SOTD January 2022

Picture: A shy rose
Photo: Parfumista (c)

Trying to find out if there is a pattern/ some connection between the fragrances I'm wearing during a period of time. First step is to capture data about it, then analyzing.

Day/Month January 2022
1 L'Ombre Des Merveilles (Hermès) - Worn the Elixir Des Merveiilles on New Years Eve to warm up in the grey weather, wanted a lighter follow up on the first day of the new year.

2.Sucre d'Ebene (Pierre Guillaume, Huitieme Art Collection/Black Collection) - Cosy warm woodden sugar with touches of nutty elements. Perfect for a grey and rainy/snowy day (ca 0 C) as today. Beware: Very strong, unfortunately I overdosed a little from the small sample. 

3. Pour Monsieur (Chanel)  - I read somewhere Fragrantica? Basenotes? Bois de Jasmin?  somebody's notice that ladies shouldnt't miss to try this out for themselves. And I totally agree after todays testing from my sons bottle, the light green tinted formula, I think it's reformulated recently and is not longer green. CPM is so very good in a  timeless, casual, elegant way: Starts with a classy Chanel citrus-neroli accord over fresh soft cold spices grounded in okamoss and vetiver. Lasts very well on my skin and unisex IMHO. 

4. Angéliques Sous La Pluie (Frederic Malle) - Today it was sunny and not rainy at all. As ASLP reminds me of spring and I wanted something relaxing but distinctive  and the sample ASLP just appeared, it was the obvious SOTD.  The angelica and juniper are awesome in this timeless Jean Claude Ellena creation in his typical watercolour style. ASLP somehow reminds me of spring.

5. Orangers en Fleurs (Houbigant) - Grey outside today and it's snowing, Orangers en Fleurs is the perfect moodbooster with its sunny apperance. An orangeflower/white flowers in similar style but higher on the notescale than Serge Lutens Fleurs d'Oranger and the cumin of the latter exchanged with a soft note of nutmeg. 

6. Les Eaux Paris - Riviera (Chanel) - Fresh, happy, sparkling and warm neroli/orange/citrus with its own twist, something that reminds me of the smell of orange and citrus hard candy pastilles. A contemporary orangeblossom.

7. Les Eaux Paris - Riviera (Chanel) - Can't resist Riviera.

8. Les Eaux Paris - Édimbourg (Chanel) - The best of them all in the Les Eaux Collection a contomporary interpretation of lavender but most of all; juniper berry and juniper wood.

9.  Les Eaux Paris - Riviera (Chanel) - So sunny and warming during another grey winterday.

10. Une Rose (Editions de Parfums Frederic Malle) - A semidark red rose, polite and subtle, well balanced, natural smelling combined with a slight boozy accord. Calming and a real pleasure to wear.

11. Eau des Merveilles (Hermès) - This woody, salty ambregris reminds me of the sea by spring or early autumn. Versatile and strong, more than a few small spritzes will be too much.

12. 222 (Le Galion) - Elegant sandalwood with smooth leather notes fleeting around contrasted with a balanced note of myrrh and a tiny violet. A quiet and very comfortable skinscent with great longevity.

13. Bois de Violette (Serge Lutens) - a light and transparent version of the characteristic Serge Lutens woody smell  combined with  fresh flowering purple violets. In the basenotes the violets are combined with light powdery notes wich adds a slight vintage touch. Unobtrusive and calming. 

14. Roses Musk (Montale) - A bold fragrance intense as nuclear radiation. A true rosenote combined with a syntetic woody/oud note and white musk. The result is a pepper and rosecombo which is uncomplicated and strange as it may seem, a pleasure to wear once in a while.

15. Rose de Nuit (Serge Lutens) - An vintage styled dark green mossy rose chypre with musky slight animalic notes  and some almost herbal notes which take the fragrance from the feamale boudoir style in the opening of the fragrance in a masculine direction. A demanding and intriguing fragrance.

16. La Belle Le Parfum (Jean Paul Gaultier) - Either particularly sophisticated or elegant fragrance but very delightful and cozy. La Belle Le Parfum appears as a delicsious, luxurious cake with pear infused with liqeur and a fluffy boozy vanilla. Perfect for a grey windy winterday and with great longevity.

17. Rose de Nuit (Serge Lutens) - Tried RdN not as heavy applicated  today (ca 2,5 spritzes) as two days ago (ca six spritzes) and this is the right way to enjoy RdN. The same smell, not as dense when alternated with an airiness as a consequense of the lighter application, RdN qualities comes to the fore.

18. Drôle de Rose (L'Artisan Parfumeur) -  A pink rose, violet and iris paired with  a cold dry, chalky, slight dusty accord. All summon up in some kind of putty structure. Drôle de Rose reminds me of a grey windy day in early spring with some light purple clouds on grey skies. Drôle de Rose was a lipstick, the colour would be a light transperant cold pink-purple. A beautiful fragrance, reportedly discontinued.

19. Iris des Champs (Houbigant) - An unusual iris. No powder or lipsticknotes and the carrots are just glimpsing in the early topnotes. Starts dry and cold with slight peppery notes. Woody notes with the cold freshness of cedar follows and the woody impression remains during the whole dry down. In the basenotes a pleasent musk appears, its a musk somewhere in the middle, not skanky animalic nor clean white musk. A fragrance with many interesting nuances and with excellent longevity.

20. Lux (Mona di Orio) - A  play with light and dark contrasts,  a dark lemon is the main theme through the whole drydown, appears as growing in the shadow side of the lemon tree. A contrast to a  bright citrus in the sun.  Reminds me somehow of pickled lemons. Some fresh earthiness, contrasted with smooth, almost creamy woody slight dirty musky notes. A contemplating perfume, perfect for relaxing at home.

21. Black Afgano (Nasomatto) - Distinctive woody notes with a subdued oud, some glimpses of dark green, in the dry down also some dark, smooth rounded tobacco liqeuer notes. One of the best woody perfumes IMHO, no traces of that screechy woody note that is so common in woody perfumes. Maybe because my BA is well aged, it has rested under dark and cool for 10+ years, maybe it is just as good also in current formulation.

22. Akkad (Lubin) - A comforting, warm, high pitched and radiating light spicy-herbal amberfragrance. It's like the rays of sunshine.  Underneath some darker notes appears, like a well balanced, thick patchoulinote. Perfect for grey  and chilly winterdays.

23. Rubikona (Puredistance) - Such a pleasant and elegant classic chypre made in a contemporary style. A dark moss and patchouli accord, rose and a distict note of varm an bright orangeblossom and a natural sweet fruitiness. A real pleasure to wear.

24. Warszawa (Puredistnce) -  Such an elegant way to start an ordinary week .A darker chypre than Rubikona, dark iris , violet and dark moss, some dark plum liqeur, A classic in  acontemporary interpretation. reminds me  of  elegant dark  fruity chypres as YSL Yvresse, Guerlain Mitsouko and Rochas Femme.

25. Orchid Leather (Van Cleef  & Arpels)- Dark, oppulent, slight boozy, plummy, balsmic with sparkles of  fresh cardamom. Comforting in winter, a strong formula, that lasts for long,  just two or three spritzes is enough.

26. Cristalle Eau Verte (Chanel) - A beautiful and casual chic everyday fragrance not just for summer.
It's energizing glimmering slight green citrus magnolia profile is cheering the most gloomy grey winterday up.

27. Kiss me Intense (Parfums de Nicolaï) - So comforting, clean natural smelling like easter lily and heliotrope. A sweet impression, but not sugary sweet. A sort of natural flowery gourmand. Like sitting the whole day in the yellow, sunny flowerbell on an easter lily Perfect for grey winterdays.

28. Ambre Fétiche (Annick Goutal) -  One of the best ambres ever (IMHO) wearing the original formula  from an early batch. A glowing, close, velvety, tick amber with subtle incense and a dark smooth patchouli and some dry vanilla. The texture  is sort of honeyed, natural that gives it a slight gourmand feeling, A very comforting winterfragrance. 

29. Aomassai 10 (Pierre Guillaume) - To me this is a red wood cologne,. Warm, with natural gourmand notes as nut, caramel, milk, coffee and spices in a mix, offset by contrasting a woody accord which feels like it has a cologne structure. Great and unusual.

30.  Pentachords Auburn (Andy Tauer) - From AT:s earlier exprerimental line, where each fragrance consisting of just five syntetic notes inspired of a color. Auburn is an interpretation of  cinnamon, cold and dry in apperance. Waem, sunny, orangeblossom is contrasting, blended with a blond tobbacconote over some warm sandalwood and amber. A intriguing and challenging winterfragrance in a  strong formula, maximum two - three spritzes, lasts for over a day. A must try for Tauer fans.

31. Rose Pompon Edp (Annick Goutal) - A real rose favorite, so pleasant to wear.  A medium pink rose, it smells just like the color of the juice. A rose balanced with fresh raspberry and violet vanilla, but not lipstick powdery in texture. the 2020 edition.

Conclusion: Any pattern in the fragrance wearing during the wintermonth of january?  Light Chanel fragrances is the most obvious, most worn style. Besides that maybe as a opposite, heavier  oriental-ambery frags, some strong roses and gourmands reflects the season.

It's the Puredistance time of the year....

November and December is the Puredistance time of the year. Of course I'm wearing them during other seasons too, but for this dark months, one need something extra. And as it's also soon is Christmas I come to think of  that the beautiful fragrances from this house are the ones to wear for the holidays. Below some suggestions:

Picture: Puredistance Warszawa
Drawing: PR Puredistance (c)

Warszawa (Puredistance): I've worn the dark, mysterious, almost plummy Warszawa  much during grey November. An elegant, high quality dark floral oriental, with vintage vibes, boardering to a chypre in the light spicy-fruity genre (think Guerlain Mitsouko, original Dior Poison and Tauer Loretta). 

Picture: Puredistance Opardu
Drawing: PR Puredistance (c)

Opardu (Puredistance): Even if Opardu is the ultimate perfume for spring, it has recently lightened the gloomy days up. It's a lilacperfume with many other facets (for example rose) and interesting twists, with something almost crystalized, slight gourmand.Opardu is not of the light, outdoor, airy variety, it has a much deeper texture and more body.

Picture: Puredistance Sheiduna
Drawing: PR Puredistance (c)

Sheiduna (Puredistance):The grey and gloomy weather demands some true quality and elegance to be defeataed. Sheiduna is a brilliant spicy, slight gourmand oriental with warm and boozy accords. There is also some almost refreshing, offsetting notes, almost like tea. Sheiduna is just superb and reminds me slightly of another gem from perfumer Cecile Zarokain Kashnoir from Laboratorio Olfattivio.

Picture: Puredistance M
Drawing: PR Puredistance (c)

M (Puredistance): An elegant, classical gentlemans leather fragrance but just as Marlene Dietrich with Knize Ten, M could be worn by women too. A smooth and close to the skin variation of Hermès Bel Ami.

And last but not least - the luxurious Puredistance sample giftset is the perfect Christmas gift.

Thank's to Puredistance for contributing with samples to test over the years.

Tauerville Stories Collection - Hyacinth and a Mechanic

Picture: Hyacinth and a mechanic
Photo: PR Tauerville (c)

The Tauerville line is perfumer Andy Tauer's vision for a offering inspiring perfumes handcrafted in smaller production batches. Most of the fragrances are interpretations of a special note as for example rose, incense, fruit, patchouli. Some fragrances within the Tauervilles are very rare, the Stories Collection are sold exclusive when Andy himself appears for an event in some of the perfumestores who carries the brand. Hyacinth and a Mechanic is such a fragrance. To celebrate the 15 years anniversery of LA nicheboutique Luckyscent, the three fragrances from the Stories Collection were avaible online for a month last autumn. And I couldn't resist ordering the Hyacinth despite expensive shippingrates and of course customs duty. Anyway it was worth it, this is a very rare, intriguing and beautiful fragrance.n

Hyacinth and a Mechanic (HAM) starts with the most natural smelling hyacinth note that I've smelled so far from a perfum. When applicating the fragrance, a crisp, slight fresh green spicy, sparkling hyacinth appears, is just like entering a christmasdecorated house with hyacinths in the windows, out from the cold and snowy winterlandscape. Soon a oily, petrol and light metallic accord appears, followed by a  rough leathernote, togehter contrasting the crisp hyacinth and green note. It's just like that the one who makes the entrance is coming directly from repairing the car in the garage, still wearing the overalls under a heavy leatherjacket with a curly sheepskin collar. The oily, metallic, leathery intensifies and an animalic vibe appears in the fragrance, the hyacinth is still recognizable as the unexpected contrast to such notes. Later in the drydown, the hyacinth steps forward again and during the whole dry down, the hyacinth alternate with the dirty accord of beeing the most prominent player. In the last aaccords of the basenotes, the hyacinth and the dirty accord finally seems to have blended in sort of an integrated accord.

HAM is fragrance of its own and there are no similar fragrance that I come to think of even if I imagine similar aspects in other fragrances. For example the chilliness of the hyacinth I also recognize in the cold hyacinth-iris accord of Serge Lutens beautiful Bas de Soie and to some extent also Tom Ford Vert de Fleur, the oily/metallic/petrol accord reminds me of some parts of Histoires de Parfums Petroleum but not at all as intense as the latter.

HAM is a complicated beauty, the contrasts are intriguing. In the same time it's a casual, easy to wear fragrance sort of relaxing and with an interesting development which makes one sniff the wrists regulary during the day. The sillage is medium in the first stage, then close to skin. Longevity is for a day. HAM is totally unisex to my nose.

Rating: 5

Notes: Hyacinth, animal notes, leather, woody notes

The Fragrances of Christmas Eve 2017

Picture: Christmas tree 2017
Photo: Parfumista (c)

The Scent of Christmas Eve 2017 is the elegant retro and in the same time contemporary austere flowery-green Vert de Fleur by Tom Ford.  Suits a green Christmas very well I think. It's more like a partial sunny autumnday outside.

Mr Parfumista is wearing Incense Extreme by Andy Tauer. A light "white" incense swirling to the sky even if intense in performance. Below is the updated list of the fragrances I've worn the last fourteen Christmas Eves:

2016: Oud Sublime Parfums de Nicolaï (quality "forest-refreshing" dark green, mossy, woody)
2015: Rose de Taif Extrait Perris Monte Carlo (high class smooth velvety rose petals)
2014: Impossible Iris Ramòn Monegal (an elegant, contempory iris with a delicious rasperrynote)
2013: Quintaesensia Ramòn Monegal, (a special retro styled blend, furry, ambery, herbal/spicy)
2012: Nothing, knocked down by the worst flu in ten years+.
2011: Betrothal, Grossmith (classic, light and exquisite florals)

2010: Cuir Mauresque, Serge Lutens (saddle leather, orangeblossom, jasmine, spices)

2009: Tribute Attar, Amouage (dark leather, smoke, oud, excellent spices)

2008: Incense rosé, Andy Tauer (rose, mandarine, cardamom, myrrh cedar, incense)

2007: Ambre Russe, Parfum d'Empires (boozy amber, the, wood, oriental)

2006: Jil Sander 4, Jil Sander (dark, overripe fruits, white almost withering flowers, oriental spices)

2005: Nuit de Noël, Caron (dusky, retro flowers, moss and a furry note)

2004: Cabochard,  Parfums Grès (leathery chypre, harsh green notes and retro flowers)

2003: Fracas Robert Piguet (the ultimate classic grand tubereuse)

Let's have a Great Fragrant Christmas! 

....and 5 other autumn frags

Picture: Maple leaves October 2017
Photo: Parfumista (c)

Last week was colder and autumn is now really here. Heavier stuff was worn, including some favourites such as:

White Oud (Montale): White, cuddling, with a white rose, something mashmallow-ish and a faint oudnote. Texture and smoothness like an angora kitten.

Amber & Spices (Montale): A pleasant, fizzy gingernote and warm spices with hints of a delicate rose and some oud. Smells like my grandmothers spice rack did.

Auburn (Andy Tauer): From the discontinued Pentachords-line (three fragrances built among just five notes). Auburn is warm, brown, cinnamon with tobacco and some white flowers. Even if a bit freaky synthetic, it's the ultimate autumnfragance. 

Sheiduna (Puredistance): Warm, embracing, spicy, balsamic whith some almost boozy notes. The ultimate pleasure to wear a grey, rainy day.

Incense Oud (Parfums de Nicolaï). Smells like the deep forest in autumn, damp and chilly, with dark green moss, tangy, slight herbal notes and earthy patchouli. A sort of refreshing fragrance. 

6 Fragrances for Summer 2017

Picture: Clover 2017
Photo: Parfumista (c)

Soon already in the late days of summer 2017, time for a list of perfumes I like for summer. And not just for this summer but for summers in general.

Reverie au Jardin (Tauer): This is imo a neglected fragrance from Swiss perfume meastro Andy Tauers earlier creations, worn by me for about ten summers now. Seems simple but is in the same time clever in construction: Lavender, greenery like clove, an outdoor, green incense and probably a woody violetnote as Mr Parfumista associates to Dior Farenheit when I'm wearing Reverie au Jardin.

Eau d'Orange Verte (Hermes): What more to say after decades with this tangy, green, bitterorange elegant "fresh" brew grounded in moss, than: A masterpiece, the best and most versatile Cologne ever.

Verveine (Heeley): Round, full, like what I imagine a green full moon in dark August would look like if such should exist. A sort of grassy-fruity green scent with what I percive as a figgy-woody accord. Delicious for summer.

Mon Patchouly (Ramon Monegal): Dark, earthy patch in some interpretations is refreshing for middle and late summerdays. Mon Patchouly is a delicious but non-sweet take on patch with its powdery, dry powdery cocabeenfacetts.

Coton Egyptien (Phaedon): Ultra blue skies over sunbathed dunes, a loose shirt in a light, almost transparent, white, crisp egyptian cotton. The fragrance is green like grass, with a clean accord which smells almost like a green, dry, laundry detergent.

Musk Samarkand (Les Neréidés): A clean, robust white musk with something slight dirty lurking in its depts. No detergent and refreshing as a chilly summer breeze a hot sunny day. Reminds me of a budget alternative (but just as good as) to the new interpretation of Parfumerie Generales old Musc Maori 04: Le Musk et la Peau 4.1. My bottle of Musk Samarkand is an earlier version, the bottle with the bookmark angels on the sticker.

Midsummer

Picture: Midsummerrose
Photo: Parfumista (c)

Midsummer again, or just passed. The summer solstice here in the north is celebrated the weekend after the occurrence with Friday as a national holiday. This year the weather (always a big question in Sweden) is quite good, mostly sunny and warm. For exemple two years ago it was almost as cold as on Christmas Eve (which was warm) with only 8 C daytime and rain.

For Midsummer one should (?) of course, if warm weather anyway, wear florals to match the occasion. I couldn't think of any flowery fragrance that I wan't to wear today, strangely I crave for spices today, and yeserday too to be honset, So I'm smelling as an oriental spicemarket of Les Néréides Oriental Lumpur which is a robust, dry, warm, spicy, patchoulileaves fragrance, in the higher ocataves of the fragrance notescale. If it had a color it is a light green/grey nuance. There also a dry, grassy element, here there is actually a connection to a swedish meadow when the grass is dry in the late summer. But overall Oriental Lumpur is dry spices, contrasted by the fresh earthy patchoulileaves. A good niche fragrance to the fraction of the price of others in the dry spicy segement such as Tauer L'Air du Desert Marocain, Frederic Malle Noir Epices and Tom Ford Sahara Noir. A strong fragrance with distinct silage which should be applied in small doses. My vesion of  Oriental Lumpur is from the old anglesbottle.

Anatole Lebreton - Grimoire

Picture: Grimoire
Photo: PR Anatole Lebreton (c)

Grimoire is the fifth fragrance in bretonic perfumer Anatole Lebretons robust perfumeline "Parfums de Liberté". For reviews of the earlier releases from the house click here.

Grimoire  starts with distinctive green incense, which is the domiatning note in the whole dry down of the fragrance. The green incense is warm and has a resinous texture. In the backgroumd there is also an accompanying, sharp compact and deep citric note which also is green in appreance, probably the bergamot. In the opening there is also a blast of cummin, which for a while creates an almost sweaty impression but in a nice, horsy way. There are also herbal notes, which are leaning to the dry almost dusty side and conveys the
image of an old half-binding book with its old, dry musty paper and its dry leather.The base also shows some mossy, woody notes.

The overall impression is green, resinious incense, a fragrance with the robust, rual character which is the trademark for the Lebreton style. Grimoire is a fragrance of it's own even if it reminds me to some extent of Parfumerie Générale Bois Blond which lacks the incense but has a similar texture and the rual, natural character. When it comes to the green incense, Grimoire has similarities with Andy Tauers Reverie au Jardin even if the greenery in the Tauer is more sappy and even more outdoor, like resting in the green grass, Grimore is more like reading the old book sitting on the terrace surrounded by the greenery. As a fragrance in the outdoor category,one can perfectly imagine a relaxing stay in the countryside wearing Grimoire. Other fragrances which conveys that relaxed outdoor feeling (even if not smelling alike) are for example Pafumerie Générale Papyrus de Ciane and Parfums de Nicolaï Week End a Deauville.

Grimoire is an intense perfume, it is strong with 24h longevity and should be applied carefully. It's sort of
addictive, the more I try it, the more I like it. Grimoire is a daytime casual, fragrance, unisex, leaning to the
masculine side. It's suitable year around except when warm in summer. For that season there is better to wear the more hayish, flowery, green L'Eau de Merzhin also from Lebreton.

Rating: 5

Notes: Bergamot, patchouli, musk, basil, moss, cedar, lavender, elemi, olibanum, cumin

Random sampling

Sometimes it feels like I'm invaded by samples they are just everywhere but of course when I want to test a particular one, it's almost always disappered. Here some impressions from some I random caught lately:

Picture: Gin Fizz
Photo: Lubin (c)

Gin Fizz (Lubin): Not as juniper accentued as Penhaligons' Juniper Sling, Gin Fizz concentrates on the citrus slice of the surface of the drink. Light, sunny and bright, a pleasant contemporary (even if originally created 1955 inspired of Grace Kelly, reconstructed 2009) citrusfragrance with a smooth hint of detergent but in a good way. Gin Fizz reminds me of a favorite in the genre, Dior Homme Cologne in the white bottle.

Picture: Au Coeur du Désert
Photo: Tauer Parfums (c)

Au Couer du Désert (Tauer): Starts like a denser L'Air du Désert Marocain then transfers to a phase which smells like a smooth and embedded version of the rough, smokey leather of Etat Libre D'Orange Rien. Later on A Couer transforms to a phase of a balsamic, glimmering, golden, velvety vetiver together with a warm, ambery, salty ambregris. An intriguing and beautiful fragrance.

Picture: Tuscan Leather
Photo: Tom Ford (c)

Tuscan Leather (Tom Ford): Impressions from Mr Parfumista who tested this and compared it to a favorite leather of him, Acqua di Parma Colonia Leather. Tuscan Leather is smokey, like a smokey but in the same time smooth as suede, vetivernote. The leathernote is very similar to Colonia Leather as also the raspberrynote. Over all Colonia Leather is drier, brisker and sort of higher (as high up in the crispy, chilly air), Tuscan Leather is darker, smoother, sweeter and sort of warm resinous.almost sort of chewing gummy.

Picture: Moonlight Patchouli
Photo: Van Cleef & Arpels (c)

Moonlight Patchouli (Van Cleef & Arpels): A velvety and in the same time cold white rose supported by a dark patchouli and earthy iris. It just like the dark, black winter sky with an almost white moon and millions of twinkling, diamondlike stars. A contemporary chypre as its best. Somehow Moonlight Patchouli featuering patchouli in a similar way as Perris Monte Carlo Essence de Patchouli, there is something similar in the dark, slivery, mysterious expression.

Olfactive Studio - Panorama

Picture: Sheats Goldstein House, LA with panorama view
Photo: Miguel Sandinha, PR Olfactive Studio (c)

Panorama is the latest addition to the Olfactive Studio line. The green fragrance is inspired of the "urban jungle" and the amazing view from the famous Sheats Goldstein House, an extraordinary villa in Los Angeles. Panorama is created by perfumer Clement Gavarry.

Panorama starts green but not with the damp and moisty greeness that I associate with jungles. Instead it smells like some green Irish mist perfume, a cold, herbal, clover greeness, man cologne-ish in style. After a while Panorama gets warmer and spicier  and a gourmand note reminding me of the asian gourmand note in Neela Vermiere Creations Ashoka and also in  État Libre d'Orange Fils de Dieu du Riz et des Agrumes. Probably this is the wasabi note mantioned, but far away in strength compared to when eaten with sushi. There is also a light incense-pepper note lurking in the background and here there is something (minus some sweetness) that reminds me of Tauer Reveire du Jardin. After a while, cooler, fir-like,  greenery appears and once again Panorama feels very masculine. The basenotes is the most plesant part of Panorama, the blend has smoothing out, some almost flowery and earthy elements have joined the mix and suddenly I recognise an old acquaintance the rough and tough lady Balmain de Balmain which is much more distinct and interesting green blend compared to Panorama. Not much more is happening in Panorama, it's a safe linear, but quite different and a bit weird green blend which is almost refreshing in its apperance.

Picture: The Beautiful green liquid of Panorama
Photo: PR Olfactive Studio

Panorama is good for summer, office friendly. with close sillage and longevity for a day. Even if a unisex fragrance, to me it's more masculine which I also think of Balmain de Balmain which is marketed as a ladys fragrance.

Rating: 3

Notes: Bergamot, lemon, wasabi, violet leaves, fig leaves, galbanum, cardamom, freshly cut gras,  musk, vanilla, tonka beans, myrrh, labdanum, fir, patchouli

Thanks to Fragrance & Art for the Panorama sample to test

Aedes de Venustas - Copal Azur

Picture: Views of the South Seas, a set of four,
HMS Resolution and Discovery in Tahiti
Watercolour by James Cleveley (1747-1786),
Wikipedia commons
 

New York based perfumstore and also perfume house Aedes de Venustas has, like so many others, also accelerated their launch rate the latest year. Copal Azur realeased in late 2014 is their second latest one. Copal Azur is composed by Bertrand Duchaufour.

Copal Azur starts with an accord dominated by a sort of smooth, rounded but in the same time distinct incensenote. The incense is not as heavy or sharp as in the traditional church insence personified by the classic  Commes des Garcons Avignon. Further on an accompanyng accord appears. This accord reminds me of a something woody, coconutty in a airy, humid, salty surrunding, there is also a slight woody-green note present. I get an image of a palm-tree situated on a beach, the weather is becoming worse, grey skies are appearing over the sea and the wind is increasing and with flurries. From the still sunwarmed palm-tree trunk, one can smell the tree resin, balsamic-woody with hints of coconut. As Copal Azur dries down further down, the resin qualities strengthens as also the spicy ones and in the same time the fragrance also becomes  ambery sweet. Maybe, at least when it comes to my nose, a bit too sweet when compared to the intitial airy-incense phase of the fragrance. Even if a different incensesmell, the airy pine-incense Oriza L.Legrand Relique D'Amour comes to my mind as it's also the airy incense concept but sutiated in the North whereas Copal Azur is the airy incense of the shores in the countries around the equator.
Recently I watched a documentary on television about Captain James Cook and I can imagine the smell of Copal Azur when the ship anchored by the islands in the South Pacific.

Picture: The beautiful Copal Azur bottle.
Photo: PR Aedes de Venustas (c)

Copal Azur is refreshing and pleasant to wear especially in spring and summer but could also be suitable in autumn and winter when in the right mood for this type of high and airy incense. It's a daytime fragrance, perfect for both work and casual. Silllage is medium and longevity for a day. Copal Azur is totally unisex.

Those who likes different kinds of airy incense fragrances as for example the dry, woody, high Incense Extreme by Andy Tauer, the light slight flowery incense Encens d'Ange by Autour de Parfums as well as the airy-aldehydic "Chanelesque" incense of Montale Full Incense could also like Copal Azur.

Rating: 4

Notes: Incense, salt, ozonic notes, patchouli, cardamom, tonkabeen, amber, myrrh

Thanks to Fragrance & Art for the sample to try

L'Artisan Parfumeur - Mon Numero 10

Picture:  Cover of the pulp magazine Oriental Stories
(Spring 1932, vol. 2, no. 2)  featuring Scented Gardens by Dorothy Quick.Cover art by Margaret Brundage, Wikimedia commons

Mon Numero 10 is created by  the highly productive perfumer Bertrand Duchaufour for the well known, pioneer, nichehouse L'Artisan Parfumeur.

Mon Numero 10 starts with a very special accord which smell almost like stewed fruits in  liqueur. Soon a clean airy incenseote appears, similar to the clean incense in Andy Tauers Incense Extreme. The incense is followed by a very well mixed note of cedar which smells like smooth pencil shavings, the note of pencil shavings I sometimes percieve as too sharp. Leather is another note which slowly evolve and becoming clearer in the middle of Mon Numero 10 and together with the other notes the fragrance adopts an almost furry texture. From here on, Mon Numero 10 smells similar to the iconic Fendi  Femme (original) but thinner and sweeter, like a contemporary, slight gourmand adaption to the classical Fendi theme. I could also detect Chanel Coco. This pleasant phase goes on until the later stages where suddenly the sweet, cinnaber infused, glüwein accord found in Parfumerie Generale Un Crime Exotique appears.

Picture: L'Artisan Parfumeur Mon Numero 10
Photo: PR L'Artisan Parfumeur

Mon Numero 10 is a perfect oriental for fall and winter, comforting and with  interesting twists as described above. The longevity is good, for a day and with traces left the following morning, it's especially these remaining notes which are very close to Un Crime Exotique. As Mon Numero 10 appears as an intresting mix of other attractive perfumes it somehow feels like Duchaufour was not especially inspired when he composed this blend, it's like this fragrance was created by routine. Despite this Mon Numero 10 is a good, multifacetted and wearable oriental. If I had not been familiar with the other perfumes which I detect in this fragrance and also liked each of them better than the "merged" fragrance, I would have considered more than a sample of Mon Numero 10.

Rating: 4 (November 2014)

Rating: 5 (Re-rated in June 2015 as I liked No 10 even more when tested after the review. It turned to be a fragrance which I couldn't get out of my mind = FBW)

Notes: Fennel, bergamot, aldehydes, pink pepper, cardamon, cinnamon, cabreuva, leather, incense, rose, geranium, jasmine, cedar, musk, vanilla, benzoin, hyrax, heliotrophe, tonka been, styrax, ambregris

Thanks to Fragrance & Art  for the sample

Frapin - Nevermore

Picture: "Le Corbeau"
  Drawing by Édouard Manet (1832-1883) 

The haunting dark, mysterious Nevermore is the latest release from the vernarable congnachouse of Frapin, a house which also create perfumes, almost always with a boozy touch. Nevermore is inspired of the life, work and mysterious death of the american novelist Edgar Allan Poe especially from the poem "The Raven" and also the suggestive story of the "Poe Toaster". The Poe Toaster is a figure in a dark cloak who appears on the birthday of Edgar Allan Poe, put down three roses, toasts in a glass of congac and left the remains in the bottle on the grave. And what could be a better interpretaton of that scene than Nevermore....

Nevermore starts with a honeyed, beewaxnote. Soon an almost metallic spicy pink-purple rosy accord appears, followed by a rosy and winey accord  close to the special winey accord in  Frederic Malle Une Rose but in Nevermore the accord is in a drier interpretation. I percieve Une Rose as sweeter, but to me the closest fragrance to Nevermore. The spicy metallic vibe is probably from the saffron and there is also a slight oudy, impression. As the ingredient is not mentioned Nevermore is probably a representant of the genre "non oudy ouds" ie fragrances which recalls oud in the texture and appearance but featura the oud note, Among the dry spices there is also  something from the dark green bayleave note present from Andy Tauer Une Rose Chypreé. There is also an slight earthy impression and a dark leather note, like the stiff leather in a black leather trenchcoat, glimpses by.

Picture: Nevermore
Photo: Frapin (c)

In the basenotes a distinct but wellbalanced, slight woody powdery like pulverized dry woodshavings of cedar,accord is present. There is also a beautiful and natural smelling rose present, very dark red, almost black and with a touch of decaying notes. In the late basenotes there is like the rose gets lighter and more pink-purple again but still wrapped in the cedar and in a contrasting  warm amnber.

Taken as a whole Nevermore is suggestive and triggers ones imagination which is something I demand from a fragrance to be FBW. It is very longlasting on skin with a strong sillage, this is a fragrance that must be carefully applied. In style it's a quite masculine rose, it developes in a very beautiful way on Mr Parfumista, not that good on me. When worn by Mr Parfumista there is some similarities with another favorite of him, Montale Aoud Saffran even if Nevermore is drier and more cold spicy.

Rating: 5 (on Mr Parfumista) 4 (on me)

Notes: Aldehydes, nutmeg, black pepper, rose, saffron, amber, cedar

Vero Profumo - Rozy Voile d'Extrait

Photo: Mr Parfumista (c)

Rozy Voile d'Extrait is another version of rosy Rozy theme created by swiss perfumer Vero Kern. Rozy EDP is reviwed in the previous entry. The Rozy fragrances are inspired from the passiontaed italian actress Anna Magnani.

Rozy Voile d'Extrait starts flowery sweet, with a blast of natural smelling, nectarious tubereuse, supported by rose. The tubereusenote reminds me much of the honeyed tubereuse in the beautiful Annick Goutal soliflore Tubéreuse. Even if emphasing another flower, also Maria Candida Gentile Hanbury comes to my mind in the first stage of Rozy Voile d'Extrait, probably the honeyed texture. After a while, Rozy Voile d'Extrait turns in an almost animalic accord when a pleasant dry, furry, horeslike note appears. There are also some slight earthy, dirty notes contrasting the sweetness. One should not be sacred of the melonnote mentioned among the ingredients. It's not the despised calone and I can't smell it as a separate note. Probably it's just supporting and sparkles the mix up with some fruity freshness. When Rozy Voile d'Extrait reaches the basenotes, it is still sweet but more vanillic/balsamic/resinlike and darker in its character than in the earlier stages. In the basenotes Rozy Voile d'Extrait reminds me of another sweet swiss beauty, Andy Tauers Le Maroc pour Elle. Mr Parfumistas spontaneus comment about Rozy Voile d'Extrait smelling it first after ca eight hours after application; "it smells very oriental, as you have rolled around in myrrh".

Compared to Rozy EDP, Rozy Voile d'Extrait feels more natural smelling, darker and more dense, less radianting but not shy, like the though, natural looking sister that stayed living in the countryside, hunting, riding and breeding horses. Rozy EDP on the other hand, with its rosy-cosmetic style, is the artisitc and adventurous sister who moved to the big city, working with fashion, always original styled and never without makeup. Rozy Voile d'Extract is more conventional in style and it smell more similar to several other fragrances on the market than Rozy EDP with its (to my nose) obvious reference to the original Schaparelli Shocking.

Picture: Rozy Voile d'Extrait
Photo: PR Vero Profumo (c)

Just as Rozy EDP, Rozy Voile d'Extrait has a good longevity, about 24h. The sillage is closer, just as an extrait is constructed vs an EDP, but it's no skinscent until after ca fifteen hours. Both Rozys are best for evening wear but lightly applied, they could be worn at daytime at least during the colder months. I like both Rozys very much and even if I think the EDP is more intriguing with its combination of notes and similarities to Shocking, the more conventional Voile d'Extrait smells just amazing on me.

Rating: 5

Notes: Rose, tubereuse, honey, blackcurrant, melon, coriander, nutmeg, labdanum, sandalwood, styrax, vanilla

Neela Vermeire Creations - Ashoka

Picture: Ashoka in its sylish, Indian inspired bottle
Photo: PR Neela Vermeire Creations (c) 

Ashoka is the latest of  Neela Vermeires Creations and it will be released later this week. Thanks to Neela I've got the opportunity to test a sample of this intriguing fragrance in advance. Ashoka, as also the first three fragrances in the Neela Vermeire line, is created by the top perfumer Bertrand Duchaufour. The inspiration to the perfume comes from an Indian Emperor Ashoka (304-232 BC) a qruel conquer who transformed to a relativley nice guy when he found Buddha.

Ashoka starts intriguing, there is a note that reminds me of lemon balm, which is not mentioned among the ingredients and there is also something thats reminds me of sandalwood. The fragrance has a slight spicy, green, almost foody character, much like green currypaste smoothed by coconut milk. This early stage of Ashoka reminds me of the context of (even if not smelling close) the gourmand (= Asian food, not sweeties) Etat Libre d'Orange Fils de Dieu du riz et des Agrumes, but Ashoka is more distinct in style. After a while notes of figs, both leaf and fruit, enters. The fignotes are so well blended that they don't stand out separately, they contributes with their different ascpects of green, the smooth, milky fruit and the fizzy green of the leaves. Watery and a tad powdery floral notes adding additional dimensions to the the milky fig greenery and the mix is somehow calming and comforting. It's like resting in the shadow at the side of a pond in an oriental garden a very hot day. When Ashoka is settled in the base, the green balsam fir and the incense is dominating and in this phase Ashoka reminds me of Andy Tauers Reverie au Jardin but smoother and milkier in texture.

My overall impression of Ashoka is an oriental styled interpretation of Un Reverie au Jardin, green notes, incense and balsam fir is mutual and take central roles in both fragrances. When I wear Ashoka I think of it as an warm Un Reverie au Jardin.  Ashoka is spicier, smoother and warmer where Un Reverie au Jardin is dewy, balmy and aromatic with its lavander. Even if providing a mutual impression in style, the differences are are sufficient, Ashoka and Un Reverie au Jardin are sort of Yin & Yang, which complement each other in an excellent way.

Ashoka is a high quality fragrance in which naturals are predominant. Fig, insence and fir balm in a smooth, green context is dominating according to my nose. Ashoka is intriguing and there is always something going on during the whole dry down. The longevity is good 12h+ and the radiance is a bit louder  than most of the first Neela Vermeire trio Mohur, Bombay Bling and Trayee. According to my nose, even if  unisex, Ashoka is the most masculine from the Neela Vermeire Creations so far. Probably thats the reason, even if a very well done fragrance, why Ashoka doesn't click with my chemistry as well as the first three creations and the retro beauty Mohur Extrait which will be reviewed later this week. Ashoka is a must try for admirers of the Neela Vermeire Creations and for fine fragrances in general.

Rating: 4

Notes: Fig leaf, leather, white and pink lotus, mimose, fig tree, osmanthus, rose, water hyacinth, vetiver, styrax, incense, sandalwood, myrrh, tonka bean, balsam fir

Ashoka and the other Neela Vermeire Creations could be bought directly from Neelas E-Boutique
I can recommend the discoveryset.

Autour du Parfums - Encens d'Ange

Picture: Two Winged Putti (ca 1748-50)
Drawing of Francois Boucher (1703-1770)

Encens d'Ange is a perfect name for this light incese fragrance from Autour du Parfums a line that I have to say is quite affordable, ca EUR 43 for 50 ml.

I also have to confess that I'm not so fond of the opening accord of Encens d'Ange as it somehow reminds me of ELDO Jasmine et Cigarettes but without the cigarette butt note of the latter but with the same almost wast flowery note as JeC. And that even if there are no flowery notes mentioned in the notelist. But topnotes are there to fade and after a while Encense d'Ange becomes deeper with confier and incense notes. The incense is still light and the green softwood/fir needle lends some a sort of forest freshness to the composition. There is also a well balanced note of pencilshavings typical for cedarwood somewhere in the middle of the fragrance. As Encens d'Ange deepens in the basenotes, there are plesant notes of resins amplified by a discrete musk which together creates a sort of pleasant moisty, earthy note with almost a touch of fresh tabacco.

 Encens d'Ange in its somehow fresh lightness, is a perfect incense fragrance for summer, it blooms used during a warm and a bit humid summerday. It's appropriate to wear both for work and casual. The longevity is very good, for at least a day and the sillage is medium.

Those who like uplifting incenses as L'Artisan Parfumeur Passage d'Enfer and Dzongkha, Serge Lutens L'Eau Froide and Andy Tauer Incense Extreme will probably also appreciate Encens d'Ange. That even if the exemplified fragrances are more distinctive in charchter and Encens d'Ange smoother and easier to wear.

Rating: 4

Notes: Mandarin, bergamot, incense, perubalm, tolubalm, firbalm, benzoin, cedarwood, musk, cistus labdanum

Thanks to Fragrance & Art for the sample of Encens d'Ange.

Fragrance(s) of the week (31-35) 2013 - Worth waiting for....

Picture: Just varnished vintage Grythyttan A2:s  *)
outside the archipelago house, July 2013
Photo: Parfumista (c)

Most of the summer is gone and so is also most of the vacation. But there is still warm and wonderful summer outside and mostly I'm wearing light and easy to wear fragrances.At the moment I'm not especially intrigued of new releases but there are some that triggers my interest from fragrances that will be launched this autumn and I hope I get the opportunity to test at least some of:

Parfums de Nicolaï: At least two oud fragrances aimed to the Middle East market. Oud and the technical skillful Patricia de Nicolaï can't go wrong.

Serge Lutens: As usual the Exclusive of the year from SL is worth waiting for. This years Iron maiden, La Vierge de Fer which is said to be a hard, ironlike lily with incense, seems promising.

Mona di Orio: As Monas perfums are among my most treasured, I'm of course intrigued by the Les Nombres d'Or La Violette Fumee even if I suspect it's leaning more to the masculine side.

Andy Tauer: Seems to experimenting with some exclusive roseextract from Afganisthan in order to release a rose centred perfume before Christmas. Roses from Andy is must haves, as most of the other fragrances also.

ByKilian: The fourth fragrance of In the Garden of Good & Evil collection Playing with the Devil will be launched during the autumn. I hope this one will be dark and dangerous in stye compared to the very wearable, well-behaved and well-crafted first three fragrances of the garden-line.

Robert Piguet: Always awaiting news from one of my all time favorite houses Robert Piguet. Insomnia, judged from the name this seems to be a truly  mysterious fragrance. I'm thankful for the extensive efforts of the Robert Piguet CEO Joe Garces to restore and further develope this fine perfumebrand. Here is an very interesting post from CaFleureBon describing this work.

Neela Vermiere Creations: The new Ashoka by Bertrand Duchaufour seems to be very good according to reports from the lucky ones that have the opportunity to test it. And Mohur Extrait will certainly be something that I like.

Update mid-August: Puredistance Black: A new Puredistance is annoncued for December and this is really something to looking forward to. I love this house, a dark follower to the terrific I, Antonia, M and Opardu is just great. Already planning for a review....

Which new releases are you looking forward to?

*) Grythyttan A2 is one of the most (if not the most) classical swedish garden furniture, the A2 chair and table was designed to the Stockholm exhibition 1930 and are still produced. The set on the picture is from the late 1940s/early 50s and have since then stood the test of the sometimes hard weather of the archipelago with just minor repairs and varnishing.

Fragrance(s) of the week (29) 2013 - Green &herbal

Here we are in the middle of the summer.Almost every year I have started long for the dark orientals of the autumn & winter by now but this year I'm more in tune whith the season and like to wear herbal and green perfumes such as:
 My SOTD Reverie au Jardin a bit neglected and forgotten Tauer.Green incense  lavandel herbal dry beauty, the always so wearable Cologne Friction from Parfums Nicolai, the salty, musky galbanum of Balmain Vent Vert (I appreciate the new version more and more) and the cotton clean galbanum of Coton Egyptien from Phaedon. Overall I like the unsweet and natural in style fragrances at the moment but theses preferences will probably change soon...

Oliver & Co - La Colonia

Picture: La Colonia by Oliver & Co
Photo: PR Oliver & Co

La Colonia from spanish nichehouse Oliver & Co founded by Oliver Valverde who also creates the parfumes, is not a cologne IMO even if it intermediates some elements of cologne freshness. Instead La Colonia performs as an Edt with good sillage and longevity, features that is rare when it comes to light fragrances these days.La Colonia is a part of the illustrated series where an illustration of Pablo Perez Sanmartin capturing the essence of each fragrance is included.

La Colonia starts with a acquatic-citirc accord and the opening is was I like the least with this fragrance, the initial stage feels too undescript "usual-light-perfum-y".Fortunately, this stage doesen't  last long at all, after a few minutes some fersh green, herbal slight spicy notes apperas with dill as the prodominant player to me. The dill in this creation is well blanced, dill I suspect can be too sharp and overwhelming but in La Colonia it's a good contrast to the flowers and soft woody notes. Another composition where dill is used in a pleasant way is Eau de Lalique. In the dry down of La Colonia there is also a fizzy green note playing in harmony with the crisp Lily of the Valley. I suspect this note is green pepper.

La Colonia is a fragrance with interesting twists but in the same time easy to wear, fresh without any detergentnotes and very officefriendly. Perfect for summer or anytime of the year when longing for warm summerdays.

Those who are fond of fragrances in the chilly, fresh, dark green style of Patricia de Nicolaï Week End à Deauville and Andy Tauer Carillon pour une Ange will probably appreciate La Colonia.

Rating: 4

Notes: Bergamot, ozone, dill, jasmine, green pepper, lily of the valley, sandal- and cedarwood

La Colonia and the other intriguing Oliver & Co fragrances is possible to order (free shipping around the world) from the Oliver & Co website.