Les Cocottes de Paris - Melle Cléo

Picture: Cleo de Merode (1874-1966)
Photo: Unknown photographer 1903
Wikimedia commons

Melle Cléo is the last in the trio of courtesans in the Les Cocottes de Paris line. The fragrance is inspired from Cleopatra de Mérode a famous ballet dancer in the Paris Opera who was linked to the king of Belgium, Leopold II. Cléo was also a trendsetter and considered as the most beautiful women in the world during the latest years of the 19th century.

Melle Cléo starts very sweet, it smells like a jammy rose together with a fresh, just baked, vanilla bread which is wrapped in a white, crispy, cotton kitchen towel. After a while a the juicy note of litchi arrives and adds a fruity vibe to the fragrance as also sweet flowers. The rare perfumenote of night blooming cersus which (according to Fragranticas database of notes) is a  tropical cactus plant with flowers which smell like vanilla, is probably responsible for the special smelling vanillic accord in Melle Cléo. Probably the cotton flower also is responsible for the fabric texture mentioned above. In the basenotes, Melle Cléo becomes less sweet, even if still almost edible. The just baked bread texture returns in the musky basenotes. There is also something that similar to a lighter version of the blurred biscuitnote which is a present undertone in some flower fragrances from ca 2006 such as Burberry London for her and Agent Provocateur Maitresse. As the basenotes dries down, Mello Cléo smells almost the same but an octave darker, it's also a note that is close to light fresh tobacco present in the late stage of the fragrance.

Picture: Melle Cléo
Photo: PR Les Cocottes de Paris (c)

The notelist of Melle Cléo truly mirrors how the fragrance really smells which is not very  common. Melle Cléo could by the first glimpse be taken as a mainstream, sweet, fruity floral but when sniffing it thoroughly the very special notes described above comes through, announcing that Melle Cléo is a very special creature after all.

Melle Cléo is appropriate year around and I can imagine it will bloom beautifully during warm, humid summerevenings. Sillage is medium and longevity very good, it lasts for longer than a day.

Those who likes fruity floral fragances as for example Eau d'Italie Graine de Joie and Robert Piguet Jeunesse will probably also like Melle Cléo.

Rating: 3

Notes: Rosewood, bergamot, litchee, night blooming cereus, ylang-ylang, rose, cotton flower, lichen

Les Cocottes de Paris - La Belle Otero

Picture: Agustina Otero Iglesias (1868-1965)
"La Belle Otero"
Photo: PR Les Cocottes de Paris (c)

Les Cocottes de Paris is a brand started by Anaïs Biguine who also started the Jardins d'Ecrivains brand, inspired by litterature and gardens, some years ago. In the new brand, the inspiration comes from some famous nineteenth century courtesans who were active in the french capital. La Belle Otero is the first of three fragrances to be tested, inspired of a spanish artist, Agustina Otero Iglesias, who is said to have "devoted her life to dancing, men, precious stones, gambling, parties and all above freedom". The fragrance is said to be an invitation to misbehave and I can agree with that when testing La Belle Otero.

La Belle Otero starts sharp, fruity, boozy, chemical, almost as something that could be a sweet fruity floral celebrity fragrance but less sugary. Than the fragrance becomes more flowery, the violet accentuated by a crispy narcissus takes the center. There is almost a lipsticknote present but without the characteristic powdery-creamy smell that is the lipstick standard. The fruity note is still present in the basenotes, balanced by sandalwood and with musk which reinforces the blend. There is something vaugly dirty and decadant glimpsing through the floral-fruity facade, like dirty underwear hiding under a brand new amazing haute couture gown.

Picture: La Belle Otero
Photo: PR Les Cocottes de Paris (c)

Strong syntetical violet and narcissus over a light sandalwood infused by fizzy. musky, fruity elements is the synthesis of La Belle Otero. It's a demanding fragrance with rough edeges but in the same time a somehow pleasant fragrance to wear. It's a dangeroues fruity floral, something dark and beastly are lurking in the background. I think the syntetic smell is a bit too much in La Belle Otero but leaving that a aside, this is a intriguing and in the same time happy and taken as a whole, nice to wear fragrance.

Those who likes fragrances as Rober Piguet Jeunesse, Eau d'Italie Graine de Joie, Parfums MDCI Cio Cio San and By Kilian Playing with the Devil (which is much darker) could probably appreciate La Belle Otero.

Rating: 3

Notes: Neroli, pepper, absinthe, ginger, fig, violet, musk, lavender, narcissus, buchu, lavender, iris, frankincense, sandalwood 

Thanks to Fragrance & Art for the sample to test

Parfums MDCI - Cio Cio San

Picture: Poster for Madama Butterfly by Giacomo Puccini,
Author: Alberto Hohenstein (1854-1928), Wikimedia commons

Cio Cio San is the latest addition to the high quality Parfums MDCI line. Just as the intriguing Nuit de Andalouse from 2013, Cio Cio San is created by one of the brightest shining stars on the perfume heaven in the latest years: Cecile Zarokian. Cecile seems to have good hand (and nose) with oriental styled parfumes, she has created some of my favorites in the genre; Masque Tango, Laboratorio Olfattivo Kashnoir and Amouage Epic Woman.

Cio Cio San is also oriental styled but a floral oriental with intriguing, supporting fruity notes which are lightened up with skillfull handled teanotes which are note sharp or chemical at all. Cio Cio San starts sparkling with pink, lush floral notes, accentuated with fruits, with litchi as the leading star. I can't say that I can distinguish the cherry blossoms but I suppose they are involved in the sparkling, pink flowery opening.
From the very beginning Cio Cio San reminds me of a sort of reversed and less sweet Graine de Joie from Eau d'Italie. Where the fruits are the protagonists, supported by flowers in Graine de Joie, the flowers takes the central position in Cio Cio San even if distinctly supported by the fruits. Soon also deeper nuances appears in Cio Cio San which shows a wider spectrum of accords than in Graine de Joie. After a whlie a dark, rubbery note, similar to the rubber note of rose oil appears and as rose isn't mentioned I guess it comes from the peony. There is also a light glimpse of a fresh almost petrollike note in this stage. Soon also a dark woody note appears, it's similar to a light touch of oud (also not mentioned among the notes) and there is also something almost boozy lurking in the woody musky depths of Cio Cio San. Even in the deeper and darker dimensions of the fragrance, the loveliness of the flowers and fruits are clearly present. The teanote is perfectly intergrated and creates an airy and almost light impression also in the basenotes. There is also a pleasant sort of  tingling (maybe the ginger) tartness present during most of the dry down. The notes of Cio Cio San doesn't smell chemical which could be a problem in some fruity-florals and tea fragrances, respectively.

Picture: The "bust bottle" of Cio Cio San, there
is also a version with a plain cap.
Photo: PR Parfums MDCI (c) 

Just as Cio Cio San herself aka Madame Butterfly, the fragrance Cio Cio San is a fragrance with at least two faces: The happy one just as in the very beginning of the opera, then the melancolic and sad expression just as the way to, and the end of, this tragic drama. Another beautiful flower fragrance which honors Madame Butterfly is Amouage Honour Woman (swe) which is a creamy, well blended, but less original white floral which plays in a less dramatic scale and in higher octaves than Cio Cio San.

Cio Cio San is a intriguing fragrance where different ascpects/facetts are highlighted in different wearings depending for example from how much of the scent is applicated. I'm looking forward to test Cio Cio San also in cold weather as I suspect it will wears nice then too. For summer it's great. Cio Cio San is appropriate for many occasions, both for work and casual, but not for sports, it's too complex for that.
Sillage is somewhere between close to medium, longevity for at least a day with traces on skin the morning after.

Those who like good quality fruity florals as Neela Vermeire Creations Bombay Bling, By Kilian Playing With The Devil and Robert Piguet Jeunesse I suspect will also appreciate Cio Cio San.

Rating: 5

Notes: Yuzu, lemon, ginger, grapefruit, cherry blossom, peony, litchi, tea, guaiac wood, cedar, mus

Eau d'Italie - Graine de Joie

Picture: HRH Prince Carl Philip and his fiancee Sofia Hellqvist
on their engagementday June 27th, 2014.
Photo: Expressen Sven Lindvall (c)

Graine de Joie from italian nichehouse Eau d'Italie is a red berry boost raised to ten. Graine de Joie is created by Daphne Bugey. The fragrance is said to be inspired by the idea of love and according to the marketing blurb "we have decided to celebrate love, and to create a fragrance that conjures up the irresistible light-headedness of when you fall in love." Graine de Joie would have been the olfactory background for the great royal news of last Friday: The handsome HRH Prince Carl Philips engagement with his charity working, from a small village, middle class background, girlfriend Sofia Hellqvist. Another Cinderella story following the one of HRH Prince Daniel. The color and expression of Graine de Joie is exactly the red color of Sofias elegant dress.

Graine de Joie starts very uplifting with ripe redberries and pomegranate, red, lush and mouthwatering delicious. The berry-pomegranate combo goes through the whole fragrance supported by a fizzy freesia who is contrasting and lighten up the fragrance. There are also a contrasting, tart note, maybe some redcurrant leaves is added to the mix or the note just picturing the tartness present in the berries themselves. Not unexpected, the berry-bowl is grounded in a well balanced musky, light woody base.

Picture: The sunny spirit of Graine de Joie
Photo: PR Eau d'Italie (c)

Beside the royal engagement, Graine de Joie gives me the image of a bowl with ripe red berries and fruits avaible when relaxing in a sunny mediterrian garden in the peak of the summer.Graine de Joie is a perfect fragrance for the season, something that departs from the usual fresh aquatics or citrus scents. The fragrance is much richer than the usual sommerfragrances and despite its full blown berry sweetness, it doesn't becames sickly sweet or smells chemical. It's an uncomplicated happy and easy to wear fragrance, appropriate both for work or casual wearing. Graine de Joie is a good composition in the floral-fruity genre. I find it more ordinary in style than the intriguing and demanding earlier Eau d'Italie compositions such as the burnt, spicy, woody Bois d'Ombrie, the green, rough, woody Sienne l'Hiver, the dramatic rose Pasteum Rose and the special cologne styled first fragrance Eau d'Italie which I personally prefer.

When it comes to similar fragrances, first of all Robert Piguet Jeunesse comes to my mind, though that one has more dept and contrasting non-berry/fruity notes. Also the fragrances in By Kilians subline In the Garden of Good and Evil are in the same style, reviews of In the City of Sin, Good Girl Gone Bad, Forbidden Games and Playing with The Devil.

Rating: 4

Notes: Red berries, red currant, pomegranate, freesia, flowers, praline, musk,cedar

By Kilian - Playing With The Devil

Picture: Quite contrary to the Devil: Kilian Hennessy himself,
as handsome as this fragrance is beautiful :-)
Photo: PR By Kilian (c) 

Playing With The Devil is the fourth installation in the By Kilian sub-line In The Garden of Good and Evil. As almost all By Kilians, PWTD is created by Calice Becker, a true champion when it comes to handle flowers in a delicate way. The first three fragrances of this sub-line, even if good, was a bit too similar and I find it difficult to distinguish them from each other. Playing With The Devil on the other hand, stands out from the crowd and is just stunning.

Playing With The Devil starts with the most natural smelling orange, in this case, Blood Orange I have smelled so far. The beautiful orangenote is underscored by darker fruity notes as a perfectly matched balckcurrant note and  round, delicious notes of peach and litchi. The peach is the same peachnote as in Flower of Immortality  from this spring, but slightly darker and fuller. The notes are nor sharp or synthetic smelling at all..

As PWTD dries down, flowery notes mingles with the fruit and in this stage PWTD becomes slight sopay on my skin and oddly, a chalky note that I also recognize in Vanille Tonka by Parfums de Nicolaï appears for a while but in a smoother interpretation. The flowers are accompanied by very smooth rendered versions of hot spices; pimento and pepper. This is very skillful performed, there is no traces of the typical peppernote that is common in current perfumery. In the basenotes, the fruity impression is still present, but darker and with an almost tobacco leaves/liqueur twist. This is probably the effect of fruit blended with resins, sweet tonka and delicate woody/patchouli notes. The base is lasting for hours and the fragrance is still unfragmented after more than 12h and distinct traces are still there after 24h.

Playing With The Devil is both elegant and comforting. It's very well blended, using high quality ingredients. It has nothing to to with the usual fruity floral offerings. It's just gorgeous!

Those who like wellcrafted fruity interpretations as Missoni by Missoni, Jeunesse by Robert Piguet, Bonbay Bling by Neela Vermeire Creations and Manguier Metisse by Huitieme Art will certainly appreciate PWTD:

Rating: 5

Notes: Blood Orange, black currant, peaches, litchi, pimento, rose, jasmine, pepper, cedarwood, sandalwood, patchouli, tonka been, benzoin, vanilla

M.Micallef - Art Collection Rouge No 1

Picture: The beautiful Rouge No 1 bottle,
created by Martine Micallef herself.
Photo:PR by Parfums M.Micallef (c)

Rouge No 1 is the first part of the summer 2013 limited edition Collection Rouge from the house of the artful and beautiful bottles and perfume M.Micallef. It's a highend fruity floral, created by the M.Micallef houseperfumer Jean-Claude Astier. The red bottles of the two Rouges are stunning to say the least.

Rouge No 1 starts soft vanillic-fruity with an accord that smells almost as smoothed red berries in creme but this is probably the peach interacting with the other notes in this very pleasant gourmand symphony. There is also a contrasting pleasant note of "dry dust on a lighted bulb" which is present in for example Mona di Orio Carnation and makes the opening quite interesting. Particulary in this stage, Rouge No 1 has similarities with the delicious creamy-berry-fruity Jeunesse from Robert Piguet which is a bit more edgy in style. In the next stage Rouge No 1 becomes more floral as also the wellbalanced white musk in the basenotes which gives a certain contrasting dept in this almost edible, yummy blend. The intresting and well balanced "dustnote"weakens during the dry down but a hint is still there in the base, something that I appreciate of course as I usually like  a"weird" twist in a fragrance.

Rouge No 1 is quite linear and confidently recognizable, with its returning but gradually evolving accords, during the dry down. Despite edible as a pastry, Rouge No 1 is not dense and thick or too sweet and therefore also suitable for summer. It blooms beautiful in warm weather, the musk anchors the other ingredients and ensures a good longevity for 12h+.  The overall impression is a fragrance constructed with high quakity ingredients with notes that are arranged in a wellbalanced harmony. Rouge No 1 is a true wrist sniffer,very comfortable and easy to wear.

Rouge No 1 could be interesting to those who like M.Micallef Ylang in Gold as they are close in style and also, there are similarities in the context (expect the patchouli) of Miss Dior Le Parfum and also the, IMO underestimated comfortscent, Chanel Coco Noir.

Rating: 4+

Notes: Peach, mandarine, ylang-ylang, rose, jasmine, vanilla, musk, benzoin

Robert Piguet - Jeunesse

Photo: Mr Parfumista (c)

Jeunesse is the most stirking of the Pacific Collection trio. Jeunesse is, just as the name indicates, a  young, sparkling and happy fragrance. And of course, as the sterotype of young girls perfumes of today, it's a pink, fruity-berry floral. The perfumer of Jeunesse is Aurelien Guichard, the housenose of Parfums Robert Piguet.

Jeunesse starts sparkling berry-fruity, after a while some slight creamy notes also appears.There something in the texture of the fragrance that intermediate the impression of meringues. If Jeunesse has a color, it is definitly intensive, medium, pink or cerise. The fruity notes are an interpaly between raspberry, blackberry and I also smell a fresh almost peachy note, even if not mentioned among the notes. Maybe it's the pomegranate. Even if wearing Jeunesse is like swimming in a fruity/berry meringuie dessert it's not overhelming sweet, this is prevented by the interplay between the contrasting sweet and sour fruity notes. When it comes to the flowery notes they are the second players in this fragrance, in Jeunesse the fruits and berries are the stars of the show. Jeunesse is based on a white pleasent musk, not the laudery  version. which has taken over many muskbased fragrances the latest year. As Jeunesse mingles in the basenotes, the fragrance deepens and get a bit darker and there is a note similar to mango appearing. In this stage Jeunesse reminds me of a lighter version of Jo Loves....A shot of oud over mango but without the oud.

Usually I don't have opinons about which ages a fragrance fits for but when it comes to Jeunesse it is indeed very young, at least in the top and middlenotes. This should of course not prevent anybody to wear it when longing for a sparkling, juicy, happy and uncomplicated fragrance and in the basenotes, Jeunesse is age-neutral. The sillage of Jeunesse is quite impressie to be a "regulated" 2012 composition and the longevity is very good about 24 h. Finally, Jeunesse as a concept reminds me of Baby Doll Paris by Yves Saint Laurent where Jeunesse is a creamy and Baby Doll a sharper interpretation of the pink fruity theme.

Rating: 4+

Notes: Blackberry, raspberry, pomegranate, different florals, musk

Robert Piguet - Blossom

 

Picture:Closeup of mandarin tree  in the Berkeley Botanical Garden
Photo by Allen Timothy Chang (cc) Wikimedia commons, some rights reserved

Another Piguet to like! The fragrances of the house of Piguet seems to be the perfect match for my skinchemistry. Blossom, created by the Piguet housenose Auerlien Guichard, is a part of the Pacific Collection, which is intended the Asian market, but seems to be avaible also in other markets around the globe. The Pacific Collection consists of three fragrances inspired by symbolic plants of China—Blossom, Chai and Jeunesse.

Blossom starts with a delicious, almost natural smell of mandarin. After a while notes of orangeblossom appears and the dry down is dominated by the interaction of those in addition with juicy, green leaves of the orangetree. All these different shades of orange is anchored in a pleasant, not detergent smelling, white musk. Blossom  gives me the imagination of strolling around a sunny day in a mandarin grove in a garden of The Secret City during the Chinese Empire.

Picture: Blossom from the Robert Piguet Pacific Collection
Photo: PR Parfums Robert Piguet (c)

Blossom is a wellbalanced, straight forward "orangefruits" composition which is comfortable to wear year around, especially in the late winter when the sun is warming the snowy fields as a forerunner of the comeing spring. The mandarin note which is the special in this blend is as mentioned above, fresh and natural smelling, not the darker, spicy almost marmelade mandarinnotes of Serge Lutens Mandarin-Mandarine which is more complex and more of a glowing autumn perfume, compared to Blossom. Longevity of Blossom is about a day, sillage is close, this is the perfect inoffensive, happy, officescent that anybody could feel comfortable with.

Those who pronounced orangeblossom perfumes such as Ramon Monegal  Entre Naranjos Maison Francis Kurkdjian APOM pour Femme, Elie Saab Le Parfum, L'Artisan Parfumeur Seville à l'Aube and Oscar de la Renta Granada will certainly enjoy Blossom

Rating: 4 (Feb 2013) 5 (April 2013)

Update april 2013: The more I test this fragrance the more I like it. Uplifting, happy and a real pleasure to wear. Also comfortables as a " go-to-sleep" frag, calming despite its uplifting character. 

Notes: Neroli, mandarin, orangeblossom, orangeleaves, musc