Carner Barcelona - Costarela

Picture: The Golden Beaches of Santa Susanna,
Costa Brava, Catalonia, Spain
Photo: vincentdesjardins (cc) 

Costarela is a citrus woody spicy Edp created for Carner Barcelona by Shyamala Maisondieu.

Costarela is built around a partly unusual accord, tart, light citrus combined with a subdued saffron. I can also smell something similar to fresh cardamon, maybe a nuance of the saffron blend. There is also a dry paper note present and the overall impression is fresh, windy, salty,  yellow sun and sand, dry driftwood on the shores. Later in the dry down, Costarela deepens a bit when the ambery - woody notes are added to the "day at the seaside" accord described above.

Costarela is a discrete and versatile contemporary citrus aromatic fragrance which is suitable to wear both for work and casual, especially in spring and summer. It's a quiet fragrance which is quite close to the skin with a calming effect  The fragrances is unisex, leaning slightly to the masculine side. Longevity  is for almost a day even if Costarela in its later stages is very discrete and gentle, sometimes almost undetectable but when one think it has disappeared, then it's suddenly appears again as a gentle wisper. It's like returning waves of seasideinspired accords. Wearing Costarela creates the image of the beach a sunny and windy day with the monotonous sounds of the waves rolling in, bringing driftwood, algae, seaweed, shells and the smells from the ocean with them.

Picture: Costarela
Photo: PR Carner Barcelona (c)

Other fragrances I come to think of (not smelling the same but with a similar impression) when testing Costarela are fragrances from different interpretations of the salty, woody or citrus theme: Maria Candida Gentile Finisterre and Lankaran Forest, Hermès Epice Marine and Dior Homme Cologne

Rating: 4

Notes: Bergamot, saffron, marine and sand notes, cedar, ambroxan, amber

BeuFort London - Fathom V

Picture: Paiting by Albert Bierstadt
(1830-1902)

Fathom V is one of the (to my nose) two "wearable" fragrances from the line of the niche house BeauFort London, the other is Lignum Vitae. The first three releases ( 1805 Tonnerre, Vi et Armis, Coeur de Noir) from the house are very intriguing but to my nose more of fragrance artworks or scent installations than perfumes which could be worn in public. More about the other BeauForts will follow in next week.

 Fathom V starts chilly, crispy, green with a smell similar to narcissus but a bit more flowery, lily is mentioned among the ingredients. There are also green coniferous elements, like fir and juniper. Soon also a cold, earthy smell emerges, like the just thawed earth in late winter/early spring. This accord is contrasted with a glimpse of an animalic note which slight resembles the smell of cat fur. After a while a windy element appears in Fathom V, it smells like someone is airing out an attic closet in an old house by the seaside during a cold, windy day early in the spring. Something in the concept/texture but not in smell reminds me of a outdoor variation of Parfumerie Generale L'Ombre Fauve. Further on in the drydown, the fog is rolling in over the cost from the open sea. Salty elements together with seaweeds and algaes appears in the blend, and later also a hearbal almost minty note, shows up, clearing the fragrance up from the fog. The salt and mint slightly reminds me of another Perfumerie Generale  Harmatan Noir and for the airy salty vibe also Laboratorio Olfattiva Salina but Salina is warm in texture. The icy cold and dry lily is present during the whole dry down of Fanthom V and as it settles, there is also a moisty, mossy element supporting the green herbal accord sweeping over the scent of  fresh soil.

Picture: Fathom V
Photo: PR BeauFort London (c)

Fathom V, like all the BeauForts, is very intriguing and creates vivid fantasies and pictures for the wearer, in this case more pleasant ones compared to the first fragrance trio. It's my favorite from the house and I really appreciate it's shifts in different moods and nuances. The fragrance is an outdoorfragrance in the same spirit, but not the same smell, as the also earthy, early in the spring/late in the winter, fragrance Onda from Vero Profumo. That even if Onda to my nose is describing this season in the inland and the scents of Fathom V is from the seaside.  Fathom V is unisex, maybe a tad more feminine because of the lily and that the herbal element isn't the typical, harsh aromatic type. Instead it's sort of soft and smooth herbal which is unusual and Fathom V therefore is wearable fougere for woman. The fragrance is perfect for daytime wearing in late winter and early spring but could be worn year around. Sillage is medium and longevity very good about 24h.

One of the best fragrances in 2016 IMO, if I had sampled it then, it would be among the top three.

Rating: 5

Notes: Juniper berries, tangerine, black currant, green notes, soil tincture, thyme, lily, jasmine, ylang-ylang, ginger, cumin, black pepper, mimosa, patchouli, vetiver, oakmoss, salt, incense, atlas cedar, amber

Thanks to Fragrance & Art for the sample to review

Maison Nicolas de Barry - Eau de Vizir

Picture: Die Kinder des Vicomte d'Andrezel,
 französischer Botschafter an der Hohen Pforte,
werden dem Großwesir Ibrahim Pasha vorgestellt, 10. Oktober 1724
Oil on canvas by Jean Baptiste Vanmour (1671-1737)
Wikimedia commons

Eau de Vizir is a masculine, very original creation from the house Nicolas de Barry who has composed the fragrance, maybe in collaboration with Eddy Blanchet as some of the other fragrances.

Eau de Vizir starts with an aromatic, citric-herbal blast, it's strong and cold in apperance. Early a very sort of clean, dry, smoky vetivernote appears and it is present in full or as whispers during the rest of the fragrance. As it continues, herbs, especially basil, green notes and fresh bitter notes appears, the fennel is sort of natural fresh and uplifting. In texture and impression Eau de Vizir is cold as original Marni, but without the rosy elements. There is also a slight mentholic touch in some stages and somehow By Kilian Smoke for the Soul comes to my mind as also the classic Azzaro Acteur with its moisty forest floor accords. The aromatic-herbal accords are founded in a musky, woody accord in which the smoky vetiver also are clearly present, a base which emphasizes the fresh coolness of the scent.

Picture: Eau de Vizir
Photo: PR Maison Nicolas de Barry (c)

Eau de Vizir is a good fragrance for regular daytime wearing. It's definitly masculine, suitable year around and would be perfect in early spring with the slight chilly air and wet soil. The longevity is very good, a little goes for about a day. Maybe Eau de Vizir is another addition to the reported upcoming, mostly non-sweet, woody-tarry-aromatic trend.

Rating: 3

Notes: Lemon, bergamot, orange, basil, vetiver, fennel, sandalwood, musk

Huitème Art - Liqueur Charnelle

Picture: Liqueur Charnelle
Photo: PR Huiteme Art (c)

Liqueur Charnelle is a woody aromatic fragrance with a gourmand touch created by Pierre Guillaume for one of his lines, Huitème Art.

Liqueur Charnelle starts with boozy notes accompanied with the for dark gourmand fragrances, typical dark, accord of dried fruits. There is also an interplay with not too sweet gourmand notes, like hard candy or delicate cakes. An offsetting, fresh, woody note, like just carved juniperwood also appears and creates a special touch in the top.  After a while woody peppernotes in a distinct dose appears and are the leading accord in the fragrance during almost the rest of its drydown. Liqueur Charnelle acts quite linear during the dry down, with the light pastery accord, supported with some booze as the offsetting notes to the woody pepper. In the basenotes, the pepper steps back and the dark, dried fruits preserved in cognac appears forward just as an accord which highlights balsamic and tobacconotes joins the composition. And the beautiful fresh juniperwood from the topnotes appears and is the note which remains in the very late dry down. To me the basenotes are the most pleasant part of Liqueur Charnelle.

Liqueur Charnelle is definitly a fragrance for late autumn and winter, I think it could be overwhelming in warmer weather. It has an impressive sillage and is strong, very light application is necessary. Liqueur Charnelle is partyly similar to a bunch of woody/spicy/aromatic/gourmand fragrances on the market as for exemple when it comes to the spicy, gourmand part: Editions Parfums de Frederic Malle Dries van Noten, Carner Barcelona Rima XI and to some extent  El Born. That despite all the three mentioned are smoother and cozier, more of "sitting in a café sipping latte", than Liqueur Charnelle which is more extroverted with its woody peppery accords, similar to some recent more masculine woody fragrances. Those fragrances often containing oud, mentioned or not, and when testing Liqueur Charnelle when it comes to its woody part, I come to think of recent releases such as the HA of 2013  Monsieur , Parfums MDCI Cuir Garamante , Puredistance Black (here also the boozy aspects), Robert Piguet Bois Noir (the woody pepper) just as in Montale Dark Oud.

Liquer Charnelle has traces from many fragrances but also an own personality, it's a good fragrance, nice to wear if lightly applied. When I tested Liqueur Charnelle the first time, Mr Parfumista liked it better than me, but after I have worn the sample a few times and found the right, light dose to apply I like it as much. Liqueur Charnelle is something as strange as an aggressive comfortfragrance.

Rating: 5

Notes: Cognac, dried fruits, linden blossom, grapes, caramel, vanilla, black pepper, pink pepper, elemi, amber, raspberry, coumarin, tobacco

Thanks to Fragrance & Art for the sample to test.

Maison Francis Kurkdjian - Masculin Pluriel

Picture: "The Dandy king",
Joachim Murat (1767-1815),  King of Naples etc
Portrait by Francois Gérard (1770-1837)

Masculin Pluriel created by one of my favorite perfumers Francis Kurkdjian for his own house, is the masculine counterpart to one of the very best feminine perfumes of 2014 Féminin Pluriel. Just as the latter, Kurkdjian in Masculin Pluriel interprets a classical theme in a contemporary setting but still retains the timeless expression of the fragrance.

Masculin Pluriel starts with a beautiful note of lavender on a light, woody background. The lavendernote is the featured note during the rest of the dry down and it shows off a bit different at different stages, influenced by the surrounding and supporting notes. Masculin Pluriel is truly aromatic, lighter in the begining and darker in the later stages. The woody notes never get sharp or chemical and interacting with the herbal notes, the fragrance explore both dark and light accords, bitter and even if an overall non-sweet fragrance, there are some sweet elements, I can smell some woody vanilla, the vanillic note coming from wood, in the middle of the fragrance. There is also a very light, smoky element present in the fragrance but it's almost not detectable as smoke, there is absolutely nothing sharp or offending about it. The patchouli in the base are dark and desert-dry, like dried patchoulileaves, no moisty texture but anyway it lends a slight earthy impression to the mix. The patchouli blends perfectly and highlighting the deep and dark facets of the lavender, here the lavender reminds me partly of the lavendernote of Vero Profumo Kiki Extrait. There is something, the bitter, slight smoky impression, in Masculin Pluriel that reminds me of  the new By Kilian "extreme" Smoke for the Soul where Masculin Pluriel is the polished, elegant and wearable one. I read on Fragrantica that the fragrance trend for the coming years are woodsy and piny notes, as for example birch and likely  there is room for woody-aromatic fragrances in this trend which Masculi Pluriel and Smoke for the Soul could be some of the forerunners to. Another fragrance that comes to my mind testing Masculin Pluriel is the classic Aramis Tuscany (vintage) even if that one is bold and big compared to the former.

Picture: Masculin Pluriel
Photo: PR Maison Francis Kurkdjian (c)

Masculin Pluriel is an elegant, understated, very wearable choice for daytime officewear. There is something dandy-ish over the whole composition. The longevity is very good, for over a day and the fragrance is suitable for every season except the warmest summermonths. As Masculin Pluriel is a very well constructed and easy to wear fragrance, it should have been included in my best of 2014 list if I had tested it properly on myself and on Mr Parfumista before year end.

Rating: 5

Notes: Lavender, cedar, patchouli, vetiver, leather, woody notes

Le Galion - Special for Gentlemen

Picture: Special for Gentlemen
Photo: PR Le Galion (c)

The venerable perfumehouse of the 1930s-1970s  Le Galion, was brought back to life again  in  2014. The golden days of Le Galion started in 1935 when the already then famous perfumer Paul Vacher bought the house and started to create a range of high class perfumes. Vacher is also the nose of iconic Miss Dior and Diorling for Christian Dior. Tomas Fontaine is the perfumer who has reworked the old Le Galions according to current standards. As I haven't tested any vintages, I can't comment on differences/similarities et but the new versions I've tested so far are great. Over to the object of today: Special for Gentlemen originally released 1947 and was created by Parul Vacher himself.

The fragrance starts in a traditional aromatic way with the most beautiful lemon, yellow, sunny and warm. The lemon is of course supported by aromatic, hebal notes, very fine tuned and smooth in their apperance. In this stage Special reminds me of fragrances as Givenchy Gentleman, Geoffrey  Beene Bowling Green  and Chanel Pour Monsieur. Quite contrary to most aromatic fragrances, there is absolutely no harsh or sharp edges as in Special, it's so well blended and seems to be constructed with very high quality ingredients. Among the herbal-spicy notes a smooth cinnamon is most evident and it's recognizable during the rest of the dry down. When the cinnamon appears I'm reminded of Parfums de Nicolaï  Patchouli Homme a very uncommon patchoulifragrance. After a while also balsamic notes appears, deepens the fragrance and wraps the wearer in a comfortable but still very elegant aura. There are also discrete woody-mossy  notes with a touch of something animalic which anchoring Special in the basenotes. Despite the heavy notes, Special is sort of light in texture  with a very clear presence which is never disturbing. In its later stages, Special reminds me of fragrances as Aramis Tuscany (mens version) and there is also something (but much smoother) from the legandary Guerlain Jicky present.

Special is pure elegance, for the versatile gentleman, a timeless fragrance of high class, both in construction, blending and quality of the ingredients. To me, Sean Connery in the character of 007 James Bond, personifies Special for Gentlemen. It could be worn in many (non-sporting) occasions and Special is demanding in another way: Wearing it always requires a proper outfit for the said occassion, as the whole image of the wearer has to be complete. Special is indeed a very masculine fragrance but the smoothness and balsamic structure oddly enough also make it (almost) wearable for a women.

Special is definitly a must try for those in search for a classical aromatic fragrance. Personally, after trying this, I can't remember me or Mr Parfumista have tried anything better among classical aromatics. Top notch and the best masculine fragrance tested since M.Micallef Royal Vintage spring 2013.

Rating: 5

Notes: Bergamot, citron, lavender, cinnamon, amber, labdanum, oakmoss, patchouli, vanilla, castoreum, birch, opoponax

Thanks to Fragrance & Art for the (already drained :-( ) sample to try

Parfumerie Générale - Grand Siècle Intense 7.1

Picture: Grand Siècle Intense
Photo: PR Parfumerie Générale (c)

Grand Siècle Intense 7.1 is the just released, fourth fragrance in the Signature Collection of Parfumerie Générale, collection which Pierre Guillaume started to create 2012 to mark the 10th anniversary of Parfumerie Générale that year. The collection will capture Pierres development as a perfumer and offers different interpretations of some of the Parfumerie Générale perfumes from the past. The Signature Collection is only avaible at Parfumerie Générales own website.

Grand Siècle Intense is a follower to the very natural smelling bitter citrus cologne Cologne Grand Siècle in which Pierre Guillaume was inspired by the court of the Sun King Louis XIV in the seventeenth century and the few and pure ingredients which then was avaible to the parfumer. 

Grand Siècle Intense starts with natural smelling bitter citrus and green notes. A realistic and refreshing, slight fizzy note of mint leaves appears after a while. This mint is also present in the original Maroocan Mint tea inspired Harmatan Noir 11, but in this fragrance, blended with smokey, spicy almost metallic notes. The minty note is also present in the easier to wear Noir Marine from the Phaedon line. Grand Siècle Intense goes on with green-woody notes, with the sparkilng green of cypress over light woods, fresh moss and a well intergrated vetiver. The cypress slightly reminds me of the sparkling green in Annick Goutal Eau d'Hadrien. A slight smokey touch also appears and glimpses of a very fine leather also appears and in the basenotes there is also a light, well rounded sweetness, probably the honey, which prevent the fragrance from beeing too aromatic in style.Just as in Cologne Grand Siècle there are no harsh or artifical smelling notes which seems to be quite common in cheaper aromatic/citrus fragrances. As usual with Parfumerie Générale this is high quality stuff and it's a smooth, delightful and easy to wear fragrance. Grand Siècle Intense is, just as it's forerunner, with its close sillage, perfect both for casual and office wear in spring and summer. The only drawback, just as with the cologneversion, is the longevity. Even if I applied liberally, I have to reapply every two-three hours and 75% of my 2 ml sample was gone after one wearing. On the other hand, I have dry skin so this is probably not a common problem.

Comparing the two Grand Siècle versions, Cologne Grand Siècle is more of a cologne in style (even if not fully) with citrusy, lemony notes and also with a for the fragrance characteristic note of a hard citruspastille. In  Grand Siècle Intense the cologne inspired theme is most present in the early stage of the fragrance, later it's more of a citiric, green, light woody aromatic perfume. Both fragrances are unisex even if the cologne IMO is leaning a bit more to the masculine side and the Intense is just neutral.

Rating: 4 (if rating how it smells, its structure and quality of ingredients), 3 (if taken the longevity issues in consideration)

Notes: Bergamot, bitter orange, lemon leaves, mint, cypress, vetiver, patchouli, oakmoss, tobacco absolute, hay, honey

Robert Piguet - Bois Bleu

Picture: Bois Bleu in its stylish, classical
Robert Piguet bottle 

Bois Bleu is created by the (almost) in house perfumer Aurlien Guichard for Robert Piguet and is the latest addition (spring 2013) to the Nouvelle Collection from 2012. Bois Bleu is classified as an unisex woody aromatic fragrance.

Bois Bleu starts with a intriguing blend of citrus and bergamot. The accord is somehow muted, it's note the sparkling, sunny a bit bitter uplifting accord which has evaporated when the topnotes are gone, but a sort of massive, much deeper accord which in texture and apperance, even if not so close in the citric smell, reminds me of the start of Mona di Orios Lux (swe) but more masculine. My first impression is that, just as with the aromatic NoteS of the Nouvelle Collection, Bois Bleu leans to the masculine side on the unisexscale.
But as always with Piguet fragrances, many things are going on and suddenly Bois Bleu becomes less aromatic and more spicy as a delicious note of nutmeg appears and take the centerstage still with the muted citric notes accompanying. The nutmeg is balancing a dry, non-sweet violet which is almost woody in character, Threre is nothing of the sweet, candy like violet or the more green violet with violetleaves which are the most common interpretations. The citric,violet,nutmeg trio is underscored with a wellbalanced woody base of vetiver, sandalwood and cedar where I think the warm and slight sweet character of sandalwood comes very well to its right. Bois Noir is subtle and engage the wearer during the whole dry down. The overall impression remains, despite the warmer, spicier part in the middle, that Bois Bleu is a more masculine in character but women searching for an aromatic fragrance should not hesitate to try it.

Trying Bois Bleu on Mr Parfumista the fragrance appears in a different way. The separate notes are much more distinct and the whole fragrance is brighter and somehow fresher. There is something in the mix and in the general impression of Bois Bleu there that on Mr Parfumista smells like a 2010s styled, refined and dimmed version of the wonderful Zino Davidoff from the 80s but without the distinct patchouli of the latter.
   
Just as its companions in the Nouvelle Collection, Bois Bleu is a fragrance of its own even if there is something familiar in the overall aura and some traces in common with two other Nouvelles: The nutmeg from Casbah and the sandalwood from Bois Noir. Bois Bleu is more discrete than the powerful Bois Noir, the sillage is medium but the longevity is very good, traces are still there after 24 h.

Rating: 5 (on Mr Parfumista) 4 (on me)

Notes: Bergamot, citruses, nutmeg, violet, sandalwood, cedarwood, vetiver