6 Fragrances for Summer 2017

Picture: Clover 2017
Photo: Parfumista (c)

Soon already in the late days of summer 2017, time for a list of perfumes I like for summer. And not just for this summer but for summers in general.

Reverie au Jardin (Tauer): This is imo a neglected fragrance from Swiss perfume meastro Andy Tauers earlier creations, worn by me for about ten summers now. Seems simple but is in the same time clever in construction: Lavender, greenery like clove, an outdoor, green incense and probably a woody violetnote as Mr Parfumista associates to Dior Farenheit when I'm wearing Reverie au Jardin.

Eau d'Orange Verte (Hermes): What more to say after decades with this tangy, green, bitterorange elegant "fresh" brew grounded in moss, than: A masterpiece, the best and most versatile Cologne ever.

Verveine (Heeley): Round, full, like what I imagine a green full moon in dark August would look like if such should exist. A sort of grassy-fruity green scent with what I percive as a figgy-woody accord. Delicious for summer.

Mon Patchouly (Ramon Monegal): Dark, earthy patch in some interpretations is refreshing for middle and late summerdays. Mon Patchouly is a delicious but non-sweet take on patch with its powdery, dry powdery cocabeenfacetts.

Coton Egyptien (Phaedon): Ultra blue skies over sunbathed dunes, a loose shirt in a light, almost transparent, white, crisp egyptian cotton. The fragrance is green like grass, with a clean accord which smells almost like a green, dry, laundry detergent.

Musk Samarkand (Les Neréidés): A clean, robust white musk with something slight dirty lurking in its depts. No detergent and refreshing as a chilly summer breeze a hot sunny day. Reminds me of a budget alternative (but just as good as) to the new interpretation of Parfumerie Generales old Musc Maori 04: Le Musk et la Peau 4.1. My bottle of Musk Samarkand is an earlier version, the bottle with the bookmark angels on the sticker.

Jul et Mad - Aqua Sextius

Picture: Fontaine-Albertas in Aix-en-Provence.
Photo: By Oslostudio under CC Attribution-Sharealike license
Wikipedia commons, some rights reserved

Inspired from Aix-en-Provence with its sparkling fountains, the latin name of the city gave name to Aqua Sextius, the founders of perfumehouse Jul et Mad, hired the it-perfumer Cecile Zarkoian to create a fitting blend.

Aqua Sextius starts with a concentrated limenote which reminds me of the classic Rose's limejuice. Soon an aquatic accord somewhere in between Aqua di Gio and Agua de Loewe joins  the lime together with a fresh, green, minty note. Even if not mentioned as a single note, I percieve something close to a soft cardamonnote mingling with the mint through the whole developement of the fragrance. A sort of clean and dry figgy note also appears in the middlenotes together with a slight flowery element. Some fresh, soft, woody notes together with a pleasant, clean musk anchors Aqua Sextius and the notes blends in a comforting and relaxing way.

Aqua Sextius is a perfect fragrance for relaxed casual wear but also easy to wear and not disturbing in the workplace despite its good sillage. The longevity is very good, for over a day even in warm, sunny, summertempratures. The style of Aqua Sextius is appropriate for summer but I also think it's a fragrance which is comfortable to wear in any season. A happy and easy to wear fragrance within the "mainstream niche"cathegory.

Picture: The well matched bottle of Aqua Sextius
Photo: PR Jul et Mad (c)

Those who like fresh fragrances in the style of  Parfumerie Generale Yuzu ab Iratio, Phaedon Cendres de The and Noir Marine will probably also appreciate Aqua Sextius. The fragrances doesn't smell the same but have common accords as for example the fresh cardamom smell in Cendres, the aquatic wood of Noir and the dry but juicy texture of Yuzu.

Rating: 5

Notes: Grapefruit, bergamot, mandarine, orange, the, mimosa, aquatic notes,mint, eucalypthus, white flowers, fig, pine, labdanum, amber, moss, cedar, guaiac wood, musk

Thanks to Fragrance & Art for the sample to try

Parfumerie Générale - Grand Siècle Intense 7.1

Picture: Grand Siècle Intense
Photo: PR Parfumerie Générale (c)

Grand Siècle Intense 7.1 is the just released, fourth fragrance in the Signature Collection of Parfumerie Générale, collection which Pierre Guillaume started to create 2012 to mark the 10th anniversary of Parfumerie Générale that year. The collection will capture Pierres development as a perfumer and offers different interpretations of some of the Parfumerie Générale perfumes from the past. The Signature Collection is only avaible at Parfumerie Générales own website.

Grand Siècle Intense is a follower to the very natural smelling bitter citrus cologne Cologne Grand Siècle in which Pierre Guillaume was inspired by the court of the Sun King Louis XIV in the seventeenth century and the few and pure ingredients which then was avaible to the parfumer. 

Grand Siècle Intense starts with natural smelling bitter citrus and green notes. A realistic and refreshing, slight fizzy note of mint leaves appears after a while. This mint is also present in the original Maroocan Mint tea inspired Harmatan Noir 11, but in this fragrance, blended with smokey, spicy almost metallic notes. The minty note is also present in the easier to wear Noir Marine from the Phaedon line. Grand Siècle Intense goes on with green-woody notes, with the sparkilng green of cypress over light woods, fresh moss and a well intergrated vetiver. The cypress slightly reminds me of the sparkling green in Annick Goutal Eau d'Hadrien. A slight smokey touch also appears and glimpses of a very fine leather also appears and in the basenotes there is also a light, well rounded sweetness, probably the honey, which prevent the fragrance from beeing too aromatic in style.Just as in Cologne Grand Siècle there are no harsh or artifical smelling notes which seems to be quite common in cheaper aromatic/citrus fragrances. As usual with Parfumerie Générale this is high quality stuff and it's a smooth, delightful and easy to wear fragrance. Grand Siècle Intense is, just as it's forerunner, with its close sillage, perfect both for casual and office wear in spring and summer. The only drawback, just as with the cologneversion, is the longevity. Even if I applied liberally, I have to reapply every two-three hours and 75% of my 2 ml sample was gone after one wearing. On the other hand, I have dry skin so this is probably not a common problem.

Comparing the two Grand Siècle versions, Cologne Grand Siècle is more of a cologne in style (even if not fully) with citrusy, lemony notes and also with a for the fragrance characteristic note of a hard citruspastille. In  Grand Siècle Intense the cologne inspired theme is most present in the early stage of the fragrance, later it's more of a citiric, green, light woody aromatic perfume. Both fragrances are unisex even if the cologne IMO is leaning a bit more to the masculine side and the Intense is just neutral.

Rating: 4 (if rating how it smells, its structure and quality of ingredients), 3 (if taken the longevity issues in consideration)

Notes: Bergamot, bitter orange, lemon leaves, mint, cypress, vetiver, patchouli, oakmoss, tobacco absolute, hay, honey

5 top green summer fragrances

Picture: Crowded on the waterway to Stockholm in July
Photo: Parfumista (c) 

As I wrote in a post recently, I'm perfumwise, in tune with the season this summer i.e I don't long for the darker and heavier fragrances of autumn/winter which is quite common for me. This summer is green in different interpretations to me and even if I don't have time to wear all the fragrances mentioned, there is always some new samples in waiting for test, I sniff them regulary and ensure that the rest of the family wears some of them.

Coton Egyptien (Phaedon): Finally, thanks to Mr Parfumista and the kids who used up my sample, I get this elegant, casual, galbanum light, freshly ironed, high quality crisp cottonfabric fragrance. There is no detergent vibes in this as in for example Serge Lutens L'Eau Serge which is a perfume in a similar style but with a chemical (in a positive way) apperance. The Phaedon line is re-packing in new bottles and it seems as Coton Egyptien is discontinued as it doesn't appear among the re-bottled fragrances. At present Fragrance & Art sells the Phaedons in the old bottles, among them Coton Egyptien, to a reduced price.

Vent Vert (Pierre Balmain): The soapy, slight salty, light musky notes combined with galbanum of the current version reminds me of the archipelago, more particulary the wood-fired sauna with the following bath in the cold seawater. My appreciation of the current version is growing, I like it as much as the older, sharper, more elegant version.

Cologne Friction (Parfums de Nicolaï): This gentle, crisp, grassy cologne is like sunwarmed grass added with a light accord of the non-cocnut classical austrian sunscreen Snikk. I think Cologne Friction is on my top summer fragrances list almost every year, it is so relaxing and versatile. Unfortunately it seems as it's discontinued when looking at the new Parfums de Nicolaï website.

Vetiver (Guerlain): Mr Parfumista wears both one of the later Edt versions and a vintage Edc. Both are great (even) for summer. The Edt version (with better longevity) is a bit soapy, with a lighter touch of vetiver, in the Edc the vetiver is more concentrated, smells almost as, but not as strong, the pure vetivernote in LesNez Turtle Vetiver.

Cristalle Eau Verte (Chanel): Another underappreciated Chanel IMO. This slight flowery, herbal, watery-green fragrance reminds me of a chilly and refreshing vermuthdrink loaded with icecubes a hot summerday. Perfect casual chic for work during the summer.

Fragrance(s) of the week (29) 2013 - Green &herbal

Here we are in the middle of the summer.Almost every year I have started long for the dark orientals of the autumn & winter by now but this year I'm more in tune whith the season and like to wear herbal and green perfumes such as:
 My SOTD Reverie au Jardin a bit neglected and forgotten Tauer.Green incense  lavandel herbal dry beauty, the always so wearable Cologne Friction from Parfums Nicolai, the salty, musky galbanum of Balmain Vent Vert (I appreciate the new version more and more) and the cotton clean galbanum of Coton Egyptien from Phaedon. Overall I like the unsweet and natural in style fragrances at the moment but theses preferences will probably change soon...

Histoires de Parfums - Veni

Picture: Bust of Gaius Julius Caesar

 Photo by Andreas Wahra, Wikimedia commons

Veni is the first fragrance in the Histoires de Parfums "cardamom trio", fragrances that highlighting different aspects of cardamom. The fragrances are inspirated of the conquests of Julius Ceasar and his celebrated words "Veni, Vidi, Vici!" .Veni is composed by Gérald Ghislain, founder and perfumer of the house Histoires de Parfums and, together with Vidi and Vici, a part of the Editions Rare line of 2012. The theme of Editions Rare 2011 was (of course) oud.

Veni, "I have come" starts with a true smell of cardamom, followed by a light and sweet flowery impression supported by different spicy notes. The caradamom is present during the whole dry down of Veni and the unusual, slight flowery, dark, a bit moisty, spicy accord are resting on a bit peppery, contrasted with sweet and resin basenotes. Even in the basenotes the cardamom note feels as natural and the other spices acts like a wellblended warming background.

To be honest, Veni doesn't induce the picture of Julius Ceasar on expedition in faraway countries. My impression of Veni is drinking a nice cup of  chai tea and eating a soft cardamom cake a cold winterday.

Veni is suitable to wear at daytime, escpecially during the colder months. The sillage is close and the longevity about twelve hours.

Those who likes Phaedon Cendres de The and also Dzhari (even if cardamom here just is a supporting note), just as Hermès Un Jardin Apres la Mousson could, even if different cardamom interpretations, also appreciate Veni (and it's sisterfrags Vidi and Vici).

Rating: 3

Notes: Cardamom, cinnamon, galbanum, lavendel, tagete, saffron, guaiac wood, patchouli, vanilla, caramel, musk, amber, benzoin, oakmoss

Phaedon – Coton Egyptien

Coton Egyptien from the Pierre Guillaume associated line Phaedon is (probably) also created by Pierre. CE is, like Verveine Figuier reviewed earlier this week, compared to the fragrances in the general Parfumerie Générale-line, a lighter and “easier to wear” fragrance.

Coton Egyptien starts with a somehow soft blast of galbanum, often galbanum is strong, sharp and dominating, but not in CE. Soon a papery, vanillic note appears and mingles with the green during the well balanced dry down. The base is slight dry woody, grounded in a white musk.

In style CE reminds me of some Patricia de Nicolaï creations, especially her geraniumdominated L’Eau Chic. Coton Egyptien is the galbanumversion of L’Eau Chic but also infused with some of the papery, chalky vanillic note from Vanille Tonka.

Coton Egyptien is a soothing scent for the summer and with it’s similarities to the Nicolaïs of course also a more elegant and refined alternative to the mainstream acqua-citrus-musky freshness. There is a clean but absolutely not laudery feeling of CE. Perfect for casual and the office. Longevity is not so good, CE demands a heavy application.

Rating: 3+

Update July 2013: This summer I've come to really appreciate this fine, wearable, casual chic fragrance which unfortunately seems to be discontinued in the rebottled Phaedon-line.

Rating 2013: 4+

Notes: Galbanum, iris, jasmine, lily of the valley, lily, orange blossom, musk, cedar.

Thanks to PG for providing the sample to test.

Phaedon – Verveine Figuier

Picture: Eisenkraut, Verbena officinalis, 1796,

Fig. from book Deutschlands Flora in Abbildungen,

Author: Johann Georg Sturm (Painter: Jacob Sturm)

Wikimedia Commons

Verveine Figuier is a Pierre Guillaume creation launched under the Phaedon label, a perfume joint-venture where Pierre is involved. Some fragrances are made by Pierre and some not, but as I have found Verveine Figuier is composed by PG himself.

VF starts with a light, green fignote that have some commonalities with the light, green figginess of PG:s Jardins de Kerylos. The fignote is balanced and gets a cirusy-green sparkling effect by the leafs of verbena. The green and citric notes are interacting in a quite linear formula, grounded in a light woody, white musky base.

VF:s formula seems simple and straight forward. The blend is very light to be a PG creation, it’s almost an Eau de Cologne, on my skin anyway. VF is a scent that should be splashed on to refresh during a hot summerday, and several applications will be necessary as it fades after 3-4 hours on my skin anyway. This verbena – fig styled almost colognelike blend is a good alternative to the classical citrusdominated colognes such as Guerlain Eau de Cologne Imperiale or the modern musky dominated such as Thierry Mugler Cologne. Other verbena fig styled fragrances tha comes to my mind testing VF is Hermès Un Jardin en Méditerranée and Heeley Verveine even if those,especially UJeM , is stronger and with a better longevity. Of the two the Heeley Verveine is most similar to Phaedon Verveine Figuier as it’s lighter and more citrus-green than the darker and denser almost ripe fig in UJeM. The musky, light woody part of VF has similarities with the great green, musky Eau de Lalique but EdL is more radiating and lasts for a whole day even in summer. Also PG:s new interpretation of Corps de Ames, the beautiful Corps et Ames Edt Apaisante features  verbena but the note is much more obvious in the CdA Edt than in Verveine Figuer.Maybe because the verbena note, just as the whole blend, is stronger in CdA Edt.

To summon up Verveine Figuer is the perfect stright forward, summery splash on, almost cologne for lazy days. Nice, dimmed and refreshing.

Rating: 3

Notes: Verbena leaves, fig leaves, fig wood, musk

Parfumerie Générale - Indochine

Bild: Indochine, map from 1886,

Wikimedia commons

Parfumerie Générales latest realease in the numbered basic collection of the house is number 25 Indochine. The woody spicy Indochine is, as all the perfumes of the house, created by it's founder Pierre Guillaume. The perfume is inspired of the "good" old days of France with the Asian colonies in Laos, Cambodia and Vietnam - Indochine.

Indochine starts exciting with peppery and woody notes, the woody notes feels muted, as grunded to a paste. Maybe there is the thanka wood, don't know how it smells like. As Indochine dries down there is also a dry and dusty feeling and I can also smell a honey note combined with the smell of nectar from a flower. In the middle suddenly the peppar pops up again, this time very true to the smell of fresh grounded peppercorns. In the middle/basenotes section there are woody notes similar to the ones in Pierre Guillaumes Noir Marine and Dzhari for Phaedon. When Indochine first reaches the basenotes I almost think I wear Noir Marine. Maybe this woody-minty-herbal note is the new signum of Pierre Guillaumes creations. But after a while the basenotes of Indochine suddenly are boosted up and I can smell another familiar note: That special sweet, woody almost Chanel Allure like note from PG:s Tonkamande.

Indochine is a very wearable perfume for autumn and winter but also for chilly, rainy summerdays as it's not att all heavy or dense. Suits both in the office and for casual occasions.

I had high expectations of Indochine but even if it is a fine and wellcrafted fragrance, it doesn't exhilarate me.
The topnotes is the most exiting part of Indochine, the fresh peppery notes in the middle is the most spectacular stage. The basenotes, that are similar to Noir Marine and Tonkamande, is weaker in Indochine and closer to the skin. All considerations together i perfer Noir Marine, Dzhari (even if Dzhari only have the woody notes in common with Indochine) and Tonkamande over Indochine. Maybe I had thought the opposite if I had tried Indochine before Noir Marine, Dzhari and Tonkamande, who knows. Indochine smells like a compromise to me. I have reveived a sample of Indochine from Fragance & Art .

Rating: 3

Notes: Benzoin, pepper, thanaka wood, honey

Phaedon

Image: Bottles and candle from Phaedon (c)

Phaedon is a new line of perfumes where at least some of the scents are created by Pierre Guillaume. According to the buzz on Basenotes, Noir Marine and Dzhari are the two creations by Pierre. Those that are not created by him, is developed under his supervision. I have recived three samples of the Phaedon perfumes from the niche perfumeshop Fragrance & Art  . Here are my first impressions:

Noir Marine: This is a wearable, stripped, stright forward version of Harmatan Noir No 11 in the Perfume Generale line. Harmatan Noir is more complex but also harder to wear with a teanote that I perceive as metallic-bloody. Noir Marine is also dominated by the minty teanote in Harmatan Noir but it's a brighter and cleaner interpretaton. More aromatic-marine in it's tonality than Harmtan that is more woody- herbal. Personally I prefer the Noir Marine over Harmatan Noir. Notes of mint, tobacco and resins.

Dzhari: This is a beautiful blend with mint (again), sweet wine with some spice and dusty notes. The minty note is smoother compared to Noir Marine but connects the perfumes in the same theme. Dzhari really smells as I perceive ancient. It justifies the inspiration of the line from Sokrates and his disciple Phaedon. To my nose there are some similarities with Midnight Sun from Aqaba, a line inspired of the ancient times of the Queen of Sheba.

Cendres de The: A clean cardamom dominated scent with some sparkling peppernotes in the background. Reminds med the cardamom in Hermès Un Jardin Après la Mousson but Centres de Thè stays true to the cardamom during it´s whole drydown. I don’t feel the tea note but as spiced tea is one of the ingredients it’s probably so well blended that the note it self don’t stand out. Centres de Thè is the best cardamom scent that I have sniffed until now.

From the samples I have tried from the Phaedon Line, my overall impression is that it is a well crafted line in the spirit of Pierre Guillaume and with some characteristics from the PG line. But the Phaedons I have tried are in general more stripped versions, focusing on a few notes, and are easier to wear for a wider audience. To me the scents is smooth and relaxing and at least Noir Marine and Dzhari makes me think of the ancient times that the line gets some of it’s inspiration from. The Phaedons are comfortable and enchanting fragrances according to my nose.