Annick Goutal - Rose Pompon

Picture: Rose Pompon
Photo: PR Annick Goutal (c)

Rose Pompon is the latest fragrance from Annick Goutal, created by Camille Goutal and a new perfumer to me, Philippine Courtiére. According to Annick Goutal buzz the rose pompon woman exudes joie de vivre which is reflected in the perfume. 

Rose Pompon also starts happy and cheerful as a big smile with a note that is similar to smooth grapefruit, the pink/red variety. The grapefruit is not mentioned as a note but what is there is ver similar but has no metallic vibes nor the catpee note that sometimes appears in grapefruit combinations. The opening make me think of Yves Saint Laurent Baby Doll Paris.The mediumpink rose appears mixed with a clear and natural note of raspberry and the a fresh, watery tinge of peony. The light woody, musky base has a gentle touch of patchouli which creates a modern light chypre-ish vibe. It's not the typical, modern oversweet chypre, Rose Pompon has a more classic vibe to the chypre accord, even if contemporary styled, and reminds me of the basenoteaccord of EnJoy by Jean Patou without the pineapplenote. Also the elegant Ramon Monegal L'Eau de Rose comes to my mind even if that one is without the berrynotes and a bit more formal.

Picture: Rose Pompon
Photo: PR Annick Goutal (c)

Rose Pompon really is a feminine, chic and happy fragrance, uncomplicated and easy to wear. I think the PR movie with Camille Goutal is spot on. Mr Parfumistas spontaneus comment when I tested Rose Pompon was "smells like a better mainstream". Rose Pompon will be the perfect companion for spring, but unfortunately my sample will running out long before that. The only drawback with the fragarnce is the longevity, even if heavy applied, it doesn't last for a whole day. Compared to the other rose centered fragrances from Annick Goutal, Rose Pompon is the most uncomplicated and will probably attract a wider audience then the green, thorny, tangy Rose Splendide or the classical, rubbery, pure roseoil blend Rose Absolue.

Rating: 4

Notes: Raspberry, black currant, pink pepper; rose and pink peony, musk, cedar, patchouli

Brecourt - Les éphémères - Rosa Gallica

Picture: Rosa Gallica (Romania)
Photo: From Wikimedia, user Bogdan, (cc),
some rights reserved 

Rosa Gallica is the first creation in the special collection "Les éphémères" from niche house Brecourt. The fragrances are created by perfumer and housefounder Emilie Bouge. The story behind Les éphémères is according to information from Brecourt as follows: "Each perfume in the "Les Éphémères" collection directs its focus on a rare and precious raw material. Often it involves completely forgotten substances that can only be produced in very small quantities or are too unstable to be noted on the list of popular fragrances.Whoever manufactures a fragrance under such conditions cannot guarantee that the fine raw material in the center of the composition will be available again in the required quantity or quality in the following year. No one can predict whether a perfume can ever be reproduced as the perfect equivalent to the "first edition." Therein lies the volatile nature of these creations: they are impermanent, not reproducible, available only for a short time and in limited quantities ... "éphémère". " The Rosa Gallica is a very old type of rose, known from 1100 BC and imported to Europe by the crusaders in the middleage.

Picture: Rosa Gallica
Photo: PR Brecourt (c)

The perfume Rosa Gallica starts with the for "single" roseperfumes typical, a bit oily, rubbernote, this time i percieve it as been located in the pink octaves of the note scale. The opening accord with the roseoilrubber reminds me of the opening of Annick Goutal Rose Absolue. Soon Rosa Gallica transforms to a darker (still pink), sweeter, balsamic, almost jammy rose with peppery-light spicy accents, probably the myrrh-incense combo. Here Rosa Gallica resembles another beutiful rose fragrance, this time of the oriental type: Aramis Calligraphy Rose. The roses are a bit more prominent in Rosa Gallica whereas Calligraphy Rose has a wider range of notes, also spices and herbal notes. After this stage, Rosa Gallica lightens a bit in the imagined pink nuance and the peppery note intensifies on a musky background, here I recognize a bold, oriental rosy favorite of mine: Montale Roses Musk  Either of these fragrances are containing oud according to their notelists but I think there is some involved as both has some of the woody peppery note that is involved in many oud fragrances. For a short while I percieve Rosa Gallica sweeter again, with an almost vanillic touch and Mancera Roses Vanille shows up. In the basenotes, Rosa Gallica turns back to the Aramis Calligraphy Rose phase again, but more rosy and pink than the latter when comparing the basenotes.

Picture: Rosa Gallica
Photo: PR Brecourt (c)

As indicated above, Rosa Gallica has similarities with a bunch of distinctive oriental rose fragrances, Therefore it's not particularly original or innovatory but it smells really good and is a pleasure to wear. Rosa Gallica is classified as unisex, to me it leans to the feminine side on the scale. Longevity is great about 24h and sillage is big but not overwhelming. Rosa Gallica was not at all what I've expected, when reading of the background and looking at the picture of this ancient rose. I thought it would be a relatively light but tenable natural, clean smelling pink rose in the style of Annick Goutal Rose Absolue or Rose Splendide (swe), which was the case only in the very first accord.


Rating: 5


Notes: Baie rose, incense, gallican rose, myrrh, cashmere woods, ebony, ambergris

Thanks to ParfumMaria for the sample to try

Téo Cabanel - Hegoa

Picture: Hegoa
Photo: PR Téo Cabanel

Hegoa is a light breezy, refreshing fragrance in the natural summerscent category from top quality niche house Téo Cabanel. Hegoa is created by inhouse perfurmer Jean-François Latty.

Hegoa starts teaish with soft, supporting citric notes. The tea is soft green and soon also a watery, dewy white rose joins the breezy blend and Hegoa is fleeting in a discrete and elegant cloud around the wearer. As wearer, it feels like taking a bath in a luxary rosewater with the bathtube full of the white rosepetals. The longer Hegoa dries down, the moore notes of greenery comes forward. The green notes are smooth and delicate, like budding leaves. A soft and discrete musk is emphasizing the top and middlenotes and an ambery glow and some very light woods constitutes the base. Hegoa is a true example of "less is more" carefully blended and balanced with high quality ingredients.The fragrance feels very natural, no sharp chemicals in sight (smell). It's a carefree, casual chic fragrance, refreshing and suitable to wear in daytime, year around even if the fragrance itself  signals sunny summerdays in a wild english styled garden. Sillage is very close and longevity almost for a day.

Even if not smelling the same, Hegoa would probably appeal to those who like light, fleeting rosefragrances such as Parfums de Nicolai Rose Pivoine and Annick Goutal Rose Splendide. Also those who likes Early Roses and Lace Garden from Téo Cabanel, will like Hegoa as  it shares their natural, elegant style but in a lighter and more transparant interpretation.

Rating: 5

Notes: Bergamot, citrus, mandarine, rose petals, green tea, violet, wood, musk, amber

PS:  Fragrance & Art also carries the Téo Cabanel line.

Maison Nicolas de Barry - L`eau de Mumtaz-i Mahal

Picture: Empress consort Mumtaz Mahal (1593-1631)
Mughal painting from 17th or 18th Century
Wikimedia commons

L`eau de Mumtaz-i Mahal is a deep, oriental-floral fragrance  created of  Nicolas de Barry and Eddy Blanchet for the perfumehouse of the former, Maison Nicolas de Barry which creates perfumes inspired from the history. Nicolas de Barry has also created the historic inspired line Les Parfums Historiques for Maitre Parfumeur et Gantier George Sand and La Reine Margot, which both also are released in the Maison Nicolas de Barry - line. Later i.e next year I'm planning to review those  (thanks to samples from Fragrance & Art) and compare to the MPG issues.

L`eau de Mumtaz-i Mahal, in the following LMM, is of course dedicated to the cause of the construction of  Tai Mahal - the beloved third wife (the favorite)  of indian ruler Shah Jahan,  Mumtaz Mahal.

LMM, starts with an accord of wonderful, rubbery, roseoil with some light green elements glimpsing through. This is the rubbery rose that is also present in Annick Goutal Rose Splendide but much more rich and dense in LMM and with less of the tart greenery of the Goutal. The rubbery rose is also present in Montale Tai'f Roses but less sweet and sharper. In the Montale I imagine the rose as medium red, in texture as a stiff silk fabric as in a robe form the 14-15th century, in LMM it's medium pink with a silk, velvet finish. As LMM developes a pleasant boozy element appears as also an well integrated spicyaccord. The beautiful blend is anchored in a base of smooth sandalwood which has nothing sharp or chemical about it, it smells like a smooth piece of sandalwood, polished with sandpaper.  I also smell a gentle oud and a note I think is nagarmotha from the base.

LMM has a tickness and dept which are rare in western perfumery today, even the most expensive nichefragrances seems thinned and volatile compared with LMM. LMM has similarities in the style and smell with some oils I have tried from Arabian Oud and also with the very good but not often mentioned Aramis Perfume Calligraphy Rose which is sort of a western styled diet variation of LMM. There is also a kinship in texture and expression with Vero Profumo Rozy Voile d'Extrait.

LMM is a fragrance for the colder months of the year but I can imagine it also blooms beautiful in the indian night. Silage is grand when applied but medium when dried down to the basenotes, longevity for 24h. A very special fragrance, strong and intensive, it has to be applied carefully. Great for festive occasions as for example New Years celebration.

Rating: 5

Notes: Rose, sandalwood (according to the notelist but I smell att least Spices, boozy notes oud and nagarmotha in the blend)

Historiae - Mystic Oud

Picture: The awesome bottle of Mystic Oud
Photo: PR Historiae (c)

Mystic Oud is a contrasting fragrance in the up today classical "garden perfume" inspired line of the french niche house Historiae. Orangerie du Roy, Bouquet de Trianon, Hameau de la Reine, Rose de France and Violette Imperiale. As most of the Historiaes Mystic Oud is created by no other than the famous Bertrand Duchaufour.

Mystic Oud starts intriguing with a fruity, boozy note, probably the davana, soon followed by a pink, creamy rose which smells almost like a luxurary face creme. After a while red roses, without the creamy feel, fizzy and a bit tart the same impression as in Annick Goutal Rose Splendide (swe) but not as prounounced, joins the blend and contrasts the comfortable creamy impression. Further on the oud appears but not as the demanding note as in so many oud fragrances. In Mystic Oud it acts more as a dark, woody, contrasting note to the roses and the oud is acting balanced  together with the others in the accord. The boozy note returns darkens and intensifies in the basenotes together with a note of natural honey which lend a slight animalic character to Mystic Oud. The rosy mix is still present in the base, both the creamy pink ones and the tart red ones.

In an early stage of the developement of Mystic Oud I got strong associations to a favorite pink rose of mine, Burberry Body Edp  (swe) but overall Mystic Oud gives a rosier, cleaner and more minimalistic impression compared to Burberry Body which is more of a mixed bouquet but dominated by roses to me.  I think Mystic Oud is a proper name for this rose dominated blend as the oud is (as mentioned above) sort of hidden among the other deeper notes of the fragrance.

A welldone, and even if not the most innovative fragrance ( I find Burberry Body more innovative, maybe because it is IMHO the prototype in this contemporary rosy genre), an intriguing and in the same time comforting  rosefragrance to wear. Sillage is medium and longevity 12h +. The best of all: Mystic Oud is reasonably priced compared to most niche ouds (SEK 830, EUR 93 and USD 124) in Fragrance & Art  webshop. Mystic Oud is quity priceworthy when it comes to quality, there are far more expensive fragrances of lesser or same quality out there.

Those who like rose perfumes and ouds in the style of Ramon Monegal L'Eau de Rose, Robert Piguet Rose Perfection and  Montale Aoud Damascus (swe), I think also  will appreciate Mystic Oud.

Rating: 4

Notes: Aldehydes, bergamot, orange, rose, davana, saffron, rose, peony, geranium, clove, oud, vanilla, benzoin, vetiver, castoreum, amber, patchouli, sandalwood, oak moss

Robert Piguet - Rose Perfection

Photo: Mr Parfumista (c)

Rose Perfection is another new creation by Aurelien Guichard the housenose of the venerable perfumehouse Robert Piguet. Before creating a bunch of new fragrances the latest years, Guichard also has re-interpreted most of the Robert Piguet classics. Rose Perfection was launched as an Harvey Nichols exclusive.

Rose Perfection starts with a quick whiff of the typical green rubberlike not which is typical for natural roseoils. Soon the fragrance transforms in a fizzy very pink velvet rose. It has a natural sweetness and the scent of the pink petals are dominating even if slight offset by just a gentle dose of the green tart smell from the stem, leaves and thorns. In other bright rosefragrances where the tart note is more distinct, the impression of the rose is more of rosewater from a wild rosebush  as for example Annick Goutal Rose Splendide and Lostmarc'h Iroaz. Rose Perfection is far away from this wild roses, Rose Perfection is a highly cultivated rose with an impressing pedigree growing in the symmetrically designed garden of a french renaissance castle. In style and apperance Rose Perfection reminds me of Serge Lutens Sa Majesté la Rose another elegant pink rose primarily focusing on the delicate rosepetals instead of the rose as a whole. The beautiful, perfect, almost airy clean rose of  Rose Perfection is said to be a blend of different matching notes from destilations of different types of roses. A slight musky base supports and highlights the rosy perfection.

Rose Perfection is perfect for summer, capable to manage even a warm day as it has a great longevity (24h) and stays lightly on my skin also after the morningshower. The sillage is medium and it blooms beautiful a summerday. I'm also convinced that Rose Perfection will do well  also during the colder month especially as the rose has a soft, almost velvet character and not the lighter texture of rosewater.

To me Rose Perfection is the rose equivalent to Robert Piguets beautiful  interpretation of orangeblossom Blossom and just as the latter, highly addictive. Both fragrances are bright, happy, sparkling and in the same time comfortable, relaxing and real pleasure to wear. Just perfect!

Rating: 5

Notes: Citrus, rose, floral notes, musk

Springfragrances 2013

Picture: Violets
Photo: Mr Parfumista (c)

The winter has been staying for an exceptional long time this year so the real inspiration of wearing springfragrances has not really appeared. Instead I have been much into fragrances which are suitable year around and  with a renewed appreciation of some of the great classics, particulary the Guerlains. Regardless of this, but of course also with some inspiration from it, here comes a list of fragrances inspiring me this spring:

Rose Splendide (Annick Goutal): The tough, rough and wild pink rose, just as a not trimmed rosebush. Rose Splendide smells as the flowers, leaves and steams are all crushed and extracted into the fragrance.

La Violette (Annick Goutal): This leafy,crispy green perfectly just a bit candided sweet violet is not of the lipsticky-powdery cosmetic styled type. This is the small violet struggeling in the old grass just before the new fresh and green appears.

Violette in Love (Parfums de Nicolaï): Also a non-cosmetic violet, this time supported by citrus, peppery and slight berry notes. In the same style as AG La Violette but different when it comes to the details. Pretty, feminine and chic.

Vie de Chateau (Parfums de Nicolaï): This citrus-topped, hay-ish, slight leathery chypre is the  quintessential of casual chic. Like a stroll on the fields a sunny, day in the late spring/early summer.

I think that Annick Goutal and Parfums de Nicolaï are my ulitmate houses when it comes to springfragrances. Both have several light, sparkling, natural fresh fragrances which are very suitable for spring. And when spring approaches, the craving of fragrances from these houses arises.

As I have been in some sort of Guerlain obsession the latest months there is of course some gems from this house in different facets of blue.

Apres l'Ondee (Guerlain): More iris than violet, some soft spices warms it up a bit but in hte same time there is a moisty cleanness as the smell of earth, grass and fragile springflowers just after a rain.

L'Heure Bleue (Guerlain): After decades of testing, I finally get this more complicated follower to Apres l'Ondee (or have become totally exhausted and have capitulated :-) and also have been almost addicted. I often long for wearing L'Heure Bleue.

Last but not least, the house with the always so wearable, casual chic classics, Hermès.

Amazone (Hermès): My all time favourite fresh flowery fragrance. I have so much appreciated the fresh leaves and bulb- and other crisp flowers of the wild but chic Amazone since we met for the first time twenty years ago. A signature of younger days.

Jour d'Hermès (Hermès): Hermès latest will probably be a floral classic. This green floral is, to my nose, a paler and more polite variation of the extroverted great narcissus, mossy, green Le Temps d'une Fête from (here is the fabulous Patricia again:) Parfums de Nicolaï.

Serge Lutens - Santal Majuscule

Picture: Castel del Monte, Wikimedia commons


Santal Majuscule is created by Christopher Sheldrake (I guess) for Serge Lutens as the third interpretation dedicated to sandalwood from the house of Serge Lutens. First the warm, indian-spicy Santal de Mysore was created in the early 1990s followed by the almost subdued Santal Blanc ten years later.

Santal Majuscule starts with a slight rough, but in the same time almost smooth sandalwoodnote. A gourmand creaminess occours,some subdued roses reminiscent in style of the rose in Pasteum Rose by Eau de Itally. But most the scent of crushed leaves and stems of the roses emphazises, close to the green tangy accord in Rose Splendide by Annick Goutal.

Beyond these individual notes that I seem to distinguish, Santal Majuscule to me is a woodier and slight green version of one of my favourite Lutens the buttery, peach and bread, santal gourmand Jeux de Peau. IMHO I think they are too close to justify buying both of them, even if both are lovely, and Jeux de Peau a bit lovlier :-) . Of the other sandal Lutens Santal Majuscule just as Jeux de Peau are closest to Santal Blanc, even if both Jeux de Peau and Santal Majuscule both are more interesting than Santal Blanc.

Santal Majuscule even if a contemporary sandalwood somehow feels timeless and takes me to journy of time.To me it mediates the picture of medivial monks writing detailed majuscule and miniscule letters. Or a knight returning to his castle, such as above.

Santal Majuscule is the perfect comfortscent for the colder month of the year but I'm convinced it will suits even in summer as the "green crushed leaves and stem" tangy note developes well under warm conditions.Sillage is medium and longevity good, +12h.

Rating: 4

Notes: Sandalwood, rose, cocoa, tonka been

Kerosene - Whips and Roses

Picture: A frag for Lucrezia?

 Probably a portrait of Lucrezia Borgia,

oil on panel by Barolomeo Veneto

Whips and Roses is created by the Michiganbased selfmade perfumer John Pegg. John is a perfumenerd, like most of us reading posts like this, who has taken the brave step to create frags by himself and it seems like he as made a great sucess as he is very en vogue in Perfumland at the moment. John has worked in the automobile industry and the crafted Kerosene bottles are inspired by this background, they are all hand coated by the perfumer himself.

Pink roses, a tart greenery, a slight leathery note over a musky base, Whips and Roses is a fragrance that conveys creepy, spooky undertones. WaR starts with the tart greenery, as the leaves and steem is blended with the all but fresh floralwater in the vase. After a while the pink roses intensifies but they never becomes dominating. The roses are supported by a slight leathery note, just perceptible to my nose. The top and the middle stages of WaR, where the creepy graveyeard association appears, are the most exciting and imiginative phases of the fragrance. As WaR has dried down to the base the blend is transformed to a comfortable but rather common white musk.

WaR in it's earlier stages reminds me of a damp and sort of chemical Rose Splendide by Annick Goutal (review in swedish), RS conveys the same imagination of leaves and steems blended with the pink rose, but the Goutal fragrance is bright and fresh where the WaR is dark and damp (in a positive way). In the base WaR reminds me of the pink rosy musky base of Bulgari Rose Essentielle Edp but the Bulgari musk seems more delicate to me, the Kerosene is more rough edged.

To sum up: WaR is a starts as an eccentric rose but ends in a more familiar rosy-musk. When writing this I have only tried this and Copper Skies from Kerosene and of the two Copper Skies is definitly my first choice, se review earlier this week.

Rating: 3

Notes: Bergamot, blood orange, rose, jasmine, gardenia, iris, sandalwood, musk, leather

Burberry - Body

Foto: Parfumista (c)

Michael Almairac och Amandine Maries radierande, modernt volymiösa, rosendominerade, lite kalla florala komposition är redan omskriven. Den annars rätt grinige Octavian ger doften beröm och Julia på Parfymbloggen tycker efter intensivt testande av Body bra om doften. Mycket av vad jag skriver blir förstås en repetition eftersom mina intryck inte skiljer sig särskilt radikalt från de nämnda skribenterna.

Body inleds med en uppskruvad, fruktig, rosa rosennot som påminner om doften av en nagelsalva som min mamma hade när jag var liten men upphöjt till hundra. Någonstans i början känner jag en mycket snabb glimt av något bittert grönt som påminner om den i Annick Goutals Rose Splendide men i Rose Splendide varar doften längre och är dessutom en av huvudrollsinnehavarna, i Body har noten bara en blygsam biroll. När Body når mellanregistert blir den lite mindre cremig och den uppvisar den moderna, mjuka kylighet som konstigt nog ändå är omhändertagande och virar in bäraren i stor komfort. Troligen spelar de mjuka chasmerean noterna in här. I mellanregistret blandas fler blommor som känns som om de står i blomsteraffärens glaskyl. Här påminner Body en del om både doft och känslan av Serge Lutens Sa Majeste La Rose. Precis som de övriga två recensenterna får jag associationer till Lancomes Trèsor när det gäller själva doften och Guccis Rush (också av Almairac) när det gäller det radierande, nästan hysteriska uttrycket i början. I basen finns mysk och mjuka tränoter som harmonierar med rosen och de övriga blommorna på ett attraktivt sätt. Det finns inget svårt och utmanande i Body förutom möjligen den uppskruvade tonen. Trots tonläget är doften komfortabel, perfekt för en sådan regnig hösdag som det var när jag testade den. Exempelvis den jasmindominerade Burberry London Woman har trots likartad trivselkaraktär en lätt frånstötande doft av instängd kakburk som ger parfymen doften en intressant motpol. En sådan kontrast saknar Body som är en, om än skränig, rakt igenom ändå trevlig och väldoftande kreation.

Body är väl komponerad med bra balans och en mycket god hållbarhet till långt in på kvällen och delvis till morgonen därpå. Visserligen känner jag igen en del noter som är gångbara inom parfymeriet just nu men den är samtidigt nydanande, det känns som att den kommer att bli en förbild för olika efterföljare i samma stil. Body är sammantaget väldigt välgjord med en ordentlig kropp och jag uppskattar att den inte så där spöklikt flytande och försvinnande som en del dofter blivit efter IFRA anpassningar och liknande. Body måste ha gått igenom godkända tester i många fokusgrupper för det första min dotter spontant sa när hon kände Body var "Oh vilken god parfym du har". Det är nästan så jag undrar om de lagt i något tillvänjningspreparat i Body för ju mer provdagen framskred, ju mer förtjust blev jag i doften. Även dagen därpå kunde jag inte släppa doften i tanken och önskade att jag använt den en dag till. Jag kommer med glädje använda upp mitt prov som jag fått från Escentual.com Sedan finns det en uppenbar risk att jag inte kan vara utan Body. Ärligt talat trodde jag inte att jag skulle kunna bli så förtjust i en "mainstreamparfym" igen, men Burberry Body visar att det finns dofter som sticker ut även i det "ordinarie sortimentet".

Betyg: 5

Noter: Absinth, persika, freesia, ros, iris, chasmere trä, sandelträ, mysk, ambra, vanilj

Annick Goutal - Rose Splendide

 

Bild: Rosa Centifolia, Frans Eugen Köhler, Köhler's Medizinal-Planzen

Rose Splendide inleds med en grönt ackord som känns som om man också malt ned själva stjälken i rosenoljan från en riktigt rosa ros. Men det gröna är djupare och liksom matigare än en relativt torr och träig rosenstjälk. Det gröna är krispigt, ärtigt grönt och påminner om späda, nyskördade ärtskidor. Jag känner så väl igen doften från ett av Isabelle Doyens tidigare parfymkonstverk den illgröna The Unicron Spell för LesNez. I Rose Splendide finns ärtnoten främst i topp- och mellannoter men tonar ut i och interagerar med en rosa lite krämig rosendoft som påminner om rosennoten i en nagelcreme som min mamma hade när jag var liten. I The Unicorn Spell finns i stället ärtnoten kvar genom hela doften och interagerar bland annat med viol och ger sammantaget ett mörkare intryck.Päron och magnolia är stödjande noter och åtminstonde magnolian kan jag känna särskilt tidigt i Rose Splendide.

Sammanfattningsvis ger Rose Splendide ett elegant, rent och naturligt intryck. Den ger känslan av ett betydande inslag av högklassiga naturingredienser. Den fungerar dagtid året om men speglar särskilt den ljusa känslan under senvinter och vår.

Rose Splendide är en Eau Parfumée vilket är en lättare koncentration än EDT. Doften håller därför inte ända fram till kvällen. Men den är så pass lätt att den kan re-applicerars under dagen även om sådan reapplicering egentligen är en av de värsta parfymsynderna. Återapplicering på otvättad hud kan ge vedervärdiga olfactoriska upplevelser.

Betyg: 4 +  (betyget skulle vara 5 om det inte var för den reducerade hållbarheten under dagen)

Noter: Centifoliaros, päron, magnolia, mysk och vanilj.