Le Galion - 222

Picture: The light leather 222
Photo: PR Le Galion (c)

Le Galion 222 is another reissue/reconstruction of an old fragrance from the house of Le Galion. Thomas Fontaine has reworked the old formula of Paul Vacher.

222 starts with a accord  similar to cardamon (not mentioned in the notelist) and leather, first the spicy note appears, than the leather intensifies. In this stege 222 reminds me of the cardamon infused trio Veni, Vidi, Vici by Histoire de Parfum.The leather is a natural smelling, medium strenght leather, like the leather in a pair of gloves, not the rough leather of a black bikers jacket nor the smooth leather inside a fine handbag. The leathery/spicy accord is balanced with a cold, slight nondescript  flowery accord and the fragrance as a whole is cold in texture. The base is sort of clean, contemporary mossy/woody with the leather still apperant. In the basenotes 222 reminds me of a smoother and weaker Helmut Lang Cuiron (vintage version).

222 is a gentle leather, suitable for most daytime occasion, for most season exept the warmest summerdays. Those who like light leathers like Hermès Kelly Caleche, Cuir de Lancome etc, could also appreciate 222.

Rating: 3

Notes: Violet, myrrh, styrax, lavender, geranium, coumarin, oakmoss, cedar, sandalwood, vanilla, leather

Histoires de Parfums - Vici

Picture: Victory, Bronze quadriga on Wellington Arch, London, England

Photo: Kadellar (cc) Wikimedia commons, some rights reserved.

Vici is the third installment in the Julius Ceasar conquest inspired trio where houseperfumer  Gérald Ghislain examines different facetts of cardamom. The Veni, Vidi, Vici fragrances are a part of the Edition rare line.

As Vici is the scent of victory, my expectations were something powerful. Instead, Vici is a nice and comfortable fragrance with medium projection. The dominating note to me is incense, and here of course we have the connection to victory. In the Roman, as in many anciant cultures, and almost until today, incense is burned to celebrate victory. The incense in Vici is the dry, transparent and white (if I use a color to image the note) incense of one of my favourite incenses, Andy Tauers Incense Extreme. But in Vici the incense is tuned down some notches. The other note that is distinct to me is a iris very similar to the iris that  complements the tubereuse in the terrific Histoires de Parfums Tubereuse I Capricieuse. The cardamom? I can smell the note in the opening accord together with some flowery notes which together creates a herbal touch of the top. The iris and incense then stepping into the front with the incense getting more prodominant as longer the drydown proceeds to the balanced woody-musk base.

As Veni and Vidi, Vici is also a pleasant, wearable but not especially original fragrance, something that maybe could be expected from a Edition rare line. To me, the regular Hdp line is over all better and more original than the two Edtiton Rare lines. I almost get the feeling that the main work is done for the regular line and that some of what is developed during that process is recycled in the Edition rare line. But this is just a speculation.

Vici would be appreciated by those who likes incense fragrances but also some irises as the one mentioned above and also Hermés Kelly Caleche as KC has a flowery-green-vegetal texture that have similarities with the flowery aspects of Vici.

Rating: 3+

Notes: Angelica, cardamom, red fruit, basil, violet leaf, galbanum, aldehydes, iri, osmanthus, incense, celery seed, patchouli, musk, cedar, raspberry

Ramón Monegal - Mon Cuir

Picture: La Debacle by Theodore Robinson (1892)
Wikimedia commons

Mon Cuir is one of two leather inspired creations in the spanish perfumeline who bears the name of it's founder the very long experienced (over thirty years) perfurmer Ramón Monegal.

Mon Cuir starts with one of the most realistic leather accords that I have experienced in perfume. It's far away from the rough and tough, smoky leather of for example Mona di Orio Cuir but it's also a bit away from the smooth, elegant leather of a a pair of long evening gloves as the light leather in such different frags as the contemporary Hermès Kelly Caleché or the classic Chanel Cuir de Russie. Instead the leather of Mon Cuir is somewhere in between, the opening gives the impression of a well-kept two coloured ( brown and mossy green) weekendbag in leather. Just as the leathery accord mellows into the middlenotes with the traditional orangeblossom accord, a glimpse of an almost minty note appears for a short while. This intermidiates a streak of something chilly in a otherwise warm and comforting fragrance and it reminds me a bit of Parfum d'Empires Cuir Ottoman. This is an example of one of those unexpected moments which are typical for the perfumes of Ramón Monegal. In the rest of the middlestage the flowery-leather accord becomes almost creamy and at the same time cocoapowdery.

Mon Cuir dries down in a tonka been powdery,slight musky, resin base with a light flowery impression still lingering. In the this stage Mon Cuir reminds me of a smoother and gentler version of one of the floral oriental icons of the 80s, the ingenious Joop Femme.

My impression of Mon Cuir is that of a soft and a bit sweet "feminine leather" (for someone who cares about division in gender when it comes to perfume) unobtrusive and "officeproper". Mon Cuir lingering close to the skin but giving away some inscrutable whiffs now and then. Mon Cuir is great for the autumn and winter months but also for chilly summerevenings. And of course for a relaxing weekend at the countryside, with the luggage carried in that perfect leather, weekend bag.

Rating: 4

Notes: Leather, orange blossom, labdanum, musk, sandalwood, patchouli, nutmeg

The Different Company - De Bachmakov

Bild: The valley basin of Verkhoyansk.

Foto: Becker0804, (cc) some rights reserved, Wikimedia Commons

For an english version, just scroll to the previous post.

De Bachmakov är en olifactorisk skildring av medgrundaren till The Different Company Thierry de Bachmakovs aristrokratiska ryska stamträd. Thierry de Bachmakov är en berömd falkong-designer och har bland annat förstås designat TDC:s parfymflaskor. Den andra grundaren av TDC är som bekant de transparanta dofternas mästare, Jean-Claude Ellena, numera husnäsa hos Hermès. De senaste åren, fram tills helt nyligen, har JCE:s dotter Celine skapat TDC:s dofter i likartad transparant stil, så även De Bachmakov. Men Celine har nu, enligt flera källor, nu (tyvärr) börjat arbeta inom doftämnesindustrin. Säkert en bra fördjupning av kunskaperna men hon gör redan så fina dofter....Celine efterträds enligt uppgift av den vid det här laget snart uttjatade Bertrand Duchaufour.Oj det blev en lång utvikning, nu till parfymen.

Det är nästan så jag ångrar att jag testade De Bachmakov. Har fallit pladask och kommer nog inte att kunna motstå att köpa en flaska - FBW! Jag tror också att DB är doften som kan få mig att äntligen längta efter ljusare dofter som passar årstiden. DB är en kylig parfym som ger associationer till permafrostens Sibirien, eller i allafall som jag kan tänka mig våren på taijgan bortom Ural. DB är också som en Gin & Tonic, citrus, gin och is. Citrus och enbär är tydliga på mig men DB innehåller också en frisk örtighet, ungefär som örter destillierade i sprit, och i bakgrunden finns några mystiska noter som är svåra att definiera, kanske är det shisobladen, japansk ört besläktad med myntafamiljen även kallad japansk basilika. DB känns in det minsta kemisk i karaktären, även om den förstås är det.

Inte oväntat faller De Bachmakov herr Parfumista i smaken, den är en doft av samma karaktär som en av hans absoluta favoriter Terre d'Hermès, Jean-Claude Ellenas moderna, i mitt tycke redan, klassiker: "Den där klassar ut det mesta av det du har provat på sista tiden, varför slösa tid på en massa annat som inte faller ut ordentligt. Den där faller verkligen ut". En del som tycker till om DB anser att den liknar en mix av JCE:s Hermèskreationer Terre d'Hermès och Kelly Caleche. Den transparanta stilen och kalkigheten från Terre håller jag med om överensstämmer. De Bachmakov är sin egen. Irisdoften Kelly Caleche är i mitt tycke mycket mer vegeterande och söt. I min lilla olifactoriska värld är DB snarare en fortsättning på Chanels Cristalle EDT och en mer sportig/casual motpart till Chanels No 5 Eau Premiére.

De Bachmakov sitter bra på mig hela dagen. Det är en doft som böljar fram i vågor, ibland starkare och ibland är det som att jag knappt känner den. Den är linjär men samtidigt intressant hela tiden då den liksom snurrar runt i sitt isiga, örtiga, citrustema. DB passar utmärkt nu på våren och jag är övertygad om att den är en lika perfekt sommardoft. A must have!

Betyg: 5

Noter: Bergamott, shisoblad, coriander, freesia, cederträ, muskot, kalk/krita

The Different Company - De Bachmakov (english version)

The Bachmakov is a olifactory depiction of the co-founder of The Different Company Thierry de Bachmakovs noble Russian pedigree. Thierry de Bachmakov is a famous falcon-designer and have also designed the perfume bottles of TDC. The second founder of the TDC is, the master of transparent fragrances, Jean-Claude Ellena, now inhouse nose of Hermès. In recent years, until recently, JCE's daughter Celine has created the TDC's scents in a similar transparent style, so even the Bachmakov. But Celine has now, according to several sources, (unfortunately) started working in the "flavour and scent industry". Certainly a great deepening of knowledge but Celine is already doing such great fragrances .... Celine is, according to different sources, succeeded by the now hackneyed Bertrand Duchaufour. This was a long introduction, now for the perfume.It's almost as if I regret that I tested De Bachmakov. Has fallen head over heels and will probably not be able to resist buying a bottle - FBW! I also believe that DB is the smell that can get me to finally crave lighter fragrances that suit the spring/summer season. DB is a cool fragrance that evokes associations to Siberia permafrost, or at least that I can think of spring in taiga beyond the mountains of Ural. DB is also similar to a Gin & Tonic, lemon, gin and ice. Citrus and juniper is clear to me but DB also includes a healthy herbal quality, much like herbs destilited in spirit. In the background there is some mysterious notes that are hard to define, perhaps the shisoleaves, a Japanese herb related to the mint family, itcontemporary is also called Japanese basil. DB feels not at all chemical in its nature, although of course it is.Not unexpectedly De Bachmakov falls Mr Parfumista in taste.It'is a perfume of the same character as one of his all time favorites Terre d'Hermès, Jean-Claude Ellena contemporary, in my opinion already, classic fragrance: "That outperforms the most of the scents you've tried recently, why waste time on a lot of other things that not completely is you. This one really mis perfect with your chemistry. "

Some of the reviewers who have opinions about DB considers that it resembles a mix of  the JCE's creations Hermès Terre d'Hermès and Kelly Caleche. The transparent style and the chalky notes from Terre I agree are similar. The iris-leather inspired Kelly Caleche is, in my opinion much more vegetate and sweet. In my little world of olifactory  DB is rather a continuation of Chanel's Cristalle EDT and a more sporty /casual counterpart to the elegant officefriendly Chanel No. 5 Eau Premiere.The Bachmakov sits well on skin during the day. DB is a fragrance that billows out in waves, sometimes stronger and sometimes it's like I hardly know it. It is linear but interesting all the time.DB spins around its icy, herbal, citrus theme. DB is great now in the spring and I am convinced that it is an equally perfect summer fragrance. A Must Have!Rating: 5Notes: Bergamot, shisleaf, coriander, freesia, cedar, nutmeg, chalky notes