Picture: Exquisite Pure New Wool fabrics for traditional tailoring, PR picture stolen from Alfred Brown Worsted Mills UK, (c) And, I want a suit/some suits in one or some of theese beauties :-) |
Violette Fumée starts with a slight herbal note, a note of a fresh but in the same time dark lavander supported with some bergamot fizz and green, leafy notes. After a while violets both flowers and the leaves appears. The violets are dark and woody-leafy in style, just as they are popping up under big old threes, deep in the forest, breaking through the carpet of old moldering leaves from last year. The violet flower stays during the whole dry down, in the middlenotes supported by subtle green, woody and rosy notes and in the base resins and woody notes together creates a slight sweet and smoky impression. In the middelnotes I can also recognize the typical "dust on a lighted bulb" note from Monas first fragrance Carnation but more subdued in Violette Fumée. Another characteristic for Violette Fumée is the dry, woolen-fabric quality of the fragrance, Violette Fumée evokes the feeling of visting the tailor who's measuring up an extraordinary wool-fabric for a suit. The tailor association is also strenghted by the fact that I can smell similarities with the most classic tailor fragrance ever: Knize Ten. The dry woolen note and the images of tailormade are similar and to me Violette Fumèe is a contemporary violet - dark herbal take on the classic leather Knize Ten. Another dry-woolen-tailor fragrance which comes to my mind when giving attention to the woolen fabricnote, is Penhaligons Sartorial.
Picture: Violette Fumée in its classical Mona di Orio Champagne inspired bottle Photo: PR Parfums Mona di Orio (c) |
Rating: 5
Notes: Lavender, bergamot, oak moss, violet flowers, violet leaves, rose, vetiver, clary sage opoponax, myrrh, cashmeran