew. The vegetal note soon steps in the background and the powdery flowers continues featuring the sweet, but not sugary sweet, warm heliotrope. Tonkabean is also prominent in some stages. From the middlenotes to the late drydown in the basenotes where Héliotrope Blanc is secured with the typical Oriza ricepowdernote. Héliotrope Blanc makes an overall linear impression, no particular twists and changes, but cosy and nice to wear. When it comes to other Orizas, Héliotrope Blanc in style most reminds me of the more intricate Jardins D'Armide. Another fragrance with similarites to Héliotrope Blanc is Parfums de Nicolaï Kiss me tender, which is sweeter, cookielike and smells as it is edible.

Héliotrope Blanc has close sillage and god overday longevity. Suitable for most seasons and occasions but would not be recommended for the warmest months. A good, easy to wear, Oriza styled fragrance but not as intricate as especially the earliest  re-releases from the house.

Rating: 4 (2015)  /5 (2016)

Reassessment February 2016: Wearing Heliotrope Blanc is like relaxing in a cloud of fluffyness, HB is incredibly cozy and smells just fab. An uncomplicated fragrance which creates a cherful mood. Perfect for grey days and Mondays.

Notes: Orangeblossom, violetleaf, almond, heliotrope, iris, mimosa, musk, risepowder, benzoin, tonkabeans

Made in Italy (2) - Lorenzo Villoresi - quick impressions

Picture: Landschaft mit Sonnenuntergang ca 1505
Painting by Giorgione (1477-1510)

About one and a half year ago I had a post regarding some interesting Italian perfumes from different perfumehouses. I really like the often dramatic, sometimes almost unpolished style of the italian perfumery. Below short impressions of some fragrances from Lorenzo Villoresi, a well-established, contemporary-classic house with quality fragrances to reasonable prices. Even if the fragrances differs in style, the LV house IMO is sort of the italian equivalent to the french Annick Goutal or Parfums de Nicolaï: Reaible fragranceinstutions of their respective country.

Donna: This is a true bombshell, intense floral fragrance in the great 1980s style. A fragrance for the brave, the diva who doesn't mind taking the center stage. Starts with a bold, sour, old fashioned, dark rose, that transforms to a beautiful slight creamy leathery-smoky-dark rose stage, almost the sort of creamy effect of the rose-oud-saffron combo that appears in some modern ouds like Montales Aoud Safran (swe), but in Donna without the oud. There is also just the right spicy carnation note supporting the rose and probably it's this combination that gives the creamy-leathery-smoky effekt. Later on, soft sandalwood and musky  notes smoothens and calms the fragrance a bit but the dark, smoky rose are still there, lurking in the blend. When I smell Donna, I'm glad that someone still has the courage to produce such an "unfashionable" and not at all easy to wear fragrance.

Alamut: This is much smoother and more pleasant than I've imaged from reading reviews of it. A bit powdery rosewood, the beautiful gunpowder note that is used but on a much higher volume in my favorite LV Teint de Neige. There is also polished orangeblossom notes, soft wood and spices which smells like an old wooden chest used to store spices for deacades. Alamut is the true image of a  member of the soft oriental fragrance family. Comforting, unobtrusive but still ever present during its dry down, a  cherishing fragrance for autumn and winter.

Sandalo: A velvet smooth, straight-forward, nutty sandalwood, not the sharp type of sandalwood (I think it's the australian grown type of sandalwood that contains the sharp notes). Reminds me of Etro Sandalo (swe) but less peppery in style. The Etro I refer to is an older formula than the one sold now which I havn't sniffed. LV Sandalo is a very good canditate for those who seeks for a singlenote sandalwood for the fragrance wardrobe.

Etat Libre d'Orange - La Fine du Monde

Picture: A scene from the last phase of Ragnarök (1905)
Painting by Emil Doepler (1855-1922)

Who could imagine the Armageddon so quiet and undramatic, almost relaxing? I image chaos, horror and fear but this is not what is expressed in the latest Etat Libre d'Orange fragrance La Fin du Monde created by Quentin Bisch .

La Fin du Monde starts with an iris accord emphasize the rooty, carrot smell. But the carrot isn't raw, instead it's softer, like stewed carrot, an impression that I also get from Huitèime Art Naiviris but in the latter the stewed impression is more intense. After a while a smooth peppery, fizzy, spicy note come up, probably the pepper/cummin. The cummin seems to be a stripped down version, without the sweat (strange that the sweatish component is missing when thinking about the dramatic inspiration for La Fin du Monde). Then a torrid, slight burned note appears, a light interpretation of gunpowder. A sweet, a bit nutty note, reminding me of a almondcake glimpses by, contrasting in the dry, black lead-like accord. In the next stage a slight salty nuance appears and soon a mild popcornnote arrives. The popcorn is gentle and natural in style compared to the candied popcorn note in Miss Dior Cherie (original 2005 version). The composition is grounded in a light, very dry woody-resin base, with the soft gunpowdernote continuously present. The gunpowdernote is much more soft than in fragrances such as Mona di Orio Les Nombres d'Or Ambre or in Lorenzo Villoresi Teint de Neige.

The overall impression of La Fine du Monde is a connection to another recent gunpowdery-slight gourmand interpreation: Amour Nocturne by L'Artisan Parfumeur (an analyze will be published in the coming weeks), but it seems as the names are interchanged.La Fin du Monde is soft, quiet and balanced compared to the much stronger, louder and chaotic Amour Nocturne, which seems to be an experimental and provoking fragrance. La Fin du Monde on the other hand, is very wearable, pleasant and officefriendly, a fragrance many could like, not as extreme as the earlier ELd'O fragrances. When wearing La Fin du Monde, I spontaneously received very positive remarks from when it comes to perfume fastidious Mr Parfumista. La Fin du Monde has close sillage and good longevity, about 12h.

Rating: 4+

Notes: Popocorn, carrot seeds, cumin, sesame, black pepper, freesia, vetiver, sandalwood, ambrette, iris, styrax and gunpowder.

Thanks to Riktig Parfym for the sample.

Oriza L.Legrand - Jardins D'Armide

Picture: A rose from Armidas garden
Painting by Marie Spartali Stillman (1894)
Wikimedia commons

The original  Jardins D'Armide was released in 1905 and the current version is an interpretation of the original that preserves the old school feeling in a contemporary wearable way. The re-working is performed by Oriza L.Legrand houseperfumer Hugo Lambert. Jardins D'Armide is inspired of the garden in the story of Armida, a sacaran sorceress who during the First Crusade captured the Roman soldier Rinaldo and created an enchanted garden where she held him a lovesick prisoner. 

Jardins D'Armide starts dry powdery with a furry note, but in the same time a bit cold, like the texture and feeling of an orchid. A sweet note, reminding me of candy also appears in a very pleasanst way. The roses are dry, like dried rose petals, and a bit tart. When Jardins D'Armide developes a wellblanced, still cool, slight spicy, flowery heart appears soon followed by supporting sweeter and warmer notes. For a short while a very realsitic almond note glimpses by followed by powdry tonka and a pleasant musky base in which an almost geraniumgreen, tart note are apperant on my skin. The powder of Jardins D'Armide is not dominating, it's not the heavy powdery/soapy aldehydes of for example Lorenzo Villoresi Teint de Neige or Cartier Baiser Volé, the powder is just an accent, not the theme of the whole parfume. Jardins D'Armide is a retro perfume that in apperance somehow reminds me of one of the Grossmiths I think it is Hasu-no-Hana that comes to my mind. Another perfume which is more close in what it smells like is Profumi del Forte Roma Imperiale but without the slight dirty notes which is lurking in the latter.

Picture: Jardins D'Armide -another tempting bottle
from Oriza L.Legrand
Photo: PR Oriza L.Legrand (c)

As all Orizas, a wellblended and balanced perfume, Jardins D'Armide has a distinct sillage and longevity up to 24h even if discrete trails at that stage. A powerfragrance with a demanding appeal, appropriate for most elegant occasions but also in small doses, for officewear.

Rating: 4

Notes: Dry potpourri rose, orange blossom, iris powder, iris, violet, wisteria, carnation, honey, almond, tonka been, musk

Sample avaible at Fragrance & Art

Quick impressions - Made in Italy

Picture: The Capitoline she-wolf with the boys Romulus and Remus. 13th century AD with figures of Romulus and Remus added in the 15th century
Museo Nuovo in the Palazzo dei Conservatori, Rome,
Source: Wikipedia Commons

I truly appreciate the dramatic and not always so well-polished italian fragrancestyle. Here are impressions of some nice ones I have sampled:

Rosamunda (Laboratorio Olfattivo): A pink Lady Vengeanance, even if this is a rose/(light)oud mix instead of rose/patchouli in the contemporary style which I appreciate so much. Uplifting and longlasting, perfect for a summerday.

Nirmal (Laboratorio Olfattivo): A Prada Infusion d'Iris follower, lighter, a bit sweeter and maybe a bit meek in comparation with the Prda. Overall a nice iris which is suitable for office, couldn't bother anybody.

Roma Imperiale (Profumi del Forte): This sweet flowery beauty with some wellbalanced almost cookielike notes with some dangerus, on the verge to dirty notes luring behind mus be a Maria Candida Gentile creation. I recognize the latter intriguing notes from creations of her own line.

Versilia Aurum (Profumi del Forte): How could a fragrance with strawberry be so good? Smooth, tender, not too sweet, longlasting and a pleasure to wear. It's like the strawberry blossom has been bottled in a golden nectar.

La Divina Tubereuse (Antonio Visconti): True, fresh and crispy daytime tubereuse growing in the garden.Not the dangereus, carnal nighttime facet of this beautiful flower. One of the very best, if not the best, fresh tubereuses I have tried so far.

Rebel (Antonio Visconti): Elegant and polished patchouli, no dirty hippies which could be indicated by the name. This is the minor rebellion of the well-bred heir.

Piper Nigrum (Lorenzo Villoresi): The ultimate spicy fragrance, it's like true spices are bottled. A bit harsh and strong for me but just perfect for Mr Parfumista after some testing, the first test was not successful..The Villoresi fragrances is not easy, they don't flatter at once, they have to be worn several times to be truly appreciated.

Teint de Neige (Lorenzo Villoresi): I have reviewed TdN earlier but as I like it more and more (it has grown to love) I have to mention this stunning gunpowdery/soapy Villoresi creation where some dirty notes just could be glimpsed under the white cleanness. The model for contemporary, retro, soapy aldehydes

Chanel Les Exclusifs - Chanel No 22

Picture: Greta Garbo in a publicity still for Wild Orchids (1929)
Photo by Ruth Harriet Louise for Metro-Goldwyn-Mayer studio, (this
work is in the public domain) Wikimedia commons

A softer, more flowery version of the icecold, aldehydic, marbel beauty Chanel No 5 that was released 1921, a year before Chanel No 22. Both these classics were created of Ernest Beaux (as usual when it comes to the oldest Chanels). The No 22 I have tested is the Edt-version from the Les Exclusifs Collection and it’s of course just in the case with No 5 reformulated since 1922.

No 22 starts with an elegant, subdued white floral but sparkling aldehydic accord, reminiscent of No 5 but softer and somehow less aggressive even if a huge dose of delicate aldehydes. After a while the dry, gunpowder note that I appreciate so much in different strengths and interpretations, comes through. It’s a smooth and finetuned version of the gunpowder of Lorenzo Villoresi Teint de Neige, Mona di Orio Les Nombres d'Or Ambre and Antonio Visconti Temps d’Hiver. The white flowers, with a note of tubereuse with a light and pleasant almost nailpolishnote coming forward, is still there and now and then a slight tart, orange-citrusy note glimpses by. When No 22 settles down in a slight powdery, soft incense base where a light, fresh vetivernote, balanced some sweetness, is clearly present. In the later stages of the basenotes, the smooth incense becomes clearer as also the dry, almost transparent vanillanote.   

Chanel No 22 is a seamless blend with a timeless, sophisticated, elegance, a fragrance for a timeless beauty like Greta Garbo. It’s a fragrance which makes most of the contemporary perfume selection to appear as rude and loud. Even the elegant Chanel No 5 seems a bit unpolished compared to the most refined No 22. It’s like No 5 could be imaged as the pushy, extrovert older sister and No 22 as the quiet, intellectual and refined little sister. Chanel No 22 has an almost regal aura and I can see it be worn by a royalty by some reception. It’s a real pleasure to wear and a fragrance that makes me think of cleaning out considerably in my fragrance collection. Sillage is close and longevity almost for 24h.

Those who like interpretations of aldehydic, powdery, elegant fragrances as for example Puredistance Opardu, MDCI Chypre Palatin, Montale Powder Flowers and Oscar de la Renta Esprit d’Oscar will probably also like Chanel No 22.

Rating: 5 

Notes: Aldehydes, bergamot, neroli, peach, jasmine, tubereuse, ylang-ylang, rose, iris, vetiver, vanilla, incense

Parfums MDCI - Chypre Palatin

Picture: The bias cut look of Madeleine Vionnet
from the 1930s evokes the spirit
and texture of Chypre Palatin



Chypre Palatin is a beautiful fragrance with a strong retro vibe from the french nichehouse Parfums MDCI. Chypre Palatin is created by the, to said the least, very active perfumer Bertrand Duchaufour. Chypre Palatin is presented as a masculine fragrance by the perfumehouse but when it comes to my nose, it’s unisex leaning a bit to the feminine side.

Chypre Palatin starts powdery dry, with that almost gunpowdery note that is present in Les Nombres d’Or Ambre by Mona di Orio. A multiple grades stronger interpretation of the gunpowdernote is the classical beginning of Teint de Neige by Lorenzo Villoresi. As the dry down continues, some soft, very wellblended flowery notes (particular from bulbous plants) shows up, supported by smooth tonka and different resins that creates a warm and delightful oriental-chypre (more oriental than chypre) fragrance in the style of Dior Dioressence, but smoother and without the rosy effect of Dioressence. But beneath all the wellbalanced pleasure of Chypre Palatin there is a slight, animalic note (probably the costus) lurking that gives this beautiful fragrance an interesting contrast. Also a sublime, dark, plummy, note is present in the later stages of the dry down.Chypre Palatin to me evokes the image of a fragrance from the 1930s worn by an elegant lady also wearing a bias cut dress by Madeleine Vionnet, but Chypre Palatin is interpreted in a contemporary style ie in a smoother and officefriendly shape. The oakmoss is invisable compared to the fragrances of the former era but probably there in the small IFRA restriced dose that is allowed today.

Chypre Palatin is a fragrance in the ongoing trend of retro inspired, elegant, powdery, fragrances that seems to be en vogue at the moment. Other representatives, even if featuring different notes besides the powdery notes, are Puredistance Opardu (lilac), Huiteme Art Poudre de Riz (tobbacco and tropical flowers) and Parfums de Nicolaï Musc Intense (powdery rose).

Chypre Palatin is a pleasant, versatile, elegant and very wearable fragance that could be worn in daytime for office or formal events year around except during warm summerdays. The sillage is very close and the longevity is almost a day. My only objection to this classy blend is that I which it was a bit more radiant, now it is almost a bit weak on my (dry) skin. As a fragrance of high quality, it’s still there, unfragmented at the end of the day. Maybe this is not  an issue for wearers with moistier skin.

Rating: 5

Notes: Lavender, labdanum, hyacinth, galbanum, sage, clementine, aldehydes, iris, jasmine, gardenia, rose, plum, styrax, benzoin, tolu balsam, vanilla, castoreum, leather, costus, oakmoss, immortelle

PS: Parfums MDCI has an affordable sampleset sold from the website that could be highly recommended. For EUR 90 (within Europe) 5x12 ml of their fragrances will be sent by the mail.

Parfums de Nicolaï – Musc Intense

Picture: Portrait of Madame de Pompdour (1721-1764)
Francois Boucher, 1756

Musc Intense is a sensual flowery, high quality white musk created by the great parfumer Patricia de Nicolaï for her own house, Parfumes de Nicolaï in 2012.

First of all I want to calm those readers down that don’t like the white musk performed in many of the reacent years mainstream offerings. Musc Intense is nothing of that characteristic almost wet slight chemichal note that could be too much in some offerings but that I like in many, if handled with care. Instead Musc Intense is all about a dry, powdery, luxary musk that integrating the flowers and other ingredients in a subtle manner.

Musc Intense starts with a pleasant, very dry almost gun powdery accord. It’s not the distinct wet gunpowder as in Lorenzo Villoresis Teint de Neige neither the less harsh but anyway close opening accord of the beautiful Temps d’Hiver by Antonio Visconti. But Musc Intense has similarities with both this fragrance openings but is lighter and smoother, just like an elegant loose powder on a powder puff. There is a lighter version of the typical gunpowderaccord of the two former ones,  which I think (just speculating I’m no chemist) consists of rose, carnation and maybe the musc or some other ingredient that could show powdery facetts. As Musc Intense reaches its heart, the powdery, subdued, flowery notes slightly reminds me of the beautiful powdery violet of Opardu by Puredistance. Some subdued liquery notes deepening the accord in a finetuned manner.At last, Musc Intense is anchored in a dry, powdery, not especially sweet musk and there is a deep but at the same time light, pink rosenote that emerges on my skin.

Musc Intense is a subtle and elegant fragrance, well blended of high quality ingredients as we are used to when it comes to creations of Patricia de Nicolaï. The only weakness is that it seems like my skin just eats Musc Intense and the scent therefore is faint to me, even if described as sensual and subtle it’s a bit too subtle to me. The longevity is for about a day and the sillage is very close.

To me Musc Intense is a scent as was it created exclusive for Madame de Pompadour.It’s the essence of the rococoera, delicate fabrics, pastels, powder and musk. Musk Intense is a fragrance for those who likes some of the fragrances mentioned above but also my own favorite musk Les Nombres d’Or Musc by Mona di Orio, also a slight flowery musk but more distinct and less powdery. Also Les Nombres d’Or Ambre by Mona di Orio has a similar drieness and some of the gunpowder of the opening.  If you like Les Nereides Musc Samarkand and Annick Goutal Musc Nomade you probably also will like Musc Intense.

Rating: 4

Notes: Liquer, different types of roses and white musks, carnation, violet, jasmine

Editions de Parfums Frederic Malle - Lipstick Rose

Picture: Viola Riviniana and Viola Canina

Nordens flora, picture painted between 1917and 1926 by

swedish botanist Carl Axel Magnus Lidman

Wikimedia commons

Lipstick Rose is created by perfumer Ralf Schwieger for Editions de Parfums Frederic Malle year 2000 and was released with a bunch of other fragrances in the earliest edition of the house.

To me Lipstick Rose smells very innocent, well behaved and girl next door-ish. Even so (of course the girl next door wears a little pink lipstick on special occasions) Lipstick Rose is a appropriate name of this violety, rosy, slight powdery and slight earthy blend. The top- and middlenotes definitely conveys the picture and smell of a lipstick of high quality. There is a creamy and slight powdery note, dominated by violets. The rose is the second player and disappears on my skin as the scent drys down to the basenotes. In the basenotes there is still a trace of the powdery violet but the notes of vetiver and musk anchor it in a slight earthy base. On my skin those notes blended together also create a tealike note.

The powdery note present during the whole dry down reminds me of a polished version of the gunpowdernote that I appreciate in Lorenzo Villoresis Teint de Neige. In it's earlier stages Lipstick Rose is somehow a well-behaved violet-version of the, in comparison, wild and eccentric TdN. But Lipstick Rose don't goes the whole hog as TdN, neither by the gunpowdernot or by the soapiness as the Lipstick Rose powder never passes in to the great soapiness of TdN. Other fragrances that have similarities with LR is Andy Tauers beautiful Une Rose Vermeille a jammy, fruity rose with hints of violets and with the texture of Etat Libre D'Oranges Putain de Palaces. Even as also it's name indicates, this scent with it's dirty animalic heft is the direct opposite to the girl next door-ish Lipstick Rose, but the style,violets and the rose are in common. 

Lipstic Rose is a well executed, almost linear fragrance that is easy to wear for many non-casual occasions in autumn, winter and spring. It's a tad too sweet and powdery to feel appropriate for summerwearing.

Rating: 3

Notes: Rose, violet, musk, vanilla, vetiver, amber

Huitième Art - Ciel d'Airain

Photo: Parfumista (c)

For an english version, scroll down.

Pierre Guillaumes  Ciel d'Airain är en förbryllande doft. Den inleds av noter som för tankarna till asfalt och varma däck, likt klassiska Bulgari Black. I mellanregistret inträder något som jag uppfattar som en kall och krutig lädernot. Krutigheten finns mer uttalad i Lorenzo Villoresis Teint de Neige. Ciel d'Airain tonar sedan ned i något kallt fruktigt, som ändå inte är sött. Det kalla och fruktiga fortsätter ned i basen där det bottnar i en lätt ambrerande not som får Ciel d'Arian att räcka långt in på kvällen.

Ciel d'Arian är precis som de flesta övriga Huitième Art dofterna, en användbar allrounddoft både för både jobb och fritid. Ingen doft som rör upp utan som bara finns där som en trevlig bakgrund. Provet har jag fått från Fragrance & Art

The Pierre Guillaume creation Ciel d'Airain is an intriguing fragrance. It starts with notes that are reminiscent of asphalt and hot tires, like the classic Bulgari Black. In the middlenotes something enters as I perceive as a cold and gunpowdery slight leathery note. The gunpowder is more pronounced in Lorenzo Villoresis Teint de Neige,  in Ciel d'Airain the impression is a paler version. Ciel d'Airain is then fading into a cold un-sweet fruitness. This cold and fruity stage continues down to the base where it anchors in a light ambrering note that makes Ciel d'Arian to last well into the evening.

Ciel d'Arian is, like the rest of the Huitième Art fragrances, a useful all-rounder useful both for both business and casual wear. Not an earthshakening fragrance, it is just there as a nice background. I received the sample  from Fragrance & Art

Rating: 3

Noter: Fruktiga noter, oliv, päronträ, ambra / fruity notes, olive, pear wood, amber

Lorenzo Villoresi - Teint de Neige

Foto: Herr Parfumista (c)

Update May 2013: Today more than two years later I just love the soapy, white gunpowdery, rosy smell. Ratiing reconsidered see below.

Så en provning ur de "oprovade provernas" ask. Den italienska parfymören Lorenzo Villoresis "snönyans" doft har beskrivits av otaliga recencenter tidigare och här kommer då ännu ett tyckande.

Teint de Neige är en pudrig och på många också en tvålig parfym. På mig stannar det vid pudrighet och en doft som påminner om herr Parfumistas australiensiska sadelsmörjningsolja. Precis i de inledande toppnoterna doftar TdN något som liknar precis avfyrat krut i en knallpulverpistol. En lite mörkare not av det "gunpowdriga" finns närvarande doften igenom. En annan not som slår igenom på mig är den lite mandellika heliotrophen, här en fint avvägd pudrig tonkaböna. Blommigheten är lätt, typ ett potpurri av torkade rosenblad som tack och lov hålls tillbaks till en lagom nivå. TdN ger bilden av skuggor på tung, lite töig, snö vid solnedgången en vinterdag. Men den associationen kommer säkert bara för att jag vet att doften har ett snötema.

TdN är en helt ok och bra doft men inget som sticker ut ordentligt. I en liknande genre (i varje fall när det gäller intrycket) men mycket mer distinkt och dessutom härligt pudrigt tvålig finns Pierre Balmains Ivorie som jag personligen föredrar framför TdN. Vill jag ha en mysig, okomplicerad och varm doft en kall vinterdag så tar istället till Etros Heliotrophe.  TdN är helt enkelt lite för snäll och flat i sin karaktär för att intressera mig tillräckligt en hel dag.

Betyg: 3+

Rating May 2013: 5

Ytterligare reflektioner: Troligen lyfter jag inte Lorenzo Villoresis dofter tillräckligt. Piper Nigrum luktade så härligt pepprigt precis när doften hade duttats på men föll sedan ihop platt. Detsamma hände när herr Parfumista testade resten av röret och också när han testade LV:s Vetiver.

L'Artisan Parfumeur - Traverseé du Bosphore

Foto: Parfumista (c)

Den flitige läsaren av olika parfymbloggar har inte missat den senaste tidens hype av L'Artisans Traversée du Bosphore. Tycks ha blivit något av en kultdoft bland parfymtyckare och de negativa kommentarerna är väldigt få. Med risk för att tjata ut ämnet kommer här då ännu en review:

Traversée du Bosphore som betyder ungefär "korsa Bosphoren" är den för nuvarande hyperproduktive, superkultnäsan Bertrand Duchaufours tolkning av sina (doft) intryck från den gamla multikulturella smältdegeln Istanbul. Alla ingredienser finns i beskrivningen av TdB härledda till olika maträtter, kryddor och andra doftintryck. För mig är TdB också en smältdegel men av olika parfymer som sniffat på genom åren som parfymintresserad. Så jag beskriver doften utifrån "parfymspåret":

TdB:s första not är ett lite tungt, nästan övermoget äpple som känns igen från Joop:s speciella äpple-/vaniljdoft från nittotalet All about Eve. AbE:s äpple är dock sötare än TdB:s annars är det precis samma not. Strax efter Eves äpplenot följer Cuir de Lancomes rena, ganska lätta lädernot och den följs i sin tur av irisen från Heeleys Iris d'Nuit som IdN:s irisnot doftar när den lugnat ned sig och den värsta morotsdoften lagt sig. Sedan följer gammalt hederligt rosenvatten över Etienne Aigners mockadoft In Leather som i sig också har något som jag tycker liknar en lätt äpplenot i sig. Därpå en skvätt gammalt hederligt rosenvatten och även lätt mandel som finns till exempel i Ava Luxes Loukoum, fast i TdB är det en torr loukum. I basen känner jag en bläckig not som jag i viss mån kan ana i sommarens L'Artisandoft Nuit de Tubereuse samt en torr krutkänsla som även finns i Lorenzo Villoresis Teint de Neige.

Hur faller då denna cocktail av gamla parfymer ut? Konstigt nog väldigt bra! De är inte mixade i en enda röra utan flyter in och ur varanda under doftens utveckling och en not som kommer in tidigt kan också komma igen lite senare men i lite mer framskriden utvecklad form. Så TdB är en riktig handledsmagnet där jag liksom vill följa med i vad som händer och upptäcka nya spännande vändningar hela tiden. Samtidigt är det en trivsam komfortdoft som är förvånansvärt lätt med tanke på de ganska krävande noter som ingår. Kanske är det IFRA-restiktionerna mot diverse ämnen som gjort doften flytande och transparent, skulle vara intressant att känna om den hade haft ett större djup om den skapats för tio år sedan. Eller också är det Duchaufours mening att den ska vara som en slöja. Troligen är det en kombination av vad som är praktiskt genomförbart i större skala och en konstnärlig idé.

En farhåga jag hade innan jag provat TdB var att den skulle kännas ofärdig på grund av Douchafours stora produktion de senaste åren. Jag tror inte att syftet är en särskilt komplicerad doft utan en doft som många kan gilla och som ska sälja bra till en ganska bred målgrupp. Ur den aspekten tycker jag att den är tillräckligt färdig. Skulle syftet ha varit en "svår" parfymnördsdoft så hade den behövt mogna lite till. Den enda invändning jag har mot TdB är att den är lite klen, det är för lite som återstår efter en lång dag, lite lätt vanilj, krut- och mockafragment.

Sammanfattningsvis: En intressant, trevlig och mycket användbar men inte så originell doft som jag tror passar många hudtyper.

Betyg: 3+

Noter: Äpple, granatäpple, saffran, läder, tulpan, mandel, ros, socker och honung.