Maître Parfumeur et Gantier - Tubéreuse

Picture: Polianthes tuberosa
Source: Wikimedia commons

The tuberose interpretation of Maitre Parfumeur et Gantier Tubéreuse starts with topnotes that reminds me of powdery lipstick. The tuby-note are evident even if embedded in lipstick. As the top notes fades and the perfume reach it's heart, a more polished version of the typical dirty "stable-like" jasmine note of MPG matsterly interpreted in the MPG soliflore Jasmine, appears accompaning the tuberose. There are a lot of similarities between Jasmine and Tubéreuse but the latter is more well modulated and polished even if some skankiness lurking behind it's elegant exterior. The former is straight forward, it smells as it has just left the stable. In both Tubereuse and Jasmine the top-and mid-range are infused with green notes that accentuates that respective flower. The green notes are slightly harsh, galbanum comes in mind but without the typical crispiness of that stuff. Just as Jasmine, Tubéreuse is grounded in the special MPG musc that contribute to the retro-like impression of their fragrances.

To summon all up, MPG Tubéreuse is a green floral scent accented by tuberose although there is a hefty dose of jasmine too. The scent is not an equally distinct and compact tuberose frag such as Annick Goutals Tubéreuse or Frederic Malle Carnal Flower. As Tubereuse is not very powerful and it is almost percived as thin in the projection. But it fills its place as a retro scent with a clearly nostalgic vibe. Tubéreuse is an EDT that fits well  wearing during daytime especially for spring and summer. 

Rating: 4

Notes: Green notes, tuberose, jasmine, rose, musc, amber

Vero Profumo - Rozy Voile d'Extrait

Photo: Mr Parfumista (c)

Rozy Voile d'Extrait is another version of rosy Rozy theme created by swiss perfumer Vero Kern. Rozy EDP is reviwed in the previous entry. The Rozy fragrances are inspired from the passiontaed italian actress Anna Magnani.

Rozy Voile d'Extrait starts flowery sweet, with a blast of natural smelling, nectarious tubereuse, supported by rose. The tubereusenote reminds me much of the honeyed tubereuse in the beautiful Annick Goutal soliflore Tubéreuse. Even if emphasing another flower, also Maria Candida Gentile Hanbury comes to my mind in the first stage of Rozy Voile d'Extrait, probably the honeyed texture. After a while, Rozy Voile d'Extrait turns in an almost animalic accord when a pleasant dry, furry, horeslike note appears. There are also some slight earthy, dirty notes contrasting the sweetness. One should not be sacred of the melonnote mentioned among the ingredients. It's not the despised calone and I can't smell it as a separate note. Probably it's just supporting and sparkles the mix up with some fruity freshness. When Rozy Voile d'Extrait reaches the basenotes, it is still sweet but more vanillic/balsamic/resinlike and darker in its character than in the earlier stages. In the basenotes Rozy Voile d'Extrait reminds me of another sweet swiss beauty, Andy Tauers Le Maroc pour Elle. Mr Parfumistas spontaneus comment about Rozy Voile d'Extrait smelling it first after ca eight hours after application; "it smells very oriental, as you have rolled around in myrrh".

Compared to Rozy EDP, Rozy Voile d'Extrait feels more natural smelling, darker and more dense, less radianting but not shy, like the though, natural looking sister that stayed living in the countryside, hunting, riding and breeding horses. Rozy EDP on the other hand, with its rosy-cosmetic style, is the artisitc and adventurous sister who moved to the big city, working with fashion, always original styled and never without makeup. Rozy Voile d'Extract is more conventional in style and it smell more similar to several other fragrances on the market than Rozy EDP with its (to my nose) obvious reference to the original Schaparelli Shocking.

Picture: Rozy Voile d'Extrait
Photo: PR Vero Profumo (c)

Just as Rozy EDP, Rozy Voile d'Extrait has a good longevity, about 24h. The sillage is closer, just as an extrait is constructed vs an EDP, but it's no skinscent until after ca fifteen hours. Both Rozys are best for evening wear but lightly applied, they could be worn at daytime at least during the colder months. I like both Rozys very much and even if I think the EDP is more intriguing with its combination of notes and similarities to Shocking, the more conventional Voile d'Extrait smells just amazing on me.

Rating: 5

Notes: Rose, tubereuse, honey, blackcurrant, melon, coriander, nutmeg, labdanum, sandalwood, styrax, vanilla

Midsummer (and some concerns about Caron)

Picture: Midsummerflower
Photo: Mr Parfumista (c)

So here we are, already the magic summersolstice with the shortest night of the year i.e not dark at all, just more or less light outside. But when it comes to the temprature one could suspect it's the wintersolstice we are celebrating. Yesterday was the coldest Midsummereve in decades and perfumewise I felt to put on some spicy-woody YSL Opium instead of something traditional midsummer flowery or green grassy. It all came to a compromise, I chose a flower but not at light pretty summerflowery one.

Instead I went for a classical, dramatic, elegant and restrained soliflore, Caron Tubéreuse which has intrigued me lately, inspired from the great review on Suzannes Perfume Journal as well as a post on The Scented Salamander and the fact that I suspect (don't know from any official source) that Tubereuse is discontinued. At least as a fragrance widly avaible in a bottle and not only as an urn/fountain-extrait. Can't find it on the Caron website which is also the case with for example Bellodgia (there is a new release called Più Bellodgia) and I suppose the old, cranation dominated one is replaced with a new interpretation of the fragrance as last years regulations hardly affected the substances which creates the smell of carantion.

Definitly Caron Tubereuse should have more attention. It's not the bombastic, flowery, tuberose as Robert Piguet Fracas, nor the green, crisp, leafy, sunny tuberose as Frederic Malle Carnal Flower. Caron Tubereuse starts with a honeyed nectarnote like in Annick Goutal Tubereuse but not rounded and warm in texture as the latter. Caron Tubereuse on the contrary is cold, slight bitter-green and strangly enough at first dry but later dark-green slight mossy, a bit moisty in texture. It's a dark and restraind fragrance and even if not smelling close, I think Caron Tubereuse expressing a similar mood as Mona di Orio Les Nombres d'Or Tubéreuse which is a lighter in texture tuberose compared to the Caron.

Robert Piguet - Mademoiselle Piguet

Picture: The Reader, oil on canvas by Jean-Honoré Fragonard ca 1770-1772,
captures the warm and comforting spirit of Mademoiselle Piguet

Mademoiselle Piguet is another fragrance in the great Nouvelle Collection from Robert Piguet created by the "house nose" Aurelien Guichard.

Mademoiselle Piguet could be described as beeing vegetal, combined with orangeflowers with a sweet honeyed texture. The vegetal note is not damp and almost on the verge to rottening (but in a positive way)as in some interpretations for example Guerlain Jardins de Bagatelle Edp and Annick Goutal Passion, the vegetal note is almost fresh and reminds me of a fresh sugar pea. A similar impression is expressed in a Fragrantica review by clover.chen who refers to processed mung beens in desserts, something that I havn't tasted myself but can image when smelling the greenery of Mademoiselle Piguet. The orangeflower I perceive as very natural and fresh, not chemichal at all. The note has a wonderful honeyed nectar texture and smells just sweet delicious, probably the apricot adds this facet. There is something in the orangeflowernote that reminds me of the same note in Fracas, but in Mademoiselle Piguet it is somehow domesticated.

To me the structure of Mademoiselle Piguet is linear, the notes are preseant at the same time even if the vegetal phase is more apparent in the first part of the dry down of the fragrance and later instead is acting as one of the supporting notes in the background. To me the sweet , honeyed,  Mademoiselle Piguet also seems to be the female counterpart to the (to my nose) much more masculine dry, herbal-orangeblossom NoteS which I reviewed earlier this week, they are fragrances of the opposite side of the interpreation of orangeblossom-scale and are interesting to wear as complementary fragrances for different moods and occasions. As NoteS is more complicated, strict and a excellent choice for daytime professional wear, the Mademoiselle is a fragrance both for evening and comforting daytime wear, versatile enough to warming up during cold winterdays and to bloom beautifully in the summerheat. Mademoiselle Piguet, thanks to the interesting and well harmonised vegetal notes, has its own identity even if partly familiar to other fragrances featuring the orangeblossomnote.The longevity of Mademoiselle Piguet is extraordinary for an orangeblossom scent, I can smell the orangeblossom on my skin more then 30h after application.

I think Mademoiselle Piguet would be appreciated by those who like L’Artisan Seville à l’Aube, Maria Candida Gentile Hanbury and Annick Goutal Tubereuse (even if featuring another white blossom note I think Tubereuse and Mademoiselle Piguet have a similar pleasant, honeyed texture).

Rating: 5

Notes: Bergamot, orangeblossom, almond, apricot, tonka been

Histoires de Parfums - Tubereuse 3 Animale update May 2012

Picture: strawflower, Helichrysum moeserianum.

Photo: Winfried Bruenken (Amrum) (cc) Wikimedia commons,

 some rights reserved.

Tubereuse 3 Animale is the third installment in the Histoires de Parfums Tubereuse triology, created by the HdP house founder the  ISIPCA-graduated Gérald Ghislain and Magali Senequier ( I think). The Tubereuse triology is a suite of different interpretations of tubereuse or more precise, perfumes with tubey as the common denominator but not necessarily tubereuse as the dominant note of the composition.

When I reviewed (in swedish) T 3 Animale almost two years ago I didn't like it at all. I thought it was an overdose of immortelle and too much tobacco and that the whole blend was unbalanced. But today, I
completely change my opinion, nowadays I just love this immortelle, hay, tobacco, slight honeyed tubereuse creation. Starts with a blond tobacconote, followed by a moderate dose of immortelle, not as heavy as in Annick Goutal Sables. As the notes mingles the tuberose quietly appears in to the blend. It's a tubey at the dark side of the spectrum, a tubey with the honeyed smell of the nectar, an interpretation that I have earlier experienced in Annick Goutals soliflore Tubéreuse (review in swedish) and in Mona di Orios Tubéreuse (also in swedish). The special tobacco-tubereuse mix I have earlier experienced in Liz Zorn (Sohivole) Tobacco & Tulle. As T 3 Animale reaches the basenotes there is something familiar with the blend. Mr Parfumista nails it when he states it has a similar vibe as Estee Lauders Spellbound but adapted to the 2010:s (even if created 2009 to be precise) as softer, more muted and without the bombastic sillage of Spellbound.  And as an old fan of Spellbound it is not surprising that I'm now also an admier of T 3 Animale.

Rating: 5

Notes: Neroli, kumquat, mandarine, bergamot, jasmine, tubereuse, plum, grass, hay, immortelle, tobacco, labdanum, wood

Lutensvecka

Foto: Herr Parfumista (c)

Så har det varit temavecka igen. Denna gång i Serge Lutens spännande kreationer. För det mesta uppstår temaveckan spontant, det är inget som jag planerar i förväg. Det är när jag  upptäcker att jag provat dofter från samma hus, kreatör eller doftfamilj två eller tre dagar på raken som jag hänger på och tar en full vecka. SL veckan inleddes med:

A la Nuit: En av marknadens bästa jasminer. Jasminen framträder olika vid olika provningar, ibland är den yppigt fruktig, ibland mer animalisk och nu sist framträdde de gröna bladnoterna på ett sätt som jag tidigare inte känt.

De Profundis: Passar perfekt en höstsöndag med sin kryddiga chrysantemum och sina kontrasterande jordiga och luftiga noter. DP har växt till att bli en av mina största SL favoriter.

Un Lys: Tillhör de dofter som jag minst uppskattar hos SL (allt är ju relativt) men den är ändå en fin liljekonvalj/liljedoft. Är just lite för liljekonvaljig för sitt namn, man väntar sig inte en bättre variant av Diorissimo (relativt dagens formula för Diorissiomo), det vore bättre att Un Lys hette Le Muget istället.

Fumerie Turque: SL:s tobaksdoft är trevlig, omhändertagande, en snäll oriental som är perfekt för hösten. Innehåller en stor dos erternell som gör att den påminner om en snällare men mindre söt version av Annick Goutals Sabels. Ju mer doften torkar ned, ju mer tobak framträder och under slutet av dagen dofter FT färsk, blond piptobak.

Muscs Kublaï Khan: Inte särskilt farlig utan en fin, halvmörk och diskret retromysk med en lagom dos kummin. En krydda som annars lätt har en tendens att överdoseras i parfym.

Sa Majeste la Rose: En knallrosa ros med lite grönt från stjälk och blad inleder. Sedan lindas den ganska snabbt in i en honungsliknande nektar pudrad med torr pollen. Det liknar mycket effekten i Annick Goutals Tubereuse fast stjärnan där förstås är en helt annan blomma.

L’Eau Serge Lutens: Lyxigt tvättmedel kombinerat med en lite syrligt, bitter not som påminner om Gin & Tonic exklusive enbär, alltså snarare Vodka & Tonic. Utskälld doft, men jag tycker ändå bra om den. Även SL måste få göra något annorlunda. Den doft jag mest associerar till är MFK:s Absolute pour le Matin som också har den syrligt, bittra noten men mer örtighet.

SL är ett i mitt tycke varierande hus men som ändå håller en viss stil. Troligen det parfymhus jag skulle välja om jag bara fick använda dofter från ett enda hus.