Carner Barcelona - Black Calamus

Picture: Acorus Calamus
Köhler Medizinal Planzen
from Wikipedia

Black Calamus is the second fragrance I'm testing from the intriguing Carner Barcelona Black Collection.
And this one (unfortunately as this is expensive stuff) also turned out to be a winner.

I can read that the Calamus plant is growing in damp conditions and I have probably seen it myself in some fen in the wood unaware of what plant it is. I also read that the root has a very special aromatic, bitter, sharp and spicy taste and I can imagine that when wearing the concentrated and multifacetted fragrance Black Calamus. Black Calamus starts woody and in the same time sort of fresh, like some stiff, crispy, thick leaves growing in a chilly, moisty surrounding paird with the fresh smell of juniper wood. The pepper is (thankfully) very well balanced and adds a natural sparkle to the creation. When Black Calamus dries further on resisns and balsams softening the fragrance and takning it to darker depths, still with a distinct woody background where a touch of oud inteacts and creates an oriental twist. Black Calamus is comforting to wear but still an interesting fragrance, there are new twists on the theme, featuring different accords, during the dry down. It's really a dark fragrance but not sad, thick or cloying. Even if not groundbreaking, this dark woody style is well estabilshed since years, Black Calamus a real pleasure to wear. Compared to some other fragrances from the dark aromatic woody category, Balck Calamus is darker, more balsamic, resinious and a bit sweeter and spicier than: Robert Piguet Bois Noir which has a similar theme but is situated higher on the perfume "octaves scale" and Ramón Monegal Dry Wood which is lighter, brigheter, drier with a bit mossy soap added to the super dry wood. Robert Piguet Oud is another fragrance I come to think of when wearing Black Calamus, RP Oud also starts with a cold impression.

Picture: Black Calamus
Photo: PR Carner Barcelona (c)

Black Calamus is an elegant, smooth interpretation of the dark woody style. There are no harsh edges, it is well blended, smooth and comforting. Perfect for colder months but I think it will flourish also in summer evenings. Black Calmus is unisex, longevity is great, traces are left after 24 h and sillage is medium to high, this one shouldn't be applied heavy, it's very concentrated.

Rating: 5

Notes: Calamus, black pepper, coriander, papyrus, labdanum, osmanthus, turkish rose, vanilla, agarwood (oud), incense, juniper

Huitème Art - Liqueur Charnelle

Picture: Liqueur Charnelle
Photo: PR Huiteme Art (c)

Liqueur Charnelle is a woody aromatic fragrance with a gourmand touch created by Pierre Guillaume for one of his lines, Huitème Art.

Liqueur Charnelle starts with boozy notes accompanied with the for dark gourmand fragrances, typical dark, accord of dried fruits. There is also an interplay with not too sweet gourmand notes, like hard candy or delicate cakes. An offsetting, fresh, woody note, like just carved juniperwood also appears and creates a special touch in the top.  After a while woody peppernotes in a distinct dose appears and are the leading accord in the fragrance during almost the rest of its drydown. Liqueur Charnelle acts quite linear during the dry down, with the light pastery accord, supported with some booze as the offsetting notes to the woody pepper. In the basenotes, the pepper steps back and the dark, dried fruits preserved in cognac appears forward just as an accord which highlights balsamic and tobacconotes joins the composition. And the beautiful fresh juniperwood from the topnotes appears and is the note which remains in the very late dry down. To me the basenotes are the most pleasant part of Liqueur Charnelle.

Liqueur Charnelle is definitly a fragrance for late autumn and winter, I think it could be overwhelming in warmer weather. It has an impressive sillage and is strong, very light application is necessary. Liqueur Charnelle is partyly similar to a bunch of woody/spicy/aromatic/gourmand fragrances on the market as for exemple when it comes to the spicy, gourmand part: Editions Parfums de Frederic Malle Dries van Noten, Carner Barcelona Rima XI and to some extent  El Born. That despite all the three mentioned are smoother and cozier, more of "sitting in a café sipping latte", than Liqueur Charnelle which is more extroverted with its woody peppery accords, similar to some recent more masculine woody fragrances. Those fragrances often containing oud, mentioned or not, and when testing Liqueur Charnelle when it comes to its woody part, I come to think of recent releases such as the HA of 2013  Monsieur , Parfums MDCI Cuir Garamante , Puredistance Black (here also the boozy aspects), Robert Piguet Bois Noir (the woody pepper) just as in Montale Dark Oud.

Liquer Charnelle has traces from many fragrances but also an own personality, it's a good fragrance, nice to wear if lightly applied. When I tested Liqueur Charnelle the first time, Mr Parfumista liked it better than me, but after I have worn the sample a few times and found the right, light dose to apply I like it as much. Liqueur Charnelle is something as strange as an aggressive comfortfragrance.

Rating: 5

Notes: Cognac, dried fruits, linden blossom, grapes, caramel, vanilla, black pepper, pink pepper, elemi, amber, raspberry, coumarin, tobacco

Thanks to Fragrance & Art for the sample to test.

Huitième Art - Monsieur

Picture: Monsieur in its stylish bottle
Photo: PR Huitième Art (c)

Monsieur is the latest fragrance in Pierre Guillaumes line Huitième Art where each fragrance emphasizes on a special ingredient. In Monsieur different nuances of wood is the star and it's the first fragrance that is classified as masculine in the line, just as the excellent Poudre de Riz from last year was classified as (and really is) feminine. The review is based on comments from and my own impressions from Mr Parfumistas several wearings of a sample from Fragrance & Art.

Monsieur starts strong woody, the fizz of fresh cedar and sandalwood is prominent, underscored with incense. Vetiver and blond woody notes supports interacting with heavier notes as oak and a dry, clean and stripped down, woody patchouli, it's not the typical earthy and herbal "full" patchouli. The over all impression is a dry woody fragrance, linear in its construction as almost everything happens at the same time. When sniffing Monsieur another true woody Pierre Guillaume  fragrance  from the Parfumerie Générale line comes to my mind: L`Eau Guerriere even if that one is in a brighter and lighter context, but not in strength. Another fragrance comparable with Monsieur is Robert Piguet Bois Noir. There also something that resembles parts of Puredistance Black but Monsieur is drier and louder.

Monsieur is a reaible, true woody fragrance intensified with incense which creates a sort of radiating impression. It's in the cathegory "perfect for office" as it's smells appealing and inoffensive. Unfortunately the longevity doesn't match the strong initial impression, Monsieur stays at skin for about 6-8h (on Mr Parfumistas scenteating skin). On the other hand, on a paperstrip or cloth, it stays for days.

Despite not an original and innovating fragrance, it seems as sort of created in a rush and to be honest, not really worthy a nose that have created gems as for example Poudre de Riz,  Cozë and Papyrus de Ciane   Monsieur is a good choice for those in search for a contemporary, basic, woody fragrance.

Rating: 3         (my initial rating was 4 but after some further sniff & consideration I concluded that this is nothing but a good basic woody fragrance ie 3)

Notes: Patchouli, cedar, vetiver, sandalwood, poplar buds, incense, papyrus, oak, oakmoss

Robert Piguet - Bois Bleu

Picture: Bois Bleu in its stylish, classical
Robert Piguet bottle 

Bois Bleu is created by the (almost) in house perfumer Aurlien Guichard for Robert Piguet and is the latest addition (spring 2013) to the Nouvelle Collection from 2012. Bois Bleu is classified as an unisex woody aromatic fragrance.

Bois Bleu starts with a intriguing blend of citrus and bergamot. The accord is somehow muted, it's note the sparkling, sunny a bit bitter uplifting accord which has evaporated when the topnotes are gone, but a sort of massive, much deeper accord which in texture and apperance, even if not so close in the citric smell, reminds me of the start of Mona di Orios Lux (swe) but more masculine. My first impression is that, just as with the aromatic NoteS of the Nouvelle Collection, Bois Bleu leans to the masculine side on the unisexscale.
But as always with Piguet fragrances, many things are going on and suddenly Bois Bleu becomes less aromatic and more spicy as a delicious note of nutmeg appears and take the centerstage still with the muted citric notes accompanying. The nutmeg is balancing a dry, non-sweet violet which is almost woody in character, Threre is nothing of the sweet, candy like violet or the more green violet with violetleaves which are the most common interpretations. The citric,violet,nutmeg trio is underscored with a wellbalanced woody base of vetiver, sandalwood and cedar where I think the warm and slight sweet character of sandalwood comes very well to its right. Bois Noir is subtle and engage the wearer during the whole dry down. The overall impression remains, despite the warmer, spicier part in the middle, that Bois Bleu is a more masculine in character but women searching for an aromatic fragrance should not hesitate to try it.

Trying Bois Bleu on Mr Parfumista the fragrance appears in a different way. The separate notes are much more distinct and the whole fragrance is brighter and somehow fresher. There is something in the mix and in the general impression of Bois Bleu there that on Mr Parfumista smells like a 2010s styled, refined and dimmed version of the wonderful Zino Davidoff from the 80s but without the distinct patchouli of the latter.
   
Just as its companions in the Nouvelle Collection, Bois Bleu is a fragrance of its own even if there is something familiar in the overall aura and some traces in common with two other Nouvelles: The nutmeg from Casbah and the sandalwood from Bois Noir. Bois Bleu is more discrete than the powerful Bois Noir, the sillage is medium but the longevity is very good, traces are still there after 24 h.

Rating: 5 (on Mr Parfumista) 4 (on me)

Notes: Bergamot, citruses, nutmeg, violet, sandalwood, cedarwood, vetiver

Robert Piguet - Oud

Photo: Mr Parfumista (c)

Oud by Robert Piguet is, as all five fragrances in the Nouvelle Collection, created by the Piguet housenose Aurelien Guichard

Oud starts with an almost animalic note accuented by the dry leather smell of antique books. Soon the the animalic touch disappears and soft leather, minty herbals and a green, woody notes takes the center of the stage. The pepper typical for the syntetic oud also appears but in a very balanced way, not overwhelming, at all, just a gentle touch. As Oud is a linear fragrance, it also continues like described during the whole dry down. Comfortable and pleasant. To my nose the topnotes is the most interesting part of Oud and I wish the initial animalic touch would be present also in the basenotes. To me Oud is somehow the Oud of the cold north. When I smell it, I can imagine the snowy, coniferous forests of the Nordic countries in the middle of a hard winter.

Oud doesn’t follow the most common rose-saffran-oud path, instead it follows the alternative track the colder, leather, herbal, oud. The latter is, to western standards, more masculine than the former oudstructure, which is a masculien one in the Middle East. Oud is a versatile and good everyday oud, not extreme in any sense and a good “beginners oud”. Oud is the oud-herbal-leather equivalent to the everyday rose-saffron-oud Juliette Has A Gun Midnight Oud, which also is a good and wearable “beginners oud”. Sillage is quite impressing and longevity is for 24h.

Oud was the fragrance within the Nouvelle Collection that I had highest expectations about before I started sampling. Despite Oud is a well made, balanced, comfortable and very wearable fragrance, it turned out to be the one that moved me at least. Maybe it’s just too perfect and to me BoisNoir is a notch more interesting when comparing the two Robert Piguet woods in the Nouvelle Collection.

Rating: 4 (Dec 2012) 4+ (April 2013)

Notes: Saffron, fir balsam, styrax, myrrh, woody notes, oud, patchouli

Update April 2013: Probably my testingexperience of RP Oud in December was affected by the outbreak of the worst flu I have had in 10+ years  just a few days later. Now I feel it's nuances better and i doubt it's a beginners oud any more. The animalic notes are for example still present in the basenotes, blended with the cold confierstyled woody smell and the oud that feels somehow cold in this creation.  There is also an almost leathery/metallic accord that reminds me of a sort of darker interpretation of the great Frapin Speakeasy.

Robert Piguet – Bois Noir

Photo: Bois Noir de Robert Piguet
All rights reserved (c)

Bois Noir is one of five fragrances in the Nouvelle Collection by Robert Piguet that was introduced in 2012. Bois Noir is created by the “housenose” Aurelien Guichard.

Bois Noir starts almost loud with potent dry but warm woody-peppery notes and I suppose it’s the peppery aspects of the cedarwood as oud is not included in the notelist but there is of course possible there is a pinch of it in the blend. In the topnotes and most of the middlenotes Bois Noir is close to the powerful Cuirs by Carner Barcelona, but Cuirs is rougher, with more distinctive burned, leathery, woody, peppery, spicy notes. Cuirs has almost a hint of the smell of a hot sausage. Other fragrances that comes to my mind is Nasomatto Black Afgano even if that one is sweeter and with a slight, dark herbal touch. Also Montale Dark Oud with peppery oud that is balanced by warm sandalwood, is in the same style.

As Bois Noir drys down it becomes smoother and more balsamic in character. The patchouli is not evident as a distinctive note, it’s just there balancing all the woodiness with it’s earthy backdrop. Resiny and balsamic notes are stepping forward the more Bois Noir dries down. When settling in the base the woody notes is almost balsamic-creamy with a touch of sweetness from (I suppose) the labdanum supported with some delicate musk. This final stage lasts for much longer than 24 hours and it’s one of the most beautiful woody accords that I have experienced in a long time: It’s very addictive.

Bois Noir is a fragrance that is tricky to handle. As it’s very concentrated one has to be very careful when applying (two-three spritzes), if not it could be overhelming and almost headache-inducing. Even if similarities with other fragrances mentioned it’s an interesting fragrance that wins in the long run. It’s important not to dismiss it as another Cuirs or Black Afgano in it’s earlier stages, the following parts are well worth waiting for.Bois Noir is the best interpretation I smelled so far in this woody-peppery-spicy- style. It’s a fragrance with a very strong precense, a real statement, but without taking over the whole space.

To me Bois Noir is totally unisex even if I think that the “average perfume consumer” will say it’s leaning to the masculine side. Bois Noir is the perfect scent for the autumn, the storng, woody, peppery accords in the top and the almost creamy, spicy woodiness in the base perfectly accompanying a walk during a chilly autumnday with colourful rustling leaves around the feet. It’s also a good officescent at least I got compliments wearing it: “A very good smelling frag, it smells like autumn”.

Rating: 5

Notes: Gaiacwood, cedarwood, sandalwood, patchouli, balsam, cistus labdanum absolute

Perfumed thoughts April 2012

Earlier this week I thought that this weekend would be the right time to publish my list of Spring-Spring perfumes in my serie Spring fragrances, see the earlier post Winter-Spring fragrances. But then Jack Frost returned for the weekend and I lost all the inspiration. But as always there is some perfumed thoughts:

* As the Robert Piguet fragrances is an old love to me I'm really looking forward to the release of the  five fragrances in the Nouvelle Collection created by the Piguet "house-nose"Aurélien Guichard at Givaudan: Bois Noir, Casbah, Mademoiselle Piguet, NoteS and Oud. Earlier, expect from Douglas Hannant by Robert Piguet, the house in collaboration with perfumer Aurélien Guichard  has new-interpreted their old classics Visa, Baghari, Calypso and Futur. Bandit, Fracas and Cravache I think are "regulary" reformulations of the original Germaine Cellier creations. The Nouvelle Collection will be tested and reviewed later if I can get my hands of some samples.

* Another release I have read about but are not sure it will be this year is some new fragrances from Vero Kern, Vero Profumo. As I love Rubj, Onda (swedish) and Kiki I know Vero will deliver.

* I'm also not sure about if or when the perfume/perfumes Mona di Orio was working on when she passed away in December 2011 will be released. As a great admier of Mona, although it is so deeply tragic, I'm waiting of the privilege to take part of her final creation(s).

* There is so many interesting fragrances around and it's hard to select what is worth to sample. As Denyse at Grain the Musc wrote in her post (controversial as she argues about the consequenses of the sharp increase of perfumebloggers)  Enchanted, disenchanted she can't waste time trying out scents that don't challange her. Therefore her strategy is almost only to test and review creations from houses/noses that she know almost always delivers from her point of view. I will try to practice this rule in the future, and I already do that (without thinking of it)  to some extent, but it's not a a planned strategy of mine. As I have many already written reviews "in stock" the mix of favouritehouse/noses and other will remain within the foreseeable future.

That's my perfumed thoughts by now :-)