Anatole Lebreton - Incarnata

Picture: Incarnata
Photo: PR Anatole Lebreton (c)

Incarnata which is the latest Anatole Lebreton creation starts with a very true, dry, dusty,  powdery, not so sweet lipsticknote, that sort of vintage lipstcknote, a scent I'm remember since childhood. Cosmetic notes is also the theme for this intriguing, retroinspired perfume. It has a putty lipstick texture but is not as violet-rosy as Frederic Malle Lipstick Rose or sweet and dirty as Etat Libre D'Orange Putain des Palaces. After a while, there is a note appearing which smells close to cummin, but not the sharp varity, this is sort of a smooth versio. There is also hints of something similar to cough syrup but in a positive way. As Incarnata dries down, a smell that resembling the image of the texture of a thick, transparent, cold fluid appears: A splendid, deep myrrh, not as dark as in Huitième Art Myrrhiad but also not as airy as in Serge Lutens La Myrrhe, here it's almost the myrrh from Guerlain Myrrhe et Delires. The result of the myhrr mingling with the powdery notes is brilliant; the cosmetic notes becomes enlighted and almost refreshing.

Incarnata is a suitable perfume for a evening out in the opera or in the theatre. It's sort of sophisticated, robust with hidden secrets, like an untidy apartment hiding behind the perfect facade of a buildning on a posh street. It's an intriguing perfume which shifts during its development and evokes different images. The sillage is medium and longevity is very good with clear traces remaining after 24h. To me Incarnata is a very feminine perfume.

Like the other Anatole Lebreton fragrances I have tested, Incaranta is intriguing, well made and stands out in the flood of niche releases. I would like to own a bottle of each and thankfully those fragrances are quite reasonable priced to be niche, 90 EUR/50 ml.

Rating: 4

Notes: Raspberry, violet, rhododendron, orris root, myrrh, rose, powdery notes, amber, suede, benzoin vanilla

Mona di Orio - Myrrh Casati

Picture: Marchesa Luisa Casati, (1881-1957)
Painting  1908 by Giovanni Boldino (1842-1931)
Wikimedia commons

Myrrh Casati is the first fragrance from nichehouse Mona di Orio created by another perfumer than Mona. After Monas untimely death in December 2011, the fragrances that was in line for release Rose Etoile de Hollande and Eau Absolue or the personal fragrance for Monas business partner Jeroen Oude Sogtoen Violette Fumeé, were launched. This difficult mission to compose the first non-Mona fragrance for the house of di Orio was given to perfumer Melanie Leroux. The new perfumes are launched in a subline called the Monogram Collection which also introduce new bottles and a new logotype for the Mona di Orio brand.

Myrrh Casati is inspired of the very wealthy eccentric italian early 20th century active Marchesa Luisa Casati, a musa for fashion and art. Myrrh is a timeless, dramatic and mysterious ingredient with ancient origins and therfore also maybe a tad eccentric.

Myrrh Casati starts transparent and in the higher octaves of the scale, a similar context as Serge Lutens beautiful La Myrrhe but with a slight spicy, smoky almost leathery addition. La Myrrhe is more of a pure myrrh perfume with the pronounced refreshing mushroomnote which lasts for a considerable time of the dry down, in Myrrh Casati the mushroomnotes last just for a while. In the middlenotes the licorice contribute to a sweet contrast to the very dry myrrhinterpretation of Myrrh Casati. There is also a smell of fresh loam and a quick glimpse of a drak green moisy moss and a quick passing note similar to pine needles. The licorienote is very well balanced and not as prominent as in Guerlain Myrrhe et Delires or Huiteme Art Myrrhiad. In the basenotes Myrrh Casati is deeper and the myrrh is surrounded by perfectly balanced spices, the cardamom and saffron are note detectable as separte notes, as also not the incense and patchouli. Everything is somehow perfectly balanced, restrained, elegant and wellbehaved.

Picture: Myrrh Casati in the new Mona di Orio flacon
Photo: PR Parfums Mona di Orio (c)

To me Myrrh Casati is calming and soothing, not recalling one of the Marchesas wild parties. The darker, denser and heavier Huiteme Art Myrrhiad would be more suitable in this context IMO. Insted it's recalling the same as Serge Lutens La Myrrhe a medival stonechapel, cold a bit moisty and mossy stone, with traces of the smell of balmy incense, myrrh and soft spices in the air.

Even if not original or not particularly distinctive from the other myrrhs mentioned in the post, the soothing and in the same time elegant qualities makes Myrrh Casati very attractive and wearable for many occasions year around. It's undoubtedly appropriate in style to join the perfumes created by Mona. Sillage is close and longevity over night. Not that I'm a specialist in perfume construction but to me, Myrrh Casati is better balanced then both Myrrhe et Delires and Myrrhiad. Finally I perceive it Myrrh Casati as a more restrained alternative to La Myrrhe.

Rating: 5

Notes: Red berries, pink pepper, cardamom, saffron, licorice, benzoin, myrrh, incense, patchouli, nagarmotha, guaiac wood

Guerlain - Myrrhe et Delires

Picture:  Commiphora myrrha by Franz Eugen Köhler,

 Köhler's Medizinal-Pflanzen,1897, Wikipedia commons

Myrrhe & Delires is the latest creation in the Guerlain L'Art et Matiere-line. It's created by the current Guerlaan inhouse perfumer Thierry Wasser.

Myrrhe & Delires starts sort of resinous, fresh and airy. There is also an accord that reminds me of classical, oriental/chypre perfumes fleeting in and out in the basic structure of the perfume during the top and middlenotes. The classical accord reminds me of the typical chic "french" smell of Balenciaga Prelude and also hints of Quadrille from the same house. This typical french-chic note is also present in Balmain Ivoire vintage version even if the latter fragrance is green, aldehydic, flowery, soapy which is not the case with the former fragrances. Quite early in the dry down the to some myrrhe fragrances typical licorie note appears. In M&D this note is light and airy, contrasting to for example Huitieme Art Myrrhiad (in swedish), is dark, dense and mysterious compared to M&D. There is also a streak of the cold, dark, slight smoky accord of Juliette Has A Gun Calamity J. but tuned down and expressed in a softer and smoother way. The rest of the dry down is soft, sweet, resinous and retains the airy interpretation of licorie. To me the opening accords (as with most of the fragrances I have tried from the L'Art et Matiere-line )  are the most interesting part of the fragrance, but the linear dry down that follows later is beautiful, very comforting and easy to wear. To my nose there are some similarities between the composition of the base of Tonka Imperiale and Myrrhe & Delires as also with Cuir Beluga.

As Myrrhe & Delires is'nt overly sweet and almost airy in it's texture, the fragrance is wearable for both day and evning during the whole year, except for the warmest days in the summer. Sillage is close, longevity about 24h.

Those who likes Annick Goutal Myrrhe Ardente, Serge Lutens La Myrrhe (in swedish) and Mona di Orio Jabu (even if myrrhe in Jabu is just a supporting note) will probably enjoy Myrrhe & Delires too.

Rating: 4

Notes: Bergamot grapefruit, osmanthus, jasmine, rose, violet leaf; patchouli, incense, tonka bean, vanilla, myrrh, licorice