Histoires de Parfums - 1969 Parfum de Revolte

Picture: "Riverbank of Peach Blossoms (portion)", ink and colors on paper,

1642 - 1707, located at Metropolitan Museum of Art, Wikimedia commons

From a perfume named 1969 Parfum de Revolte one routinely expect a blend with a dominant patchouli, maybe something as Reminiscence Patchouli or the airier Etro-version Patchouly. The 1969 Parfum de Revolte, created by the houses founder the perfumer Gerald Ghislain is anyting but this: Parfume de Revolte is a fruity, slight floral dessert-like gourmand creation, and there is indeed some patchouli very well blended among the ingredients.

1969 Parfum de Revolte starts with a wonderful peachy, rosy accord supported by a note that I percieve as freesia, which is not mentioned among the notes. The peachy note is somehow not especially sweet, it's not jammy instead it's more like the fresh ripe fruit. The peach note is present during the whole dry down but reduces in extent in the middle- and basenotes.There is also an  indefinite almost dense flower-iness which complements the peach very well. In the middle/base a patchouli which highlights the dark chocolate aspect of the note shines through. But the patchoulinote is cleverly interwowen in the blend as it never takes over the fragrance, just supports with it's darkness. In this stage some soft spices and a dark coffenote also appears, perfectly matching the patch. Everything is backed up by a soft musk. In the late middlennotes/early basenotes there is an accord as I percive as true aldehydic, there is something in common, not exactly in smell but in appearance, with Yves Saint Laurent Rive Gauche.

1969 Parfum de Revolte is another beautiful and artful composition from the quality house of HdP. This is not the ordinary, screechy, chemical, fruity-floral, this is a delightful, credible fruitiness. It's an unsual blend and I for once have hard to find other scents that I think it resembles. The opening peach have some similarities with Parfums MDCI Peche Cardinal despite PC also has a plumnote in it's top and I percieve 1969 as a cleaner peach but not as airy as the springlike By Kilian Flower of Immortality.

1969 Parfum de Revolte is a good fragrance for evening but I also think it's proper to wear at daytime during the cold and grey months in fall and winter. The fragrance has a great longevity and remains almost unfragmented until the next morning.

Rating: 5

Notes: Peach, rose, white flowers, caramon, clove, patchouli, coffe, chocolate, musk

Carner Barcelona - Sweet William (Floral Collection)

Picture: Sweet William
Photo: PR Carner Barcelona (c)

Sweet William is Carner Barcelonas modern interpretation of the old-fashioned fragrance floral concept of carnation. Perfumer is Rodrigo Flores-Roux.

Sweet Williams starts very attractive, like a light, fresh, dry, almost ozonic carantion, as wild carnations in a field a sunny and windy day. The texture is of paper. Even if bright and high in the octaves of the fragrancescale, Sweet William is not shrill or annoying. There is nothing of the traditional dense and dark carnationfragrance, heavy supported with clove. Anyway, there is a touch of spice in Sweet William, but light and sparkling from the wellbalanced harmony of white pepper and cardamon. After the topnotes, Sweet William becomes less papery in etxture and a pleasant tangy, slight leafy note with sort of clean earthy glimpses, appears, maybe hints of the tobbaccoflower. This gives the fragrance a deeper contrast and the pleasant tangy accord is the mainplayer together with the clean carnation for the rest of Sweet Williams drydown. There is also a touch of something that reminds me of a natural smelling pearnote, not the chemical cloying version, and also some light woody rosy touches are also present. The base is light ambery together with sort of a clean resin note.

When comparing to the classics, Sweet William could be the modern Caron Bellodgia in Edt version, it has the same light and tonality even if Bellodgia is spicier and if it has a colour, I imagine Bellodgia as orange and Sweet William as bright red. Oeillet Sauvage from L'Artisan Parfumeur in current version, has similarities with Sweet William with the fresh, light, bright and almost sparkling opening and in the overall light and airy impression. Etro Dihantus also comes to my mind when it comes to the light and bright style.

Sweet William is a pleasant, mostly linear, versatile, non-complicated carnationfragrance which is not as challenging or demanding as classic carnationfragrances. It's very easy to wear and it's a carnation for summer and daytime wearing. Sillage is close and longevity for a day. The most unisex of the three fragrances in the Floral Collection even if leaning slight to the feminine side.

Rating: 4

Notes: White pepper, cardamom. cinnamon bark, galangal, dianthus, ylang-ylang, rose water, tobaccoflower, ambrarome, iris, styrax, vanilla

L'Artisan Parfumeur - Oeillet Sauvage (new version)

Picture: Dianthus caryophyllus
Photo by 撮影者：カールおじさん (cc)
Wikimedia.com, some rights reserved

L'Artisan Parfumeur Oeillet Sauvage created by Anne Flipo, was first released in year 2000, then discontinued, probably because of the though IFRA restrictions against the substances creating the scent of carnation. Now it's relaunched and the review is of the current version, I have not tested the vintage.

Oeillet Sauvage starts with a crisp, papery, carnation note. It's like the name implies, like wild, intensive red carnations, growing in a field surronded by fresh and dry hay where the smells mingles a windy summerday alternating sun with clouds in the sky. Oeillet Sauvage smells distinct of carantion, no dark or cloying clove seems to be unvolved. It's not as spicy as many traditional carnation, here the flower itself is highlighted even if other flowers and notes are supporting, they not overrides in any stage of the developement of the fragrance. A light powdery finish are persent but not as clear as in Oriza L.Legrand Oeillet Louis XV which ha similariteis in the interpretation of the flower but is much more of a mulitflower powder puff. Compared to the other Oriza L.Legrand carnation fragrance Royal Oeillet and also the great carnation of Aedes de Venustas Oeillet Bengale the two latter are darker, balsamic and overall more complicated. Oeillet Sauvage is not as peppery and diluted as another carnation on the lighter end of the spectra, Etro Dianthus or not as old world smelling as Caron Bellodgia.

Picture: Oeillet Sauvage (current version)
Photo: PR L'Artisan Parfumeur (c)

Oeillet Sauvage is a cheerful, easy to wear carantion which is suitable for daytime wear year around, Royal Oeillet and Oeillet Bengale is autumn/winterfragrances or for chilly summer evenings. Sillage is medium and longevity for more than a day. Oeillet Sauvage is a well made, uncomplicated, contemporary carnation which is definitely worth trying for those appreciate carnation.

Rating: 4+

Notes: Pink pepper, rose, carnation, ylang-ylang, lily, wallflower, morning glory, resin, vanilla

Made in Italy (2) - Lorenzo Villoresi - quick impressions

Picture: Landschaft mit Sonnenuntergang ca 1505
Painting by Giorgione (1477-1510)

About one and a half year ago I had a post regarding some interesting Italian perfumes from different perfumehouses. I really like the often dramatic, sometimes almost unpolished style of the italian perfumery. Below short impressions of some fragrances from Lorenzo Villoresi, a well-established, contemporary-classic house with quality fragrances to reasonable prices. Even if the fragrances differs in style, the LV house IMO is sort of the italian equivalent to the french Annick Goutal or Parfums de Nicolaï: Reaible fragranceinstutions of their respective country.

Donna: This is a true bombshell, intense floral fragrance in the great 1980s style. A fragrance for the brave, the diva who doesn't mind taking the center stage. Starts with a bold, sour, old fashioned, dark rose, that transforms to a beautiful slight creamy leathery-smoky-dark rose stage, almost the sort of creamy effect of the rose-oud-saffron combo that appears in some modern ouds like Montales Aoud Safran (swe), but in Donna without the oud. There is also just the right spicy carnation note supporting the rose and probably it's this combination that gives the creamy-leathery-smoky effekt. Later on, soft sandalwood and musky  notes smoothens and calms the fragrance a bit but the dark, smoky rose are still there, lurking in the blend. When I smell Donna, I'm glad that someone still has the courage to produce such an "unfashionable" and not at all easy to wear fragrance.

Alamut: This is much smoother and more pleasant than I've imaged from reading reviews of it. A bit powdery rosewood, the beautiful gunpowder note that is used but on a much higher volume in my favorite LV Teint de Neige. There is also polished orangeblossom notes, soft wood and spices which smells like an old wooden chest used to store spices for deacades. Alamut is the true image of a  member of the soft oriental fragrance family. Comforting, unobtrusive but still ever present during its dry down, a  cherishing fragrance for autumn and winter.

Sandalo: A velvet smooth, straight-forward, nutty sandalwood, not the sharp type of sandalwood (I think it's the australian grown type of sandalwood that contains the sharp notes). Reminds me of Etro Sandalo (swe) but less peppery in style. The Etro I refer to is an older formula than the one sold now which I havn't sniffed. LV Sandalo is a very good canditate for those who seeks for a singlenote sandalwood for the fragrance wardrobe.

By Kilian - Sacred Wood

Picture: Santalum Album in Hyderabad
Photo: J.M Garg (cc) some rights reserved,
Wikimedia Commons

Sandalwood perfumes are a tricky fragrance cathegory for me. The iconic  Guerlain Samsara is too bold for me (even if my friend Fragrancefanatic have some anosmic problems with it), the heavy sandalwood + curry(?) Serge Lutens Santal de Mysore which is the only fragrance so far that has caused me an allergic reaction, Parfums Frederic Malle Dries van Noten is a bit too sweet and almondcookie like too remind me of the real wood. Etro Sandalo (old version) is good but maybe a bit too dense. And so one could go on... Until now, when I have found my ideal sandalwood (so far): By Kilian Sacred Wood from the Asian Tales Collection, as most Kilians created by Calice Becker. CB is well known for her excellent floral interpretations but apparently she is also a champion of woods. As a composition Sacred Wood is built around the olfactive impression of Mysore Sandalwood. This sandalwood is prohibited to use because of over-exploitation and a similar accord has been  reconstituted in Sacred Wood.

Sacred Wood starts with delicious sparkling, transparent sandalwood. The cocosaccent in the sandalwood is distinct in the operning and is almost flowery and reminicent of the cocoslike note in tubereuse. Soon there is also a tart, slight, fizzy but in the same time smooth and milky green note contrasting the sandalwood. The milky green note reminds me of fig, not a listed note but the effect is similar. The sandalwood, tart milky fig combination persists during the whole dry down of Sacred Wood but as longer the fragrance dries down the more prominent the sandalwood is. In the later basenotes, the impression is of solid, warm sandalwood.

Picture: Sacred Wood By Kilian
Photo: PR By Kilian (c) 

Sacred Wood somehow reminds me of a woody Annick Goutal Ninféo Mio and is just as this dark green.figgy  fragrance, a perfect companion for summer. Even if transparent in texture, Sacred Wood is a powerful fragrance that lasts for almost 24h and has a medium sillage. Its warmth makes it also nice to wear during the colder month. Sacred Wood is suitable both for work and festive occasions, an elegant,  sandalwood in a contemporary but in the same time timeless interpretation.

Rating: 5

Notes: Sandalwood oil, milk, wood, spices

Guerlain - Tonka Imperiale

Picture: Roman Emperors

Source: http://vaticanarthistoriantours.com

Tonka Imperiale is one of the later creations in the Guerlian exclusiveline L’Art et la Matière. Tonka Imperiale is a true warm and slight, gourmand sweet oriental, created by the Guerlain houseperfumer Thierry Wasser.

Tonka Imperiale starts with a warm, sweet but in the same time light and subtle, a bit powdery accord of tonka been. After a while a very balanced note that reminds me of a rounded cedarwood note appears, maybe it's one of the woody notes or maybe it's the mix of wood, herbs and spices that induces this impression. An almost liquorlike note of tobacco, balanced with light, almost not detectable flowers appears and contrasts after a while with "fresher" colder, balmy notes of incense and fir. As in all of the L’Art et la Matière fragrances I have tried so far, the ingedients are so well balanced, rounded and fine tuned that there is hard to distinugue them separately from each other. Tonka Imperiale is no exception It's a very well crafted fragrance with gourmand undertones. In the basenotes there is a slight powdery caramelnote, similar to the one in Prada Candy (in swedish) but darker, less sweet and a bit stronger. In Tonka Imperiale the tonkabeen is not combined with vanilla which is common, and that probably tempers the sweetness to a pleasant, moderate level. In the texture Tonka Imperiale has similarities with the elegant immortelledominated Guerlain Cuir Beluga, it's like a pushier, more masculine (even if unisex) interpreation of a similar theme. Both are beautiful fragrances but Cuir Beluga to my nose, is a bit more original.

Tonka Imperiale is perfect for autumn, winter and the chilly early spring. Even if moderatly sweet I suspect it could be overhelming in warm summerdays. Tonka Imperiale is a true comfort fragrance, it's not overpowering if applied with care and therefore a perfect officescent that brings comfort also to other than the wearer. Sillage is medium and longevity for 24h.

Those who likes the fragrances mentioned above as also Carner Barcelona Tardes, Parfumerie Generale Tonkamande, Etro Heliotrophe and Parfums Nicolaï Kiss me tender , even if the two latter is more floral, will also like Tonka Imperiale

Rating: 4

Notes: Bergamot, rosemary, jasmine, almond, tonkabeen, tobacco, incense, cedar, pine

Oliver & Co - M.O.U.S.S.E and M.O.U.S.S.E II

Picture: Gewürznelkenbaum, Köhler
 Medizinal -Planzen, Franz Eugen Köhler (1897),
Wikimedia Commons

Mousse and Mousse II are slight different takes on a original fresh spicy clovetheme. Both are created by spanish indieperfumer Oliver Valverde who uses a high precentage of naturals in his, despite this, strong and lasting fragrances.

Moussse: Starts with a distinct scent of airy clove which is unsweet and natural in its interpretation. It's clean but without any detergentnotes despite its consistent supporting musky theme. Even if the clove is airy and transparent in texture, this fragrance is very strong and demands a light application. As Mousse dries down the clove is tamed by a soft sandalwood which perfectly balances the fragrance. In this stage there is a hint of the scent from a soft high quality carnation soap. To summarize Mousse it's the perfect spicy counterpart to Comme des Garcons excellent incense-pine creation Kyoto.   

As Mousse is a non sweet and fresh clove it's wearable also during the summer and the musky spicy clove blooms in warm weather. Mousse is also right to wear during the rest of the year, a versatile sort of timeless ( even if contemporary I can easily image a king of the baroque-era wearing this) unisex fragrance, despite IMO, just as Kyoto, Mousse is leaning to the masculine side. Sillage and longevity (24h+) are great.

Mousse II: This is an even more airy, almost ozonic take on the original Mousse. The clove is lighter and the whole scent is brighter and the fizzy fresh notes of mint and cardamom is added. There are also a strike of the crisp green lily of the valley accord from La Colonia. Overall Mousse II is more playful, brighter, lighter not as distinctive/sharp as the original Mousse and therefore easier to wear. It's also a more feminine unisex fragrance than the original Mousse. Sillage is good and longevity for a day. Etros transparant carnation with clove, Dianthus comes to my mind when wearing Mousse II even if Dianthus is more concentrated of the carnation than its clove notes

Even if Mousse is more masculine I prefer it as it is much more original and also genuinely highlights the clove. There is no attempts to quiet down the powerful clove as I perceive as an intention in the flanker Mousse II. But Mousse II is definitly a good choice for those who prefer a more blended and tuned down perfume featuring clove.

Rating: Mousse 5, Mousse II  3+

Notes Mousse: Lime, aldehydes, clove, lavander, oakmoss, sandalwood, musk
Notes Mousse II: Lime, aldehydes, clove, lavander, cardamom, mint, lily of the valley, sandalwood, ambergris, musk

Editions de Parfums Frederic Malle - Dries van Noten

Picture: Caffè latte as being served in Oslo
Photo by Jazzbobrown (cc), Wikimedia commons

The Belgian fashiondesigner Dries van Noten has released the first fragrance of the house (bearing the houses name) in collaboration with wellknown nichehouse Editions de Parfumes Frederic Malle. This instead of taking the "regular" massmarket channel as most fashionhouses when release their fragrances. The perfumer of Dries van Noten is Bruno Jovanovic.

Dries van Noten smells like almost unsweet pastry, the sweetness is at least subdued.The whole impression of the perfume is like sitting in a café a grey, snowy and chilly day (exactly the weather when I write this review :-) consuming a croissant together with a giant latte. As Dries van Noten dries :-) down the croissant-note becomes apparent. The texture of DvN is somehow like the feeling of smooth, lightcolored suede, even if there is no suedenote recognizable in the blend. There is also a beautiful, smooth sandalwood in DvN, the finest I have smelled in a contemporary fragrance for a long time. As I understand it there is some "substitute"  for Santal from Mysore that has been introduced to the market latly. Probably this has been used instead of the rougher australian sandalwood that is common in woody perfumes released in the latest years.  In the basenotes there are smooth, powdery and a bit sweet woody notes, also almond is detectable as later also a clean, a bit almost sweet herbal note. To my nose DvN is sweeter in the basenotes than in it's earlier stages.

Overall a pleasant and very comfortable fragrance in the transparant gourmand style of Carner Barcelona Rima XI. I like the latter equal to Dries van Noten Rima XI is, even if also transparant and smooth in texture, more pronounced in its gourmand style, more distinctive with its smooth spices and maybe more intriguing as composition. On the other hand Dries van Noten is almost seamless in its development so very delicious and cosy and I think it appeals to a broader group of perfumewearers, it could also have been released as an "highend mainstream". Dries van Noten is very officefriendly, a fragrance that gives the wearer compliments. Perfect for the colder months. I have read complaints about the longevity of DvN but this is not a problem for me, I can smell sufficient traces of it almost 24h after applying it. Sillage is medium in its earlier accords, then close.

Those who likes fragrances in the style of Carner Barcelona Tardes, Parfumerie Generale Praline de Santal, Serge Lutens Jeux de Peau and  Etro Heliotrophe (mini review in swedish) could also appreciate Dries van Noten.

Update late April 2013: The more I wear/test/sniff DvN the more I like its subtle and comforting character and the fact that its longevity is great despite its transparency. The sandalwood note is smooth and has no harsh edges which is sometime the case with the australian sandalwood used as a substitute to the Mysore in many fragrances during the latest years. Overall DvN is a very wearable fragrance. 

Rating: 4, Update April 2013: 5

Notes: Citron, sandalwood, guaiac wood, cashmeran, tonka bean, vanilla, saffron, jasmine, musk

Thanks to Alla Violetta for a sample to review.

Maître Parfumeur et Gantier - Soie Rouge

Picture: Gartennelke (Dianthus caryophyllus)

Photo: Darkone (cc) Wikimedia Commons, some rights reserved

MPG:s Soie Rouge is one of several fragrances that was launched when Jean Laporte started the MPG house in 1988. Soie Rouge is MPG::s interpretation of the, to my nose, difficult note carnation. I'm not particulary fond of carnation dominated fragrances,Carons Bellodgia is to strong and clovy, Etros Dianthus too clovy and Serge Lutens Vitrioil d'Oeillet to weak on the cranation.

Soie Rouge starts with somthing like a dry fruity mess accompanied by a slight laudry/detergent smell. Fortunately this part is passing quickly and than a more pleasent note that seems familiar to the passionflower in MPG Fraiche Passiflore passes by. After fifteen to thirty minutes the carnation takes the centerplace and the fruity notes are tuned down to a supporting background. The carnation is without that mandatory clove which I find to be a great relief. A clean carnation supported by a soft, dimmed fruitiness and a something smooth, creamy, that reminds me of a rose note, even if it's not among the ingredients. All the notes are resting on a rather pale musky, sandalwoody base. Soie Rouge recalls memories from my childhood, from dinners in my grandmothers beautiful Jugendhaus. Probably  handsome aunt Birgit was the one that wore the carnation, maybe Bellodgia. My own mother was even then faithful to Dior; mostly Diorissimo but also Miss Dior, Dioressence and Diorama. How I wish she hadn't use up those bottles....

Soie Rouge is a good carnation, the best tested so far to me. I like that it's not paired and soaked with clove and more true to the flower. The blend is soft and very polite to be a MPG of 1988, the sillage is very colse to the skin and there is some longevity issues. But on the other hand, I have put Soie Rouge on a hard test: Shuffling heavy snow during an hour in the cold swedish winter, it is probably not fair to judge.

Update August 2012: Fortunately the winter has not arrived yet here in the north, there is still summer :-) This review was written when I tested Soie Rouge last winter and has been waiting in the archives since then.
Rating: 3

Notes: Pineapple, dried fruits, carnation, iris, jasmine, heliotrophe, apricot, musk, sandalwood, amber

Maria Candida Gentile – Sideris

Picture: Piazza del Campo, Siena,

Photo by Ricardo André Frantz (Tetraktys), (cc),

Wikimedia commons, some rights reserved

Sideris by Maria Candida Gentile transports me to a small, Italian town, uncertain what century. Sideris to me is an ongoing exhange between the heat outside on the town square and the coolness in the medival church at the center by the square. But in the cool church there is also an almost sweet warmth, from the myrrh and incense burned as from the wax candles lighted during the mass. There is also some obscure, almost decaying notes lurking in the background, maybe deriving from what’s hiding below the stone floor of the church.

Sideris is all about a warm and fullbodied almost sweet incense. It starts spicy and with sweetness from the myrrh. In this stage, strangely enough I get an impression that is partly similar to Jean Claude Ellenas tropical-night blend Flora Bella from Lalique, probably due to the sweet myrrh and the dark, velvety feeling. As the dry down proceeds, the incense gets more pronounced. The incense and the whole fragrance stays warm, thick and dense during its whole dry down.The color of Sideris to me is dark, velvety blue, as the sky with twinkling stars during a mediterrian night.

Sideris is to me eternal and represent a scent in style that I can image have been used during the sixteenth and seventeenth centuries. Sideris also reminds me of the impressions of another eternal scent, Etros Messe de Minuit even if that one is much more flowery, light and transparent in style, it also have some of this both pleasant and unpleasent churchy notes described above.

Sideris warms up a grey and rainy day and as with all MCG I think of Sideris as officefriendly.Unisex in style. Great longevity, at least 24 hours and a distinct but not intruding sillage.

Rating: 5

Notes: Labdanum, saffran, myrrh, pepper, incense, rose, sandalwood, benzoin, woody notes

Carner Barcelona - Tardes

Picture: Tardes, afternon in the countryside

Photo: Carner Barcelona (c)

Carner Barcelona Tardes is created by one of my favourite perfumers Daniela Andrier, the housenose of Prada.In Tardes the founder of the house of Carner, Sara Carner, through Andriers nose will capture the peaceful summerafternoons in the catalonian countryside.

Tardes starts with slight chemical notes that disappears very fast and an airy almond shines through. Soon the almond is supported by flowers and some light herbal notes and it's not hard to imagine the source of inspiration to this balmy and calming fragrance. Tardes is fairly liniear during it's dry down and heliotrophe and musk are supporting and deepen the other notes in the base. I can feel a minior trace of the fresh lighted cigarettenote that I appreciate in D600 in the base, but it is just fragments compared to D600 . Maybe this cigarettenote is a part of the housenote of Parfums Carner, probably it's a part of the musk used in the base.
Tardes is an airy almondfragrance, not surprisingly as it's a creation of the queen of transparency and airiness Daniela Andrier. Tardes is not as sweet as most fragrances with almond as the dominating note. Fragrances as Etros Heliotrophe which has about the same sweetness but has more heliotrophe and tonka then Tardes, Kiss me tender (swedish) by Patricia de Nicolaï which is a pastry take on almond and heliotrophe which almost feels like marzipan. Fragrances as Dior Hypnotic Poison (swedish) and Jean-Charles de Castelbajac, Castelbajac  (swedish) also features almond but are completely different, denser types of fragrances. Keiko Mecheris Taormine (swedish) is also a different almond, it's creamy and smells similar to an almondy bodylotion. Even if Tardes is slight gourmandy it somehow remains fresh in caracter during it’s whole dry down. Tardes is a very longlasting fragrance that remains unfragemented on skin after a whole day. The projection is fairly close.
The overall impression of Tardes is the airy, gourmandy and almost chilly expression that is also present in another late Daniela Andrier creation, Prada Candy (swedish). As Tardes was launched 2010 and Candy 2011 it is quite likely that the perfumer has worked almost simultaneously with the fragrances and they therefore shares the same theme but using almond as the major note in Tardes and benzoin/resins in Candy. Of the two, I prefer Tardes whith it's fine tuned, almondy, floweriness.

Tardes, as well as my other favourite D600, is a wellcrafted, comfortable and wearable fragrance.It is appropriate for daytime, both casual and to work. An almond that is suitable also in summer due to it's Andrierian transparency and almost chilly airiness.

Rating: 4

Update summer 2013: Rating 5. After wearing from the sample some more times, I totally adore the almond-rosewood-heliotrope combination. Just great and FBW.

Notes: Geranium, rose, rosewood, almond, cedar, plum, celery, tonka, musk, heliotrope

Parfumerie Générale - Praliné de Santal

Picture: Pierre Guillaume

Photo: by Parfumerie Générale (c)

Praliné de Santal is another successful composition from handsome parfumer Pierre Guillaume. PdS was released in Pierres limited edition together with the cosy, cuddly Tonkamande 2010. Both scents have the cosy feel in common but where Tonkamande is more sweet, vanilla oriental, PdS is more of a gourmand woody.  

The first impression of the topnotes of Praliné de Santal is to write it off as it with its nutty and buttery notes smells similar to one of my favourites from Lutens, Jeux de Peau. But as the latter proceeds in the buttery direction with notes of bread and apricotjam, the former takes a different direction into a soft woodyness, more specifically into sandalwood. The sandalwood i soft, smooth and light, not heavy, sharp and almost sneezy as I strangely enough perceive this noble wood in Lutens Santal de Mysore. The smooth sandalwood is present during the entire dry down of PdS. In its earlier stages there is almost a hint of something light green and a certain bubbly, soda-like, slight calky note that is also present in Rochas Tocade but in Tocade this note is turned up several octaves. There are also traces of a sweet flower, probably the heliotrophe, but there is not the mimosa-almondy heliothropic note as in Parfums de Nicolaïs Kiss me tender or Etros Heliothrope. In the latest stages the sandalwood in PdS is blended with a soft praline note that in a harmonious way underscores the sandalwood. 

PdS is a real delight to wear a sunny winterday. Smooth and comforting, versatile for both casual and officewear.

Rating: 4

Notes: Heliotrope, sandalwood, hazelnut, cedar- and cashmerewood.

Parfums de Nicolaï - Kiss me tender

Bild: Heliotrophium arboescens

 Kurt Stueber, Wikipedia Commons, some rights reserved

Parfums de Nicolaïs Kiss me tender är en fluffig, heliotrophebaserad, varm gourmanddoft som är lagom söt på mig, varken sockrig och kemisk. Men det är och andra sidan inte fallet med någon av de Patrica de Nicolaï dofter som jag har provat.

Kiss me tender inleds med något som jag tycker påminner om mimosa följt av mint. Mimosaliknande noter tycks vara i ropet vintern/våren 2010/2011. Precis i starten påmminner den lite om Annick Goutals Le Mimosa men det går snabbt över. Den varma och soliga heliotrophen träder in i ett tidigt stadium och är närvande under hela doftens utveckling. Jag känner inget av noterna hö och anis men jag antar att de finns i doften som kontraster för att tämja de andra noterna så det är kanske inte meningen att man ska känna dem så tydligt. Om jag jämför med min basheliotrophe, Etros Heliotrophe så är Kiss me tender blommigare och liksom luftigare. Heliotrophe accentuerar mer av heliotrophens typiska mandelton och känns liksom råare.

Kiss me tender är en riktig varm och skön komfortdoft som passar för att lysa upp en kall vinterdag. Den är som det mesta från PdN välkomponerad och sammansatt av högklassiga ingredienser, rent tekniskt som en riktig nichedoft ska vara. Självfallet hade jag som PdN-fantast höga förhoppningar på doften så det kanske är därför som jag känner mig lite besviken. PdN ger mig liksom ingenting och jag kan uppnå samma känsla med min gamla kära Heliotrophe och det som är kvar av mitt Le Mimosa-prov. För den som inte har någon heliotrophedominerad doft är Kiss me tender absolut att överväga.

Betyg: 4     (skulle ha fått ett "+" om den inte lämnat mig så oinspirerad)

Sniff 2011

Vad skönt att läsa Marinas inlägg om Dior Les Exclusives se

http://perfumesmellinthings.blogspot.com/2011/01/christian-dior-la-collection-couturier.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+Perfume-smellinThingsPerfumeBlog+%28Perfume-Smellin%27+Things+Perfume+Blog%29

Känns som jag kan skriva av dem från "Att prova listan", har genom åren märkt att Marinas smak överensstämmer mycket med min. Frågan är då vad ser jag fram emot att sniffa på i år?

Som alltid förstås Serge Lutens releaser men det blir nog inte förrän i höst när alla årets dofter finns tillgängliga. Så förstås nyheter från favorithus som Annick Goutal, Andy Tauer och Patricia de Nicolaï. Har inte luktat på PdN:s senaste heliotrophe och torrt-hö inspirerade parfym Kiss me tender ännu men det är ingen panik, jag har ju min kära Etro Heliotrophe, och heliotrophe är en not som är lite vansklig på mig.

Sedan kommer det förstås fler releaser från ett annat pålitligt hus L'Artisan Parfumeur vilket få mig att tänka på att jag ju faktiskt inte provat den super-hypade Traversee du Bosphore från 2010 ännu. Troligen kommer jag att gilla den men efter att ha läst att den har mycket av Havana Vanille i basen och Dior Hommes irisnot så befarar jag att den är lite av ett hastverk, Bertrand Douchaufour har ju varit väldigt produktiv det senaste året. När en näsa, hur skicklig den än är, trycker ut sig för många dofter under en kortare tid kan det hända att dofterna inte blir tillräckligt genomarbetade. Säger inte att så är fallet med Traverse... men det ska bli mycket intressant att sniffa på doften bland annat ur den infallsvinkeln.

Sedan är jag väldigt nyfiken på Robert Piguets förra året utgivna Calypso som tydligen inte har mycket med den ursprungliga från femtiotalet att skaffa. Den nya är efter vad jag har läst en ambroxbaserad skapelse och ambrox verkar vara en ingrediens som passar min kemi. Calypso har fått både ris och ros av förtåsigpåare.

Hoppsan, redan en hel del på sniff-listan. Dax för en provbeställning snart - fast hur var det nu - oprovade prover som väntar så jag får nog vänta ett tag ändå...

Samma doft i flera dagar...

Innan juldoftsinslagen drar igång på måndag några ytterligare reflektioner (i backspegeln) efter min en- veckas utmaning med en doft, Estee Lauders Private Collection Jasmine White Moss.

Det har faktiskt blivit hela två fall av flerdagarsanvändning av två dofter sedan dess nämligen:

Heliotrophe (Etro): Har varit jätteförkyld hela veckan och är inte helt på banan än, tex är luktsinnet inte "helt" ännu. När jag är riktigt förkyld känner jag inte för starka dofter, även om jag i sig inte känner någon doft, utom något enstaka fragment enstaka gång. I regel klarar jag bra lätta citrusdofter men den här gången kände jag motvilja även mot dem. Det ända jag kände för var den lätta, transparanta och varma mimosa/mandel doftande Heliotrophe från Etro. Okomplicerad i sin struktur och mycket bärbar. Tydligen har det nu kommit restriktioner mot heliptrophe-estern (eller vad det nu är för sorts kemisk komponent) så det gäller att vara rädd om sin gamla flaska med Heliotrophe.

Boxeuses (Serge Lutens): Det blev faktiskt hela fyra dagar med Boxeuses, hade kunnat fortsätta men enveckas provningen med PCJWM visade att efter dag fyra med samma doft så har luktsinnet ändå trubbats av så pass mycket att man inte får en fullständig bild av doften. Boxeuses var så pass gäckande att jag, även om jag inte gillade den jättemycket, bara måste komma underfund med den. Och nu känner jag mer för den, trevlig, diskret och användbar. Det är egentligen namnet som inte passar och därför blir det hela något förvirrande. För mig är Boxeuses mer lik mina gamla mjuka, äggskalsfärgade, armbågslånga glacé handskar inte alla som ett par  "punchiga" boxninghandskar.

Klart nyttig övning (även om den första med Heliotrophe var ofrivillig) att inte stressa runt så i sniffandet utan att bottna mer i dofterna. Och trots an hel vecka så längtar jag redan efter en eller ett par dagar med PCJVM igen.

Sommardofter 2010

Foto: Herr Parfumista (c)

Eftersom jag under nästan hela ledigheten har ägnat mig åt att testa prover så har parfymsommaren varit splittrad minst sagt. Det gäller att testa och utvärdera så mycket som möjligt när jag äntligen har haft tillräckligt med tid. Så även om jag tyckt bra om en doft så har jag rusat vidare till nästa, ingen har fått mer än en dags utrymme. Utom två nämligen:

Patchouly (ETRO): När det var som varmast och jag vistades i skärgården så använde jag faktiskt Partchouly tre dagar på raken. Patchouly är en enkel och svalkande patchoullidoft som känns fräsch (min definition av fräschhet, mossa och trä i skuggan en varm sommardag) när det är 30 grader varmt. Den försvinner visserligen snabbt, särskilt under så tuffa förhållanden, men det är bara att reapplicera utan att doften för den skull blir övermäktig. En befriande doft som inte kräver en massa analys och funderingar om rätt dosering.
Eau d'Hermès (Hermès): Har tjatat om Roudnitskas stora skapelse från 1951 flera gånger tidigare. Lätt unisexdoft med tydliga inslag av kummin. Raffinerat tidlös, ren och avkopplande doft, en lugnande kontrast till alla (som jag nu upplever dem) jobbiga, krävande små provrör.

Vilka har varit dina favoriter i sommar?

Resultatet

....av eftermiddagens dekantering till det yngre gardet. Mycket pillande och trillande, känns som man befinner sig i labbet. Bara den vita rocken saknas. Urvalet blev någorlunda brett och inte extremt eller svårt:
Eau de Lalique (Lalique): En lätt träig modern cologne på myskbas. Har en lätt dillton i toppnoterna som är lite speciell. Användbar året runt.
Kate (Kate Moss): Min enda kändisdoft måste förstås smyga sig in i prover. Men jag gillar denna mörkt rosiga, myskiga, lätt syrliga och modernt skalade patchoullidoft skarpt.
Infusion d'Iris (Prada): Mer användbart, modernt klassiskt än så här kan det inte bli. Mandarin, apelsin, iris, rökelseträ, apelsinblomma, galbanum och vetiver. En snäll och sötare efterföljare till Serge Lutens ikon Iris Silver Mist.
Eau de Pamplemousse Rose (Hermès): Garpefrukt och ros i en upplyftande mix av de transparenta dofternas mästare: Jean-Claude Ellena.
Sandalo (ETRO): Även om inte orientaler hör ihop med den yngre generationen så kan en ren, lätt, mjuk och varm sandelträ cologne ändå vara ett första steg att närma sig denna grupp.
Baby Doll Paris (YSL): En arketyp för doftfamiljen "fruity-floral" som ju förknippas med de unga måste förstås smyga sig in. Baby Doll Paris tycker jag tillhör de bättre.
Förhoppningsvis ger denna lilla provkollektion en ökad nyfikenhet på parfymer. Fast resultatet riskerar förstås också att bli det helt omvända.....

Sandalo

Bild: Perfume Bay.com
Så krämigt, härlig, underbar söt men samtidigt torr trädoft. Det går nästan alltid att lita på Etros dofter. Vissa säger att Sandalo är snarlik Shaal Nuur men det tycker inte jag. Visst har SN sandelträ i basen men för övrigt är den mycket mer örtig och kall i karaktären. Sandalo är så underbart varm. Utläggning finns om den i februari tror jag. Den som söker finner....

Dagens doft - Palais Jamais

Etros Palais Jamais måste ha varit mycket originell när den kom 1989. Något som den fortfarande är, trots att det sedan dess exploderat med dofter som innehåller the. När jag recenserade PJ i november skrev jag att den påminner om de där halvmjuka, tjäriga finska pastillerna, vad de nu heter. Det stämmer fortfarande.
PJ påminner något om Bvlgari Black, jag fick ta PJ som substitut i min Black längtan helt enkelt. PJ är råare och tuffare och är mindre söt. Bränd gummitonen finns i båda, liksom the och jasmin. I PJ är en torr härlig jasmin mycket tydlig. Det finns trä i form av björk (tror jag) och även gröna kryddor som salvia. Även dofterna av tobaksblad liksom av svart the gör sig påminda. Samtidigt finns en tvålighet som gör att ingredienserna flyter samman harmoniskt och doften inte blir för ohyvlad.
PJ är en bra vår- och sommardoft, något att ta till när jag blir utled på det blommigt fräscha som jag ju "ska" bära under varmare säsong. När annars?

Dagens doft - Sandalo

Idag kände jag för en renodlad, enkel men raffinerad doft. Kallt ute, så den ska vara varm. Det blev trä-orientalen Sandalo från Etro. Som de flesta av Etros dofter är Sandalo unisex. Etro påminner om den tidigare recenserade Mahogany men är varmare och mjukare. S är enligt min mining mer feminin än M, troligen pga att den dominanta noten i M är det fränare och starkare cederträet medan S domineras av det sötare, mjukare sandelträet.
S är en sann trädoft som lyfter fram det lite söta Mysore sandelträet.  Det finns givetvis andra ingredienser i doften men de stöder bara och puffar fram trätonen. I toppnoterna citron, apelsinkärnor och lite ros. I hjärtat trä, främst sandelträ men även ceder och lite patchoulli som stöd. Basen som bär upp och värmer doften, består av mysk och ambra. Sandalo är en Edc men kan nästan likställas med en Edt i styrka. Hållbarheten under dagen är, liksom för Mahogany, så där.
Sandalo ger mig en inre bild av ett orientaliskt träskrin fyllt med ingredienser till rökelse.