Téo Cabanel - Julia

Picture: Our new Swedish royalty HRH Princess Sofia
on her weddingday 13 June 2015.
Photo: From the press, avaible from many sources on internet

Julia is one of the first three releases (together with Alahine and Oha) when the old, venerable house of Téo Cabanel was re-launched in 2005. Julia is a re-working of inhouse perfumer Jean-Francois Latty of an older Julia formula, which I think I read somewhere was worn by Wallis, Duchess of Windsor who was a customer of Téo Cabanel in the most glorious days of the house.

Julia starts with a tangy accord of rhubarb and blackcurrant, notes thst could be harsh and sharp but obviously not in the skillfull hands of Latty. The accord feels. juicy and sunny which offsets the cold hyacinth dominated, flowery accord which is the heart of the fragrance. The hyachinth is supported by classical flowers as violet and jasmine and a plesant raspberry sweetness which supports the hyachinth-violet in the same discrete way as the iris is supported by the same berry in Ramon Monegal Impossible Iris. The raspberry and the rhubarb adds a contemporary touch to a, taken as a whole, timeless fragrance. The basenotes are elegant, woody, musky slight balsamic and matches the floral, tangy structure of Julia very well.

Picture: Julia
Photo: PR Téo Cabanel

Julia is a fragrance which suits very well for formal daytime summer dressing, it's a fragrance which intermediates confidence and exquisite taste. It´s discrete but in the same time clearly present, a very versatile perfume. Would be a good choice for a royalty like for example our new Princess Sofia for daytime representation. Longevity is good, for at least a day and sillage is medium.

Fragrances that comes to my mind (in style and apperance, they don't smell the same) when wearing Julia are Van Cleef and Arpels First and Purdistance Antonia.

Rating: 4

Notes: Mandarine, rhubarb, black currant, hyachinth, violet, jasmine, raspberry, musk, sandalwood, labdanum, incense

Le Galion - Iris

Picture: HRH Katherine Duchess of Cambridge,
in June 2012 - the perfect Iris wearer
Photo: Carfax2, cropped by Surtsicna (cc)
Wikipedia commons, some rights reserved 

Iris is another of the Le Galion soliflores, Tuberéuse is reviewed in the latest post. The original Iris was created by Paul Vacher 1937 and the reorchestration is made by Thomas Fontaine.

Iris starts with a soft carrot note which is not sharp or too earthy. After a while it steps backwards and Iris becomes more flowery when a sweet flowery note similar to violet appears. Until now Iris is quite similar to most comfortable and easy to wear irisfragrances. Then something peculiar happens, a tart green note, similar to celery apperars, offsetting the flowery  sweetness. The celerypart lasts for quite a while, the special green note doesn't disappear completely but it is very discrete in the rest of the flowery, musky drydown of Iris.In this part lily is the dominating flower and to be honeset, not much of the iris is present in the lovely boquet. The base is musky, slight woody in the same style as Tubéreuse but without the light animalic touch of the latter.

Iris, just as Tubéreuse, is an elegant, well made of good ingredients, classic flowery composition, refershing, very easy and comfortable to wear. Longevity is for a day and silage medium. Iris is suitable for daytimewear, perfect as a classy officescent as there is nothing chemical or sharp about it. Iris is a typical "don't know what to wear fragrance" something to put on when one doesn't for something challenging and demanding. Somehow I can imagine Iris is something that HRH Kate, the Duchess of Cambridge would wear.

Those who're searching for a feminine and flowery iris, or more precisely a good floral bouquet which features iris and lily notes, have to try this wonderful fragrance. Iris are in the same octaves on the note scale as Acqua di Parma Iris Nobile. Those who like irisfragrances such as Laboratorio Olfattivo Nirmal (sweeter), Prada Infusion d'Iris Edp (woodier), XeJroff Irisss (irisi-er) and Ramón Monegal Impossible Iris (frutier) would probably also like Le Galion Iris even if the irisnote is more prounanced in most of them compared to LG Iris.

Rating: 5

Notes: Bergamot, citron, mimosa, hibiscus, iris, lily, rose, galbanum, cedar, amber, musk

My Christmas Eve fragrance

Picture: A winterrose. Also this year Christamas
is green and some roses are almost blooming.
Photo: Mr Parfumista (c)

Time for the regular Christmas Eve post:. Scent of Christmas Eve 2014 is my favourite iris - Impossible Iris from Ramon Monegal. Suits this green, sunny and, after some rainy weeks, cold Christmas Eve. The chilly iris is enlightened by mimosa and rasberry which gives the formal iris an less severe expression. Mr Parfumistas SOTD is an old Classic, Santos de Cartier vintage version, suits well with its light note of  cinnamon.  Last year, also a green Christmas, was Chypre Mousse from Oriza L.Legrand. 
Below is the updated list of the fragrances I've worn the last eleven Christmas Eves:

2013: Quintaesensia Ramòn Monegal, (a special retro styled blend, furry, ambery, herbal/spicy)
2012: Nothing, knocked down by the worst flu in ten years+.
2011: Betrothal, Grossmith (classic, light and exquisite florals)

2010: Cuir Mauresque, Serge Lutens (saddle leather, orangeblossom, jasmine, spices)

2009: Tribute Attar, Amouage (dark leather, smoke, oud, excellent spices)

2008: Incense rosé, Andy Tauer (rose, mandarine, cardamom, myrrh cedar, incense)

2007: Ambre Russe, Parfum d'Empires (boozy amber, the, wood, oriental)

2006: Jil Sander 4, Jil Sander (dark, overripe fruits, white almost withering flowers, oriental spices)

2005: Nuit de Noël, Caron (dusky, retro flowers, moss and a furry note)

2004: Cabochard,  Parfums Grès (leathery chypre, harsh green notes and retro flowers)

2003: Fracas Robert Piguet (the ultimate classic grand tubereuse)

I wish all of you a Great Christmas and as I'm very curious to know what you are wearing for Christmas, feel free to leave a comment.
 

Oriza L.Legrand - Violette du Czar

Picture: Violette du Czar
Photo: PR Oriza L.Legrand (c)

Violette du Czar is another re-construction of an old formula from the early 20th century released by venerable perfumehouse Oriza L.Legrand, a which was brought back to business a few years ago.

Violette du Czar starts with a true smell of violet, not artifical, candy sweet, but fresh and natural, as the newly sprung flower in the moisty soil a sunny early day in spring. The violet in this stage reminds me of the violet in Annick Goutal La Violette but without any sweetness. After a while the violetnote steps backwards and the smell of hay contrasted with some light stablenotes appears. In this stage one almost belive the violet has surrendered but soon it steps forward once again together with a flowery irisnote, similar but not quite as vivid to the one in Le Galion Iris. There is also a tangy oldschool soapy Accord,as if there are som citric notes as bergamot present. The soap is very light handed, it's just a touch. The basenotes is balsamic, light woody and with a transparent leathernote, like elegant, long, cream-colored glace gloves accompanying a ball gown. There is something in the overall impression in the this stage thar reminds me of Ramón Monegal Impossible Iris even if the latter is sort of denser and stronger in apperance. When it comes to the transparancy and overall impression of the fragrance, it reminds me of  the texure of Jardins d'Ecrivains La Dame aux Camélias whereas the violet is more present in Violette du Czar, in La Dame... the violet is not as prominent, the orangeblossom is the more distinct flower in the latter.

 Violette du Czar is transparent and light fragrance, the notes  (even the dirty one) are carefully handled and there is a compoistion in the higher octaves of the fragrance notescale. It's refreshing and a perfect elegant daytime fragrance particularly for spring but it's suitable for all seasons when one want something light, refreshing and natural smelling, there is no chemical vibes in this Beautiful fragrance. As Violette du Czar is light it demands generous application. The silage is somewhere betweeen close to medim and longevity for about a day.


Rating: 4
Notes: Violetleaf, violet, violet, iris, heliotrope, tolu balm, russian leather, amber, guaiacwood

Guerlain – Iris Ganache

Picture: Three Godiva truffles
Author: Ginny (cc) Wikimedia commons 

Iris Ganache, created by Thierry Wasser is the irisinterpretation in the Guerlain gourmandepos L’Art et la Matiere. Iris Ganache is the first from the line that has been discontinued but some bottles could still be aviable.

Iris Ganache starts with an elegant, wellcrafted iris, almost compleatly without the carrotnote that is present in the more orris-rooty iris interpretations. The iris is blended with a light,  leathernote, like the image of smooth, white or beige colored leather used in a pair of long, glacé-gloves, matching an elegant ball-gown . When Iris Ganache dries down to the middlenotes it becomes sweeter and a note that reminds me of white chocolade occurs: The flowery iris is still there, and brings a coolness that counterbalances the sweetness in a wellblended manner. This impression lasts during the rest of the drydown where the musk, vanilla and patchouli which the blend contains, isn’t recognizable as separate notes but as a wellblended, smooth and pleasant base for the iris-gourmand accord. Iris Ganache is described as containing powdery notes, but to my nose these notes are subdued and just slightly recognizable, to my nose Iris Ganache has an almost bubble bath-y note in the late drydown. Iris Poudre by Parfums Editions Frederic Malle is much more powdery IMO.

Iris Ganache is comfortable and elegant in the same time. It’s a perfect scent both for dressed up occasions as for work to cheer up and to convey a pleasant olfactory presence. The longevity of Iris Ganache is for more than a day and the sillage is close, this is an elegant and subtle skinscent. 

Those who appreciate iris scents in the style of Ramon Monegal Impossible Iris, Prada Infusion d’Iris Absolue, Huiteme Art Naiviris and Xerjoff Irisss will probably also like Iris Ganache.

Rating: 4

Notes: Cinnamon, bergamot, iris, white chocolate, patchouli, cedar, musk, vanilla, amber 

Best of 2012

Photo: Mr Parfumista (c)

When it comes to perfumereleases 2012 was a good year bringing some beautiful stuff to us Parfumistas.
Here are my top ten from what I have sampled of the 2012:s in no particular order:

Nuit Etoilée (Annick Goutal): NE was a growing liking for me, it unfolds it's full beauty in the summerheat.
Urban, woody-herbal to me.

Impossible Iris (Ramon Monegal): Probably this was released before 2012 but as the exceptional Ramon Monagal line was launched internationally this year I include it. An elegant iris that is amplified by a light berrynote and contrasting flowers. A harmonious blend.

Ivoire (Balmain): What a sucessful reformulation! I like this fruity and sparkling version even better than the stricter original galbanum-accentuated Edt which is a great classic.

Opardu (Puredistance) Dreamy, elegant, powdery lilac that captures the spirit of the Paul Poiret fashion of the 1910s. Already a classic in my book.

Chypre Palatin (Parfums MDCI): Retrostyled with the dry gunpowdernote that I appreciate so much. And some slight animalic notes lurking in the background.

Poudre de Riz (Huiteme Art): Boozy notes and subdued tropical flowers in a dry powdery context creates an elegant, retrostyled fragance.

Songe d'un Bois d'Ete (Guerlain): This wellbalanced spicy, leather, oud with a intricate note of jasmine and cardamom is my favourite of the Les Deserts de Orient trio. At the moment at least, Rose Nacree du Desert comes close and could take over some day.

Dama Bianca (XerJoff): Wellbalanced white flowers contrasted by a wheat-malt note over a beautiful base of vanilla. The elegant comfortscent of the year.

Oud Stars Al-Khatt (XerJoff): Elegant, creamy, white flowers with jasmine as mainplayer, interacting with a beautiful laotian oud. As Ubar in an oud-interpretation.

Rose Etoile de Hollande (Mona di Orio): A soft, dark, velvety, resiny, medium pink rose, retro in style. The last creation of Mona, named to her honour by her businesspartner Jeroen Oude Sogetoen.

Vero Kerns beautiful chypre Mito, the leather/tobacco Speakeasy (Frapin), the woody-spicy Bois Noir (Robert Piguet) and the Neela Vermeire Creations trio Bombay Bling, Trayeé and  Mohur should also be mentioned among the best of 2012.

If I had to choose just ONE it would be Opardu for its timeless features and its appearance. It's almost as I'm sniffing a classical floral-powdery Guerlain or even a classical Chanel in the style of No 22.

Ramón Monegal – White Musk

Picture: Gardenia jasminoides
Photo by Erin Silversmith (cc) Wikimedia Commons,
some rights reserved

If  Musc Intense by Parfums de Nicolaï that I reviewed earlier this week is a subtle, classical musk which evokes associations to the 18^th centruary and the powder-pastels of Madame de Pompadour, Barcelonean perfumer, Ramon Monegals White Musk is the opposite. It’s a true contemporary, high quality, imaginative, interpretation of a flowery white musk that certainly stands out even from the white musk niche-crowd. Just as with Musc Intense, the musk in White Musk is not the typical “mainstream white musk” if anyone can’t stand that interpretation of this interesting basenote.

White Musk starts with a intense cascade of gardenina blended with vanilla and the musk accompanying in a moist, creamy way, it’s like the gardenia is cracked and mixed together with cream and vanilla. The opening is an almost gourmand accord also somehow resembeling the smell and also the texture of coconut. This coconutty texture remains during the whole dry down of White Musk.In the middlenotes the gardenia note is becoming increasingly clearer, the sweetness from the vanilla is tuned down and a light, perfectly balanced, resiny peppery note is accompanying in the background, adding an interesting contrast to the creamy flower. The gardenia note is that of a perfectly fresh gardenia, a gardenia that just have entered the full blooming stage, it’s not the gardenia just started to wilting as in Serge Lutens Une Voix Noire. There are also some subdued, green, crispy notes that could be sensed, just like some of the leaves also are crushed down in the blend. Later on the gardenia gets more fragile, almost papery in texture, similar to the gardenia in the beautiful Gardenia by Isabey. All these notes are mingeling with a well balanced white musk that anchors and depening this sensual blend together with dry resinnotes, almost light blond woody in character. Later on in the further development of the basenotes, there is a sort of clear, a bit wet accord, that in smell and texture reminds me of the Helmt Lang cult-frag Cuiron.

White Musk, even if loud, requires lot of space and is not wellmannered as my top Monegal Impossible Iris, is definitly one of my favourites after testing almost all from the wellcrafted and beautiful Ramon Monegal line. I remember this was the one that immadiately caught my attention when I was “screening” all of the Mongeals samples by just sniffing them from the outside. As almost all Monegals, White Musk is a fragrance that involves the wearer during the dry down, there are many interesting twists and nuances to be find during the journey. White Musk almost also rivals my favoritemusk so far: Mona di Orio Les Nombres d’Or Musc but fortunately they are in quite different musk-genres: White Musk is a bold tropical musk when LNd’O Musc is a traditional, elegant, slight flowery, subdued musk.

White Musk is wearable the year around, I can image it will blooms perfectly a warm summer evening as it will warm up a grey and cold winterday. Not suitable for scentofobic offices, its more of a comfort, casual- or a great evening fragrance. White Musk is, like most of the RM:s, a concentrated fragrance and as it’s very intense, (a changes of name with Musc Intense would be appropriate :-) ) it has to be applied sparingly to avoid knockning the ambient. Sillage is huge (if not careful in application) and longevity extraordinary, 24h+.

I don’t find any “alikes” at the moment but I can image that those who likes Montale Intense Tiare and Les Nez Manoumalia will like this unusual, stunning creation.

Rating: 5

Notes: Rose, gardenia, olibanum, vetiver, vanilla, white musk

Ramón Monegal - Lovely Day

Picture: A Lovely summerday

Photo: Mr Parfumista (c)

To me the somehow dry frutiy-floral of Ramón Monegal  Lovely Day starts like a gentler and less distinctive version of Hermès Un Jardin apres la Mousson. I perceive a melon - peppery ackord that is not as tough and rough as in UJalM. As there is no melon mentioned among the notes I suspect that the black currant gives this effect. There is also no pepper among the ingredients but cedar often gives a peppery effect. Lovely Day developes the light, I image it as white pepper, peppery note continues and the melon-like note seems to go more like black curranrt. As this occurs a flowery element also becomes more evident. The flowers i somehow pink-bubbelgummy-powdery, just as an unchewed pink piece of bubblegum. The sweetness is sort of subdued, it is not sickly sweet and Lovely Day gives me the impression of a grown up almost frutiy floral. After a while in the developement of the middlenotes a coca powdery suede like iris note with light hints of the swedish paperglue "Björnklister" appears.This accord is similar to the irisinterpretation in Histoires de Parfums Tubereuse 1 Capricieuse and traces of the iris from Impossible Iris is also recognisable.  The whole blend is resting on a woody base that is well intergrated in hte blend but becomes increasingly evident as the basenotes develops. Despite just cedarwood is mentioned among the ingredients I also  percieve a woody note similar to a light oud.  The woody base gives a fine contrast and substance to Lovely Day.

Lovely Day is, as the name indicates, a happy fragrance that wears well during a warm summerday, both for office and as with most of the Ramón Monegal fragrances, for elegant casual wear. Despite Lovely Day seems a bit indefinite with its twists of  such different fragrances as Un Jardin apres la Mousson and Tubereuse 1 it's a fragrance that is easy to wear in different situations. The type of fragrance to choose for the days when I haven't got any idea of what to wear.

Rating: 4

Notes: Jasmine, rose, black licorice, iris, cedar, black currant

Top summerfragrances 2012

Photo: Mr Parfumista (c)

Suddenly the bright and shining early summer month of June disappeared, the high summer month of July is over and sadly most of the summer is gone. Two weeks ago I also noticed the first signs of the late summer, the late evening suddenly was dark, not bright as in the beginning of the summer. One week ago the crickets started to play a true sign of the late summer. Fragrancewise I have worn just a few typical summerfragrances, most of the preferred ones up to day I enjoy the year around. Even if I almost sampling different fragrances and not have much time to wear my favourites, here they are for summer 2012:

Nuit Etoilée (Annick Goutal): Light herbal, slight smoky this one reminds me of a starry night in the asphaltjungle.

Cologne Friction (Parfums de Nicolaï): The ultimate, green, grassy, cologne for lazy summers. Perfect for vacation in the archipelago or just anywhere. And for looking at a game of tennis.

Corps et Ames Eau de Toilette Apaisante (Parfumerie Generale): A 1970s inspired chypre-light featuring the verbena note. An airy and bright interpretation of the original CeA Edp.

Rebel (Antonio Visconti): A soothing, refined patchouli with delicate notes of dark and dry chocolate.

Cristalle Edt (Chanel): There is (almost) nothing like this citrus-mossy classic when it's comes to summer casual chic.

Impossible Iris (Ramón Monegal): Year around elegant-chic. Has made a rapid career and is now among my most appreciated irises.

Rose Etoile de Hollande (Mona di Orio): Monas lovely rose is an olfactorial masterpiece is a multifacetted creation that reflects both the brightness and the dark sides of the rose.

Amoureuse (Parfums DelRae): Whith it's dark, almost decaying flowers blended with cardamon, Amoureuse is a beautiful gem suitable for alls seasons. Love it.

Ubar (Amouage): There is a golden shimmer surrounding the white flowers of this fine Amouage classic. Always right to wear in it's understated elegance, the quiet sister among Dia and Gold.

Black Oud (Montale): This classic dark rosy, leathery, patchuli oud becomes creamy in texture when worn in warm and humid weather. And never fails to attract compliments....

Ramón Monegal - Impossible Iris

Picture: The Impossible Iris personified

H.R.H Crownprincess Victoria of Sweden,

Photo: Mattias Edwall/Royal Court (c) 

The Impossible Iris, a creation of senior parfumer Ramón Monegal for his own house, which also bears his name, is all but impossible. It's a beautiful irisfragrance in which the perfumer manages to curb the sharp, rough, carrot-earthy notes that are present in the topnotes of almost every orris-root dominated perfume as in for example Serge Lutens Iris Silver Mist or Heeley Iris de Nuit. The carrot is there but it's soft and rounded, in texture as cashmere. Another fragrance where I have percieved this sensation is in Naiviris the Pierre Guillaumes creation for his Huitième Art line. After a while the iris note in Impossible Iris get an almost buttery (the orris-butter?), but at the same time airy quality. Soon also an unexpected twist for such a pure, elegant creation like this appears: A red berry note, but handled in a way that supports and balances the cold iris, ther is no typical sweet, fruity-floral, vibes at all. The warm and almost powdery note of mimosa is also clearly present to balance out the iris. In this stage there is a powdery-cosmetic feel that is characteristic for elegant iris fragrances but in Impossible Iris it's tuned down and constitute one of all the interesting facets of this fragrance. The whole delicate blend rests on a light woody-cedar base, integrated in a seamless way with the rest of the ingredients.

Impossible Iris is high quality stuff, very versatile, it's the perfect officescent, a sort of first-class Prada Infusion d'Iris Edp replacement. Impossible Iris is also the perfect "lunch at some elegant restaurant fragrance" or something to wear at a day time reception, would be a perfect choise to our Crownprincess Victoria for the official celebrations of her 35th birthday today. If Impossible Iris is to be personified, Victoria is my choice. When wearing Impossible Iris another high quality iris comes to my mind, the XerJoff Irisss (review in swedish). Both these fragrances have the elegant, gently, airy quality but to me the orris root are more present in Impossible Iris whilst Irisss to my nose is more about the iris flower. Of the two IMHO Impossible Iris has more interesting twists whereas Irisss is more of a conventional, classical iris.

Even if Impossible Iris is easy to wear, the developement is interesting during the whole dry down, something that I demand from my favourite fragrances. The longevity is great, + 24 hours in warm, humid summer weather, a feature that is not common when it comes to fragrances with this smooth and gentle character. Often such fragrances falls apart and fade away, but not this incredible,beautiful (Im)possible Iris.

Rating: 5

Notes: Iris, mimose, raspberry, ylang-ylang, jasmine, cedar

Thanks to Ramón Monegal Parfums for getting the opportunity to sample this beauty. The Ramón Monegal Parfums are also avaible at Aus Liebe zum Duft .