Photo: Opardu by Puredistance, all rights reserved (c)
It's hard to find the right words to describe
Opardu, the new creation (will be released in November 2012) by masterperfumer Annie Buzantian for the Austrian/Netherlands nichehouse
Puredistance founded by Jan Ewoud Vos. Even if Opardu is classical in it's texture and gives a familiar impression, it's hard to find obvious perfume references. Opardu is one of it's own kind. Opardu is said to be inspired of the vibrant nightlife of Paris in the 1920s. It is classical but not at all dated in style, and it express the feeling of the nostalgic looking back of years gone by.
Opardu starts with soft green floral notes,
emphasizing floral. The greenery is more of the violet leaf type, not the rougher (but in a
surprisingly gentle way) galbanum that is present in my favourite of this classy line so far,
Antonia. Already from the start I percieve the same level of elegance as is present in Antoina, but Antonia is more of a pronounced daytime elegance where Opardu is the contrasting, mysterious and graceful night bird.
The flowery notes confuses me, a note similar to violet is present and something that reminds me of hints of orris but without the famous carrotnote.The
mysterious flower is lilac and Opardu in color and texture is just as a bale of exclusive lilac silk velvet. Good lilac scents is not very common,
After My Own Heart by Ineke is a well crafted example from the genre but AMOH is fresher and more outdoor in style.
Opardu also presents a pleasent almost slight creamy powdery accord that has some similarities with a subdued lipsticknote. The powder probably emerges from the heliotrophe but I also think aldehydes is included as Opardu (despite differences in flowery notes and scent) has some of the texture and expression of
Esprit d'Oscar by Oscar de la Renta but Opardu is more polite and polished in style.
In the basenotes the lilac accompanied by an pleasant slight almondy heliotrophe, supported by a light handed white musk together with a beautiful soft cedarwood that blended with the heliotrophe smells close to sandalwood. Opardu ends as a soft, woody, lilac.
Opardu is an example of a wellcrafted, quality fragrance that unfold it's secrets in different very well blended layers, just as a budding flower.It's a relaxing fragrance that gives a calming almost sad/biitersweet pleasure during the whole drydown. Regarding the vibrant 1920s inspiration of Opardu, my impression is it's a perfume created for the sofisticated nightlife, visiting the Opera and dining at an elegant restaurant instead of dancing wild on a jazz-club. Personally I feel a connction between Opardu and the decade before, the early 1910s and the fashion of Paul Poiret with it's peacock feathers, muted velvet silk, sweeping, comfortable silk dresses with sophisticated oriental patterns, something I think is intermediated by the Puredistance advertesing picture above, just as the original below.
Picture: Poiret model 1914
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Opardu is avaible in perfumeconcentration and therefore it wear close to the skin. The stayingpower is good, Opardu lasts good for a day. To compare, Antonia (also pure perfume) is more radiant and has a 24h+ stayingpower. Opardu is also suitable to wear in daytime and I can image it will be
particularly appealing duirng the chilly but bright, early winter-spring days.
I think fans of (among themselves as different scents) Chanel No 5 Parfume, Amouage Gold (in swedish) and Dia, but also Histoire d'Parfums Blanc Violette, and Guerlain L'Heure Bleue will appreciate the beautiful Opardu. And of course; every true admirer of a wellcrafted perfume.
Rating: 5
Notes: Tubereuse, gardenia, rose, lilac, carnation, jasmine, heliotrope, cedarwood, musk
