Maison Nicolas de Barry - Eau du Cardinal

Picture: Cardinal de Richelieu (1585-1642)
Painting by Philippe de Champaigne (1602-1674),
Wikimedia commons

Eau du Cardinal is a creation based on neroli from the house Nicolas de Barry. Nicolas has composed the fragrance and according to productinformation "Nicolas de Barry became perfumer of the Church Princes and wanted to recreate a fresh and delicate Eau de Cologne, paying tribute to the great Cardinals of France." .

Eau du Cardinal starts smooth citrusy, with the neroli and probably also orangeblossom, even if not mentioned in the notelist. A smooth and not harsh at all woody accord appears after a while to balance the citric-flowery notes, which also feels very natural, and it add a ticker texture almot dry to the fragrance, quite different to the usual, fleeting colognes.The sandalwood-neroli combinaton is very pleasant and there is also something almost soapy (probably musk) to Eau du Cardinal despite it never reach into the soapy territory, just touches it. The frankincense in the basenotes doesn't stand out as a singular note, it's so well blended with the woods.

Picture: Eau du Cardinal
Photo: Maison Nicolas de Barry (c)

Eau du Cardinal is a minimalist, unisexfragrance, composed of fine ingredients. It lasts very well to be a Cologne, it is also mentioned as an Edt and I think thats the correct concentration even if one has to applicate it liberally. As it's denser and ticker in texture than a real cologne Eau du Cardinal is suitable to wear year around for daytime. It adds sun an warmth a cold, grey winterday and don't disappears too soon as most colognes during the summerheat.

When wearing Eau du Cardinal I'm reminded of Parfums MDCI Nuit de Andalouse and there is also something from Annick Goutal Néroli. Eau du Cardinal is well worth trying for those who likes well made orangeblossom/neroli dominated fragrances as for example L'Artisan Seville à l'Aube and Oscar de la Renta Granada.

Rating: 4

Notes: Bergamot, lemon, neroli, teakwood, sandalwood, frankincense

Le Galion - Tubéreuse

Picture: Le Galion Tubéreuse
Photo: PR Le Galion (c)

Tubéreuse is one of the re-issued and re-constructued fragances of the french house Le Galion (more about that in the previous post). The original Tubéreuse was created 1937 by Paul Vacher and the current interpretation is performed by Thomas Fontaine.

Tubéreuse starts with a blast of fresh cut, white flowers with some of the crispy, green leaves also clearly present. The tuberose is dominating in the first stage but as Tubéreuse dries down, the fragrance developes, on the verge to, a  voluminous white floral bouquet with some sweet, almost fruity elements. Tubéreuse is fresh and innocent in style, there is neither an indolic interpretation of the flower, like Robert Piguet Fracas, nor a cold, earthy  and green interpretation of the contemporary style like L'Artisan Parfumeur Nuit de Tubéreuse. The flowers are clean and clear, a (white) rose is another flower which steps forward in some passages, and a light spicy accords reinforces as Tubéreuse dries down. There is no powder or soap in the mix, and what it smells like is an uncomplicated, well balanced and very comfortable white bouquet composed with good ingredients. The delicious flowers rests on a musky, slight woody, ambery base balanced with an almost animalic note. The musky-animalic bases gives the fragrance a good longevity and medium silage.

Tubéreuse is very wearable white flower, suitable year around for daytime wearing. It's a bright and happy fragrance and it's reminds me in style of other white bouqet tuberoses such as Gianfranco Ferre signature fragrance with the same name, Oscar de la Renta Mi Corazon (both quite timeless in style), Guerlain Jardins de Bagatelle (older and denser in style) and Ramón Monegal Kiss My Name (more contemporary in style).

Rating: 4

Notes: Mandarin, galbanum, pink pepper, pear; tuberose, rose, orange blossom, raspberry, cedar, amber, musk

Thanks to Fragance & Art for the sample to test

Eau d'Italie - Un Bateau pour Capri

Picture: Overlooking Capri harbor from
the rotunda in Villa San Michele
Photo: Morn the Gorn (cc) Wikipedia Commons.,
some rights reserved

Un Bateau pour Capri is an Eau d'Italie fragrance inspired from the neighbourhood of Positano, the beautiful Island Capri. The fragrance is composed by Jacques Cavallier. When it comes to Capri I remember, many years ago, I almost missed the boat from Capri, strolling around in Villa San Michele, built around the turn of the century 1900, for the highsociety physican and philantrophe Axel Munthe, (sometimes called "the swedish Rasputin" as the gossip said he almost spellbound the swedish Queen consort Victoria at the time. Anyway, they were friends and had some Capri-projects about taking care of animals together.) When I was aware of that the bus had left for the harbour, I had the great luck to find a cab up there on the mountin and after a fast ride I caught the ferry and could re-join to our group just in the last minute. Now, over to the Capri inspired fragrance: Un Bateau pour Capri.

Un Bateau pour Capri starts with an aldehydic, fruity, fizz with an almost hairspray like tonality. There is also a cold, watery flowercomponent supporting, probably the peony brightened up with the freesia. Soon also a tart note appears, creating a contrasting, sort of deep freshness of the fragrance. The tart accord is following through the whole fragrance and deepens when it mingles with the woody-musky base. This tart fruity/woody aldehydic note is prounonced and what makes UBpC characteristic. The note is almost off-putting but in the same time somehow pleasant and this is what makes UBpC interesting. In the drydown, UBpC is much more floral, a dark, dense, rose-jasmine accord and despite a distinct cedarnote, the fragrance is very feminine in its expression. The rose-cedar accord remins me of my favorite Eau d'Italie fragrance so far, Pasteum Rose, which is morse unisex in style than UBpC. The aldehydic fizz is present even in the base but in dark and slight soapy way. When wearing Un Bateau pour Capri, besides Pasteum Rose, two fragrances especially  comes to my mind: Esprit d'Oscar by Oscar de la Renta for the aldehydes in the first stages of the perfume and Perles de Lalique for the cedar-rose combo, even if the cedarnote is much more prominent in the latter.

Picture: Map of Capri. Uses terrain data from SRTM3
Author: modified by Morn the Gorn (cc)
 Wikipedia Commons, some rights reserved

Despite the aldehydes and the darkness of Un Bateau pour Capri, the fragrance is refreshing worn a warm summerday, maybe in the restful shadows from the threes in the garden of Villa San Michele. If Un Bateau pour Capri had a color it would be dark blue shifting in purple as the Mediterrean sky at
dusk. Un Bateau pour Capri is casual chic in style, appropriate for a holiday on Capri and the Amalficoast. Sillage and longevity are both outstanding for this fragrance, it lasts for more than 24 hours. UBpC is also approved by Mr Parfumista who complemented it in different phases of the dry down, such statement is quite rare taking in account the many fragrances I test.

Rating: 5

Notes: Peony, freesia, peach, rose, jasmine, heliotrophe, musc, wood, cedar

Parfums MDCI - Nuit Andalouse

Picture: Innenhof der Alhambra, 1892Painting by Adolf Seel (1829-1907)
Wikimedia commons

Nuit Andalouse is the other of the two latest launches from Parfums MDCI, Cuir Garamante was reviewed in the prior post. Nuit Andalouse is created by the risning star in the perfumers Pantheon: ISIPCA graduated perfumer Cecile Zarokian which created (together with Daniel Maurel) the epic Epic Woman for Amouage when she still was a trainee at Robertet!

Nuit Andalouse starts with a sort of stripped down, elegant gardenia and cool violet, green notes contrasted with a zesty orange. This is not the usual big white floral burst which is the start of  most orange, this is more elegant and muted. As Nuit Andalouse developes, the flowery notes gets sweeter and deeper, but not as sweet and liqueur-ish as in By Kilian Sweet Redemption, this is a natural, floral, nectar sweetness. A restrained and almost dry in texture musk is present in during the whole drydown, contributing with a slight hay-ish impression. The whole impression of Nuit Andalouse is that of a transparant but not at all cologne-ish orangeblossom fragrance.

Picture: The Deluxe falcons of Parfums MDCI,
there is also a plain version
Photo: PR Parfums MDCI (c)

Nuit Andalouse is a beautiful, well-made, elegant and very wearable orangeblossom fragrance. Maybe not that innovative or avantgarde but a high-quality, classic fragrance in a style that is timeless. Perfect to wear year around, both for office and dressed up. This is a fragrance that really cheers up a grey, chilly winterday and blooms a hot summerday. Sillage is medium and longevity for 12h+.

Those who like lovely and uplifting orangeblossoms such as L'Artisan Parfumeurs Seville à l'Aube, Robert Piguet Blossom, Maison Francis Kurkdjian APOM Femme and Oscar de la Renta Granada will probably also like Nuit Anadalouse.

Rating: 4

Updated rating November 2015: 5 

After more wearings since the review this one has grown and I have to adjust the rating as it's a very versatile and beautiful orangeblossom with excellent longevity, on fabric for weeks.

Notes: Orange, violet, green notes, gardenia, ylang-ylang, rose, orange blossom, vanilla, sandalwood, musk, amyl salicylate (light flower/cutted gras musk note)

PS: Parfums MDCI offers generous 12 ml bottles in the samplesets on their website 

Jardins d'Écrivains - Wilde

Picture: Oscar Wilde (1854-1900) ca 1882
Photo by: Napoleon Sarony (1821-96)
Wikimedia Commons

Wilde, just as George reviewed latly, is inspired of another 19th century cultperson: Oscar Wilde. Wilde is  another wellcrafted creation from the french nichehouse Jardins d'Écrivains, labled as "pour homme" but I think its at least as unisex as George.

Wilde starts with an unusual, slight powdery,tea-infused, bergamot-citric, tart and in the same time smooth and almost creamy accord. As the fragrance dries down, the tea and some dark, slight balsamic herbal-spicy-green notes, which I think is derived from the carnation appears and adds even more dept to the fragrance. The base is wellblended mossy-green-woody whith the notes in  seamless interaction. When Mr Parfumista tested Wilde he also experienced a oat-like note, a softer version of a note present in Essenza di Zegna from Ermenegildo Zegna. On my skin Wilde is more about bergamot, tea and carantion. Another fragrance that Wilde reminds me of is Agua de Loewe by Loewe. That despite the latter is sharper and dominated by citrus/cardamom and the former is smoother, softer, darker and more elegant. The almost creamy smooth and comfortable texture of Wilde also reminds me of Oscar de la Renta Essential Luxuries Santo Domingo but SD is more spicy. In color and texture I can image Wilde as beeing creamy, moisty, mossy green and Santo Domingo as creamy but in the same time dry, terracotta.

Picture: Wilde by Jardins d'Erivains
Photo: PR Jardins d'Erivains (c)

Wilde is intriguing and in the same time pleasant to wear. The sillage is medium and longevity just as with George very good, about 24h. Perfect for spring and summer, a fragrance that will resist warm tempratures without fading away.

Rating: 4

Notes: Bergamot, grape, fig, carnation, tea, oakmoss, vetiver

Thanks to Fragrance & Art for the sample to test

Teo Cabanel - Méloé

Picture:Hay Harvest at Éragny by Camille Pissarro 1901,
Wikimedia commons, (cc) some rights reserved (PD-1923)

Méloé is created by perfumer Jean-Francois Latty for the perfumehouse Téo Cabanel. This house were originally started in Algiers in 1893 but moved to Paris 1908. The house were re-started 2005 and have launched several new fragrances since then, most famous is the floral-oriental Alahine.

Méloé start with sparkeling citrus-/mandarinenotes, offsetted by a slight bitter (in a good way), powdery bergamotnote. There is also a touch of herbal and spicy notes, nutmeg is appears clearly to me and also a touch of basil. Méloé is fresh but not in a chemical or sweet way and the florals seems equally balanced with herbs and spice and the fragrance feels somehow natural and wellblended. There is also an almost watery-floral touch to Méloé, like in Oscar de la Renta Live in Love and By Kilian Water Calligraphy, but in Méloé the watery impression is much more subdued, even if still there, than in the two related fragrances. In the basenotes there is a white musk supported by mossy and woody notes, which deepens the fragrance in a bit darker nuances of green. All together, Méloé to me is a sort of aromatic-floral, not fruity-floral as I have read somewhere. 

Picture: Méloé in its stylish bottle.
Photo: PR Parfums Téo Cabanel

Méloé is an upliftining, surprisingly longlasting fragrance.The blend is specified as an Eau Légére, which is supposed to be lighter than an Edt, but I can smell whiffs of it after almost 24h on skin and on fabric some days after the day I was wearing it. Méloé is suitable for daytime wear, especially for spring and summer, but also, as lighter fragrances lasts better in autumn/winter, for days when longing for something lighter during the darker and colder.

Even if Méloé bears similarities with other fragrances in the light, refreshing, floral genre it has its own identity, the green herbal tinge and slight bitter (in a positive way) note.

Even if not similar fragrances but similar in expression, those who enjoy De Bachmakov (also herbal notes) from The Different Company, Dior Escale à Pondichéry (the flower and spice) and Chanel Cristalle Eau Verte (the green, slight bitter flowers) also could like Méloé.

Rating: 4

Notes: Bergamot, mandarin, lemon, lavender, basil, neroli, orange blossom, jasmine, nutmeg, musk, moss, amber, woody notes

Oscar de la Renta - Santo Domingo

Picture: Santo Domingo de Guzman 
Montage by Elvisanti1, Wikimedia commons

Santo Domingo is the unisex offering in the new Oscar de la Renta Essential Luxuries collection with fragrances created by Calice Becker. Santo Domingo is a tribute to Oscar de la Rentas birth place, the capital of the Dominican Republic. The fragrance captures the flowers, spices and colors of this island country.

Santo Domingo starts with a citrusdominated accord reminding of the start of Aramis classic Tuscany but greener and with a smoother, musky touch. As Santo Domingo dries down, the white, milky, musknote gets almost predominent as it wraps the slight smoky, spicy, tobacco into a pleasant creamy blend. It's the same construction as in Granada also from this line, where the orangeblossomnotes are wrapped in the same creamy musk. The impression of a contemporary creamy/milky Tuscany also remains during the whole dry down. Another fragrance Santo Domingo reminds me of is a much gentler and polite variation of the herbal, spicy, smoky Eau d'Iles from Maître Parfumeur et Gantier, a fragrance that also founds its inspiration from the scents of the Caribian Islands.

Santo Domingo is a well crafted fragrance, the notes interacts in a very balanced way and the fragrance has no sharp edges.  Santo Domingo, just as Tuscany, is a fragrance well suited for wearing in the office. Even if smooth in texture, Santo Domingo is clearly present during the whole dry down with a medium sillage and longevity for at least a day. The review is based on Santo Domingo worn by the picky Mr Parfumista and he likes this fragrance much.

Santo Domingo is another example of the good fragances of the Essential Luxuries line. I experience the fragrances as wellcrafted and balanced, subtle and refined in the same time as these fragrances are very easy to wear. On the other hand, they are not especially innovative or distinctive. All of the fragrances feels warm and comforting in their apperance and these fragances are well worth trying for those who are searching for a    wellmade and wearable everyday scent.

Rating: 4

Notes: Mandarin, citrus, bergamot, coriander, geranium, tobacco, vetiver, patchouli

Oscar de la Renta - Sargasso

Picture: Lines of  Sargassum 

Photo: Unknown, source NOAA FishWatch 

Wikimedia commons

Sargasso is a green slight flowery-acquatic, happy and sunny fragrance in the Oscar de la Renta Essential Luxuries line. Sargasso will express the essence of the Sargasso Sea, it's deep bluegreen
color and exceptional clarity that  touches the shores, the scents of salt and the marine vegetation that washes up to the beach at Oscar de la Rentas house.

Sargasso starts with an accord that is constructed (to my nose) as it has an embedded accord similar to the start of classical Eau de Rochas. It's just like that the "Eau de Rochas-accord" is a minor part of the main topaccord, which is smooth acquatic-green. When reaching the middle Sargasso becomes woodier and a bit sandy in texture, as sand meeting the salty water a sunny day, mixing in notes of driftwood and the special algae for the Sargasso Sea, Sargassum, just as the marketingblurb says. I can also smell traces of a flowery note, note that also is present in the base. The basenotes are smooth woody-green with supported by a slight white musky note, the same as present in Granada from this line, but to a lesser extent in Sargasso.

Sargasso is a smooth and tender acquatic fragrance in the fleeting style that characterizes many of the latest releases from many houses. I suspect that these fragrances are pre-compliant to the coming, much stricter regulations that probably will become effective the coming summer. Sargasso is discrete and is not chemical -screaming as some acquatics tend to be. It's a officefriendly character and best suitable for the summermonth, even if wearing it in the winter, conjures the images and feeling of the warmer season waiting about some months.


Sargasso is a fragrance for those who like Calypso Marine by Calypso Christiane Celle even if Marine is more distinctive, woodier and mediates a more watery feeling.

Rating: 3

Notes: Mandarin, lemon, juniper, petitgrain, spearmint, cucumber, lentisque, fennel, driftwood, patchouli, cypress

Oscar de la Renta - Coralina

Picture: Acacia constricta flower,

Photo by Stan Shebs (c) some rights reserved, Wikimedia commons.

Coralina is a mimosadominated contribution to the Essential Luxuries line of Oscar de la Renta. It's the third flower dominated fragrance of the line besides Mi Corazon (tubereuse) and Granada (orangeblossom).

Coralina starts with a sparkling, sunny, very yellow and natural smelling mimosa. The fragrance is happy and clean in a positive way (not detergent). The mimosa is brighter than I usually percieve the note, I typically smell it a bit darker and golden, powdery in scent and texture. As Coralina developes an almost cold violetnote appears, contrasting to the warm, sunny mimosa. Iris is also mentioned among the ingredients but I can't dedect it as a separate note, probably it balances the violet, preventing it from beeing (too) nice and sweet. There is also a part of Coralina that reminds me of light and elegant leather, but this part lasts only for a while wheras the mimosa take the centerstage again, supported by a green with traces of the crisp, greenness of bulbflower leaves. When reaching the basenotes, Coralina gets a bit of the mimosapowder, but on my skin just a hint.The main impression of Coralina in the basenotes is that of the fragrance fleeting around in an accord of mimosa/flower/musk which lasts good but is less interesting than the first half of the developement of the fragrance. Compared to another mimosa i have tried, Annick Goural Le Mimosa, Coralina is lighter in structure and with less body. The fragrances are different interpreations of this nice, yellow flower. Also Maria Candida Gentile Hanbury which have clear elements of mimosa is more fullbodied.

Coralina wears close to the skin and the lasts for long, 24h, subtle and full. A discrete and officefriendly fragrance that doesn't offering any sensations, just lingers, creating a comfortable aura to the wearer.

Rating: 3

Notes: Mimosa, violet, iris, musk, wood

Oscar de la Renta - Oriental Lace

Picture: Lace fabric

Photo from Textile talk

Oriental Lace, the oriental in the Oscar de la renta Essentials Collection, has almost none of the classic oriental accords, besides the varm honeyd, vanilla base. It's a fragrance of its own which puzzled me during a day of wearing. First after twelve hours wearing  I could realate to what Oriental Lace reminds me of: Juicy Fruit chewing gum, in a positive way.

Oriental Lace starts with a transparant, sweet spicy (a touch of cinnamon and barely a touch of the fiery jamiacan pepper) accord. After a while it gets a bit thicker in texture, as a dry-creamy-powdery lipstick, a light smell of cacao glimpses. Even if oriental, in this stage there is almost a light chillyness which gives Oriental Lace the character of a somehow frech oriental. Reaching the basenotes, the fragrance gets warmer and deeper, honey, almond  and vanilla take the centerstage.

Besides  Juicy Fruit chewing gum oriental Lace also reminds me of a merrier and brighter alternative to Serge Lutens Rousse. There is also something that reminds me of the transparant sweet, spicyness of Carner Barcelona Rima XI. Oriental Lace, even if a bit different, is a uncomplicated, comfortable and non-disturbing fragrance, perfect to wear at work. There is something very appealing to it, probably the transparent take of the very sweet notes: The honey/vanilla is undoubtedly sweet and those who like dry-woody vanillas, may think it's too sweet. But as transparant in character, the sweetness never overwhelms. Sillage is close, longevity very good, 24h.

Rating: 3+

Notes: Honey, almond, cacao, waxplant, vanilla

Oscar de la Renta - Mi Corazon

Picture: Polianthes tuberosa (flowers), Plants of Hawaii
Photo: Attribution to Forest & Kim Starr (cc) Wikimedia Commons

Mi Corazon ia another nice flowery fragrance in the Oscar de la Renta Essential Luxuries-line. Mi Corazon is created to Oscar de la Rentas daugther Eliza, his heart, and will symbolize their shared interest for gardening and their mutual liking to the ylang-ylang flower.

To me Mi Corazon is a tubereuse dominated fragrance to that extent that I will classify it as a tubereusefragrance. Of course the other flowers are there, but more as supporters that lifts the star of the show, the tubey. Despite my writing about the tubereuse as the star of the show, the tubey of Mi Corazon is no indolic, Grand Diva a la Fracas. Instead the tubereuse is of the contemorary, sparkling, uplifting and clean version. Mi Corazon starts bright, sparkling and with the crispy light greenery that accompanies bulbflowers. In this stage Mi Corazon reminds me of the 80s bright, green and warm Gianfranco Ferré  (signature). The tubereuse is there from the start and it is present during the whole dry down. In its heart and base notes, Mi Corazon, get sweeter and deepens a bit with the caranation and ylang-ylang which adds an slight honeyed texture to the tubereuse. In the basenotes there is a passage that reminds me of a gentler interpretation the dark tubereusecentered blend of Ysatis by Givenchy. The overall impression of Mi Corazon is that it is a good example of a classical, clean floral that smells somehow natural, probably a sign of high quality ingredients and skillful composition.

Mi Corazon is a very wearable fragrance, perfect for work as there is absolutly nothing disturbing in it. Suitable year around. Even if spring and summer seems as the natural choice for a fragance like this, it's very comforting to wear in the winter as Mi Corazon is a warm fragrance even if containing these green, crispy, elements described above. To me Mi Corazon is a perfect, classy fragrance for a young girl, instead of the syntethic, musky, floral, fruitiness intended for this group from the marketing.

Those who like bright tubereuses like Kiss My Name from Ramon Monegal, La Divina Tubereuse from Antonio Visconti and  Un Air de Damas Tubereuse from Parfums Dorin will probably like Mi Corazon.

Rating: 4

Notes: Peach, narcissus absolute, carnation, tubereuse, ylang-ylang, cederwood

Oscar de la Renta - Granada

Picture: Patio de los Arrayanes, Alhambra, Granada.

Photo by Jan Zeschky, (cc) Wikimedia Commons, some rights reserved.

Granada is a beautiful orange/orangeblossom fragrance which is a part of the 2012 introduced exclusive line of Oscar de la Renta - Essential Luxuries. In Sweden the Essential Luxuries will be introduced in February 2013.

Granada starts with a juicy orangenote, very true to how a fresh cutted orange smells. Inch by inch, Granada settles into a flowery blend where the orangeblossom interacts with jasmine and rose. The flowery blend is creamy in texture and there is a  sort of balsamic note present. Now and then the juicy orange shows up in short glimps, even in the base this tempting note is present. Granada is sort of circular in it's dry down, the some notes appears, disappears and re-appears. Except from the juicy start, Granada is very close to Maison Francis Kurkdjian APOM pour Femme, in some stages they are almost equal. To my nose APOM poue Femme is a bit greener, woodier, sharper and with a light detergent note that is not present in Granada. Granada is the nice little sister to the tougher big sister APOM pour Femme. Granada could evoke images of the inner courtyards of the palace of Alhambra during the time of the Moors, the rippling water of the fountains and ponds, the voices and laughter of the girls of the harem.

Even if  not a complicated fragrance (or despite of that), Granada is very plesant to wear and it lightens up a grey and cold winterday with its warm and happy appearance. Perfect for work or pleasure year around, a fragrance to choose when it's hard to decide what to wear. Longevity is very good, about 24h and the sillage is medium.

Granada is highly recommended to those who like L'Artisan Seville à l'Aube, Elie Saab Le Parfum and both MFK APOM pour Femme and APOM pour Homme.

Rating: 4

(As a follower to APOM pour Femme, Granada falls sligthly in points. If Granada has been the first of the two fragrances, the same had happened to APOM pour Femme)

Notes: Jasmine, rose, orange blossom

Place des Lices - Fiordlatte

Picture: Summer Evening on the Souther Beach,
 oil on canvas by  Peder Severin Kröyer, 1893

Fiordlatte from Place de Lices starts a bit sharp with notes of green grass and some flowery notes. I bet I can smell a moderated galbanum, even if not mentioned in the notelist. When Fiordlatte settles a bit, a pleasant, soapy, glabanumlike, note appears. It’s similar to the “antique, bathroom, chalky” note that is also present, but more intense, in Vanille Tonka from Parfums de Nicolaï. This accord is fading, but not disappear completely, in a nice, a bit paper-dry in texture, white floral accord. Despite the “bathroom” vibe it’s not a watery floral of the kind that is en vouge by now for exemple Live in Love by Oscar de la Renta or Water Calligraphy from By Kilian. The white floral note feels more timeless and the dry white floral impression is more in the style of Un Amour de Patou by Jean Patou and Montale Crystal Flowers (even if rose centered) but subdued in comparasion.In the basenotes Fiordlatte becomes light musky and moistier. A slight sour note (in a positive way) which is present in many light rosefragrances becomes detectable and I think it’s the note of peony.

Fiordlatte is the perfect outdoor casualscent especially for spring and summer, preferably at sea as the dry white flowers will balance perfectly with the salty air by the seaside. Fiordlatte is also a nice casual or officescent when one has to be reminded of the lighter seasons of the year.

Rating: 3

Notes: Jasmine, cottonflower, peony, vanilla

Lanvin – Arpége

Picture: Gedenktafel 10707 Berlin-Wilmersdorf, Zähringerstraße 13,

 Wohnung der Tänzerin Anita Berber

Photo: Wikinaut (cc) Wikimedia Commons, some rights reserved

Sometimes when testing all these well behaved and well adjusted contemorary niche and designerhouse fragrances I as a contrast just want to smell something wild, old fashioned and provocative to the average perfumeconsumer of today (from my preconception). Than the classical aldehydic bomb Arpége from Lanvin is a fragrance that will fit the bill. Before spritzing I have to prepare Mr Parfumista (it’s usually during weekends I wear severe classics like this) that today I will wearing an “old ladies scent”, I hate this expression but it well illustrates a certain category of mostly classic fragrances from which I like many, that he wil not like the smell etc. If not warned he sometimes I have found that he becomes a bit irritated as he don’t like the smell from Arpége and it’s companions on me anyway, because the comment is always “It not suit you and maybe there is something with the chemistry because it’s ok on the scentstrip”. Maybe the old aldehydes and chypres dosen’t suit me the best but anyway I sometimes long for them and want to smell them as they are interesting and difficult creatures to discover.

Arpége (the latest Edp-formulation in the black bottle) starts with a strong aldehydic blast that almost knocks my nose out. The aldehydes are somehow robust, rough and demanding in Arpége, in Chanel No 5 Edt they are more gracile and even more and also champangeny bubbly in Chanel No 5 Eau Premiere and Esprit d’Oscar by Oscar de la Renta. In the middle the aldehydes withdraws but are defintly still there supporting the dark decadent flowers with an uplifting sparkle. Something almost dark and dense leathery also apperars in the backround in this stage and it’s discreetly present even thereafter.

In the basenotes a dark and wet vetivernote that mediates a dark green almost mossy impression dominating. The vetiver reminds me of the dense and dark accord Encre Noire by Lalique and Route de Vetiver by Maître Parfumerur et Gantier, both gendered as masculine fragrances. As I remember it, the vetiver is more prounanced in this Arpége formulation compared to the one before in the transparent bottle where the mossy, woody notes were much more apparent. But the same expression dark, mossy, woody texture and image of the fragrance is preserved. To me Arpége is feminine but it’s also unisex, the opening aldehydic accord leaning at the feminine side but when reaching the basenotes it’s whichever.

Arpége was created 1927 by the perfumer Andre Fraysse in collobaration with Jeanne Lanvins daughter Margurite as a gift from Jeanne to celebrating the thirtieth birthday of her daughter. But tom me Arpége don’t exactly mirrors the elegant enviorment of the mother and daughter Lanvin rather to me it mirrors the decadant setting of the 1920s legendary cabarets and nightclubs in Berlin. Arpége is THE fragrance for the 1920s wild artist Anita Berber , the predesessor to artists as Madonna and Lady Gaga.

Arpége is an interesting fragrance, a darker, warmer, woodier and rougher than Chanel No 5 It has stood the test of time and reformulations very good. Even if a bit oldfashioned it’s in the same time eternal and a great frag to wear when the urge to wear something different that stands out from the clean, floral, fruity, patchouli, peppery, woody, odors of  contemporary perfumes. Arpége is also resonable priced especially compared to new launches and it definitly provides value for money.

Rating: 4 (on me if positive a 3, but considerating the history and peculiarity of the fragrance, the character the ability to create images and the smell on the sample strip, all together a 4)

Notes:  Bergamot, aldehydes, peach, orangeflower, honeysuckle, orris, rose, jasmine, ylang-ylang, coriander, sensitive plant, tuberose, violet, geranium, sandalwood, vetiver, patchouli, vanilla,musk

Oscar de la Renta - Live in Love

Picture:Flower of Nelumbo nucifera, bean of India
Photo by T Voelker, (CC) some rights reserved, Wikimedia commons

Live in Love is an elegant, easy to wear, daytime green floral created for Oscar de la Renta by three perfumers in colaboration: Jean-Marc Chaillan, Carlos Benaim and Ann Gottlieb.

Live in love, despite its notes of classic though green notes as bergamott, hyacinth and galbanum, starts as a modern, fresh, clean green floral but without either the detergent note or the "just climbing out from the shower"freshness. The flowers are bright but not weak in appearence and there is also a complementing, subdued fruitiness present. All together this creates a watery impression, as of waterflowers in a pond. There is similarities with ByKilian Water Calligraphy and with the overall impression of Bulgari Omina Coral even if that one is much more fruity and sharp compared to the better balanced Live in Love.

After a while a shining almost incenselike note appears and starts to interact with the wet florals and their supprting slight fruity notes. This incensenote create an interesting contrast to the fruity notes and helps to put them forward. The incense like note I think is a subdued ginger and maybe traces of soft cedarwood (if looking at the notelist anyway).A very successful ginger interpretation as ginger often is too screamy, bubbeling andspritzy, almost as an overdose of  freshly minced white pepper.This interesting and appealing interaction between the "incense" and the fruity-floral notes goes on duirng the middlenotes and as the ginger tunes down the flowery/fruity notes lands in a pleasant woody, musky base.

Live in Love with it's sort of unsweet elegant slight fruity,wet floral, green notes and the classical ingredients (galbanum, hyacinth, bergamot) interpreted in a modern way is the perfect officescent suitable year around but especially for spring, summer and the early autumn. It's present but quite close to the wearer and can't offend (almost) anyone. The longevity is great,it lasts for 24h.

Live in Love is an evidence that good "mainstream"/designerfragrances could be created today also. It's seems that Oscar de la Renta has revived some of it's former glory in perfume especially with the launch of the beautiful aldehydic composition Esprit d'Oscar but also Live in Love is a good example of what could be created if the intention is there. The coming Essential Luxuries seems also very interesting and I hope I get the opportunity to smell them later on.

Live in Love could be appreciated for the fans of the fragrances mentioned above but also for those who like Dior Escale à Pondichery, Gala de Dia (review in swedish) by Loewe and By Kilian Bamboo Harmony.

Rating: 4

Notes: Hyacinth, galbanum, bergamot, lily-of-the-valley, orchid, jasmine, orange flower, rose sandalwood, cedar, woodsy notes, amber, musk

The mainstream niche

As I strolled around in the local chain-perfumstore some perfumed insights just popped up. In these days when the launches of many nichelines becomes more and more bland and not distinguishable from other niche and mainstream offerings (we can call it "mainstremification" of the niche) an opposing movement occurs automatically when it comes to some "mainstream" parfumes or maybe better referred to "designer"parfumes. Just looking around in the ordinary assortment of the chainstore I visited, I came to some conclusions:

- The classics still remaining in the assortment  is way more interesting then the majority of the new niche realeases. A perfume that have survived five to ten years or more, even if gradually reformulated, has stood the test of time and is something special. Examples: Rive Gauche (YSL), No 5 & Coco (Chanel), Angel & Alien (Thierry Mugler), Infusion d'Iris (Prada), Aromatic Elixir (Clinique)

- There are good new releases too, even if increasingly rarer (in relative terms) i.e exactly the same phenomen as in the niche sector. From the latest two years: Esprit d'Oscar (Oscar de la Renta), Le Parfum (Elie Saab),  No 19 Poudre (Chanel), Body (Burberry), Candy (Prada).

- The, in some cases quite distinctive reformulations of some fragrances, with the new Dior policy as a hallmark, suddenly makes a ten year old bottle with an pre-reformulation formula to an almost niche fragrance. Examples are of course in particualar from the Dior range: Dior Addict, Dune, Miss Dior Cherie Edp. I will  definitely treasure my (not so) old Diors :-).

-This store had a tester of Miss Dior labled as that and not the new Miss Dior Originale. I bet the MDO version formula is somehow tweaked too.

When writing this I'm yearning for these and other distinctive "mainstream" fragrances. As I'm almost always  sampling different nichefragrances, a week or two in "mainstream" would be a great relief.

Passande klassiker 2 (4)

Foto: Pafumista (c)

Ursprungligen publicerat på min tidigare blogg "Parfumistans blogg" på Damerns Världs hemsida i januari 2008.

Tyvärr passar jag inte i någon av nedanstående stora kreationer:

Mitsouko (Guerlain) Hur mycket jag än vill passa i denna persiko-trä-chypre så funkar den inte. Men alla andra Parfumistor verkar den passa på …

Shocking (Schirapielli) Luktar kryddig ros på flaskan men enligt herr Parfumista doftar den på mig damträff på Svalnäs.

L’Air du Temps (Ricci) Får mig att känna mig som den framlidna brittiska drottningmodern- wanna-bee.

Oscar (de la Renta) Passade (?) för tjugofem år sedan men luktar i dag som om (återigen enligt herr P) farmor stigit in i bilen.

L’Heure Bleue (Guerlain) Vem vill inte passa i den blå timmens melankoliska doft? Så fin på flaskan men blir tant applicerad på mig.

Chanel No 5 (Chanel) Tyvärr, tyvärr, på mig luktar denna klassikernas klassiker parfymbutik. Den blir liksom bara en doft.

Rose Absolute (Goutal) Denna rena rosendoft slutar tyvärr bara i ett potpurri på mig.

Vilka är dina klassiska besvikelser?

Kommentar 2011: Har gjort mig av med de flesta av dessa prover eller om det fanns en flaska. Den enda som jag fortfarande kämpar med är Mitsouko, någon enstaka gång har den som helhet blivt bra på mig. Vanligen doftar toppnoterna bra men sedan....Chanel No 5 har jag närmat mig igen och nu passar den riktigt bra även om  Eau Premiere passar bättre...L'Heure Bleue finns förstås kvar som referensrör men jag försöker inte ens testa den mer.

Dagens doft - Poison

I dag har jag den gamla otäckingen (tycker många) Diors Poison skapad av Jean Guichard 1985. Poison är åttiotalet förkroppsligat och ger starka associationer till studietiden då den var väldigt hypad. Själv hade jag hemskingen (tycker jag idag) Oscar från de la Renta som tillhör samma blom-orientaliska doftfamilj men som är mer utvattnad mm än Poison. Minns att en redan på den tiden chic vännina bar Poison.
Poison inleder med lite (då ialla fall) ovanliga toppnoter som coriander, spansk peppar, plommon och anis. Sedan följer ros, nejlika, tuberose och kanel. I basen finns en hel del mysk, ambra, sandelträ och söt kåda. På mig själv känner jag mest plommon, nejlika och mysk.
Idag vet jag inte riktigt hur jag ställer mig till Poison. Den var banbrytande på sin tid men känns inte längre så speciell, trots att den här dofttypen inte är vanlig idag. Jag tyckte mer om den för några år sedan. Det finns en liten obehaglig likhet med Oscar, men den tar som tur är inte överhanden.
Poison faller ut ganska bra på mig, som alla Diors parfymer. Diors doftbas passar mig bra. Jag har Edt versionen och den känns lite urvattnad jämfört med vad man förväntar sig av det giftiga namnet. Den sitter inte så bra, doften fragmenteras tyvärr en del under dagens gång. Att jämföra med tex Dunes hållbarhet som trots att den också är en Edt sitter till dagen efter.
Summa summarum får ordet medioker sammanfatta Poison.

Dagens nostalgidoft - Oscar

I morse visste jag absolut inte vad jag skulle ha för doft. Kände egentligen för en chypre men det är samtidigt lite för kallt ute för att en sådan ska kännas helt optimal. Det slutade med en riktig "love or hate" doft, den klassiska gamla blom-orientalen Oscar från Oscar de la Renta (1977). Doften är en av de parfymer som personifierar 80-talet för mig och den skapades av Jean-Louis Sieuzac som också skapde Opium, en doft han lyckades klart bättre med måste jag medge. Oscar är definitivt inte "love" för mig men inte heller "hate". Den passar varken bra eller illa på mig och den håller bra under dagen. När jag av nostalgiska skäl åter köpte Oscar för snart två år sedan var mannens kommentar: " Det luktar som om farmor är med i bilen". Farmor hade tydligen haft Oscar så det och doften som sådan gav honom känslan av äldre dam.
Oscar är 80-tals nostalgi för mig. Minns när jag som fattig student var på väg på semester till Jugoslavien och köpte en flaska 100 ml splash på färjan Trelleborg-Travemunde. Flaskan var otroligt vacker, såg ut som Aaltos vas "eskimåkvinnans byxa" med lock och doften kändes väldigt lyxig. På den tiden var doftgarderoben inte stor; jag hade Chanel no 5, Oscar, Paris, Rive Gauche och Je Reviens.
Idag när jag bär doften känner jag en mycket tydlig ton av jasmin som jag inte känt så separerad från resten av ingredienserna tidigare. I doften ingår också kryddnejlika, apelsinblomma, persika, coriander mm. Doften sitter som sagt bra under dagen och har en viss pudrighet. Boucherons första parfym Boucheron är en slags nedtonad variant av Oscar. Den har även den ett tydligt inslag av apelsinblomma.