|Picture: From the medevial Källa church|
on the island of Öland, Sweden
Photo: Mr Parfumista (c)
Rosa Nigra starts with an very intriguing accord which reminds me of a windy, chilly, grey, cloudy day, cold stone, chalk, earth, tangy greenery, like the steem and leafs of a rose. There are some traces from the flower of the rose too, it's a rose from a wild rosebush, not tamed to perfection, I can imagine the rose growing outside an abandoned small medieval countryside church. The tangy, green, dark spirit note of absinth is clearly present, blended with the rose and the chillyness of freesia, balanced with a pleasant peach. This is a combination thet could also be found in Burberry Body but in that one the accord is in a higher octave of the scented notescale and also a bit sweeter. In the topnotes I also find a note that reminds me of honeyed incense and I suspect someincense is involved even if not mentioned in the notelist.
|Picture: Rosa Nigra|
Photo: PR Unum (c)
As Rosa Nigra dries further down the blend is clearing up after the initial storm and the flowers, peach, absinth are shining also as individual notes interacting in an intricate pattern. One can recognize Opus 1144 but without the thick powdery and dusty lemony smell. The peach is the mainplayer in the second part of Rosa Nigra, the peach has a vintage vibe which make me think of a brighter and cleaner version of the peach in Guerlain Mitsouko. Later on Rosa Nigras also reminds me of the contemporary fruity chypre EnJoy from Jean Patou.The floral-fruity accords are highlighted by the well balanced woody, muksy base. The longer Rosa Nigra dries down the more rosy it becomes, once again. This time there is much more of the rose petals and the perform in a pleasant, pink, creamy version but it's well contratsted with the tangy greenery but in a smaller dose than on the topnotes. Once again the similarity of something that could be a luxury variation of Burberry Body is obvious.
Just as the incensebomb UNUM LAVS, Rosa Nigra goes from a dramatic, imaginative opening to a much more polished and orderly second part. In the case of Rosa Nigra the fragrance goes from a medivial feeling to a polished contemporary version of a 1920s/1930s fragrance and in its latest stages to a contemporary musky rose.
I find the opening most interesting but in the second part, Rosa Nigra transforms to a very wearable (around the year), really good smelling (at least in the rosy part) and elegant fragrance. Rosa Nigra is classified as an unisex scent but to my nose that applies to the first dramatic part of the fragrance. The elegant second part is more feminine. Sillage is medium and longevity good, for 24h at least.
Notes: Anise, absinth, freesia, sandalwood, peach, vanilla, cashmere wood, musk, ambra