Etat Libre D'Orange - Vierges et Toreros

Picture: La muerte del maestro, oil painting, 1884

by José Villegas Cordero (1844-1921)

Vierges et Toreros is a spicy-woody fragrance, created for the avantgarde perfumehouse Etat Libre D'Orange by the two Antoines, Lie and Maisondieu in 2007.

As often with ELDO perfumes there is something strange and fascinating with the blend, ELDO creates fragrances that makes us reflect and recalling images. VeT starts with a weird spicy, slight plastic note, plastic in a soft, pleasent way.  Then a anorectic light smoky leather, with the plastic spices still there, sets in followed by a very subdued tubereuse. Also some patch are present but as the creation is well blended, there is hard to discern the notes from each other. The plastic-spicy impression reminds me somehow of Masque Luci et Ombre another unusual tubereuse fragrance. Even if not the similar scent, I think Mona di Orios Les Nombres d'Or Tubéreuse, which is more sophisticated, warmer and more feminine, is a similar concept with a subdued tuby togther with subtle spices. Also Histoires de Parfums Tubereuse 3 Animale has the tuned down tuby in common despite the immortelle dominated Animale is much stronger, louder and demanding than the quiet VeT.

Over all this is a quite comfortable, light spicy blend with some edges. Compared to the quite violent associated name, VeT is a quit and peaceful perfume. Suitable to wear year around, expect the warmest days in the summer, fitting both for work and casual.

Rating: 3

Notes: Bergamot, nutmeg, pepper, cardamom, ylang ylang, tuberose, leather, animal notes, costus, patchouli, vetiver

Thanks to Fragrantfanatic for the sample to try.

Etat Libre D'Orange - Rien Intense Incense

Picture: Frau vor untergehender Sonne
(Sonnenuntergang, Sonnenaufgang, Frau in der Morgensonne)
Painting of Caspar Friedrich David, between 1818 and 1820
Wikimedia commons

Rien Intense Incense is a reworking of the powerful Rien which is a favorite of mine from the Etat Libre d'Orange-line. I read at Fragrantica that the old Rien was reformulated in 2014 and now is much softer. There are speculations that the Rien Intense is a replacement for the old powerful formula of Rien as Rien Intense Incense also was released 2014. When refering to Rien below, I refer to the pre-reformulation version which I also reviewed earlier this week.

Rien Intense Incense (RII) starts with a smokey, almost burnt leathernote, similar to the same note in Rien. I can also smell light touches of chilly flowers, probably the iris and cold aspects of rose.There is a lightness and almost sparkle to the accords, probably the aldehydes. This impression is more or less present also in the later stages of the perfume. Further on there is also a rubbery note, as fresh rubber from new tires and a very light, on the verge to powdery (but not at all sweet) quality appears as a veil swirling around the fragrance. The incense is intricatly interwoven as I can't detect it as a singular note but it is somehow present, almost like a shadow. The for some ELDO fragrances typical balsamic accord which has traces of something smelling close to a woody coconut is present in most of the dry down of RII. The same coconut like accord is also apperant in Kerosene Copper Skies which is also the fragrance besides Rien I come to think of when sampling RII. In the basenotes, the flowery facetts re-appears but this time it smells of tubereuse, a note which isn't mentioned in the notelist, it's like it evolves from the coconut accord and mingles beautiful with that and (in this late stage) the slight smokey leathernote.

Picture: Rien Intense Incense
Photo: PR Etat Libre d'Orange (c)

Even if very strong and powerful, RII smells more rounded and less rough than the original, pre-formulation Rien. There is not the same pronunced construction site + wet concrete in RII as in old Rien, RII is also a tad sweeter, warmer and the spices are somehow more apparent. RII is quite linear with some minor variations in the different stages, for example the flowers in the first part of the fragrance. I'm experiencing Rien as the sauvage one and RII as a more refined and well-behaved (everything is relative) but anyway intriuging to wear. There is something dark mysterious and compelling about RII, it's more dreaming in character, just as the painting illustrating this post.

The old formula Rien and RII somehow complements each other and I assume that this is also even more the case with the new, softer formula. If owning the old Rien it is questionable whether it's worth owning the RII, it depends on how much one appreciate the fragrance, each formula highlighting different aspects.

Rien Intense Incense is perfect for the colder months but also for rainy days in the summer. Maybe also for a warm day as the above mentioned Copper Skies suprisingly had a great development when I tested it a warm summerday some years ago. RII is perfectly unisex, sillage is grand and longevity for at least 24h.

Rating: 5

Notes: Aldehydes, caraway, bergamot, rose, iris, incense, amber, patchouli, labdanum, moss

Thanks to Fragrance & Art for the sample to try

Etat Libre D'Orange - Rien

Picture: Medival construction site.

Villard de Honnecourt, drawing of a buttress at Reims,

in his album of drawings, ca 1230 - 35. Bibliotheque Nationale

The name of Etat Libre D'Oranges Rien is an understatement to said at least. But that is on the other hand not surprising as it comes to this controventional perfumhouse, at least when it comes to the it's earlier releases. Rien is on of those earlier creations and it is executed by the famous Givaudan perfumer Antoine Lie. About the story behind and the perfumers inspiration of retro perfumes blended in a contemporary style and taken all the restrictions of rawmaterial in consideration that has ruined many of the great classics when reformulated, read the initiated review of Rien at Bois de Jasmin. Rien is one of these "complicated" cult fragrances, analyzed in almost it's every part in different parfumeblogs and forum and here is my version of it: The formula of Rien reviewed is the original, it's said to has been reworked to a softer version in 2014.

The perfume Rien is anything but "rien", instead it is very "très" as very much is going on in this blend. It starts by a very strong and almost overly harsh construction site note that I genreally like. But in Rien it's on the verge of being too much of that particular wet, putty, gritty and slight sweaty note. This note is also present but in a subtler and more pleasant way in Etros Messe de Minuit. There also a note of a tick, almost smokey and dry leather, as in a rough and heavy leather coat. As Rien is a very strong and potent blend one have to be very careful upon application. When sampling and wore a full sprits from the sample on the right arm and a half sprits on the left, I felt a difference in the scent. It smelled much better on the left, lower dose, hand, not as sharp and compact as on the right. But in the stronger concentration there on the other hand are some interesting animalic notes glimpse. As the first, strong blast tunes down, the fragrance turns into a pale pink almost withering rose backed up by a gentle cumminnote, musk and cold green whiffs that resembles geranium. This stage is slight powdery. The blend for a while gets even more dry to my nose and in this stage there is traces that reminds me of Aromatics Elixir by Clinique. But AE is a louder interpretation of the rose, geranium, moss and also distinguish the individual notes more apparently than in Rien, which notes seems to be more mixed together. In the basenotes there are also aimalic notes that is not as distinct in AE. There is an almost animalic furry note among the basenotes together with a distinct musknote and the powdery pale rose that remains subtle. In the middle and basenotes there are many similarities with the beautiful rose-musk combo in Musc Nomade by Annick Goutal and sometimes I'm almost thinking I'm wearing the latter even if MN is more refined and elegant in it's appearance. In the latest stage of the basenotes the rough leather from the earlier stages of Rien returns, but now it seems to be better in balance with the sourrunding notes than in the beginning.

Expect from the almost off-putting opening and topnotes of Rien, the perfume evokes just the right feeling of retroperfumes foremost in the leathery chypre style as Robert Piguet Bandit, Estee Lauder Azureé and Parfumes Grès Cabochard. But also as mentioned above, of a modern musky classic as Musc Nomade.

Rien is an interesting frag where a lot is going on during it's dry down and there is no risk of losing interest. Even the picky Mr Parfumista gives compliments when I wear Rien, which is strange as he often complians about strong aldehydic scents beeing too "old man/womanlike"on me. But Rien is dry, with almost no sweetness in it and Mr Parfumista is appreciating dry-wood perfumes for himself.  Rien is a must try for retro perfumelovers. I can't say it's officefriendly, not in it's initial stage anyway. This "offending" stage on the other hand dries down during the journy to work and when entering the office, the more pleasant middlenotes have appeared.

Rating: 5

Notes: Aldehydes, cummin, leather, iris, amber, patchouli, moss, incense, rose, pepper, styrax

Etat Libre D'Orange - True Lust Rayon Violet De Ses Yeux

Picture: True Lust
Photo: PR Etat Libre dOrange (c)

True Lust Rayon Violet De Ses Yeux  (in the following called True Lust) is a creation that unites two earlier editions from Etat Libre dOrange, Putain des Palaces (my favorite powdery violet) and Dangerous Complicity. 

From the very beginning True Lust makes me think of a diluted version of Putain des Palaces with violet, rose, lipstick, ricepowder. Further on there are also notes similar to boozy blond tobacco, probably the rhum and even later hints of leather paired with a coconutnote. As I havn't tested Dangerous Complicity I can't refer to that fragance, only to Putain des Palaces. True Lust to me is like a clean and light version, a bit sweeter and without the intriguing altered character and dirty shades of PdP. True Lust is like a safe and comforting version of the demanding PdP, pale but sort of nice. The nature of the fragrance though, doesn't correspond to its name. It also feels a bit uninspired and messy in character, as it doesn't know which path to choose for its developement. A fragrance that comes to my mind in this sort of airy style of lipstick powder is Histoires de Parfums 1889 Moulin Rouge but that one is a far better interpretation on the theme.

Picture: True Lust
Photo: PR Etat Libre d'Orange (c)

Positive is that True Lust is more versatile than PdP as it's lighter, cleaner and could be worn in most tempratures (not the hottest) and for most occasions. To me, as it  derives from the ultra feminine Pdp, True Lust is a feminine fragrance even if marked as unisex. Sillage is close and longevity not so good, it doesn't last for a day on me. 

As a whole: I don't understand the purpose with True Lust (expect squeezing money out of a proven formula) as ELDO already has the outstanding PdP in their range. To me True Lust is perfectly nice and wearable but forgettable.

Rating: 3

Notes: Rum, ginger, rose, violet, coconut, osmanthus, lily of the valley, jasmine, ylang-ylang, tangerine, rice powder, ambergris, leather, animal notes, sandalwood

Thanks to Fragrance & Art for the sample to test

Olfactive Studio - Panorama

Picture: Sheats Goldstein House, LA with panorama view
Photo: Miguel Sandinha, PR Olfactive Studio (c)

Panorama is the latest addition to the Olfactive Studio line. The green fragrance is inspired of the "urban jungle" and the amazing view from the famous Sheats Goldstein House, an extraordinary villa in Los Angeles. Panorama is created by perfumer Clement Gavarry.

Panorama starts green but not with the damp and moisty greeness that I associate with jungles. Instead it smells like some green Irish mist perfume, a cold, herbal, clover greeness, man cologne-ish in style. After a while Panorama gets warmer and spicier  and a gourmand note reminding me of the asian gourmand note in Neela Vermiere Creations Ashoka and also in  État Libre d'Orange Fils de Dieu du Riz et des Agrumes. Probably this is the wasabi note mantioned, but far away in strength compared to when eaten with sushi. There is also a light incense-pepper note lurking in the background and here there is something (minus some sweetness) that reminds me of Tauer Reveire du Jardin. After a while, cooler, fir-like,  greenery appears and once again Panorama feels very masculine. The basenotes is the most plesant part of Panorama, the blend has smoothing out, some almost flowery and earthy elements have joined the mix and suddenly I recognise an old acquaintance the rough and tough lady Balmain de Balmain which is much more distinct and interesting green blend compared to Panorama. Not much more is happening in Panorama, it's a safe linear, but quite different and a bit weird green blend which is almost refreshing in its apperance.

Picture: The Beautiful green liquid of Panorama
Photo: PR Olfactive Studio

Panorama is good for summer, office friendly. with close sillage and longevity for a day. Even if a unisex fragrance, to me it's more masculine which I also think of Balmain de Balmain which is marketed as a ladys fragrance.

Rating: 3

Notes: Bergamot, lemon, wasabi, violet leaves, fig leaves, galbanum, cardamom, freshly cut gras,  musk, vanilla, tonka beans, myrrh, labdanum, fir, patchouli

Thanks to Fragrance & Art for the Panorama sample to test

Vero Profumo - Rozy EDP

Photo: Mr Parfumista (c)

The rose variations Rozy  from Vero Profumo are said to be inspired from the intensive (to say the least) italian actress Anna Magnani and espceially the movie The Rose Tatoo. As usual the fragrances from Vero Profumo is created by the founder of the house, Vero Kern. Today my impression of Rozy EDP and in the next entry, Rozy Voile d'Extrait.

Rozy EDP starts with an accord that reminds me of the honeyed flowery/rosy a bit lipsticky in texture start of the clasic  Shocking by Elsa Schiaparelli. But after a while Rozy EDP takes its own track, a delicious, fruity, golden nectar, honey and rose. The passionfruit, characteristic for the EDP:s of Vero Kern is deeper, denser and more gentle than in for example Rubj EDP or Kiki EDP. Something original with Rozy EDP is the mix peach, rose, honey and lilacflowers which gives the fragrance its own, original characteristic, its texture is almost inky and the smell has also some similarities (cold, wet metallic) with fluid ink. As a contrast, a soft, smoothing sandalwood is interacting. In the basenotes there is an animalic, dirty quality, powdery almost like putty in texture, a combination that I like very much, present also, but much more powdery, in fragrances as Etat Libre d'Orange Putain de Palaces and Huitéme Art Poudre du Riz. Overall, the resemblance with something that could be a contemporary and more sofisticated (at least compared with current EDT, haven't tried the vintage perfume) Shocking by Schiaparelli lingers during the whole drydown. In the basenotes something that  vaughely reminds me of a flowery version of Amouage Gold Extrait in the older formula is also present as also a resemblence with Antonio Visconti Rose Savuage.

Picture: Rozy EDP
Photo. PR Vero Profump (c)

Rozy EDP is a beautiful, retrostyled rose that distinguishes itself among other dark, dramatic roses. Longevity is very good, traces are left unfragemented almost 24h later. The sillage starts big but lingers to close and in the end to a skinscent. Rozy EDP could be worn year around even if I think it would be great for the colder season or for chilly summerevenings.

Rating: 5

Notes: Rose, peach, passionfruit, honey, lilac, hyacinth, tarragon, sandalwood, powdery notes

Van Cleef & Arpels - Un Air de First

Picture: Jasminum sambac 'Grand Duke of Tuscany'
Photo: Scott Zona (cc) some rights reserved, Wikimedia Commons

Un Air de First is a new interpretation by perfumer Nathalie Gracia-Cetto to celebrate the 35th anniversery of the first Van Cleef & Arpels fragence, the classic First created by Jean-Claude Ellena.

Un Air de First is a proper name for this fragrance, it is airier and cleaner than the original during the whole developement of the fragrance. It starts aldehydic, flowery, green but the flowers are fruity and bright compared to the soapy and heavier flowers of First. I also pervieve the flowers of Un Air de First as perdominantly clean and white (even the rose is white) wheras Firsts flowers are heavier and with a higher degree of yellow flowers. Pretty soon in the drydown, a note that almost smells like fresh tobacco appears in  Un Air de First. Galbanum is als glimpsing but not as noticable as in First. Later on the tobacco is lit and a clean note of cigarettesmoke appears accompanying the jasmine. The notemix is not at all dirty as in Etat Libre d'Orange Jasmine et Cigarettes but it's not as dry and subtle as in M.Micallef Royal Vintage, it's more round and fruity. Un Air de First continues to dry down in a lipsticky, aldehydic flowery manner and is underscored by a musky slight woody base.

Picture. Un Air de First
Photo: PR Van Cleef & Arpels (c)

Un Air de First has succeded to perserve the spirit of the original, just as Balmain with the new interpretation of Ivoire where the new version is fruitier and brighter than the original. The fact that the spirit of First is perserved is also proved by Mr Parfumistas comments about a " much too ladylike scent". I think Un Air de First is sort of contemporary ladylike and as it's very strong, one have to be careful with application, it is not airy=light. The sillage is great and as also the longevity, about 24h.

Rating: 3+

Notes: Galbanum, Peach, Fruity Notes, Jasmine, Rose, Green Notes, Vetiver, White Musk

Etat Libre d'Orange - La Fine du Monde

Picture: A scene from the last phase of Ragnarök (1905)
Painting by Emil Doepler (1855-1922)

Who could imagine the Armageddon so quiet and undramatic, almost relaxing? I image chaos, horror and fear but this is not what is expressed in the latest Etat Libre d'Orange fragrance La Fin du Monde created by Quentin Bisch .

La Fin du Monde starts with an iris accord emphasize the rooty, carrot smell. But the carrot isn't raw, instead it's softer, like stewed carrot, an impression that I also get from Huitèime Art Naiviris but in the latter the stewed impression is more intense. After a while a smooth peppery, fizzy, spicy note come up, probably the pepper/cummin. The cummin seems to be a stripped down version, without the sweat (strange that the sweatish component is missing when thinking about the dramatic inspiration for La Fin du Monde). Then a torrid, slight burned note appears, a light interpretation of gunpowder. A sweet, a bit nutty note, reminding me of a almondcake glimpses by, contrasting in the dry, black lead-like accord. In the next stage a slight salty nuance appears and soon a mild popcornnote arrives. The popcorn is gentle and natural in style compared to the candied popcorn note in Miss Dior Cherie (original 2005 version). The composition is grounded in a light, very dry woody-resin base, with the soft gunpowdernote continuously present. The gunpowdernote is much more soft than in fragrances such as Mona di Orio Les Nombres d'Or Ambre or in Lorenzo Villoresi Teint de Neige.

The overall impression of La Fine du Monde is a connection to another recent gunpowdery-slight gourmand interpreation: Amour Nocturne by L'Artisan Parfumeur (an analyze will be published in the coming weeks), but it seems as the names are interchanged.La Fin du Monde is soft, quiet and balanced compared to the much stronger, louder and chaotic Amour Nocturne, which seems to be an experimental and provoking fragrance. La Fin du Monde on the other hand, is very wearable, pleasant and officefriendly, a fragrance many could like, not as extreme as the earlier ELd'O fragrances. When wearing La Fin du Monde, I spontaneously received very positive remarks from when it comes to perfume fastidious Mr Parfumista. La Fin du Monde has close sillage and good longevity, about 12h.

Rating: 4+

Notes: Popocorn, carrot seeds, cumin, sesame, black pepper, freesia, vetiver, sandalwood, ambrette, iris, styrax and gunpowder.

Thanks to Riktig Parfym for the sample.

Neela Vermeire Creations - Ashoka

Picture: Ashoka in its sylish, Indian inspired bottle
Photo: PR Neela Vermeire Creations (c) 

Ashoka is the latest of  Neela Vermeires Creations and it will be released later this week. Thanks to Neela I've got the opportunity to test a sample of this intriguing fragrance in advance. Ashoka, as also the first three fragrances in the Neela Vermeire line, is created by the top perfumer Bertrand Duchaufour. The inspiration to the perfume comes from an Indian Emperor Ashoka (304-232 BC) a qruel conquer who transformed to a relativley nice guy when he found Buddha.

Ashoka starts intriguing, there is a note that reminds me of lemon balm, which is not mentioned among the ingredients and there is also something thats reminds me of sandalwood. The fragrance has a slight spicy, green, almost foody character, much like green currypaste smoothed by coconut milk. This early stage of Ashoka reminds me of the context of (even if not smelling close) the gourmand (= Asian food, not sweeties) Etat Libre d'Orange Fils de Dieu du riz et des Agrumes, but Ashoka is more distinct in style. After a while notes of figs, both leaf and fruit, enters. The fignotes are so well blended that they don't stand out separately, they contributes with their different ascpects of green, the smooth, milky fruit and the fizzy green of the leaves. Watery and a tad powdery floral notes adding additional dimensions to the the milky fig greenery and the mix is somehow calming and comforting. It's like resting in the shadow at the side of a pond in an oriental garden a very hot day. When Ashoka is settled in the base, the green balsam fir and the incense is dominating and in this phase Ashoka reminds me of Andy Tauers Reverie au Jardin but smoother and milkier in texture.

My overall impression of Ashoka is an oriental styled interpretation of Un Reverie au Jardin, green notes, incense and balsam fir is mutual and take central roles in both fragrances. When I wear Ashoka I think of it as an warm Un Reverie au Jardin.  Ashoka is spicier, smoother and warmer where Un Reverie au Jardin is dewy, balmy and aromatic with its lavander. Even if providing a mutual impression in style, the differences are are sufficient, Ashoka and Un Reverie au Jardin are sort of Yin & Yang, which complement each other in an excellent way.

Ashoka is a high quality fragrance in which naturals are predominant. Fig, insence and fir balm in a smooth, green context is dominating according to my nose. Ashoka is intriguing and there is always something going on during the whole dry down. The longevity is good 12h+ and the radiance is a bit louder  than most of the first Neela Vermeire trio Mohur, Bombay Bling and Trayee. According to my nose, even if  unisex, Ashoka is the most masculine from the Neela Vermeire Creations so far. Probably thats the reason, even if a very well done fragrance, why Ashoka doesn't click with my chemistry as well as the first three creations and the retro beauty Mohur Extrait which will be reviewed later this week. Ashoka is a must try for admirers of the Neela Vermeire Creations and for fine fragrances in general.

Rating: 4

Notes: Fig leaf, leather, white and pink lotus, mimose, fig tree, osmanthus, rose, water hyacinth, vetiver, styrax, incense, sandalwood, myrrh, tonka bean, balsam fir

Ashoka and the other Neela Vermeire Creations could be bought directly from Neelas E-Boutique
I can recommend the discoveryset.

Autour du Parfums - Encens d'Ange

Picture: Two Winged Putti (ca 1748-50)
Drawing of Francois Boucher (1703-1770)

Encens d'Ange is a perfect name for this light incese fragrance from Autour du Parfums a line that I have to say is quite affordable, ca EUR 43 for 50 ml.

I also have to confess that I'm not so fond of the opening accord of Encens d'Ange as it somehow reminds me of ELDO Jasmine et Cigarettes but without the cigarette butt note of the latter but with the same almost wast flowery note as JeC. And that even if there are no flowery notes mentioned in the notelist. But topnotes are there to fade and after a while Encense d'Ange becomes deeper with confier and incense notes. The incense is still light and the green softwood/fir needle lends some a sort of forest freshness to the composition. There is also a well balanced note of pencilshavings typical for cedarwood somewhere in the middle of the fragrance. As Encens d'Ange deepens in the basenotes, there are plesant notes of resins amplified by a discrete musk which together creates a sort of pleasant moisty, earthy note with almost a touch of fresh tabacco.

 Encens d'Ange in its somehow fresh lightness, is a perfect incense fragrance for summer, it blooms used during a warm and a bit humid summerday. It's appropriate to wear both for work and casual. The longevity is very good, for at least a day and the sillage is medium.

Those who like uplifting incenses as L'Artisan Parfumeur Passage d'Enfer and Dzongkha, Serge Lutens L'Eau Froide and Andy Tauer Incense Extreme will probably also appreciate Encens d'Ange. That even if the exemplified fragrances are more distinctive in charchter and Encens d'Ange smoother and easier to wear.

Rating: 4

Notes: Mandarin, bergamot, incense, perubalm, tolubalm, firbalm, benzoin, cedarwood, musk, cistus labdanum

Thanks to Fragrance & Art for the sample of Encens d'Ange.

Coquillete - Impressions of Herat & Moramanga

Picture: Coquillete minis
Photo: PR Coquillete (c)

My impressions of the fragrances of the Coquillete line is continuing today with short reviews of Herat and Moramanga:

Herat: Sort of well-behaved and fresh ELDO Jasmine & Cigarettes but without the off-putting old-cologne/dirty notes that I percieve from J&C. Herat is cigarettesmoke, jasmine, fresh tobacco-and balsamic notes, the incense and the other fumes are rather quiet to my nose. When Herat dries down it takes an unexpected twist, suddenly it smells like a less distinct and weaker Cuiron  the unfortunately discontinued contemporary Helmut Lang leather. I think Herat is a unisexfragrance but from the four Coquilletes Herat it is the most masculine offering.

Rating: 4

Notes: Tobacco, jasmine, ylang-ylang, amber, cannabis, myrrh, labdanum, incense, moss, vetiver, ambergris

Moramanga: Starts with a beautiful fleshy jasmineaccord which reminds med of the Serge Lutens jasmine classic A la Nuit. As Moramanga dries down other tropical flower appears and underscores the jasmine just as the vanilla/musk and warm resinnotes in the base. If I didn't already owned A la Nuit Moramanga would be a candiate for the lush jasmine in the perfumewardrobe.

Rating: 4

Notes: Jasmine, gardenia, iris, tolu balsam, opoponax, benzoin, tubereuse, ylang-ylang, vanilla, musk

The Coquillete fragrances are all pleasant and easy to wear with good longevity and moderate to medium projection. They are non-offensive and totaly officefriendly. The fragrances are good for summer, these are the type of fragrances that intensifies in warm weather and longevity is good about more or less a day tested in hot weather. The overall impression is that one fragrances is in the same pleasable and wearable track as the By Kilian In The Garden of Good and Evil - line (Sulmona), two gentler, not as edgy, ELD'O-styled releases (Herat, Sumatera) and one in the classic soliflore-genre (Moramanga). The line is well worth trying if searching for a comfortable, not so complicated but in the same time interesting, good smelling fragrance. A set of minibottles of 5 ml each is avaible and provides a good option for extensive testing.

M.Micallef -Art Collection Rouge No 2

Picture: The beautiful bottle of Rouge No  2
Photo: PR M.Micallef (c), all rights reserved

Rouge No 2 in the M.Micallef Art Collection 2013 is a just as comfortable, delicious sibling to Rouge No 1. Just as the latter, Rouge No 2 is created by the Micallef housenose Jean-Claude Astier and the red stunning bottle, a variation of Rouge No 1 by Martine Micallef herself.

Rouge No 2 just as Rouge No 1 starts sweet and delicious but to my nose No 2 is less soft fruity-vanillic and  lend more to green, tangy black currant notes but with a fudgy gourmand edge. In the middlenotes a whiff of a note (not mentioned among the ingredients) that smells almost as soft non-sweet coconut occurs but the mainplayers are violet and orchid underscored with jasmine, making a more serious impression than the louder middlenotes of No 1. There is something in this stage that reminds me of a clean and proper version of ELDO Putain des Palaces. Unlike the latter, there are no dirty or dangerous notes lurking beneath and the violet-orchid combo is not lipstick-y nor powdery. Even the animalic note that appears (castoreum), is somehow clean as a brand new luxuary fur coat. Beside the animalic note also the rest of the base of Rouge No 2 is darker, with resins and less vanilla than No 1. Another fragrance that Rouge No 2 reminds me of is Poudre de Riz by Huitème Art.

Overall my impression is that Rouge No 2 are darker and the more serious, intorvert sibling of the Rouges. Rouge No 1 has a happier, easy to go and more extrovert character than No 2. Both fragrances will suit for the occasions when one have to take care of oneself and to be wrapped in Rouge No 2 is just as comfortable as to be surrounded by No 1. Just as the charcters of the fragrances, No 2 is preferred for philosophical and No 1 for more outreach activities. Rouge No 2 could be worn year around expect in sunny summerheat but is on the other hand, perfect for dark late summer evenings. Sillage is medium and longevity is for 24h. A wellblended fragrance of high quality. Rouge No 2 is just as good as No 1 but my favorite is No 1 as i find it more original and intriguing, Rouge 2 doesn't stand out from the crowd as much as No 1. I think they complement each other in a good way. Both Rouge No 1 and No 2 are well worth trying for those in search for a just enough sweet, olfactory delight of high quality. These fragrances have nothing in common with the shrill fruity-florals which could be found among some mainstream offerings.

Rating: 4

Notes: Citruses, black currant, nutmeg; jasmine, violet, orchid, vanilla, labdanum, amber, castoreum

Kerosense - Unknown Pleasures

Picture: Strand (beach) at Skagen (ca 1900)
Painting by  Peder Severin Kröyer, Wikimedia commons

Unknown Pleasures is one of the latest fragrance from the indieperfumer John Pegg, creating frags for his own brand Kerosene. Before John started to create pefumes, he worked in the Detroit automobileindustry which have inspired to the unique, by John himself, handlacquered bottles.

Unknown Pleasures starts with an accord very close to a waffle cone filled with lemon sorbet paired with vanilla icecream. Just in the beginning a citrus, slight woody classical cologne note appears creating an almost necessary contrast to the sweetness, probably this is the Earl Grey tea note mentioned in the notelist. After a while the teanote steps back and is not recognizable as a separate note but it's present as a part of the blend. When drying down to the base, the lemonsorbet-vanilla ice creme-waffle cone impression persist and the fragrance is becoming just slightly powdery. In the whole drydown but particulary in the basenotes, I can smell a sort of almost refreshing, green coconutty note which seems to be present to a greater or lesser extent in most Kerosene fragrances, probably a part of the "Kerosenade" base. This particular green coconutty accord is also present in another favourite of mine: Etat Libre d'Orange Tom of Finland which Unknown Pleasures reminds me a bit of in the basenotes.

Picture: Unknown Pleasures
Photo: PR Kerosene (c) all rights reserved

Unknown Pleasures is not the elegant, complicated and serious fragrance. Instead it is friendly, funny, sunny, warm and happy just like the pleasant feeling of eating icecream a warm and sunny summerday during the holiday. The fragrance is a great gourmand, truly delicious and it's the perfect replacement for a dessert and could therefore act as a substitute for a diet product :-). Unknown Pleaures, just as its name indicates, brings pure joy and comfort. The sillage is medium and longevity for more than a day. IMHO Unknown Pleasures is the second best fragrance of the Kerosene-line so far, and the best for me. The number one Kerosene over all is still (not for wearing myself but its suits great for Mr Parfumista) the multifaceted, boozy, dark and rough Copper Skies.

I think those who like vanillic gourmands in general and fragrances in the style of Estee Lauder Bronze Godess/Azureé Soleil would also like Unknown Pleasures.

Rating: 5

Notes: Earl Grey tea, lemon, honey, bergamot, tonka, caramel, vanilla, waffle cone

Thanks to  Fragrancefanatic at Riktig Parfym for the sample to test.

Fragrance of the week (2) 2013

Picture:Vaslav Fomich Nijinsky (Вацлав Фомич Нижинский) (1890-1950), 

in the ballet Afternoon of a Faun

Painting by Leon Bakst (1866-1924), Wikimedia Commons

Fragrance of the week is definitly the intriguing The Afternoon of a Faun from Etat Libre D'Orange. Like the moisten smell of a mossy forestfloor, in the shadow of the forest of confier,  a late summerday. The Faun also has the delicate smell of an antique, precious wooden box, very vintage in style. I have already been complimented when wearing The Faun, so he is really something special... If I had tested this fragrance two weeks ago, it had been included in my best of 2012 list. I also have to admit that I couldn't resist The Faun and a bottle from the Escentual 20% sale last week has just arrived. A  fragrance with this special character is a must have to me

Many thanks to Fragrantfanatic for the sample that introduced me to this new favourite :-).

Scented thoughts – November 2012

Photo: Mr Parfumista

The late autumn is here, the perfect season for staying inside perfumetesting and writing reviews. As readers of this blog are aware of, sampling, evaluating and writing about perfume is my fulltime sparetime hobby. There is a pleasure to test so many new fragrances either new launches or frags that are not new on the market but are not tested by me before. But sometimes when piles of (to exaggerate a bit) untested intriguing samples demands for attention, I can feel a frustrated of the fact that frags from my regular collection get no skintime. Almost always the crave to test an uncharted fragrances wins over the wish to calm down with a favourite. A positive side of a sampeling is that the more I sample, the more similarities I perceive between fragrances from different houses and within a certain category. The similarities together with the fact that I’m almost always is testing some sample leads to less purchases of full bottles, even if there are still too many, I’m still finding too many fragrances to love from the exercise of sampling.

I the latest months I have felt a growing attraction to some of the fragraces I was into when this blog started six years ago, ie the classics. For exemple I feel an urgent need to test and compare the new reinterpreted Molinard Habanita Edp (if I can get my hands on a sample) to the Habanita Edt I own. I also crave some “old ladies” scents as Lanvin Arpége, Rochas Femme and Madame Rochas and even if my skin doesn’t give them justice, they provide a welcome break from the contemporary scent map.

Writing about the contemporary fragrances there are so many interersting to test (here we are againJ). For the moment I’m excited to test the new Histoires de Parfums L’Olympia Music Hall and Veni, Vidi, Vici from the Edition Rare line and have also re-discovered the beautiful perfumline of Frapin. Late to the party when it comes to MDCI Chypre Palatin a beautiful frag I have smelled on my friend Fragrancefanatic from Riktig Parfym. Which make me think of that Riktig parfym carries a varied selection from the Etat Libre d’Orange-line and I hope that the new releases, The Afternoon of a Faun and Dangerous Complicity soon will be there as I want to put them under my nose asap. 

Kerosene – Copper Skies

Photo: Mr Parfumista (c)

Some amber marinated in tobacco oil, with coconutty leathery, almost medical notes surrounded by a wiff of menthol. The opening of Michigan self learned perfumer John Peggs Copper Skies is brutal and almost exaggerated, the impression is as the fragrance is blended in an old oil drum in the perfumers garage. This perfectly fits the image of John Pegg, the former automobile worker, now devoted to perfume creation for his own line of Kerosene. The leather – coconut note in Copper Skies reminds me of an accord in ELDO Rien and/or Tom of Finland, as I remember this is present in both these fragrances, with a rougher edge in Rien and smoother in Tom of Finland. Mr Parfumista also smells a dark lavendelnote maybe a concentrated lavendeloil smells like this. 

As Copper Skies calms down in the middlenotes, the amber becomes more apparent, and the blend becomes smoother and appears as a contemporary (not classic) amber surrounded by smooth and moderatly sweet honey accentuated with spices and cloves. There is no for the amber genre typical vanillanote, for example in By Kilian Amber Oud, something that differs Copper Skies from a lot off classical ambers. There is neither the obvious herbal ackord, typical for the more masculine ambers in the style of MPG  Ambre Precieux  and HdP Ambre 114. During the dry down Mr Parfumista smells traces of the note of silver polish present in Annick Goutal Vetiver and also some of the darker elements from Sables. As Copper Skies reaches the basenotes something unusual happening, it’s as the fragrance retakes, the amber/tobacco/clove accord becomes more intense and also whiffs of the menthol note appears again.

Copper Skies is a rough and tough fragrance, far from fine “haute couture perfumery”. There is a more or less muted ELDO-vibe during the whole developement of Copper Skies. But as mentioned above, some Goutals are also present and maybe there is a part of the secret of the Copper Skies sucess: Each wearer can recognise some of his/hers favoritescents.  Copper Skies also mediates a somehow homemade impression but in a positive, relieving way. The only thing that annoys me with Copper Skies and which lower its rating, is the feeling that the components doesn't blend together enough. It's like the perfumer has trown in different comfortable fragrances but haven't mixed them properly together and they are existing side by side/as followers of each other. On the other hand this gives the fragrance a own identity and as the same pattern is recognizable also in Kerosenes green creation Creature, this is mabye the characteristic mark of the Kerosenebrand.

Copper Skies is werable the year around, as it lacks the vanilla sweetness it’s also suitable for summer. Of course, as it name indicates, it’s a perfect late autumn scent, when the leaves has fallen from the trees, lying sparkling of yellow, orange and red of the ground, the air is chilly and the orange, blue, grey clouds chases across the sky. The longevity of Copper Skies is amazing 24+ , the blend is strong, heavy application is prohibited J . The development of the fragrance is interesting, the least interesting part is the middlenotes, but this is offset of the cozy feeling that this stage mediates, this is a constant wrist-sniffing stage. I’m sure Copper Skies will be a comfortable fragrance (despite it’s brutal start) to fall back upon days when I don’t know what to wear during the colder months. Copper Skies is truly unisex, even the picky Mr Parfumista sneaks from this and as there is very few new releases that please him nowadays, this is a high mark for Copper Skies. I rarely blindbuying frags, but in this case I'm glad I did it, despite it seems as Mr Parfumista has taken over the bottle :-)

Writing about the bottle: The eccentric bottle coated with car paint and the copperlabel is handpainted/ decorated by Mr Pegg himself.

Rating: 4 + on me, 5 on Mr Parfumista

Notes: Amber, tobacco, beewax, basil, clove

Update autumn 2012: Mr Parfumista has taken over the bottle for real and Copper Skies has fast advanced to one of his most preferred fragrances.

The Midsummer Fragrance

Picture: Midsummer Dance (Midsommardans).

Oil on canvas by Anders Zorn, 1897, Wikimedia Commons

Tomorrow it's midsummer eve and today it's the lightest day of the year, tomorow it turns to be darker. Every year I write an entry about proper (or maybe improper) midsummer fragrances. Last year was midsummer in Chanel Cristalle Edt as I was in a Chanel mood. This year I'm in no particular mood (except maybe Annick Goutal as I'm so appreciate Nuit Etoileé and also La Violette) so I havn't got the slightest idea of what to wear.

Today I'm wearing Etat Libre d'Orange Tom of Finland and it's leathery, coconutty smell is not especially midsummerlike. The only association to midsummer I get from ToF is Finland as Finland is our neighbour country and also celebrates the midsummer eve. I received the Tom of Finland sample from my friend Fragrantfanatic yesterday during our pleasant, monthly perfumelunch. FF then told about a perfume that has supported her in the grief of her grandfather, see her touching entry here . FF also let me test from her sample of the new, not yet released, Mito from Vero Kern. Pure, sparkling, wonderful greenness, a must have. Can't place the fragrance already, but it reminds me of some other green beauty.

I wish you a merry Midsummer weekend!

Etat Libre D'Orange - Putain des Palaces

Picture: Au Salon de la rue des Moulins, oil on canvas

painted by Henri de Toulouse-Lautrec in 1894.

Museum de Toulouse-Lautrec, Wikimedia commons.

The fragance with the controversial name Putain des Palaces was created by Nathalie Feisthauer for the avantagrde perfumehouse Etat Libre D'Orange in 2006. To me PdP is a fragrance that is not created to smell good or to be praised for it's masterful blending. This is one of those perfumes that are primarily created to make an artistic statement and on many wearers it of course also developes to smell good. It seems that PdP fits with my chemistry as the discerning Mr Parfumista comments "Today you also have a frag that smells good and that suits you" when sampling PdP.

The name Putain des Palaces is just right to this skanky, animalic, lipstick-putty, blend. In it's texture and partial in the lipsticknote PdP has similarities with Lipstick Rose from Frederic Malle. The similarities ends there as LR is innocent and pretty and PdP is the quite oppsite character. After applying PdP I can smell a noticeable note of cummin in the topnotes. According to the notelist there is no cummin but ginger, probably this note is the outcome of a handling of ginger that I have not perceived before. I like PdP in the topnotes, the sweaty "cummin" that for a short while mingles with a dirty, furry-animalic note that I recognize from Parfumerie Générales L'Ombre Fauve. As PdP dries down and settles in the middlenotes/beginning of the basenotes, there is a light leather or more like a suede note, a sultry violet-rose, still dirty and with hints of something that I perceive as a chalky note. The lipstick note is also there but the violet and rose dont feel clean and clear as in the luxary lipstick of Lipstick Rose. Despite some creaminess from the lipsticknote, there is a certain sharpness hiding at this stage, an at the same time round note that reminds me of a golden apple on the verge to be overripe. This note, which I belive is suede combined with flowers, I have earlier experienced in Etienne Aigners In Leather for Women and in Ava Luxes Film Noir. As the dry down get further and finally settles in the base, the violet and rose appears to brighten, get less skanky and a note similar to papyrus glimpse in the powdery musky base.

Putain de Palaces is a suggestive, haunting and alluring scent. It is not especially pleasant to wear, you have to be in mood to deal with the tragic reality this fragrance will display. In contrary to what one expects from the perfume of a Putain de Palaces, PdP is lingering close to the skin and has a medium sillage. The longevity is, as in the case with almost all ELDO fragrances I have tried, quite good and it is still there unfragmented late in the evening with traces the day after.

Rating: 5

Notes: Leather, mandarine, ginger, rose, violet, lily of the valley, amber

Editions de Parfums Frederic Malle - Lipstick Rose

Picture: Viola Riviniana and Viola Canina

Nordens flora, picture painted between 1917and 1926 by

swedish botanist Carl Axel Magnus Lidman

Wikimedia commons

Lipstick Rose is created by perfumer Ralf Schwieger for Editions de Parfums Frederic Malle year 2000 and was released with a bunch of other fragrances in the earliest edition of the house.

To me Lipstick Rose smells very innocent, well behaved and girl next door-ish. Even so (of course the girl next door wears a little pink lipstick on special occasions) Lipstick Rose is a appropriate name of this violety, rosy, slight powdery and slight earthy blend. The top- and middlenotes definitely conveys the picture and smell of a lipstick of high quality. There is a creamy and slight powdery note, dominated by violets. The rose is the second player and disappears on my skin as the scent drys down to the basenotes. In the basenotes there is still a trace of the powdery violet but the notes of vetiver and musk anchor it in a slight earthy base. On my skin those notes blended together also create a tealike note.

The powdery note present during the whole dry down reminds me of a polished version of the gunpowdernote that I appreciate in Lorenzo Villoresis Teint de Neige. In it's earlier stages Lipstick Rose is somehow a well-behaved violet-version of the, in comparison, wild and eccentric TdN. But Lipstick Rose don't goes the whole hog as TdN, neither by the gunpowdernot or by the soapiness as the Lipstick Rose powder never passes in to the great soapiness of TdN. Other fragrances that have similarities with LR is Andy Tauers beautiful Une Rose Vermeille a jammy, fruity rose with hints of violets and with the texture of Etat Libre D'Oranges Putain de Palaces. Even as also it's name indicates, this scent with it's dirty animalic heft is the direct opposite to the girl next door-ish Lipstick Rose, but the style,violets and the rose are in common. 

Lipstic Rose is a well executed, almost linear fragrance that is easy to wear for many non-casual occasions in autumn, winter and spring. It's a tad too sweet and powdery to feel appropriate for summerwearing.

Rating: 3

Notes: Rose, violet, musk, vanilla, vetiver, amber

Histoire de Parfums – Blanc Violette

Picture: A Violet, viola sororia. Photo by: Hoodedwarbler12 (cc),

Wikimedia commons, some rights reserved

Blanc Violette is one of the fragrances in the Histoire de Parfums underline Soliloquies based on some of the classical notes. Blanc Violette is created by the HdP founder Gerald Ghislain and Magali Senequier

Blanc Violette starts with a powdery, aldehydic, retro accord that highlights the violets in the the lipstick-like way as seen in Editions de Parfums Frederic Malle Lipstick Rose and Etat Libre D'Orange Putain the Palace. But in Blanc Violette the violetnote is clearer compared to the other two and supported by other flowery notes of iris and ylang-ylang. In the middlenotes a lot of the powderness is toned down and a light, dry, white-peppery note appears, probably an element of the sandalwood in the base. Blanc Violette will continue as a rather shy but dominating violet supported by the other flowers and with a well-established contrast of anise and rice powder over a musky base with some light traces of vanilla. The anisenote never takes over the scent, as in many cases with this distinctive note, it's well interwoven, balances the other notes and gives the fragrance a special character. In style, not particulary in smell, there is a similarity with the chilly elegance of Jolie Madame by Pierre Balmain.

Blanc Violette is a chilly, yet soft scent that's perfect wearing during daytime in winter-spring and spring. It smells just like I imagine that the color light purple would smell. Both Lipstick Rose and Putain the Palace is warmer and more extrovert in style than the cool, understated elegant, yet comfortable Blanc Violette. Longevity of the day is so-so, just fragments remain in the evening.

Rating: 3 +

Notes: Violet, bergamot, iris, ylang-ylang, anise, sandalwood, ricepowder, musk, vanilla