Easter in Guerlain

Picture: Easter Egg, with no resemblance
to the fragrances worn….
Photo: Parfumista (c)

And here are my Guerlain choices for the second part of Easter 2019....

 

Easter Eve: Encens Mythique D'Orient - I know that EMD'O is a high quality and well blended perfume but it doesn't team up well with my skinchemistry, at least not when heavily overapplied, applied five tiny spritzes and even if I tried to wash it off, it lingered like a second skin. I'll try only one spritz to do it justice another day. Starts with an interesting accord of cedar, spices that creates that almost eletrical note or dust on warm a light bulb note that is present in Mona di Orios Carnation and Téo Cabanel Kasar. After that I lost contact with EMD'O, it becomes an unstructured muddle of spice, rose and woody notes. But I don't give up that easy, the notes are just my cup of tea and I'll conquer EMD'O sooner or later.

 

Easter Sunday: Apres l'Ondee Edt - A comforting and calming perfume experience compared with the suffocating experience on Easter Eve. Starts with a beautiful, clean, earthy, slight carrot-y irisaccord, after a while violet, anis and heliotrope joins and Apres l'Ondee smells just like the outdoor precursor to L'HB as it also is. Not as powdery and indoor as L'HB, elegant casual and almost fresh. A happy fragrance unlike L'HB.

 

Easter Monday: L'Heure Bleue Edt - As mentioned above, the more powdery, lipstick, deeper and darker variation along the iris-violet-anis-heliotrope theme which isalso  the core of Apres l'Ondee. In L'HB there is also neroli that combined with carnation and balsamic notes creates a more dramatic and sophisticated style than the cheerful Apres l'Ondee. L'HB is melancholy, beautiful and intriguing, one has to take time with this, it's not an easy fragrance. I tested the Edt version today to compare with Apres l'Ondee which also is in Edt. The Edt (vintage from 1989) has a great radiance and longevity, when it comes to Guerlain the Edt and Edp formulas are different variations of the fragence with some differences in notes/accords. It's not som much about strenght and longevity.
 
Wearing Guerlain for six days is not at all boaring, on the contrary, I'll explore the fragrances further.

Easter in....

Picture: Spring, Easter and Scilla´s in the garden
Photo: Parfumista (c)

 

This year I was pondering of what the theme for my Easterposting should be. Earlier years the theme almost always has been appropriate fragrances for Easter in the (to my nose) for the occasion appropriate fragrancesgroups gourmand, incense and green. As late as this Wednesday I had no clue what theme to choose when suddenly it stood all clear derived from my SOTD that day Mitsouko Edt: Fragrances from the honorable house of Guerlain should be the Eastertheme.

Wednesday (almost Easter): Mitsouko Edt (semivintage from 2001): This is a light sort of carefree Mitosuko, almost easy to wear. The typical peachy, spicy accord is cleaner, brighter, higher on the fragrance notescale and not as multifaceted  as the Edp. The latter could  sometimes, especially with a spritz to much applied, be perceived as almost muddled. The basenotes of the Edt, at least in this version, is dominated from an uplifting and pleasant note of vetiver. I think this verion of Mitisi is truly unisex.

Maundy Thursday: Rose Nacree du Desert - Starts like a green, elegant rose with also  the greenery botteled. Than it evolves to a radiating still very elegant creamy, clean rosy chypre with vintage vibes, if it had a color it would be powdery light salomonpink. When wearing RNdD I come to think of another elegant contemporary chypre Sisley Soir de Lune even if that one is deeper, heavier and more of a evening fragrance, whereas RNdD is a daytime fragrance.

Good Friday: La Petite Robe Noir Couture - Yesterday was very pleasant like I was wrapped in a delicious dessert during the whole day. Not too sweet if moderatly applied, with  just a few spritzes the earthy base with patchouli and vetiver are more present. Excellent longevity, even now  I can smell the pleasant notes of  cherry liqueur and patchouli on my wrists. To me it really smells cherry even if the berry in the notelist is raspberry.

 

 I will continue with a post about the fragrances for the last three days of this Easter on Monday.

Happy Easter!

 

 

It's the Puredistance time of the year....

November and December is the Puredistance time of the year. Of course I'm wearing them during other seasons too, but for this dark months, one need something extra. And as it's also soon is Christmas I come to think of  that the beautiful fragrances from this house are the ones to wear for the holidays. Below some suggestions:

Picture: Puredistance Warszawa
Drawing: PR Puredistance (c)

Warszawa (Puredistance): I've worn the dark, mysterious, almost plummy Warszawa  much during grey November. An elegant, high quality dark floral oriental, with vintage vibes, boardering to a chypre in the light spicy-fruity genre (think Guerlain Mitsouko, original Dior Poison and Tauer Loretta). 

Picture: Puredistance Opardu
Drawing: PR Puredistance (c)

Opardu (Puredistance): Even if Opardu is the ultimate perfume for spring, it has recently lightened the gloomy days up. It's a lilacperfume with many other facets (for example rose) and interesting twists, with something almost crystalized, slight gourmand.Opardu is not of the light, outdoor, airy variety, it has a much deeper texture and more body.

Picture: Puredistance Sheiduna
Drawing: PR Puredistance (c)

Sheiduna (Puredistance):The grey and gloomy weather demands some true quality and elegance to be defeataed. Sheiduna is a brilliant spicy, slight gourmand oriental with warm and boozy accords. There is also some almost refreshing, offsetting notes, almost like tea. Sheiduna is just superb and reminds me slightly of another gem from perfumer Cecile Zarokain Kashnoir from Laboratorio Olfattivio.

Picture: Puredistance M
Drawing: PR Puredistance (c)

M (Puredistance): An elegant, classical gentlemans leather fragrance but just as Marlene Dietrich with Knize Ten, M could be worn by women too. A smooth and close to the skin variation of Hermès Bel Ami.

And last but not least - the luxurious Puredistance sample giftset is the perfect Christmas gift.

Thank's to Puredistance for contributing with samples to test over the years.

Top 5 Winterfrgrances 2018

Photo: Parfumista (c)

It seems as the major perfumeblogs have posted the Top10 Winterfragrances 2018 lists. Here five fumes I enjoy during the colder months:

Volutes (Diptyque): Calming, comforting, warm aromatic with resins, spices, honey and tobacco. Close silage and de-stressing, a fragrance that could be worn even when feeling ill. My most worn frag this winter.

Tubéreuse (Maître Parfumeur et Gantier): A very green and dry tubereuse with grassy almost herbal nuances and a glimpse of a dill note in the first accords. A fragrance for sunny winterdays.

Magnolia Pourpre (Maître Parfumeur et Gantier): More of a soft powdery cold orchid than magnolia. Both seemless mixed with iris and rose. An excellent, elegant and retro fragrance.

Shalimar Edp (Guerlain): Current formula. What could be better a cold day than to wrap in the warm veil of vanilla, bergamot, iris, powder, leather and all the other wonderful notes of Shalimar.

Amber Mystique (Esteé Lauder): A balsamic rose with incense, light glimpses of oud, spices and berrys. Like a dark bourdeaux velvet cloak warming a cold winter evening.

A sunny winterwalk

Picture: Sunny fields
Photo: Parfumista (c)

Finally, winter has arrived with some snow and pleasing tempratures, some degrees below 0 C and this weekend the sun also was shining. Perfect for a walk aroumd the small lake nearby. Even if sunny and I took the walk in the middle of the day, some mysterious haze was hanging over the fields and the lake.

Picture: Colder in the wood in the
side of the small lake
Photo: Parfumista (c)

These conditions are the very best for wearing perfume imo, the grand orientals and voluminous  flowers comes to their right when contrasted with the cold. During the walk I come to think of some of my choices during last week, for example Guerlain Shalimar Edp and L'Artisan L'Eau d'Ambre Extreme both warm and comforting orientals suitable for the winter.

Picture: Soon the elves will start to dance ...
Photo: Parfumista (c)

The mystic haze reminded me of elves and of Carner Barcelona Rima XI which is a perfume that I associate with elves.

Picture: Sun and haze over the small lake.
Photo: Parfumista (c)

When walkning on the sunny side of the lake, with the sun glittering over the snow, I instantly come to think of the powdery, soapy icon Lorenzo Villoresi Teint de Neige which is also a fragrance that demands lower tempratures to come to its right. And a big white flower as for example  Estee Lauder Private Collection Tubereuse Gardenia would be great in the sun.

Picture: Ice skaters
Photo: Parfumista (c)

Finally, the ice skaters made me think of drinking hot chocolate when taking a break and of Mancera Roses & Chocolate. One know that one is a fragrance nerd when so many fragrance associations pops up during a regular walk

Styling with perfume

Picture: The frame for the perfumes of last week
Photo: Parfumista (c)

Styling the SOTD with suitable outfits and accessoires is almost a science, especially under timepressure which is the ordinary state in the early mornings during a working week. I have found a routine to tackle this "problem". Doing some planning in advance gives the opportunity to concentrate on the choice of  SOTD the following mornings. I'm not organized like this often, but sometimes I got the "flow". Here is an example from last week:

First of all I chose a theme for the SOTD:s for the coming week which in this case was autumnal + oriental + dark fragrances + classic. Then I chose the beckground, the canvas for the composition, black dresses in jersey or light woolblend qualities act as a dark, simple neutral background. As the everyday frame to the composition, I chose the reaible accessories pictured above: Mulberry Chester in textured goat, my favourite November - December Hermès cashmere-silk shawl Collections Imperiales in black with pattern in muted autumn and winter colours, the Freywille Attersee bangle, vintage rings in gold with pearls and cabochon amethysts and a simple strand of pearls. The olfactory brushstrokes which completed the composition for each workday were:

Monday - Dior Eau Sauvage not an oriental but on the verge of beeing heavy applied the basenotes with moss, amber and musk are more pronounced. Still with the golden citrus glimpses and dark green aromatic accord.

Tuesday - Guerlain Shalimar Edp what a pleasure to wear this classic I imagine Shalimar as auburn in colour. Elegant, special, comforting and warm. Timeless.

Wednesday - Penhaligon's Halfeti not a classic but a representative of the western oud trend: Loud peppery saffron, oud  and woody notes over somoother and pleasant accords of a very dark red rose, creamy amber and leather. Potent and radiating, lasts for days on textiles and also with traces on skin after more then one showering. If it had a colour: Darkest of red and black.

Thursday - Chanel Coco Edt spicy, soft, cosy, strong and radiating but still elegant. A contemporary classic. Just as Shalimar, a real pleasure to wear.

Friday - Burberry My Burberry Black I like Burberry fragrances, it seems as their DNA suits my skintype. This fragrance is deep, dark, fruity, boozy, smokey, balsamic in a such pleasant and warming way. It also lasts for days on my shawl.

End of report from my well organized perfume week.

Chanel No 5 and its different faces

The most famous fragrance classic, Ernest Beaux's Chanel No 5 is the model for aldehydic perfumes. Since its introduction in perfume concentration 1921 No 5 has appeared in different shapes and formulas. A few weeks ago I worn some of its variations:

Picture: Chanel No 5 EDT
Photo: Chanel (c)

Chanel No 5 EDT: The Edt version of the original perfume was interpreted by Henri Robert in 1952. Before a cologneversion created by Ernest Beaux was launched in the 1930s. The Edt is an austere, balanced, sort of putty-soapy aldehydic fragrance, cold and refined as marble, perfect for formal occasions. A demanding and challenging fragrance, the appearance shifts slightly between wearings, but its overall "stiff upper lip" personality remains the same. A confident personality but as often in such cases, there is some uncertainty about the self-esteem.

Picture: Chanel No 5 EDP
Photo: Chanel (c)

Chanel No 5 EDP: The Edp version was created by  former Chanel inside perfumer Jacques Polge in 1986. Starts with the recognizable No 5 aldehydic accord, soon deepened with a smooth, deep note of sandalwood. Beside the refined sandalwood, jasmine, rose and peach are the protagonists. Chanel No 5 Edp as a whole is the one that differs most from the other versions tested, to me its a wellbehaved, restrained, sort of urban variation of the colorful, vivid sandalwood jasmine Guerlain Samsara. Strangly I also find similarities with a later composition, Miller Harris Noix Tubereuse. The perfect No 5 for autumn and winter.

Picture: Chanel Eau Premiére
(old bottle and the tested version)
Photo: Chanel (c)

Chanel No 5 Eau Premiére: Eau Première was created 2007 by Jacques Polge as a modern take on No 5 Edt. In 2015 Eau Premiére was reformulated and also changed its presentaion to the Chanel squarebottle. I'm testing the original formula in the rectangual bottle. No 5 Edt is clearly recognizable in Eau Premiére, the characteristic aldehydic accord is similar, the fragrance as a whole feels more uncomplicated, warmer and gentler probably because of the emphasize of the neroli, ylang ylang and vanilla notes. It's apperance, like sunny aldehydes, is creating an informal atmosphere. Eau Premiére's personality is well behaved, kind, with a great dose of self-esteem.

Picture: Chanel No 5 L'Eau
Photo: Chanel (c)

Chanel No 5 L'Eau: No 5 L'Eau created by inhouse perfumer Olivier Polge, is Chanels move to convince the young generation to like No 5. Airy, watery, with a lighter and higher interpretation of the classical No 5 aldehyde accord, the fruity (lemon, orange, mandarine) and floral (jasmine, neroli, ylang-ylang) notes are bright and clean (not detergent clean) and not embedded in the powdery-putty "just blown out candle" aldehydic notes of No 5 Edt and to a lesser extent No 5 Eau Première. Uplifting, and carefree, versatile to wear, a sort of casual elegance, perfect for any daytime occasion. As this is not a sweet, fruity, floral I doubt this will be a sucess in the yougest group of perfume consumers. No 5 L'Eau will attract those with a discerned taste in any agegroup. In my book this version is already a classic.

My favorite: With no doubt Chanel No 5 L'Eau, together with Galop d'Hermès the best release in 2016 (from the very small fraction I have tested). Followed by No 5 Edt because of its more intriguing dry down compared to Eau Première, which on the other hand I like better as a whole, considered its personality and friendlier apperance.  Last but not least Chanel No 5 Edp which is an elegant perfume but in another style, more dated and not as much No 5 as the other versions.

UNUM - Rosa Nigra

Picture: From the medevial Källa church
on the island of Öland, Sweden
Photo: Mr Parfumista (c)

Rosa Nigra is the latest installation in the UNUM perfume line. Rosa Nigra is as the other UNUM fragrances LAVS and Opus 1144 created by Filippo Sorcinelli. Rosa Nigra is created as a variation of the retro powdery smelling Opus 1144.

Rosa Nigra starts with an very intriguing accord which reminds me of a windy, chilly, grey, cloudy day, cold stone, chalk, earth, tangy greenery, like the steem and leafs of a rose. There are some traces from the flower of the rose too, it's a rose from a wild rosebush, not tamed to perfection, I can imagine the rose growing outside an abandoned small medieval countryside church. The tangy, green, dark spirit note of absinth is clearly present, blended with the rose and the chillyness of freesia, balanced with a pleasant peach. This is a combination thet could also be found in Burberry Body but in that one the accord is in a higher octave of the scented notescale and also a bit sweeter. In the topnotes I also find a note that reminds me of honeyed incense and I suspect someincense is involved even if not mentioned in the notelist.

Picture: Rosa Nigra
Photo: PR Unum (c)

As Rosa Nigra dries further down the blend is clearing up after the initial storm and the flowers, peach, absinth are shining also as individual notes interacting in an intricate pattern. One can recognize Opus 1144 but without the thick powdery and dusty lemony smell. The peach is the mainplayer in the second part of Rosa Nigra, the peach has a vintage vibe which make me think of a brighter and cleaner version of the peach in Guerlain Mitsouko. Later on Rosa Nigras also reminds me of the contemporary fruity chypre EnJoy from Jean Patou.The floral-fruity accords are highlighted by the well balanced woody, muksy base. The longer Rosa Nigra dries down the more rosy it becomes, once again. This time there is much more of the rose petals and the perform in a pleasant, pink, creamy version but it's well contratsted with the tangy greenery but in a smaller dose than on the topnotes. Once again the similarity of something that could be a luxury variation of Burberry Body is obvious.

Just as the incensebomb  UNUM LAVS, Rosa Nigra goes from a dramatic, imaginative opening to a much more polished and orderly second part. In the case of Rosa Nigra the fragrance goes from a medivial feeling to a polished contemporary version of a 1920s/1930s fragrance and in its latest stages to a contemporary musky rose.

I find the opening most interesting but in the second part, Rosa Nigra transforms to a very wearable (around the year), really good smelling (at least in the rosy part) and elegant fragrance. Rosa Nigra is classified as an unisex scent but to my nose that applies to the first dramatic part of the fragrance. The elegant second part is more feminine. Sillage is medium and longevity good, for 24h at least.

Rating: 5

Notes: Anise, absinth, freesia, sandalwood, peach, vanilla, cashmere wood, musk, ambra

UNUM - Opus 1144

Picture: Central tympanum, the Western (Royal) Portal at cathedral of Chartres (ca 1145). These architectural statues are the earliest Gothic sculptures and
were a revolution in style and the model for a generation of sculptors.
Photo: Cancre (cc) some rights reserved, Wikimedia commons

Opus 1144 is the second fragrance from the Italian nichhouse UNUM. Opus 1144 is inspired from the gotic era which was started approximately 1144. The fragrance is inspired from the stone in the cathedrals and the grey skies of Normandy, a birthplace for the Gotic style and culture.Just as with LAVS, Opus 1144 is created by Filippo Sorcinelli with help form the secret parfumer.

Starts like a natural lemony (not chemical lemon pledge) contemporary Shalimar without the animalic notes in the original one and less vanillic then the "Route" Shalimars-line. In the Opus 1144 middlenotes the powder intesifies and becomes deeper, a sort of wet, chalky, putty powder. Now the vanilla also intensifies, probably because a clear musky note, complementing the discrete, cold flowers which are also present. In this stage Opus 1144 reminds me of a more vanillic and less flowery Oriza L. Legrand  Jardins D'Armide .  Also the oriental vanilla Kèora from Jean Couturier comes to my mind. As Opus 1144 dries further down it becomes darker, deeper, balsamic, resin and ambery now with slight salty, animalic notes from the ambregris. Tanken as a whole Opus 1144 is quite linear even if the fragrance changes to deeper nuances as it dries down.

Picture: Unum Opus 1144
Photo: PR Unum (c)

Even if classified as unisex, Opus 1144 to my nose is very feminine, like a fluffy angorajumper. Unfortunately, Opus 1144 doesn't remind me of medival times at all, to me it's more of a fragrance for a very feminine and elegant lady. The concept is not new, this is a classical fragrance directly in the footsteps of Shalimar. Opus 1144 powdery elegance is combined with a certain cosy comfort. It's perfect for autumn and winter, could be worn during the day but most people would classify it as an evening perfume. Sillage is medium+ and longevity overnight, a cosy, lemony, powdery, vanillc accord remains after 24 h. This is strong stuff (perfume strength) and one has to apply sparingly.

Those who like powdery fragrances as Huitème Art Poudre de Riz which is less sweet than Opus 1144 as also deep, woody vanillas like Montale  Boisé Vanille will probably also like Opus 1144.

Rating: 4

Notes: Jasmin, mandarin, elemi, bergamot, iris, orchid, cashmere wood, musk, ambregris, vanilla, benzoin, leather, sandalwood

Huitème Art - Shermine

Picture: Greta Garbo as Ivana Ivanova
in a gigantic foxfur in the 1930s movie
The Battle for House Burlesque
Sourse: Furglam.com

Shermine is the latest launch from the Pierre Guillaume subline Huitième Art. Perfumer is as always Pierre himself.

Shermine starts citric with a distinct element of the typical carrot irisnnote, which highlights the roty aspect of iris. Cold, spicy, herbal notes which are somehow enveloped in a warm, furry, setting, soon appears. The citric accord remains during the whole dry down but deepens, in an accord reminding of pickled lemons. The lavender which appears as a flowery element interacting with the cold iris, is concentrated and clean but not bright,. it's not as herbal or sharp that mostly is the case with lavender. Shermine in this part reminds me in style and apperance with Houbignant Iris de Champs. I don't know what the magic mix is which creates the furry, slight animalic impression, no animalic notes are mentioned in the notelist. Only the olfactory magican Pierre Guillaume knows. There is also a touch of a gourmand in Shermine but not as much as in the fruity lavender Vero Profumo Kiki.The base of Shermine is clearly woody-musky at the beginning, then it transforms to be sweeter and with a more powdery texture. Just as Kiki, Shermine is an intriguing and also slight demanding fragrance to wear. It never becomes boring and it's a pleasure to be wrapped in, one can imagine an exclusive furstole, lined with cool silk and warm fur on the outside.

Picture: Shermine, the picture tells all about its appearance.
Photo: PR Huitème Art (c)

Even if retro in style, Shermine is sort of a 2015s version of the legendary fougère Guerlain Jicky. Shermine hasn't almost any similarities, expect the lavender, with for example Serge Lutens Gris Clair which  features incense and is overall more contemporary in style.

Despite containing fougère accords, lavender and woods, I find Shermine quite feminine, maybe the furry and slight gourmand accord is responsible for that. Shermine is suitable for the colder months or as a evening fragrance. The silage is medium and longevity more then a day.

Shermine is definitly another winner from Pierre Guillaume, one of the very best releases in last year.

Rating: 5

Notes: Pepper, lemon, cardamom, rosewood, iris, lavender, vanilla, musk, vetiver, patchouli, guaiac wood.

Thanks to Fragrance & Art for the sample to test

Ramon Monegal - Very Private

Picture: Beneath the Lilac at Maurecourt,
Painting by Berthe Morisot, 1874,
Wikiart

Very Private is an exclusive composition created by Ramon Monegal for Bergdorf Goodman, New York. The fragrance is said to capture the hypnotic and magical impression of the Bergdorf Goodman flagship store as well as Central Park in springtime.
Very Private starts with a sunny burst of what I percieve as yellow-green fruity notes, accompanied by fizzy peppery notes. There is also a hint of alcohol in the beginning, the impression of a fruit cocktail. Soon also rose and a note that reminds me of melon appears. the fizzy, fruity first stages of the perfume reminds me of another joyful Ramon Monegal - Lovely Day. Lovely Day and Very Private also have some common notes; rose and licorice and I can also smell a similarity also in whole accords of the fragrances even if Lovely Day is more peppery and fresher where Very Private is more flowery with a golden, warm, honeyed sweetness. The melonnote is of the Galia varity, not watermelon. The lilacnote, to my nose, is recognizable in the second part of the dry down and I have to smell very close to really sort it out from the seamless blended fruity-flowery mix. The basenotes are a pleasant musky mix with oak moss and licorice adding some dept and contrasting darkness to the this bright and happy fragrance.



Picture: Very Private in its white cap,
 inkwell bottle
Photo: PR Ramon Monegal (c)

Very Private I can imagine (the test is done in cold springweather) is a durable fragrance for warm, summerdays. Also suitable for spring and wearable in most occassions, very good to cheer up in the office. Perfumesnons should not fear away as this is a genuine fruity-floral fragrance, it's not the sickingly artificial smelling sweet fruity-floral, Very Private smells almost natural in its interpreation of florals and frutis. Sílage is medium and longevity good, for a day.

Those who like Hermès Un Jardin apres la Mousson, Ramon Monegal Kiss My Name (which is in a similar style as Lovely Day) and Guerlain Idylle Duet Jasmin-Lilas will probably also like Very Private.

Rating: 3+

Notes: Citrus, fruity notes, tea rose, violet, lilac, orange blossom, oak moss, licorice, vanilla, musk

Le Galion - Special for Gentlemen

Picture: Special for Gentlemen
Photo: PR Le Galion (c)

The venerable perfumehouse of the 1930s-1970s  Le Galion, was brought back to life again  in  2014. The golden days of Le Galion started in 1935 when the already then famous perfumer Paul Vacher bought the house and started to create a range of high class perfumes. Vacher is also the nose of iconic Miss Dior and Diorling for Christian Dior. Tomas Fontaine is the perfumer who has reworked the old Le Galions according to current standards. As I haven't tested any vintages, I can't comment on differences/similarities et but the new versions I've tested so far are great. Over to the object of today: Special for Gentlemen originally released 1947 and was created by Parul Vacher himself.

The fragrance starts in a traditional aromatic way with the most beautiful lemon, yellow, sunny and warm. The lemon is of course supported by aromatic, hebal notes, very fine tuned and smooth in their apperance. In this stage Special reminds me of fragrances as Givenchy Gentleman, Geoffrey  Beene Bowling Green  and Chanel Pour Monsieur. Quite contrary to most aromatic fragrances, there is absolutely no harsh or sharp edges as in Special, it's so well blended and seems to be constructed with very high quality ingredients. Among the herbal-spicy notes a smooth cinnamon is most evident and it's recognizable during the rest of the dry down. When the cinnamon appears I'm reminded of Parfums de Nicolaï  Patchouli Homme a very uncommon patchoulifragrance. After a while also balsamic notes appears, deepens the fragrance and wraps the wearer in a comfortable but still very elegant aura. There are also discrete woody-mossy  notes with a touch of something animalic which anchoring Special in the basenotes. Despite the heavy notes, Special is sort of light in texture  with a very clear presence which is never disturbing. In its later stages, Special reminds me of fragrances as Aramis Tuscany (mens version) and there is also something (but much smoother) from the legandary Guerlain Jicky present.

Special is pure elegance, for the versatile gentleman, a timeless fragrance of high class, both in construction, blending and quality of the ingredients. To me, Sean Connery in the character of 007 James Bond, personifies Special for Gentlemen. It could be worn in many (non-sporting) occasions and Special is demanding in another way: Wearing it always requires a proper outfit for the said occassion, as the whole image of the wearer has to be complete. Special is indeed a very masculine fragrance but the smoothness and balsamic structure oddly enough also make it (almost) wearable for a women.

Special is definitly a must try for those in search for a classical aromatic fragrance. Personally, after trying this, I can't remember me or Mr Parfumista have tried anything better among classical aromatics. Top notch and the best masculine fragrance tested since M.Micallef Royal Vintage spring 2013.

Rating: 5

Notes: Bergamot, citron, lavender, cinnamon, amber, labdanum, oakmoss, patchouli, vanilla, castoreum, birch, opoponax

Thanks to Fragrance & Art for the (already drained :-( ) sample to try

Mona di Orio - Myrrh Casati

Picture: Marchesa Luisa Casati, (1881-1957)
Painting  1908 by Giovanni Boldino (1842-1931)
Wikimedia commons

Myrrh Casati is the first fragrance from nichehouse Mona di Orio created by another perfumer than Mona. After Monas untimely death in December 2011, the fragrances that was in line for release Rose Etoile de Hollande and Eau Absolue or the personal fragrance for Monas business partner Jeroen Oude Sogtoen Violette Fumeé, were launched. This difficult mission to compose the first non-Mona fragrance for the house of di Orio was given to perfumer Melanie Leroux. The new perfumes are launched in a subline called the Monogram Collection which also introduce new bottles and a new logotype for the Mona di Orio brand.

Myrrh Casati is inspired of the very wealthy eccentric italian early 20th century active Marchesa Luisa Casati, a musa for fashion and art. Myrrh is a timeless, dramatic and mysterious ingredient with ancient origins and therfore also maybe a tad eccentric.

Myrrh Casati starts transparent and in the higher octaves of the scale, a similar context as Serge Lutens beautiful La Myrrhe but with a slight spicy, smoky almost leathery addition. La Myrrhe is more of a pure myrrh perfume with the pronounced refreshing mushroomnote which lasts for a considerable time of the dry down, in Myrrh Casati the mushroomnotes last just for a while. In the middlenotes the licorice contribute to a sweet contrast to the very dry myrrhinterpretation of Myrrh Casati. There is also a smell of fresh loam and a quick glimpse of a drak green moisy moss and a quick passing note similar to pine needles. The licorienote is very well balanced and not as prominent as in Guerlain Myrrhe et Delires or Huiteme Art Myrrhiad. In the basenotes Myrrh Casati is deeper and the myrrh is surrounded by perfectly balanced spices, the cardamom and saffron are note detectable as separte notes, as also not the incense and patchouli. Everything is somehow perfectly balanced, restrained, elegant and wellbehaved.

Picture: Myrrh Casati in the new Mona di Orio flacon
Photo: PR Parfums Mona di Orio (c)

To me Myrrh Casati is calming and soothing, not recalling one of the Marchesas wild parties. The darker, denser and heavier Huiteme Art Myrrhiad would be more suitable in this context IMO. Insted it's recalling the same as Serge Lutens La Myrrhe a medival stonechapel, cold a bit moisty and mossy stone, with traces of the smell of balmy incense, myrrh and soft spices in the air.

Even if not original or not particularly distinctive from the other myrrhs mentioned in the post, the soothing and in the same time elegant qualities makes Myrrh Casati very attractive and wearable for many occasions year around. It's undoubtedly appropriate in style to join the perfumes created by Mona. Sillage is close and longevity over night. Not that I'm a specialist in perfume construction but to me, Myrrh Casati is better balanced then both Myrrhe et Delires and Myrrhiad. Finally I perceive it Myrrh Casati as a more restrained alternative to La Myrrhe.

Rating: 5

Notes: Red berries, pink pepper, cardamom, saffron, licorice, benzoin, myrrh, incense, patchouli, nagarmotha, guaiac wood

Blog Anniversary - 8 years today

Today it's eight years since my first entry (in swedish) on old "Parfumistans dagbok" = "The diary of Parfumista". It was about my long time passion for perfume, my first perfumememories of my mothers signaturefragance Dior Diorissimo etc. Looking back, if I had put all the effort that I put in blogging and the money spend in perfume in managening a stock portfolio instead, I would be halfway to be financially independent by now :-). On the other hand, I  probably would have smell less intricate.

Perfumes I crave and wear at the moment:

Guerlain L'Heure Bleue Edt & Edp (vintage): Both magnificent, Edt airier, drier and with an almost herbal touch, Edp dark and like velvet in texture, sweeter and with more flowery notes.

YSL Opium Edt (current): I love also the current formula, deep, spicy, dark woody. Perfect for fall and winter and with a excellent longevity.

Montale Aoud Red Flowers Edp: A non-oudy oud from Montales oud-line. Lipstick texture, tagets with traces of tobbacco. Sort of vintage feeling.

Farmacia SS Annunziata Gelsorosa Edp: The best jasmine (supported by orangeblossom and tubereuse) I have tested so far. Intensive and musky-animalic.

Chanel Cuir de Russie Edt: Powdery, aldehydic, leather, with a lipstick texture. Like the smell from inside an elegant purse.

Pictures above: PR Guerlain, Yves Saint Laurent, Montale, Farmacia SS Annunziata, Chanel (c)

PS: Out of nostalgia I publish this post at 14:02 PM exactly the same moment as the first entry eight years ago.

Parfum d'Empire - Corsica Furiosa

Picture: Emperor Napoleon I (1769-1821),
another corsican furiosa.
Painting by  Paul Delaroche (1797-1856)

The latest addition to the highquality house Parfum d'Empire, Corsica Furiosa is a tribute to the ISCPA-trained perfumer and owner of the house Marie-Antoine Corticchiato native island Corsica. Corisca Furiosa, which features the mediterrian shrub lentisque, is an aromatic-green fragrance in its very own style , one hand dry, herbal, on the other green, leafy, crisp.

Corsica Furiosa starts with an accord which smells of dried herbs and gras over the sunbaked, hot, earth of a mountained, mediterrian island. There is also a note of smoke, as the smoke from a fire far away. A light spicy limenote is also present and is recognizable also in later stages of the fragrance. After a while a natural haynote appears and further in the dry down an almost animalic note, a pleasant furnote, appears. This stage reminds me of something in Musc Tonkin but softer and tuned down. In the basenotes a note clos to crisp, bulbflower leaves appears, probably the tomatoleaves but different handeled than in typical tomatoleave fragrances as Sisley Eau de Campagne and Joop! What about Adam. In this stage a light flowery element which reminds me of daffodil, enlighten this, taken as a whole, austere composition. This flowery note, the green note, the fur note and some of the hay with a slight herbal touch is what remains in the basenotes and lasts until the fragrance has dried down after 8-10 hours. There is also an element in Corsica Furiosa which reminds me of an accord in the base of Olivier Durbano Lapis Philosophorum.

Corsica Furiosa is gentle and close to the skin, it's light, almost as a cologne and could be re-applied during the day without any risk for overdoing it. It's a very casual fragrance but would also perform well in the workplace, especially in the scentfobic office. Corsica Furiosa is most intriguing in its first part, than its plesant and quite ok but with out the sensation of the first one third.

To me Corsica Furiosa is truly unisex but to be honest I think it wears better on me than on Mr Parfumista who tried it at first as I thought it would be more herbal bitter and masculine in style. Other fragrances which comes to my mind when testing Corsica Furiosa is Guerlain Cologne 68 which have some of the burnt, herbal mediterrian notes but is more flowery and sweet. The crispy bulbflower leaf is present in for example Pierre Balmain Vent Vert (older formula) and Oriza L .Legrand Deja le Printemps.

Rating: 4

Notes: Lentisque, hay, grass, lime, honey, moss, labdanum, mint, tomatoleaves, pepper

Thanks to Fragrance & Art for the sample to test.

Carner Barcelona - El Born

Picture: Mercat del Born (Barcelona)
Photo: Maria Rosa Ferre (cc) ,
Wikipedia commons, some rights reserved

El Born is the latest addition in the Carner Barcelona line which is inspired  from different parts/aspects/moods and of course scents from Barcelona, both from the present and the past. El Born is inspired from the streetlife, scents and views of the old, touristcrowded El Born quarters, surrounding the market place.

El Born starts with slight citrusy and tart herbal notes contrasting to sweet, edible, pastry notes, the angelicanote is not as obvious as in Guarlain Angelique Noir it's a more of a light weight interpretation. After a while a delicious smell of a dry almondcake appears, it's not the liqueur-like amarettonote, this is the note of ground almonds for a cake. The fignote is not the lush fruity one of for example Diptyque Philosykos, the fig is more of the leaves and the tree, with something dry that reminds me of a smoother and lighter version of the fig-peppery combination of Neela Vermiere Creations Ashoka. In this stage, El Born as a whole, rests in a balsamic, light spicy comfort.

In the basenotes the balsamic-resin comfort still consists and a smooth, even if a bit peppery, sandalwood emerges. There is also an unexpected twist with an accord which smells slight liquirice/anice-like (even if not present as notes) and which add a contrasting chill in the warm balsamic base. This anicelike reminds me of a similar treatment of the note; it reminds me of the base of Atelier Cologne Mistral Patchouli but in the latter, the anice-like aspect is interacting with patchouli instead of balsam and soft woody/spicy notes. The longer El Born dries down, the more I smell the connection to Mistral Patchouli.

Picture: El Born
Photo: PR Carner Barcelona (c)

El Born is a very good representative of the comforting, contemporary, casual, chic style of  Carner Barcelona. To my nose El Born in style most resembles the light spicy, sort of café-atmospheric Rima XI. Just like these comforting scents, El Born is easy to like, smooth as cashmere, a true wrist sniffer with an almost calming influence on the wearer, at least if the wearer is me. The slilage is close, the longevity for over a day and its suitable both for casual (a perfect perfume for shopping, with a break at some fashionable café) and to comfort duirng a though day in the office. Even if the warm and comforting character makes it well suited for autumn and winter it also smelled great during the hot, humid summerdays when I tested El Born. To finsh the praise: The more I try El Born, the more I like it. It's not love at first sniff but this fragrance wins in the long run.

Other fragrances that reminds me od El Born in their style is The Different Company Oriental Lounge (swe) and Frederic Malle Dries van Noten but I percieve El Born as less sweet than the latter.

Rating: 5

Notes: Lemon, bergamot, angelica, honey; fig, heliotrope, benzoin, jasmine, vanilla, peru balsam, sandalwood, musk

By Kilian - Sacred Wood

Picture: Santalum Album in Hyderabad
Photo: J.M Garg (cc) some rights reserved,
Wikimedia Commons

Sandalwood perfumes are a tricky fragrance cathegory for me. The iconic  Guerlain Samsara is too bold for me (even if my friend Fragrancefanatic have some anosmic problems with it), the heavy sandalwood + curry(?) Serge Lutens Santal de Mysore which is the only fragrance so far that has caused me an allergic reaction, Parfums Frederic Malle Dries van Noten is a bit too sweet and almondcookie like too remind me of the real wood. Etro Sandalo (old version) is good but maybe a bit too dense. And so one could go on... Until now, when I have found my ideal sandalwood (so far): By Kilian Sacred Wood from the Asian Tales Collection, as most Kilians created by Calice Becker. CB is well known for her excellent floral interpretations but apparently she is also a champion of woods. As a composition Sacred Wood is built around the olfactive impression of Mysore Sandalwood. This sandalwood is prohibited to use because of over-exploitation and a similar accord has been  reconstituted in Sacred Wood.

Sacred Wood starts with delicious sparkling, transparent sandalwood. The cocosaccent in the sandalwood is distinct in the operning and is almost flowery and reminicent of the cocoslike note in tubereuse. Soon there is also a tart, slight, fizzy but in the same time smooth and milky green note contrasting the sandalwood. The milky green note reminds me of fig, not a listed note but the effect is similar. The sandalwood, tart milky fig combination persists during the whole dry down of Sacred Wood but as longer the fragrance dries down the more prominent the sandalwood is. In the later basenotes, the impression is of solid, warm sandalwood.

Picture: Sacred Wood By Kilian
Photo: PR By Kilian (c) 

Sacred Wood somehow reminds me of a woody Annick Goutal Ninféo Mio and is just as this dark green.figgy  fragrance, a perfect companion for summer. Even if transparent in texture, Sacred Wood is a powerful fragrance that lasts for almost 24h and has a medium sillage. Its warmth makes it also nice to wear during the colder month. Sacred Wood is suitable both for work and festive occasions, an elegant,  sandalwood in a contemporary but in the same time timeless interpretation.

Rating: 5

Notes: Sandalwood oil, milk, wood, spices

Springtime fragrances

Soon they're here!
Photo: Mr Parfumista (c)

This year spring is very early, or at least the late winter is springlike some of the days. Of course there was almost no winter this year which is a great relief in everyday life. Anyway, this brings out this brings out the craving after springfragrances, such as:

Foin Fraîchement Coupé (Oriza L.Legrand): Starts fizzy, light green over dry haynotes, clover and herbs. Deepens in a sweeter, almost anise-liqueur-like light musky note. Comnines rual, green freshness with a delicate, sweet. light gourmand accord. Excellent longevity, I can smell whiffs from this fragrance from the dept of my skin days after I worn FFC.

Le Parfum  L'Eau Couture (Elie Saab): From the very moment when the first molecules hit my skin when testing LPL'EC I knew this is a must have. Starts bright and springlike, with an accord reminiscent of an almondy and not so cold Lily of the Valley, even if the notelist says magnolia. The classical Kurkdjian/Saab orangeblossom accord is also there but not as highlighted as in the original Le Perfum. A light vanilla complements the flowers perfectly. This is a reminder: Never underestimate "the mainstreams". Many of them are much better than all of the anxious complicated fragrances which are too many in the tide of nicherealeases.

Forever and Ever Dior (Christian Dior): This is a fragrance which I have neglected to try for a decade because of its silly name. It was displayed when I passed through a perfumestore and I tested it and fell immadiately for its light, bright, pink, rosy and crisp flowery charm. An elegant and very wearable springfragrance for ladies of all ages.

L'Heure Bleue (Guerlain): I think I mentioned L'HB in my list of springfragrances last year too. Every late winter/early spring I long a bit extra for this magic velvet dark blue, dusty, iris-neroli-heliotrophe-tonka elixir in all of its concentrations. L'HB is a fragrance which never loses its interest and which I appreciate even better the more I sniff from the flood of new fragrances.

Onda (Vero Profumo): Like taking a walk over the fields when the snow just has melted. The smell of earth, mud and the grass of yesteryear with light animalic whiffs from the horses on the barnyard nearby. (Onda Extrait & Voile d'Extrait).

Which fragrances do you perfer for spring?

Fragrances for cold winter

Photo: Mr Parfumista (c)

After a green, rainy and green winter (with tempratures about +5-10 C) which spanned over the year end and nine days into January, the regular snowy and cold winter is now here and seems to be permanented. Even if the white snow is beautiful, everyday life gets much more tedious (all the clothes one have to wear, scraping the car windows, slippery outside, shoveling snow etc). But one thing is very positive, at last I really carve the hard core orientals. Here are some favorites at the moment.

Labdanum 18 (Le Labo): Thanks to Sigrun (Riktig Parfym) I got a sample of this and it was instant liking. Dense, warm, like dark brown, viscous, chocolate, even if not smelling of that. To me it smells of resins, a bit powdery, animalic and balsamic. Reminds me of Shalimar but not as complex and darker. Which leads to:

Shalimar (Guerlain): Cold weather is the right condition for this multifacetted beauty. I get less of the lighter notes as bergamot/citric and more of the dark, balmy, resin and animalic ones. "Shallan" is a true follower which could always be trusted.

Ambre Doré (Maître Parfumeur et Gantier): This is a dark, velvety, slight dirty amber with oud deepening the creation and givning it an interesting twist. The oud is very discrete, one doesn't think of it as oud. The dirtyness is also discrete, not as much as in another amber favorite L'Ombre Fauve from Parfumerie Générale.

Rêve d'Ossian (Oriza L.Legrand): Ossians dream has emerged to be my favorite Oriza in very hard competition as they are all so good. Amber, incense, pines, resins and some spieces are creating a comforting, warm and snuggly texture which warming up the coldest of days.

Opium (Yves Saint Laurent): As I'm saving on the little which is left of my vintage version, I'm mostly wearing the current version which I think is a very good woody-spicy oriental on its own merits. Can't understand all the complaints about it.

What is your comfort cold, winter scents?

The perfumed year 2013

Photo: Mr Parfumista (c)

Time to summerize some perfume related matters from 2013:

* The year started with the intention to say something perfumewise or perfumerelated each Saturday in the "Fragrance(s) of the week" post. This routine lasted as long as three quaters of the year then it subsided. Writing two posts a week, which usually are reviews, is just enough having a full time job in a complete different business, family etc.

* My Twitter also subsided after almost two years of SOTD tweeting. In the end I almost felt exhausted about this daily compulsion. In 2014 I'll try a middle course, tweeting for a  week now and then.

* During the year I tested, sniffed just for short briefs or evaluated fragrance testings outsourced to Mr Parfumista, a number of ca 135 fragrances. It  means that in about 37% of the days of 2013, some form of perfume evaluating activity took place. Upon this there are of course also fragrances just worn which I have not written about but I have registrated most of them in my "scentmemoey" as references.

*In 2013 there was just one or two fragrance free days and this was when I had a stomach flu. When I'm cold and can't smell anything I put on a light cologne for its ambience. In 2014 the sniffing rate will slow down (I think).

*Days when there are no fragrance assessments on the agenda I relax in comforting fragances as for example the Piguets, the Goutals, the By Kilians or the Hermes Colognes or just appreciate the classics. For example Guerlain Mitsouko is far more interesting than most of the new releases even in its current formula.

*I'll coming back to my perfume testing routines in a post next year, ie how I test and evaluate for a full review.

* In 2013, even if there where many good releases, my nose become a bit jaded. There is nothing wrong with the releases as such, but when sniffing a lot of fragrances, in the end, not many of them stands out. Different  fragrances within a certain category are generally very close in style and smell. When reviewing I try to don't let this affect the assessment as such, I like to compare them with other fragrances captured in the scentmemory.

* 2013 was also the year when the EU restrctions which became effective July 1 would put an end to many of the classics so I've stocked up some during the first half of the year, just to be sure. Today it seems as in reality nothing has happened, but who knows when the old stocks runs out.

* At the moment there are some positive signs about the perfumed future. I read somewhere on Bois de Jasmin that Victoria had smelled a new batch of Mitsouko which was very good and smelled much more like the vintage version. Some newly invented/improved moss substitutes are probably the reason for that. Hopefully this is just the start for new inventions and who knows, in the end and taken as a whole, maybe the restrictions dosen't matter. Maybe something even better comes out of this within a few years.

I wish all readers a Happy New 2014!