Neela Vermeire Creations - Rahele

Picture: India map
Photo: (c) FOTOLIA, MOONRISE /PR Neela Vermeire Creations

The inspiration to the latest Neela Vermeire Creations fragrance is according to the house as follows:            "Rahele (traveller) is an ode to exotic travel, an olfactory journey in the company of 17th Century French visitors to the East. Tavernier...Bernier...Thévenot...the names still resonate in the imagination of armchair travellers today, as each man left a detailed record of his adventures, showing us Mughal-ruled India through a European lens." Rahele is created by Bertrand Duchaufour as rest of the fragrances from Neela Vermeire.

The first accord reminds me of an up scale version of Lalique Flora Bella which is also creation of Bertrand Duchaufour .Then when notes of cedar and cardamom appears, I come to think of a less sweet and much more floral variation of Lubin Inedite. As Rahele dries further down it becomes more bright, floral, rose-violet is prominent at first than round, fruity flowery notes of osmanthus appears. The osmanthus note is luminous even if thick and velvet smooth in texture. Here the impression of Inedite diverges where Inedite takes a woody-spicy-gourmand and darker path. Rahele takes a different direction, it's sunny and warm, lush and juicy and in the same time calming and refreshing, in its floral-fruity glory. Raheles floral-fruity accord smells natural, there are no cloying, syntetic candysmelling sweet fruity notes. Probably most of the frutiy sweetness comes from the osmanthus which in this creation is not dilluted as in most other fragrances featuring osmanthus. As Rahele dries down, the similarities to Inedite reappears in the basenotes when the elements of cedar and cardamom steps forward again. There is also a fresh mossy element which anchors the fragrance.  

Picture: Osmanthusflower
Photo: (c) FOTOLIA, CHUNGKING/PR Neela Vermeire Creations

Rahele is not oriental as the previous Neela Vermeire fragrances, it's a beautful floral fragance with some elements of a contemporary interpretation of chypre. Rahele is a terrific fragrance for the coming late winter and early spring when looking forward for the coming brighter days. It's a joyful cretation equally perfect for a day at work or for the weekend. To me it's more but also brave men can wear this. The longevity is good, more then 12h, silage is medium. 

Picture: Rahele
Photo: (c) M. TASSY/PR Neela Vermeire Creations

Rahele is a great choice for those who like joyful, lush, luminous boquets in the style (not the same smell) of Téo Cabanel Lace Garden, Estee Lauder Private Collection Tuberose Gardenia and Le Galion Iris and La Rose.

Rating: 5

Notes: Mandarine, cardamom, cinnamon, violet leaf, oamanthus, rose, magnolia, jasmine, iris, violet, cedarwood, sandalwood, oakmoss, patchouli

Parfums de Nicolaï - L'Eau Corail

Picture: Thunderstorm over Corfu - Lightning Strikes
Photo: Simon Q (cc)
via Dorieo from Flickr to, Wikimedia.com 

L'Eau Corail is the summerfragrance for 2015 from Parfums de Nicolaï. The summer eaux fraiches are carefree fragrances for lazy (or busy) days. My favorite so far is the creamy but herbal orangeblossom Eau sOleil from 2013.Well balanced floral fruity fragrances seems to be en vogue in niche this summer and L'Eau Corail is a lighter take in the genre. For example Parfums MDCI Cio Cio San is a more intense version and even more so Neela Vermeire Créations Pichola.

L'Eau Corail starts with a juicy, natural smelling mangonote, the mango doesn't appears as chemical at all, even if I suppose it is. There is also a tangy bite, probably from black currant, just in the right dose as to me, heavy doses of that berry often is too much. But L'Eau Corail also has a dark side, just in the very begining of the top accords, there is also an almost electric smelling note, or mini-accord, glimpses by and this moment evokes the image of the dark sky in the beginning of a thunderstorm, with the flashes, before the rain sets in. There is some of the electric vibe still present also in the later stages of the dry down. Back to the main track: The mangonote is light, not the thick varity as in for example Neela Vermeire Créations Bombay Bling or Montale Mango Manga, L'Eau Corail is an Eau Fraiche after all. The texture is somehow creamy as also the smell and after a while a light boozy element apperars creating an intriguing contrast to the smooth creamyness. A fizzy, light and refreshing also non-chemical smelling mintnote appears as also cardamom from the depths of the fragrance. As L'Eau Corail dries further down the flowery elements steps forward and balances the fruityness, the cardamom is still contrasting and adding a sort of dry spicyness to this airy-creamy-moisty blend. I suspect that the teanote in the base is contributing a lot to the airyness of the fragrance, even if an Eau Fraiche and the ingredients are diluted, many of the ingredients by themselves are heavy in character. The rest of the base is a light regular wooden-ambery accord which act as a discrete background for the light fruity-flowery-spicy mainaccords of the fragrance.

Picture: L'Eau Corail in the regular
Parfums de Nicolaï bottle
Photo: PR Parfums de Nicolaï (c)

Even if contemporary in the notesetting with the fruits and cardamom,  L'Eau Corail gives me somehow a retro feeling. In expression, apperance and the feeling it gives me, this is very strange as it has completely different notes, L'Eau Corail reminds me of a modern and fruity Hermès Calèche Edt, just as the latter it intermediates a bright, confident, timeless, casual elegance which is present but not disturbing (if light applicated). As I got the same Calèche association to last years Musc Monoï which is aldehydic in style and therefore more obvious to be likened to the Hermès classic, there must be an overall similarity between the two Nicolaïs which I didn't caught immediately.

At first L'Eau Corail seems very feminine in style, at least for the first 80% of the fragrance it not at all feels unisex compared to eaux fraiches L'Eau Mixté or L'Eau Chic. Then apperantly something is happening:
In its later basenotes, Mr Parfumista (who hasn't smelled the earlier stages of L'Eau Corail said "Have you borrowed my Armani *) today"  "it smells as a mens cologne". L'Eau Corail is a lasting companion during warm, humid summerdays but I'm sure it will also be nice to cheer up gloomy days in the colder months. Sillage is big and longevity at least a day, very long lasting for an Eau Fraiche.

*) The first Armani, Armani pour Homme, aromatic-citrus with some moss, at least in Mr Parfumistas "vintage" version.

Rating: 4

Notes: Mango, black currant, lemon leaf, orange, spicy mint, jasmine, rose, osmanthus, cardamom, cedar, sandalwood, mate, musk, amber

Neela Vermeire Créations - Pichola

Picture: Panorama of Udaipur's Jag Mandir Island
 at Lake Pichola, Rajasthan, India
Photo: Sballal (cc) some rights reserved,
Wikimedia commons

Pichola is the latest release of the Parisbased perfumehouse Neela Vermeire Créations which has released some beautiful deep, multifacetted cntemporary orental styled perfumes in the later years. Pichola, as also the earlier perfumes from Neela, is created by masterperfumer Bertrand Duchaufour. Pichola is inspired by Lake Pichola which is situated in Udaipur, Rajasthan.

Pichola starts sunny, lush, juicy, lemony fruity with hints of spices. It's as I imagine it would be resting in a palace garden on the shore of Lake Pichola, sipping a refreshing, cardamon flavoured tea on a sunny day, occasionally cooled with gusts of wind from the lake. The fruity notes and the cardamon is recognized from another of the Neelas  Bombay Bling. Soon the great white flowers tubereuse and orangeflowers joins the blend mixed with a velvet, smooth magnolia who amps up the lemony impression. The magnolia is very well balanced, it has no sharp edges or chemical hints as in for example the higher octave, cologneinspired Editions Parfums Frederic Malle Eau de Magnolia. The middlenotes forms a classical floral accord dominated by the tubereuse and orangeblossom which smells wonderful and very natural as also the supporting jasmine, ylang-ylang and rose. The floral accord is watery-airy, reminding of the smell and texure of the air just above the surface of the lake. Pichola is not at all dense or cloying and the light spices perfectly contrasts the heavy flowers. In the basenotes smooth woods appears, one of the wooden notes is driftwood which probably creates some of the airy and watery impression. 


Picture: The spirit of Pichola
Photo: PR Neela Vermeire Créations (c)

When enjoying Pichola classics as the soapy, tubereuse-spicy Balenciaga Michelle comes to my mind. Michelle is aldehydic, soapier and with just a hint of  fruity notes. Also a modern, highend, less cloying and garish Versace Blonde comes forward. In the basenotes I come to think of Dior Poison also a spicy, fruity and much darker tubereuse. Overall Pichola is not "picco", it's grand but not in the bomastic way as the 1980s floral orientals, It's a wellmade contemporary interpretation of this cathegory, with juicy and lush fruits paired with the right, light dose of spicecs, replaceing some of the almost cloying, heady flowery "old school" accords of the old ones.

Pichola is the perfect summer fragrance to those who likes some "body" in their warm weather frags. Of course also great for winter when loning for the sun. Could be worn in any occasions, except for sport. Longevity for a day with traces on skin the morning after, sillage medium.

Picture: The beautiful bottle of Pichola
Photo: PR Neela Vermeire Créations (c)

Of the Neela Vermeire Créations released so far, I think Pichola is the easiest to like for a wider audience. Therefore I predict it will be the bestseller of the line :-)
Those who likes fragrances such as Ramon Monegal Moonblom and Robert Piguet Mademoiselle Piguet will probably like the more complex Pichola too.

Rating: 5

Notes: Cardamom, cinnamon, saffron, juniper, magnolia, neroli oil, clementine, bergamot, orange blossom absolute, rose absolute, tuberose absolute, sambac jasmine, ylang-ylang, benzoin absolute, sandalwood , driftwood, Haiti vetiver

Parfums MDCI - Cio Cio San

Picture: Poster for Madama Butterfly by Giacomo Puccini,
Author: Alberto Hohenstein (1854-1928), Wikimedia commons

Cio Cio San is the latest addition to the high quality Parfums MDCI line. Just as the intriguing Nuit de Andalouse from 2013, Cio Cio San is created by one of the brightest shining stars on the perfume heaven in the latest years: Cecile Zarokian. Cecile seems to have good hand (and nose) with oriental styled parfumes, she has created some of my favorites in the genre; Masque Tango, Laboratorio Olfattivo Kashnoir and Amouage Epic Woman.

Cio Cio San is also oriental styled but a floral oriental with intriguing, supporting fruity notes which are lightened up with skillfull handled teanotes which are note sharp or chemical at all. Cio Cio San starts sparkling with pink, lush floral notes, accentuated with fruits, with litchi as the leading star. I can't say that I can distinguish the cherry blossoms but I suppose they are involved in the sparkling, pink flowery opening.
From the very beginning Cio Cio San reminds me of a sort of reversed and less sweet Graine de Joie from Eau d'Italie. Where the fruits are the protagonists, supported by flowers in Graine de Joie, the flowers takes the central position in Cio Cio San even if distinctly supported by the fruits. Soon also deeper nuances appears in Cio Cio San which shows a wider spectrum of accords than in Graine de Joie. After a whlie a dark, rubbery note, similar to the rubber note of rose oil appears and as rose isn't mentioned I guess it comes from the peony. There is also a light glimpse of a fresh almost petrollike note in this stage. Soon also a dark woody note appears, it's similar to a light touch of oud (also not mentioned among the notes) and there is also something almost boozy lurking in the woody musky depths of Cio Cio San. Even in the deeper and darker dimensions of the fragrance, the loveliness of the flowers and fruits are clearly present. The teanote is perfectly intergrated and creates an airy and almost light impression also in the basenotes. There is also a pleasant sort of  tingling (maybe the ginger) tartness present during most of the dry down. The notes of Cio Cio San doesn't smell chemical which could be a problem in some fruity-florals and tea fragrances, respectively.

Picture: The "bust bottle" of Cio Cio San, there
is also a version with a plain cap.
Photo: PR Parfums MDCI (c) 

Just as Cio Cio San herself aka Madame Butterfly, the fragrance Cio Cio San is a fragrance with at least two faces: The happy one just as in the very beginning of the opera, then the melancolic and sad expression just as the way to, and the end of, this tragic drama. Another beautiful flower fragrance which honors Madame Butterfly is Amouage Honour Woman (swe) which is a creamy, well blended, but less original white floral which plays in a less dramatic scale and in higher octaves than Cio Cio San.

Cio Cio San is a intriguing fragrance where different ascpects/facetts are highlighted in different wearings depending for example from how much of the scent is applicated. I'm looking forward to test Cio Cio San also in cold weather as I suspect it will wears nice then too. For summer it's great. Cio Cio San is appropriate for many occasions, both for work and casual, but not for sports, it's too complex for that.
Sillage is somewhere between close to medium, longevity for at least a day with traces on skin the morning after.

Those who like good quality fruity florals as Neela Vermeire Creations Bombay Bling, By Kilian Playing With The Devil and Robert Piguet Jeunesse I suspect will also appreciate Cio Cio San.

Rating: 5

Notes: Yuzu, lemon, ginger, grapefruit, cherry blossom, peony, litchi, tea, guaiac wood, cedar, mus

1000 Jubilée

Picture: Avaible on the net, source in this case
Australian Perfume Junkies

Today I noticed that I just posted my 1000nd entry (the Rose Privee one) on this site, the entries from the almost three years on the fashionmagazine "Damernas Värld" (The Ladies World) are than not included. Many thanks to the readers over the years ! I assume the mix of readers are quite different now than in the earlier years. I think there are more people from the "perfumenerd category" reading today (as I'm Writing in english and reach out worldwide) and less from the broder "interested in beauty and fashion category" from the early years when written in swedish. But I could have completely wrong. Many thanks also to you who provides me with the samplevials of perfume which are the  basic commodites to run this place.

The speed was faster in earlier days with shorter entries which is rather good.per se. The more I get into perfume, the more impressions and connections to other earlier tested fragrances  I find out for the new ones I try. And the result is that each post get more extensive and there is less entries posted as a total. Also  the time that I can spare for this hobby has unfortunately decreased. In the "blog-library" I also see 333 old, unpublished entries, many of them are from my earliest blog "Parfumistans Blog" (The Perfumista diary) written in swedish and imported to this site from the first place where the blog was suitiated, on the newspaper Expressen. Expressen was early in Sweden to offer space for bloggers on their site. Other of the unpublished stuff is pre-written perfumereviews, most of them also in swedish and some in english. My intention is to publish at least  the english written entries from time to time between all the new stuff I review. And of course waitng for the great idea how to redefine the blog. In the meantime, there is business as usual.

PS: Celebrating the 1000nd by sampling the lovely floral, spicy, fruity, airy Pichola from one of my favorite houses, Neela Vermeire Créations. Review will follow later on of this beautiful huge white-flowery perfume.

Olfactive Studio - Panorama

Picture: Sheats Goldstein House, LA with panorama view
Photo: Miguel Sandinha, PR Olfactive Studio (c)

Panorama is the latest addition to the Olfactive Studio line. The green fragrance is inspired of the "urban jungle" and the amazing view from the famous Sheats Goldstein House, an extraordinary villa in Los Angeles. Panorama is created by perfumer Clement Gavarry.

Panorama starts green but not with the damp and moisty greeness that I associate with jungles. Instead it smells like some green Irish mist perfume, a cold, herbal, clover greeness, man cologne-ish in style. After a while Panorama gets warmer and spicier  and a gourmand note reminding me of the asian gourmand note in Neela Vermiere Creations Ashoka and also in  État Libre d'Orange Fils de Dieu du Riz et des Agrumes. Probably this is the wasabi note mantioned, but far away in strength compared to when eaten with sushi. There is also a light incense-pepper note lurking in the background and here there is something (minus some sweetness) that reminds me of Tauer Reveire du Jardin. After a while, cooler, fir-like,  greenery appears and once again Panorama feels very masculine. The basenotes is the most plesant part of Panorama, the blend has smoothing out, some almost flowery and earthy elements have joined the mix and suddenly I recognise an old acquaintance the rough and tough lady Balmain de Balmain which is much more distinct and interesting green blend compared to Panorama. Not much more is happening in Panorama, it's a safe linear, but quite different and a bit weird green blend which is almost refreshing in its apperance.

Picture: The Beautiful green liquid of Panorama
Photo: PR Olfactive Studio

Panorama is good for summer, office friendly. with close sillage and longevity for a day. Even if a unisex fragrance, to me it's more masculine which I also think of Balmain de Balmain which is marketed as a ladys fragrance.

Rating: 3

Notes: Bergamot, lemon, wasabi, violet leaves, fig leaves, galbanum, cardamom, freshly cut gras,  musk, vanilla, tonka beans, myrrh, labdanum, fir, patchouli

Thanks to Fragrance & Art for the Panorama sample to test

Carner Barcelona - El Born

Picture: Mercat del Born (Barcelona)
Photo: Maria Rosa Ferre (cc) ,
Wikipedia commons, some rights reserved

El Born is the latest addition in the Carner Barcelona line which is inspired  from different parts/aspects/moods and of course scents from Barcelona, both from the present and the past. El Born is inspired from the streetlife, scents and views of the old, touristcrowded El Born quarters, surrounding the market place.

El Born starts with slight citrusy and tart herbal notes contrasting to sweet, edible, pastry notes, the angelicanote is not as obvious as in Guarlain Angelique Noir it's a more of a light weight interpretation. After a while a delicious smell of a dry almondcake appears, it's not the liqueur-like amarettonote, this is the note of ground almonds for a cake. The fignote is not the lush fruity one of for example Diptyque Philosykos, the fig is more of the leaves and the tree, with something dry that reminds me of a smoother and lighter version of the fig-peppery combination of Neela Vermiere Creations Ashoka. In this stage, El Born as a whole, rests in a balsamic, light spicy comfort.

In the basenotes the balsamic-resin comfort still consists and a smooth, even if a bit peppery, sandalwood emerges. There is also an unexpected twist with an accord which smells slight liquirice/anice-like (even if not present as notes) and which add a contrasting chill in the warm balsamic base. This anicelike reminds me of a similar treatment of the note; it reminds me of the base of Atelier Cologne Mistral Patchouli but in the latter, the anice-like aspect is interacting with patchouli instead of balsam and soft woody/spicy notes. The longer El Born dries down, the more I smell the connection to Mistral Patchouli.

Picture: El Born
Photo: PR Carner Barcelona (c)

El Born is a very good representative of the comforting, contemporary, casual, chic style of  Carner Barcelona. To my nose El Born in style most resembles the light spicy, sort of café-atmospheric Rima XI. Just like these comforting scents, El Born is easy to like, smooth as cashmere, a true wrist sniffer with an almost calming influence on the wearer, at least if the wearer is me. The slilage is close, the longevity for over a day and its suitable both for casual (a perfect perfume for shopping, with a break at some fashionable café) and to comfort duirng a though day in the office. Even if the warm and comforting character makes it well suited for autumn and winter it also smelled great during the hot, humid summerdays when I tested El Born. To finsh the praise: The more I try El Born, the more I like it. It's not love at first sniff but this fragrance wins in the long run.

Other fragrances that reminds me od El Born in their style is The Different Company Oriental Lounge (swe) and Frederic Malle Dries van Noten but I percieve El Born as less sweet than the latter.

Rating: 5

Notes: Lemon, bergamot, angelica, honey; fig, heliotrope, benzoin, jasmine, vanilla, peru balsam, sandalwood, musk

A reminder about Mohur....

Photo; Mr Parfumista (c)

It seems as when I reviewed the beautiful Mohur Extrait from Neela Vermiere in september last year, it was not yet widely released. The broader launch was some weeks ago at Esxence 2014, information from Lucas on Chemist in a Bottle, read his very well written report from the event here.

Mohur Extrait is my favorite from Neela and I was reminded of its dark, rosy, velvet, golden, purple revelation when trying the airy, silk, silver, purple rose from Parfumerie Générale, Isparta 26 lately. Mohur Extrait could be a perfect companion in the coming Easter, especially on the serene and sad Good Friday as the fragrance is a calming and perfect for the contemplative mood. Here is the link to the full review of  Mohur Extrait.

Parfumerie Générale - Isparta 26

Picture: Pierre Guillaume
Photo: PR Parfumerie Générale (c)

As almost always when reviewing something from Parfumerie Générale it's hard to resist publish a picture of the perfumer Pierre Guillaume himself :-)

But now over to todays subject, Pierres latest release, a beautiful dark rose named Isparta 26. Isparta is named after the turkish province which roses produces superior roseoils, featured in this fragrance and 26 as PG:s numbered collection now has reached that number of fragrances.

Just reading about the ingredients of Isparta makes me excited. I have to admit that I'm very fond of the rose-patchouli-ambroxan combination in fragrances such as Juliette Has a Gun Lady Vengeance and Frederic Malle Portrait of a Lady, and this accord, in Isparta combined with balsamic and animalic accords, makes me drool.

Isparta starts heavy but in the same time transparent and light, the rose is really purple, and the rosy smell is a bit tart and as a contrast it's surrounded by a not too sweet, jammy note. A clean, cold patchouli is also contrasting with a high and clear darkness, just as the night sky a starry night. As Isparta dries down it becomes a bit warmer, even if it remains in the cold spectrum, with balsamic and woody notes, among them a well balanced oud. The clean amber, the ambroxan is not as evident as in Portrait of a Lady, in Isparta it is handled with a lighter hand. In the basenote there is also a moisty, mossy note thar togeter with the tart, purple rose are contrasting the ambrox-oud combo. The mossy note together with the rose is what is left after 24h. The moss in this stage reminds me of the refreshing and uplifting mossy note of Parfumerie Générale Papyrus de Ciane.

Picture: Isparta, a dramatic, dark, purple rose
Photo: PR Parfumerie Générale (c)
  

I have read some comment that Isparta doesn't add anything new to the rosegenre. I have to strongly disagree as IMHO this is an unusual combination of the strong and intense but in the same time airy and light. In texture Isparta is just as an exquisite, purple silk veil with silverstitches and embroderies. That image makes me think of another beautiful purple rose, Neela Vermeire Creations Mohur Extrait, which seems to be Ispartas antithesis in the purple, rosy spectrum. Mohur is like a dense, smooth, purple silk velvet with golden stiches and embroderies as opposed to the light, transparent, sliver silk veil of Isparta. Even if these purples of course are not smelling the same, Mohur Extrait (which is more spicy and flowery than Isparta) somehow reminds me much more of Isparta than the more obvious (when reading about its notes) ambrox-rose-patchouli Portrait of a Lady. Just as Mohur, Isparta gives me images of a relaxed, life i luxury, somewhere in the East, during the time of Thousand and one nights.

Despite its light texture, Isparta 26  is strong in its concentration and one have to be careful when applying, too much and Isparta transforms to a sillagemonster. About four spritses is enough of Isparta to keep it within the limit of officetolerable. Sillage is great and longevity for days if more than the four spritses is applied :-)

Rating: 5

Notes: Red berries, rose, peru balsam, calamus, patchouli, olibanum, benzoin, oud, ambroxan, moss

Coquillete - Tan-Tan

Picture: Sahrawi tribal men performing fantasia at the
Tan-Tan (Moussem) festival, Morocco
Photo: Maxim Massalitin (c), Wikimedia commons
some rights reserved

Tan-Tan is the first masculine fragrance (also classified as unisex in some sources) by the nichehouse Coquillete. Tan-Tan is, just like the first edition of four fragrances Sulmona, Sumatera, Moramanga and Herat, inspired of warm, exotic places.

Tan-Tan starts green and balmy with a note reminding of a smooth rhubarb, not as tart and dominant as in for example Aedas by Aedas de Venustas. The tartness is present during the whole drydown and balances the milky, figgy notes as also the pine and artemisia. The figgy notes reminds me of Neela Vermeires green Ashoka even if the latter is warm and foody in texture where Tan-Tan is clean and balmy in comparasion. In the middlenotes Tan-Tan becomes more aromatic/herbal and reminds me of the classic green, moisty chypre Givenchy Gentleman. In the basenotes a oily note appears, creating a chalky-earthy-petroleum impression resembling of a lighter and smoother version of the base of Kerosene Copper Skies. This oily accord is perfectly conterbalancing the creamy figgy note.

Even if Tan-Tan, just as the other Coquillete fragrances, is subtle in its apperance, it's suprisingly distinctive and longlasting. Mr Parfumista who was performing the test thanks to a sample from Fragrance & Art, found Tan-Tan very pleasant and easy to wear while also intriguing waiting for the next step in the development of the perfume. Appropriate to wear daytime the year around, non-offensive but in the same time, interesting officescent.

Rating: 4 (November 2013)

Update February 2014: The more Mr Parfumista tests this, he is now on the 2nd sample, the better this coconutmilky fig-frag is.

Rating. 5 

Notes: Pinetree, bergamot, fruity notes, artemisia, fig, cedar, vetiver, jasmine, patchouli, carnation, coconut milk, fig tree, white musk, ambergris, sandalwood, leather.

By Kilian - Playing With The Devil

Picture: Quite contrary to the Devil: Kilian Hennessy himself,
as handsome as this fragrance is beautiful :-)
Photo: PR By Kilian (c) 

Playing With The Devil is the fourth installation in the By Kilian sub-line In The Garden of Good and Evil. As almost all By Kilians, PWTD is created by Calice Becker, a true champion when it comes to handle flowers in a delicate way. The first three fragrances of this sub-line, even if good, was a bit too similar and I find it difficult to distinguish them from each other. Playing With The Devil on the other hand, stands out from the crowd and is just stunning.

Playing With The Devil starts with the most natural smelling orange, in this case, Blood Orange I have smelled so far. The beautiful orangenote is underscored by darker fruity notes as a perfectly matched balckcurrant note and  round, delicious notes of peach and litchi. The peach is the same peachnote as in Flower of Immortality  from this spring, but slightly darker and fuller. The notes are nor sharp or synthetic smelling at all..

As PWTD dries down, flowery notes mingles with the fruit and in this stage PWTD becomes slight sopay on my skin and oddly, a chalky note that I also recognize in Vanille Tonka by Parfums de Nicolaï appears for a while but in a smoother interpretation. The flowers are accompanied by very smooth rendered versions of hot spices; pimento and pepper. This is very skillful performed, there is no traces of the typical peppernote that is common in current perfumery. In the basenotes, the fruity impression is still present, but darker and with an almost tobacco leaves/liqueur twist. This is probably the effect of fruit blended with resins, sweet tonka and delicate woody/patchouli notes. The base is lasting for hours and the fragrance is still unfragmented after more than 12h and distinct traces are still there after 24h.

Playing With The Devil is both elegant and comforting. It's very well blended, using high quality ingredients. It has nothing to to with the usual fruity floral offerings. It's just gorgeous!

Those who like wellcrafted fruity interpretations as Missoni by Missoni, Jeunesse by Robert Piguet, Bonbay Bling by Neela Vermeire Creations and Manguier Metisse by Huitieme Art will certainly appreciate PWTD:

Rating: 5

Notes: Blood Orange, black currant, peaches, litchi, pimento, rose, jasmine, pepper, cedarwood, sandalwood, patchouli, tonka been, benzoin, vanilla

Neela Vermeire Creations - Mohur Extrait

Photo: Mr Parfumista (c)

Mohur Extrait (or Espirit de Parfum) is the perfumeversion of Mohur in Edp which was one of the first three Neela Vermeire Creations in early 2012. The Extrait will, just as Ashoka, be launched soon.

I find the Mohur Extrait deeper and darker than the Mohur Edp. Mohur Edp is a bright medium pink rose to me, smooth, almost creamy, spicy and with some fizzy green notes. There is also a leathernote that reminds me slightly of tobbacco. The Extrait gives me the image of heavy silkvelvet in the color of dark purple with golden stiches and loads of roses in the same color, all surrounded by a smooth almost creamy saffron and other delicate spiced stored in smooth leather pouches. The leathernote in Extrait is darker and deeper than in the Edp.The woody notes of oud and sandalwood is gentle and not at all overpowering.  I can also smell a note or part of an accord that reminds me of Annick Goutal Mon Parfum Cheri, par Camille (swe). Probably this is an effect of iris and violet interacting, underscored by dark deep notes, in Mon Parfum Cheri, par Camille. patchouli and in Mohur Extrait oud. The Extrait has a retro vibe even if not as evident as in Mon Parfum Cheri, par Camille. 

Picture: The matching bottle to the Mohur Extrait
Photo: PR Neela Vermeire Creations (c)

The Extrait, as the perfumestrength in general, is close to the skin wheras the Edp has more radiance. Longevity is good  about 12h in warm weather and as also the Edp, Mohur really blooms when the skin gets warmed. I think both are as good, they complement each other, one for the day and on for the night.  the Extrait is a perfect calming fragrance to sleep in, as it is also for festive evening occasions.  Mohur Extrait just as Mohur Edp is a must try for lovers of intricate oriental rosefragrances such as Guerlain Rose Nacree du Desert d'Orient.

Rating: 5 

Notes: Cardamom, coriander, ambrette, carrot seeds, pepper, elemi, iris, jasmine, rose, violet, almond, leather;sandalwood, amber, woody notes, patchouli, oud, benzoin, vanilla, tonka bean

The Neela Vermeire Creations are avaible here

Neela Vermeire Creations - Ashoka

Picture: Ashoka in its sylish, Indian inspired bottle
Photo: PR Neela Vermeire Creations (c) 

Ashoka is the latest of  Neela Vermeires Creations and it will be released later this week. Thanks to Neela I've got the opportunity to test a sample of this intriguing fragrance in advance. Ashoka, as also the first three fragrances in the Neela Vermeire line, is created by the top perfumer Bertrand Duchaufour. The inspiration to the perfume comes from an Indian Emperor Ashoka (304-232 BC) a qruel conquer who transformed to a relativley nice guy when he found Buddha.

Ashoka starts intriguing, there is a note that reminds me of lemon balm, which is not mentioned among the ingredients and there is also something thats reminds me of sandalwood. The fragrance has a slight spicy, green, almost foody character, much like green currypaste smoothed by coconut milk. This early stage of Ashoka reminds me of the context of (even if not smelling close) the gourmand (= Asian food, not sweeties) Etat Libre d'Orange Fils de Dieu du riz et des Agrumes, but Ashoka is more distinct in style. After a while notes of figs, both leaf and fruit, enters. The fignotes are so well blended that they don't stand out separately, they contributes with their different ascpects of green, the smooth, milky fruit and the fizzy green of the leaves. Watery and a tad powdery floral notes adding additional dimensions to the the milky fig greenery and the mix is somehow calming and comforting. It's like resting in the shadow at the side of a pond in an oriental garden a very hot day. When Ashoka is settled in the base, the green balsam fir and the incense is dominating and in this phase Ashoka reminds me of Andy Tauers Reverie au Jardin but smoother and milkier in texture.

My overall impression of Ashoka is an oriental styled interpretation of Un Reverie au Jardin, green notes, incense and balsam fir is mutual and take central roles in both fragrances. When I wear Ashoka I think of it as an warm Un Reverie au Jardin.  Ashoka is spicier, smoother and warmer where Un Reverie au Jardin is dewy, balmy and aromatic with its lavander. Even if providing a mutual impression in style, the differences are are sufficient, Ashoka and Un Reverie au Jardin are sort of Yin & Yang, which complement each other in an excellent way.

Ashoka is a high quality fragrance in which naturals are predominant. Fig, insence and fir balm in a smooth, green context is dominating according to my nose. Ashoka is intriguing and there is always something going on during the whole dry down. The longevity is good 12h+ and the radiance is a bit louder  than most of the first Neela Vermeire trio Mohur, Bombay Bling and Trayee. According to my nose, even if  unisex, Ashoka is the most masculine from the Neela Vermeire Creations so far. Probably thats the reason, even if a very well done fragrance, why Ashoka doesn't click with my chemistry as well as the first three creations and the retro beauty Mohur Extrait which will be reviewed later this week. Ashoka is a must try for admirers of the Neela Vermeire Creations and for fine fragrances in general.

Rating: 4

Notes: Fig leaf, leather, white and pink lotus, mimose, fig tree, osmanthus, rose, water hyacinth, vetiver, styrax, incense, sandalwood, myrrh, tonka bean, balsam fir

Ashoka and the other Neela Vermeire Creations could be bought directly from Neelas E-Boutique
I can recommend the discoveryset.

By Kilian - In the City of Sin

Picture: Still Life With Compotier, 

Painting by Paul Cezanne (ca 1879-1882)

Collection Mr. and Mrs. Rene Lecomte, Paris

Wikimedia commons

Sorry, but I get no sinful associations at all from this fleeting Calice Becker creation In the City of Sin. In the City of Sin is one of three initial offerings from the new ByKilian sub-line In the Garden of Good and Evil from handsome Hennessy heir, Kilian Hennessy. In the City of Sin is said to be "The temptation which leads to carnal desire".

In the City of Sin starts with a sparkling clean bergamot-cardamom dominated accord. Then some natural smelling fruity nots follows, there are no harsh chemical notes, instead the fruity notes are round, soft, fresh and perfectly ripe. The fruits reminds me of a tamer version of the fruity notes of Bombay Bling from Neela Vermeire creations.  The fruity notes are supported by a bright, pink rose and tha blend is grounded in a rather cold woody cedar-patchouli base.

As hinted above, instead of sinful, In the City of Sin is a quite innocent, very officefriendly scent that could be worn daytime year around but preferably during spring, summer and the early autumn. Nice and friendly but to be honest, nothing special when taking into account that In the City of Sin is created by the flower-champion Calice Becker. I have to admit that I like the two of many perfumistas critizised offerings of the Asian Tales line (Water Calligraphy and Bamboo Harmony) much better than this mediocre composition.

The question what is happening with the ByKilian brand is justified when smelling this fleeting (probably already fully IFRA-compliant) fragrance. Earlier there was body and strength in the By Kilians. The Arabian Nights collection is great as also many of the fragrances of the initial L'oeuvre Noire line.

Rating: 3

Notes: Bergamot, pink pepper, cardamom, apricot, plum, turkish rose, incense, atlas cedar, patchouli

A summary of Neela Vermeire Creations

At first as I read about the Neela Vermeire Creations I was sceptic because the fact that the hyper-producitve Bertrand Duchaufour is the nose. I have to make clear that I really like many of BD:s creations for example Nuit de Tubereuse and Dzongka are two of my top favourites and his Sienne l'Hiver and Bois d'Ombrie are performing well on Mr Parfumista. But in the latest years Bertrand seems to be everywhere, he works for so many houses and projects that it is easy to assume that he will be exhausted and loose the artistic feeling. Therefore my expectations, when I ordered the discovery set, was: High quality perfumes, blends of superior ingredients and technical perfected but without the artistic sense.

I could not be more wrong. All three of Neela Vermeires creations is all of that mentioned above but also with a great artistical sense that is able transmit the images of India (and lot of other images) that the perfumes will convey. Maybe it is Neela who stands for the sentiment of those lovely creations, but also Bertrand definitly demonstrates his artistic skills.

All three of the Neela Vermeire creations are just great and a pleasure to wear. I had a hard time ranking them and even if I have rated all of them as 5 there is of course a ranking within the best rating. Before testing, from what I had read about the pefumes, I thought the rose-oud Mohur would be my favorite as like oud/rose combinations since years. But as often in perfumeland, the obvious candidate in advance, is overtaken by another when it comes to the real test. up to day the spicy oud Trayeé is number one, followed by the original, best fruity blend so far, Bombay Bling with the beautiful pink rose Mohur in bronze position. I guess that Mohur got distanced because I think it's the one of the three fragrances that is as least original compared to other perfumes.

Neela Vermeire Creations is definitly some of the very best fragrances launched during 2011.

Neela Vermeire Creations - Mohur

Picture: Begum Nur Jahan (Mehrunissa) 1577-1645

Wikimedia commons

Mohur is the third fragrance that I tried from the Neela Vermeire Creation Discovery set. It's like it's companions created by Betrand Duchaufour in collaboration with the founder of the perfumehouse Neela Vermeire. Mohur will evoke images of the powerful empress Mehrunissa of the Mogul (Begum Nur Jahan)dynasty but also of the later colonial era in India.

Mohur is a beautiful pink, smooth and creamy rose blend with a almond and gentle traces of pepper, cardamom, coriander, other spices and a foamy leathery note. There is also slight woody and green touch in Mohur and in the basenotes I find a gentle proportion of the almost fresh geranium smelling oudnote from the spicy Trayeé. The oud in Mohur never overpowers the rose, they are interacting in the most harmonius way. There is also a warm and smooth sandalwood among the basenotes, I think Mysore as it has no sharp edges as the australian version.

Mohur is no sillagemonster but it stays close to the skin, unfragmented during a whole day. There is a pleasure to inhale this thick blend loaded with fine ingredients during. Even almost twelve hours after application I can smell the beautiful natural smelling roseoil. This is a fragrance for elegant daytime events and it is also appropriate for elegant summerevenings. And of course, also to cheer the wearer up a gloomy winterday. Other rosefragrances that Mohur reminds me of is Aoud Damascus by Montale, even if thar one is a bit more oudy and have a slight metallic vibe. It has also some similarities (the pink, creamy rose) to Burberry Body, but Mohur is a highquality, oriental version of Body.

Mohur is a must try for pink rose lovers!

Rating: 5

Notes: Cradamom, coriander, ambrette, carrot seeds, elemi, pepper, rose, iris, violet, jasmine, almond, leather, amber, sandalwood, oud, woody notes, patchouli, benzoin, vanilla, tonka been.

Neela Vermeire Creations - Trayeé

Picture: Spices in Mapusa Market, Goa, India

Photo: judepics, (cc) Wikimedia commons, some rights reserved

Trayeé is a very original, thick, spicy blend, created by Bertrand Duchaufour for the indian inspired perfumehouse Neela Vermeire Creations. Trayeé is inspired by the ancient India during the Veda-period.

Trayeé smells as I image an Indian spicemarket with distinct spices with the unconventional addition of a slight smoky tarnote. The tarnote is most evident in the topnotes but lingers in a dimmed version during the whole dry down. As Trayeé reaches the basenotes a bright, geraniumlike oud becomes the star of the show, even if it interacts very well with the spices. The oud note is the same as I percive in Mona di Orios beautiful Oud but as Monas oud is interacting with the flower of osmanthus, the oud in Trayeé interacts with the spices instead. In the basenotes of Trayeé I can finally smell something slight vanillic that rounds out and soften the other potent notes.

Trayeé is a pleasure to wear and it is perfect for cold days. It is suitable for many occasions, to work or casual. Besides the similarities with the oudnote of Mona di Orios Oud, Trayeés spicyness reminds me of Montales Amber & Spices and also of Lorenzo Villoresis Piper Nigrum but the spiciness of Trayeé i thicker, darker and mysterious than in those two mentioned.

Trayeé is a must try for the spice and/or oud lover and so far it's my favorite among the three Neela Vermeire Creations.

Rating: 5

Notes: Ginger, cinnamon, elemi, black currant, basil, jasmine, sandalwood, saffron, clove, cardamom, vetiver, patchouli, okmoss, cedar, amber, incense, myrrhe, vanille, oud

Neela Vermeire Creations - Bombay Bling

Picture: Different views from Mumbai (Bombay),

Photo: Permission CC-BY-SA-2.0, Wikimedia commons, some rights reserved.

Neela Vermeire Creations first three fragrances composed by the hyper-productive nose Bertrand Duchaufour, are three oriental olfactory gems compund by (as I perceive it and have read elsewhere) very fine ingredients. Bombay Bling is one of them and the one that I thought would be the less interesting of the three, the other are the spicy-woody Trayeé and the rosy Mohur. But sniffing from the bottles, I have bought the discoveryset of 3x10 ml which I really recommend, the one that caught my attention at first was Bombay Bling. Bombay Bling will capture the essence of the modern India.

Bombay Bling is the best fruity fragrance that I have experienced so far. There is not the artificial-chemical-sweet fruitiness, this is ripe, spicy, sturdy, "earthy/stone" fruits as melon (but not the calone-note) mango, litchi, embedded in subdued tropical flowers. Caradmom is present during the whole developement of the scent. The base there is a well balanced sandalwoody-vanilla underscored by gentle tobacco leaves. The whole composition is well blended, balanced and interesting during it's whole dry down. The first time I sampled Bombay Bling it almost vanished, as my skin was eaten the scent. But subsequent attempts proved that with a higher dose Bombay Bling is almost perfect.

Even if not very similar to Bombay Bling gives me associations to Missoni by Missoni, the dark sweet fruity notes,  the same with Casmir by Chopard but that one is more oriental ans sweeter. An airy, aquatic version of the theme is Hermès Un Jardin apres la Mousson where the cardamom and the melon are the common denominators. Calé Tepidarium also, even if citrusladen and sharper, have traces of the special Bombay Bling fruitiness but without the spiciness.

Bombay Bling is a extremly comfortable fruity-spicy oriental, wearable at most occasions, except for sport. I can image it will be just perfect to wear during a warm summer evening.

Rating: 5

Notes: Cardamom, caraway, labdanum, litchi, mango, black currant, jasmine, gardenia, tuberose, ylang-ylang, frangipani, rose, patchouli, cedar- and sandal wood, other woody notes, tobacco, vanilla.