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söndag 7 november 2021

Puredistance No 12

 

Picture: No 12, 17,5 ml
Parfume extrait 25%
Photo: Puredistance (c)

Puredistance No 12 is the last creation in the Puredistance circle of extraits de parfum. There will be just twelve fragrances at time in the Magnificent XII Collection, when a new fragrance is launched, it will replace one of the other twelve. But fear not, the retired perfumes will still be able to order directly from Puredistance from a Private Collection.

Puredistance No 12 is created by masterparfumer Nathalie Feisthauer the creator of  many fragrances for example two favourites of mine  ELd'O Putain de Palaces and Hermès Eau des Merveilles (with Ralf Schweiger).The opening of No 12 is bright and shiny, there is a clean and abundant, full mandarine note which, even if close in its texture is not at all sweet and thick like marmelade. It's paried with an elegant vintage touch of bergamot, and bracing cardamon. In the frirst spritz of No.12, the opulence of this contemporary chypre with vintage vibes, is obvious. Almost in the same moment as the topnotes hits the skin, other layers in the blend introduces themselves. The beautiful, clean rose, the flower, no torns and greenery either not the rubbery note of roseoil, the seamless blend of jasmine and other classic notes as orange flowers, narcissus, lily of the vally and orris. The notes are so masterfully blended and therefore the different notes are hard separate, they just  mingles in smooth, creamy accords, fleeting like a heavenly (blue) symphony. 

The patchouli in the base of No 12 is together with rose, orris, mandrain and cardamom the note that, to my nose, stands out the most in the fragrance. The patchouli in No 12 is not used that much in todays perfumery: It's a clean (but not stripped down), cosy, soft like cashmere, sort of dry, almost powdery earthy dark chocolate type, which smothness blends lovely with the notes mentioned and with the ingredient of all real chypres: Oakmoss. The patchouli and oakmoss combo adds a clean dept to No 12.  I've found something close to this particular patchoulinote in  two totally different and more one dimensional interpretations; in  Perris Monte Carlo Essence de Patcholuli and Davidoff Zino Davidoff. None of them as smooth, elegant and creamy as No 12, theese fragrances are more of "one note"  patchouli fragrances. Another fragrance that comes to my mind is the beautiful floral chypre La Perla (the original version from 1987), although No 12 is more contemporary in style.

Picture: No 12 in all sizes
Photo: Puredistance (c)

The impression of No 12 is that of total cleanness, like clean water in a mountian stream. But the water is thick and accompanied by many nuances, for example something like a clean luxury soap even if the texture of No 12 is not soapy. It's a fragrance that surprise, with different wearings, different accords/notes stands out, some wearings I can smell a faint leather note (smooth leather from inside a luxary handbag),iris paired with a clean earthy impression. 

Compared to last years  Rubikona, No 12 is brighter and higher on the fragrance note scale, Rubikona is more muted and dark, like silky velvet, where No 12 is like fluid tick silk in texture. Both are chypres, where No12 is more of an elegant carefree daytime fragrance and Rubikona is more serious, leaning to a evening event, although both could be worn around the clock. The blue No 12 to me is a glimmering faceted, cornflower blue saphire, framed in white gold, whereas Puredistance Gold which I associated with a saphire, is a darker, cabochon cut dark saphire framed in muted gold. 

Picture: Queen Maxima of the Netherlands,
in the Mellorio Sahppire Tiara
Photo from: Pinterest photographer unknown/
Royal roaster tumbler dot com (c) 


If Rubikona evoked the vision of  the "fit and proper" powerwomen, the EU President Ursula van der Leyen, No 12 is the perfume of a Queen. The queen I come to think of is, appropriately Queen Maxima of the Netherlands. As it seems from what is written in the press, a warm, colourful and sparkling personality sometimes appearing in an elegant, bohemian chic style. The color of No 12 is regal blue, like the saphires in Maxima's imposing tiara.

Although Rubikona and No 12 are in the same family, very elegant well constructed and wearable modern chypres, I could not choose a favourite. Both are equally good and complements each other, one have to have both for variation. The overall impression of No 12 is like a sunny day, with blue sky, full of joy and complete effortless.  The parfum is timeless and proper both for casual chic and formal events. Regardless of the occasion No 12 really lifts the spirits and is a ride in true comfort. 

Rating: 5

Notes: Bergamot, Mandarin, Cardamom, Coriander, Ylang Ylang, Narcissus Absolute, Jasmin Absolute, Rose, Geranium, Lily of the Valley, Orange Blossom, Osmanthus Absolute, Orris Butter, Heliotrope, Hedione, Vetiver, Sandalwood, Patchouli, Oak Moss, Tonka, Ambrette, Ambroxan, Vanilla, Musk

tisdag 24 december 2019

The fragrances of Christmas Eve 2019

Picture: From the Christmastree
Photo: Parfumista (c)
The Scent of Christmas Eve 2019 (grey outside but no rain today, and +5C) is the amazing new Puredistance Gold. A suitable scent for Christmas with the beautiful myrrhnote and it´s cold- outdoor -in the wood - impression. Mr Parfumista is wearing  an incense classic, Comme des Garcons Jaisalmer, a perfect match of incense and smooth hot spices which mingels to a very special band-aid note. 
Below is the updated list of the fragrances I've worn for the last sixtheen Christmas Eves:


2018: Rubj Extrait by Vero Kern (warm, glowing orange in spices and elegant white flowers)
2017: Vert de Fleur by Tom Ford (elegant retro but also contemporary austere flowery-green.)
2016: Oud Sublime Parfums de Nicolaï (quality "forest-refreshing" dark green, mossy, woody)
2015: Rose de Taif Extrait Perris Monte Carlo (high class smooth velvety rose petals)
2014: Impossible Iris Ramòn Monegal (an elegant, contempory iris with a delicious rasperrynote)
2013: Quintaesensia Ramòn Monegal, (a special retro styled blend, furry, ambery, herbal/spicy)
2012: Nothing, knocked down by the worst flu in ten years+.
2011: Betrothal, Grossmith (classic, light and exquisite florals)
2010: Cuir Mauresque, Serge Lutens (saddle leather, orangeblossom, jasmine, spices)
2009: Tribute Attar, Amouage (dark leather, smoke, oud, excellent spices)
2008: Incense rosé, Andy Tauer (rose, mandarine, cardamom, myrrh cedar, incense)
2007: Ambre Russe, Parfum d'Empires (boozy amber, the, wood, oriental)
2006: Jil Sander 4, Jil Sander (dark, overripe fruits, white almost withering flowers, oriental spices)
2005: Nuit de Noël, Caron (dusky, retro flowers, moss and a furry note)
2004: Cabochard,  Parfums Grès (leathery chypre, harsh green notes and retro flowers)
2003: Fracas Robert Piguet (the ultimate classic grand tubereuse)

Wish you a Great Fragrant Christmas! 

lördag 23 november 2019

Puredistance - Gold

Picture: Gold as visual art, concept by
Jan Ewoud Vos 2019
Photo: Puredistance (c)
WOW! The latest installation in the Puredistance opus Gold is a "constantly sniffing my wrists fragrance". This is of course not unexpected as "True exclusivity", the Puredistance slogan, exactly nails the sprit of this genuine house. When wearing Puredistance perfumes, I'm often get the feeling that I have to throw out a a significant part of  the rest of my fragrance wardrobe.  The Puredistance perfumes all through are blended with high quality ingredients and that creates a higher and more complex dimension of perfumery. There are for example no shortcuts where cheaper substitutes for ingredients are hidden in the Puredistance-creations. Puredistance is probably the most genuine perfumehouse  on the market when it comes to quality and a classy, conceived fragrance concept . As all Puredistances, Gold is in Extrait, for Gold in 36´% perfumeoil concentration. 

Gold is a part of the "sub" colour-line within the Puredistance Collection, all created by masterperfumer Antoine Lie. The colour-line started with Puredistance Black, followed with its contrast Puredistance White, is now completed with the intertwining Gold. Both Black and especially White have strokes of glowing and glimmering gold, and Gold itself is - as the name imply - the matte texture and aura of the material in different alloys interpreted to a scent.  The position of Gold on the fragrance notescale, is between the dark, mysterious Black and the bright, happy, shining White. The tonality of the fragrance is also very well matched by the beautiful golden flacon in the white de luxe box.

Gold starts with a light herbal- cold - spicy touch, a fresh hint of something close to a soft scent of Juniper. After a while a candied mandarine appears,  reminding me of the candied orange peel in Serge Lutens Bapteme du Feujuicier in Gold, just as the mandarine pulp itself is candied. Some bright balsamic facets are also shining through early on, probably the myrrh as the impression is clean and a bit chilly. A slight dirty-clean accord is also present for a while, it's like washing a horse after a ride with a luxury schampoo. There is also a green almost rosy element involved, probably the geranium. In the next stage the balsamic notes steps forward, dominated by the velvety coldness of sappy myrrh. The balsamic notes are thick but not heavy at all, the mix is smooth and very well balanced. Later one there is an unexpected and alluring phase in the development: Just like as the balsamic accord suddenly becomes misty, like transforming to a swirling haze, maybe this expression is coming from the smoothness of tonka beans. In that haze, I can also smell strikes of a contrasting, illuminating freshness of vetiver. In the late stage in the dry down of Gold, a soft slight soapy, clean resinous texture appears.
In the overall impression of Gold there is (to my nose) some resemblance to classic Jean Patou Sublime, even if that one is oriental flowery and Gold is a balsamic oriental  and also a smoother, richer, more accomplished creation.

Picture:  Gold is a perfect glow in the dark
and gloomy November, for me the optimal
season for the Puredistance rich fragrances
Photo: Puredistance (c)
Gold is very well blended and one can smell the high quality of the ingredients, the mix has a sort of a velvety density, without being heavy. The fragrance is very rich and harmonious, it's a relaxing, calming fragrance, when worn in the office, it has an anti-stress impact. I really like the resinous myrrhe-theme, and to me Gold is the other side of the coin of Puredistance Sheiduna - Gold is the cold, balsamic oriental, perfect illustrated by the sapphire in the gold plates in the picture above. Sheiduna is the warm balsamic oriental, it could be illustrated by a ruby, the sibling to the sapphire, in the same golden setting. Gold and Sheiduna are related, even if not too close. Actually they are both needed in the fragrance wardrobe to accompanying different moods/weather/occasions in the autumn/winter. Both are also very appropriate for the coming holidays Christmas and New Year. Just as Sheiduna, Gold has an outstanding longevity (24h +). Silage is close-medium and Gold has a subtle appearance, it has presence but doesn't interfere the personal spaces of others. Gold is unisex leaning to the feminine side.

To sum it all up: Gold really smells amazing and I'm enjoying it very much. It's up in my personal top three of the Puredistances, sitting there together with Sheiduna and Warszawa. Gold is the best launch of 2019 from what I have smelled so far from new releases.

Notes: Mandarine, bergamot, pink pepper, clove, rosemary, jasmine, labdanum, geranium, cinnamon, styrax, benzoin, myrrh, patchouli, vanilla, tonka bean, castoreum, vetiver
 
If I still rated reviewed fragrances, Gold absolutely should be a 5 rated perfume

Thaks to Puredistance Jan Ewoud Vos for the opportunity to try this beauty