Puredistance - Gold

Picture: Gold as visual art, concept by
Jan Ewoud Vos 2019
Photo: Puredistance (c)

WOW! The latest installation in the Puredistance opus Gold is a "constantly sniffing my wrists fragrance". This is of course not unexpected as "True exclusivity", the Puredistance slogan, exactly nails the sprit of this genuine house. When wearing Puredistance perfumes, I'm often get the feeling that I have to throw out a a significant part of  the rest of my fragrance wardrobe.  The Puredistance perfumes all through are blended with high quality ingredients and that creates a higher and more complex dimension of perfumery. There are for example no shortcuts where cheaper substitutes for ingredients are hidden in the Puredistance-creations. Puredistance is probably the most genuine perfumehouse  on the market when it comes to quality and a classy, conceived fragrance concept . As all Puredistances, Gold is in Extrait, for Gold in 36´% perfumeoil concentration. 

Gold is a part of the "sub" colour-line within the Puredistance Collection, all created by masterperfumer Antoine Lie. The colour-line started with Puredistance Black, followed with its contrast Puredistance White, is now completed with the intertwining Gold. Both Black and especially White have strokes of glowing and glimmering gold, and Gold itself is - as the name imply - the matte texture and aura of the material in different alloys interpreted to a scent.  The position of Gold on the fragrance notescale, is between the dark, mysterious Black and the bright, happy, shining White. The tonality of the fragrance is also very well matched by the beautiful golden flacon in the white de luxe box.

Gold starts with a light herbal- cold - spicy touch, a fresh hint of something close to a soft scent of Juniper. After a while a candied mandarine appears,  reminding me of the candied orange peel in Serge Lutens Bapteme du Feu, juicier in Gold, just as the mandarine pulp itself is candied. Some bright balsamic facets are also shining through early on, probably the myrrh as the impression is clean and a bit chilly. A slight dirty-clean accord is also present for a while, it's like washing a horse after a ride with a luxury schampoo. There is also a green almost rosy element involved, probably the geranium. In the next stage the balsamic notes steps forward, dominated by the velvety coldness of sappy myrrh. The balsamic notes are thick but not heavy at all, the mix is smooth and very well balanced. Later one there is an unexpected and alluring phase in the development: Just like as the balsamic accord suddenly becomes misty, like transforming to a swirling haze, maybe this expression is coming from the smoothness of tonka beans. In that haze, I can also smell strikes of a contrasting, illuminating freshness of vetiver. In the late stage in the dry down of Gold, a soft slight soapy, clean resinous texture appears.
In the overall impression of Gold there is (to my nose) some resemblance to classic Jean Patou Sublime, even if that one is oriental flowery and Gold is a balsamic oriental  and also a smoother, richer, more accomplished creation.

Picture:  Gold is a perfect glow in the dark
and gloomy November, for me the optimal
season for the Puredistance rich fragrances
Photo: Puredistance (c)

Gold is very well blended and one can smell the high quality of the ingredients, the mix has a sort of a velvety density, without being heavy. The fragrance is very rich and harmonious, it's a relaxing, calming fragrance, when worn in the office, it has an anti-stress impact. I really like the resinous myrrhe-theme, and to me Gold is the other side of the coin of Puredistance Sheiduna - Gold is the cold, balsamic oriental, perfect illustrated by the sapphire in the gold plates in the picture above. Sheiduna is the warm balsamic oriental, it could be illustrated by a ruby, the sibling to the sapphire, in the same golden setting. Gold and Sheiduna are related, even if not too close. Actually they are both needed in the fragrance wardrobe to accompanying different moods/weather/occasions in the autumn/winter. Both are also very appropriate for the coming holidays Christmas and New Year. Just as Sheiduna, Gold has an outstanding longevity (24h +). Silage is close-medium and Gold has a subtle appearance, it has presence but doesn't interfere the personal spaces of others. Gold is unisex leaning to the feminine side.

To sum it all up: Gold really smells amazing and I'm enjoying it very much. It's up in my personal top three of the Puredistances, sitting there together with Sheiduna and Warszawa. Gold is the best launch of 2019 from what I have smelled so far from new releases.

Notes: Mandarine, bergamot, pink pepper, clove, rosemary, jasmine, labdanum, geranium, cinnamon, styrax, benzoin, myrrh, patchouli, vanilla, tonka bean, castoreum, vetiver

 

If I still rated reviewed fragrances, Gold absolutely should be a 5 rated perfume

Thaks to Puredistance Jan Ewoud Vos for the opportunity to try this beauty
 

Scented thoughts - May 2015

Picture: Swedens face (and voice :-) in 2015 ESC,
Måns Zelmerlöw
Photo: TT (c), PR SVT

Times flies and even if many fragrant thoughts are going on, there is so short of time to write them down.

* Now I also have a busy summer ahead, sniffwise at least.  Yesterday a lovely letter with samples form the best assorted nicheboutique in Sweden, Fragrance & Art. was waiting in the letterbox. As mentioned before, the ovner has an incredible talent for selecting good and unusual perfumelines. In the letter there were samples from a just introduced line, Franck Boclet, which I havn't recoginized until now. From sniffing from some of the samples, these seems very promisíng. And there were other exciting things in that letter too, stay tuned for comming reviews.
* To day is the Evening of the Grand Spectacle, final in Vienna of the  Eurovision Song Contest which is very fun to look at (an comment :-) together with friends and family. Sweden has a great chance to win it all with the very professional artist Måns Zelmerlöw, also nick-named Yum-Yum. It not just Måns handsome look and good artistery, the melody Heroes and animated light show are also great. I'll be dissapointed if Måns don't make it, this will be an exciting evening.
* Which fragrances are in rotation when not testing new samples, i.e what has been worn during the workdays lately? In the transition between spring and summer I crave both for lighter fragrances and darker. Favorites lately are some Hermèses as the tangy, fruity, almost composting smelling, slight rosy Un Jardin Sur le Toit.  Also the flanker to one of my all time favorites Amazone, Rose Amazone is worn relatively much. Even if I like the original better, at least in my 1990s version, I also like Rose Amazone very much, more easy to wear, not as deep  as the original, fruity, rosy, tangy (this one too :-). In the light category, my Puredistance sample of  the wonderful flowery WHITE is a great favorite. Elegant but in the same time so comfortable to wear, my vintage Hermès  Les Voitures a Transformation  (in blue) worn yesterday together with this gem is now soaked in Whites beautiful aura. When passing it, I can't resist to sniff the silk.
* When it comes to the darker ones, I have rediscoverd some great Parfumerie Gènèrales which I was not so found of some years ago but now find are great: The smoky, woody, sweet, caramelized, wheat of Cedre Sandarque is delicious. The vetiver accented, inscrutable, slight soapy, contemporary chypre Querelle is also fab, if lightly applied. If too heavy handed, it appears as a mens Cologne.

Puredistance - WHITE

Picture: Puredistance WHITE
Photo: PR Puredistance (c)

The idea of the new perfume WHITE  from the house of Puredistance is to create at perfume so Beautiful and positive that it gives the wearer an instant flow of happiness.  IMO Perfumer Antoine Lie and house founder/creative director Jan Ewoud Vos  have indeed succeeded in their mission to fullfill this idea. The process to create WHITE took over one year and probably this is a big part of the sucess, Puredistance never stresses new perfumes into the market, the creators take the time needed. Therefore the Puredistance line is one of the most solid lines in the market, there are no misses (so far) just solid, sophisticated, very high quality perfumes and I'm very fond of them all, can't choose a favorite as each fragrance suits different moods, styling and occassion. See my reviews of Black, Opardu, I, M and Antonia.

WHITE starts bright, transaprent and happy. My instant thought is the image of a daisy, a dried specimen of that little sunny flower was also included with the sample from Puredistance, a very good illustration to this scent. As WHITE dries down, flawless like an exquisite brilliant it becames thicker but never heavy in its texture. An excellent creamy smoothness appears and stays during the rest of the drydown, making WHITE very comforting to wear despite its elegant aura. WHITE is 
seamless blended and it's hard to pick up where on note start dominating and another take a step backwards. The notes are interacting, shaping a flowery veil anchored in a smooth top notch sandalwood, whitout any harsh or sharp edges, it's like the sandalwood is a part of the bouquet. There is a tonality of musk  wafting from the base of WHITE, a white, non-dirty musk which has no traces of  chemical,laundry. Instead it's deepens the accords and gives  bodies to the flowers. The musk also, together with the pleasant sweetness of tonka been and a minimalist patchouli, creates that special tart note which I  appreciate so much in complex floral compositions, in WHITE without the powdery aspect which the tart note also could be combined with. On my skin the tart musky accord especially highlighing the airy rose, pale yellow or pale pink if imagining a color, supported by some dry, slight fizzy, light earthy orris elements but without the orris carrotnote.



Picture: Picture: Puredistance full Collection
spring 2015
Photo: PR Puredistance (c)

WHITE is a sophisticated fragrance, surprisingly easy to wear taken its elegance and the expensive, high quality ingredients in to account. It would the perfect pefume for the bride of the coming swedish royal wedding in June, Sofia read this :-). WHITE is comforting and conveys a  happy mood and sunshine. Even if in style a spring/summer perfume WHITE has enough dept and genuine texture for pleasant  wearing year around. It's as timeless and versatile as for example Chanel No 22. The longevity is very good, 12h+ and a few small spritses from the samples is enough. WHITE is in perfume (extrait) strenght and therefore quite close to the wearer, even if distinct traces are recognizable for people around.

WHITE is so wellcrafted that it makes me considering selling off my less well crafted florals. Even if I like them as such, when compard to a fragrance as WHITE the chemical, harsh and laundry notes of especially some mainstream perfumes becomes quite obvious.

WHITE is for everyone who likes a delicate, flower boquet and will please those who like the  style of fragrances as for example Grossmith Amelia and  Floral Veil or the new Teo Cabanel Lace Garden.

Maybe a bit boring but the fact is that I already know WHITE will be one of my most liked pefumes of 2015. And it definitly has the potential to be THE number one of 2015. Beware Chanel Misia.

Rating: 5

Notes: May rose, tonka absolute, orris root, sandalwood, bergamot, musk, vetiver, patchouli.