Blog anniversary 11 years

Picture: Violettes du Czar
Photo: PR Oriza L Legrand (c)

Last Wednesday 1 November, Parfumistans Blogg celebrated 11 years and I was wearing the intriguing leather, gasoline, violet Violettes du Czar from Oriza L. Legrand. Since a couple of years I have noticed that November is the time of the year when  I crave Oriza fragrances the most. Probably something in their nostalgic DNA that goes with the mood of the season.

Picture: Eau Sauvage
PR Christian Dior (c)

When writing this post I'm wearing a true classic signed the great Edmond Roudnitska, Dior Eau Sauvage, to honor my father, who passed away 10 years ago today, far too young. Eau Sauvage was his signaturefragance and it was like tailormade for him. I find Eau Sauvage unisex, with cirtus, aromatic, subdued  flowery, mossy accords. It's casual fresh in an elegant retrostyle and lights up any gloomy Novemberday as well as beeing refreshing a warm summer day.

So far this year it seems as I'm not in the right mood for the real, heavy autumn/winterfragrances, probably this will change when winter strikes. Probably there will be another day in Eau Sauvage tomorrow, and I definitly think more women should try it.

Jehanne Rigaud - Imperial Poudré

Picture: Bianca Castafiore
"Milanese Nigthingale" apperant in several albums
of  "Les aventures de Tintin" created by Hergé
(Georges Remi)
Picture borrowed from Comicvine

Jehanne Rigaud is perfumehouse based in Grasse. The inspiration comes from the treasure of vintage perfumes. The style of the house reminds me of Les Nereides, which also provides a range of robust, vintagestyled perfumes. There are also connections to the Oriza L.Legrand style even if find that house a bit less loud and maybe a bit more refined. Imperial Poudré is the first Jehanne Rigaud perfume I've tested.

Imperial Poudré starts with a blast of powder, it's dry and gunpowdery in style and applied with a gigant powderpuff with creamcolored fluff. The dry gunpowder smell reminds me of the dry gunpowder in Mona di Orio Les Nombres d'Or Ambre. After a while flowery elements balanced by a delicate, a bit earthy but flowery iris shows up, reminding me of Lorenzo Villoersi Teint de Neige, soon also sweet almond and warm heliotrophe appears. The more Imperial Poudré dries down, the more putty and moist in texture the powder emerges. A big retrostyled musky note supports and creates dept to the other notes during the whole dry down even if more present the longer Imperial Poudré has developed, it dominates in the latest stage. In the basenotes also an intriguing jasmine and rose combo appears which smells clearly vintage, it's a distinct animalic touch in the accord, probably the musk and jasmine contributes to that. In this stage I associate Imperial Poudré to Oriza L.Legrand Jardins d'Armride even if the special accord described is missed in the latter.

Picture: Imperial Poudré
Photo: PR Jehanne Rigaud (c)

Imperial Poudré is a "grand" fragrance, a perfume that makes a statement. It's an evening perfume, a perfume for a ball or the Opera, I can imagine an opera diva wearing this, Bianca Castafiore is the incarnation of Imperial Poudré. Of course one can wear it during daytime but than has to be very careful in application, a litte goes for long. It's a fragrance for the cold months, I suspect it could be cloying in the summer, except for a really cold early summer evening of the swedish type. Sillage is big and the longevity for over 24h. Its a very feminine perfume.

Imperial Poudré is an extreme fragrance of a type which almost isn't produced today. It's as Imperial Poudré originates from another century, a batch was forgotten in some warehouse and now showing up on the market. It's pushy on the verge to vulgar, not in the trashy but more in the nouveau riche way. Imperial Poudré definitly has its own personality and stands out from the crowd, which I really appreciate. Unfortunately Imperial Poudré dosen't mix well with my chemisty and therefore doesn't reach the highest score in my subjective rating.

Rating: 4

Notes: Ylang-ylang, iris, vanille, almond, powder, florals, musk, jasmine, rose, heliotrope

Thanks to Fragrance & Art for the sample to test

5 favorites for spring 2016

Picture: Springtime, the first anemones
Painting of H.A Brendekilde (1857-1942)
Source: Blog of an art admier

It's May and full spring at last. This time of the year I always come to think about the romantic Heinrich Heine poem (from Dichterliebe) when I have to stay inside the office during the beautiful, ephemeral May days.

"Im wunderschönen Monat Mai,
Als alle Knospen sprangen,
Da ist in meinem Herzen
Die Liebe aufgegangen.

Im wunderschönen Monat Mai,
Als alle Vögel sangen,
Da hab' ich ihr gestanden
Mein Sehnen und Verlangen."

And now to the serious stuff: What to wear in this intense season:

Fleurs d'Oranger (Serge Lutens): The spring nights are often chilly and the days sunny and (quite) warm. Warm and sunny as the fullbodied Serge Lutens classic Fleurs d'Oranger. It's a staple neroli with deep, rounded flowers, some spices contrasted by a pleasant tnagy note.

Eau de Néroli Doré (Hermès): A splendid, neroli in the cologne style. Retro nostalgic but somehow contemporary, a touch of soapy with a very light metallic touch. I think it's inspiration from the first Hermès fragrance Eau d'Hermès. I can detect traces of the characteristic cumminnote but soft and wrapped in neroli. Maybe this is Jean Claude Ellenas tribute to the great Edmond Roudnitska, which I read somewhere was a mentor to JCE and also created Eau d'Hermès. Good longevity and sillage to be a cologne.

Eau de Rhubarbe Ecarlate (Hermès):  Good longevity and sillage to be a cologne. Tart, green/red like the steam of the rhubarb combined with a sort of fresh, wet, slight earthy note. I also sense a touch of what I think is a pink, crisp, light musky rose, but I'm not sure. This fragrance mingles very well with my skin and I recieve compliments. As with the neroli, good longevity and sillage to be a cologne.

Week End à Deauville (Parfums de Nicolaï): The salty sea meat the windswept forests near the coast. Green, mossy, minty, herbal and airy/watery/sandy with a crispy, white carillon of the small but sturdy Lily of the Valley. A wonderful interpretation of spring.

Déjè le Printemps (Oriza L.Legrand): The ulitmate springfragrance with crispy bulbflowers and galbanum. There is also a very light nectar-powder like note interacting with the sharper green notes which makes this to a delicous, sparkling, green almost springtime fragrance, a perfume for hte green fairy. A perfume for Tinkerbell.

Easter fragrances 2016

Picture: Imperial Coronation Egg (Fabergé),
photographed at an exhibition in Rome
Photo: Miguel Hermoso Cuesta (cc)
Wikimedia Commons some rights reserved

This year I'll skip to find something to the usual Easter fragrance categories (gourmand-sweet, churchy-incense, green-crispy- leafy-bulbflowery) from which I pick fragrances suitable for Easter. Instead I'll pay attention to some fragrances which pleases me extra right now.

Heliotrope Blanc (Oriza L.Legrand): Ok this one suits perfectly in my traditional gourmand sweet category. Fluffy, alamonds, powder and vanilla, this is cosiness and comfort at it's best. The smell recalls  the sweetest of Easterbunnis.

Black Opium Edp (Yves Saint Laurent): I know I'm taken the risk to be written of as a serious perfumista by admitting that I feel very comfortable in Black Opium and I think it smells quite good. And so does also Mr Parfumista "This one smells better on you than many of the niche fregrances you're testing". Another one in the sweet territory.

Rosarium (Angela Ciampagna): A calming and contemplating, smooth rose incense, like taking a break sitting down in a small italian medival rual chapel a warm summerday.

Shermine (Huiteme Art): This furry iris/lavender with its very special almost chalky citrus note attracts compliments from those around. Perfect for the early wintery Easter of this year.

Marions Nous (Oriza L.Legrand): Recently I've been in an Oriza circle, I just can't get enough of the fragrances from this house. Marions Nous is a successful intepreation of an 1920s aldehyde fragrance. Sparkling, almost refreshing and in the same time with animalic notes lurking from it's depts. A fragrance which becomes better with each wearing.

Allure Sensuelle Edp (Chanel): A incrediable comforting fragrance in the Coco Mademoiselle - Coco Noir style but more fruity and with less patchouli  Smoother and rounded compared to the former two, a forgotten gem in the Chanelline.

Ylang-Ylang Nosy Be Extrait (Perris Monte Carlo): Last but not least the beautiful, intense, glowing, sweet, flowery, vanillic interpretation of one of the most faithful flowery teammates of "parfums de femme" the ylang-ylang.

Happy Easter!

L'Artisan Parfumeur - Oeillet Sauvage (new version)

Picture: Dianthus caryophyllus
Photo by 撮影者：カールおじさん (cc)
Wikimedia.com, some rights reserved

L'Artisan Parfumeur Oeillet Sauvage created by Anne Flipo, was first released in year 2000, then discontinued, probably because of the though IFRA restrictions against the substances creating the scent of carnation. Now it's relaunched and the review is of the current version, I have not tested the vintage.

Oeillet Sauvage starts with a crisp, papery, carnation note. It's like the name implies, like wild, intensive red carnations, growing in a field surronded by fresh and dry hay where the smells mingles a windy summerday alternating sun with clouds in the sky. Oeillet Sauvage smells distinct of carantion, no dark or cloying clove seems to be unvolved. It's not as spicy as many traditional carnation, here the flower itself is highlighted even if other flowers and notes are supporting, they not overrides in any stage of the developement of the fragrance. A light powdery finish are persent but not as clear as in Oriza L.Legrand Oeillet Louis XV which ha similariteis in the interpretation of the flower but is much more of a mulitflower powder puff. Compared to the other Oriza L.Legrand carnation fragrance Royal Oeillet and also the great carnation of Aedes de Venustas Oeillet Bengale the two latter are darker, balsamic and overall more complicated. Oeillet Sauvage is not as peppery and diluted as another carnation on the lighter end of the spectra, Etro Dianthus or not as old world smelling as Caron Bellodgia.

Picture: Oeillet Sauvage (current version)
Photo: PR L'Artisan Parfumeur (c)

Oeillet Sauvage is a cheerful, easy to wear carantion which is suitable for daytime wear year around, Royal Oeillet and Oeillet Bengale is autumn/winterfragrances or for chilly summer evenings. Sillage is medium and longevity for more than a day. Oeillet Sauvage is a well made, uncomplicated, contemporary carnation which is definitely worth trying for those appreciate carnation.

Rating: 4+

Notes: Pink pepper, rose, carnation, ylang-ylang, lily, wallflower, morning glory, resin, vanilla

Oriza L.Legrand - Cuir de l'Aigle Russe

Picture: Cuir de l'Aigle Russe
Photo: PR Oriza L.Legrand

Following my Oriza theme last week on twitter, here comes my review of their latest one.
Cuir de l'Aigle Russe is the latest creation of the great house of vintagestyled perfumes - Oriza L.Legrand.
Cuir de l'Aigle Russe has a note list longer than the pedrigree of the Tsars, and that combined with leather and the fact there is finally a new Oriza, it's over a year since the latest realeases, sets the hopes high.

Cuir de l'Aigle Russe (CdlAR) starts with a beautiful with soft powdery flowery accord in the comforting vintage, Oriza-style. It is high in the octaves on the notescale and it smells almost angelic. Soon a equally beautiful "blond"leathernote arrives, it is like leather in a very fine pair of gloves, very clear in smell and texture, there are no soft suedenotes. After a while the leather and flowery elements step backwards and a beautiful (every new note/accord arriving presents it self as very beautiful in this blend) bergamot/laveder combo appears taken the lead for a while, then the leather take some steps forward again. Also the balsamic, woody and musky notes later on seems very well.behaved, smooth, no harsh edges and again - beautiful. Some powdery notes in the Oriza tradition is present in almost the whole dry down in a very unobtrusive manner. The clear leathernote is also present in a subtle but clearly detectable way. The notes are so well blended and the accords are swirling around in a behaved but in the same time, intriguing way.

CdlAR is a classical bergamot-leather-lavender fragrance interpreted in a subtle and transparent way, it never becomes dense, cloying or "old fashion" smelling. It's like a very successful contemporary version, but still vintage in style, of this classic genre. The fragrance is classy, discrete and oozes of confidence, a perfect fragrance for negoations and other situations when the wearer needs to an authoritarian and in the same time comfortable, supporting and not disturbing perfume.

CdlAR belongs to a traditional masculine perfume category but in this version, it's lending slightly more to the feminine side. It's wearable year around, for daytime both for work and non-sporting casual. Sillage is medium and longevity for a day.

Those who like polished light leathers with flowery additions as Chanel Cuir de Russe Edt, Cuir de Lancome and Maître Parfumeur et Gantier Cuir Fetiche will certainly also like CdlAR.

Rating: 5

Notes: Coriander, lavender, wormwood, bergamot, juniper, styrax, geranium, rose, immortelle, cardamom, styrax, patchouli leaf, labdanum, incense, musk, tonka bean, sandalwood, amber, benzoin, vetiver

Thanks to Fragrance & Art for the sample to test

Theme week(s) on twitter

Planning some "theme weeks" occasionally on Twitter with short impressions from wearing perfumes whitin a special theme. The themes could be a ceratin perfumehouse, a note, a style etc and I'm planning the wearng to the weekdays. Even so I'm starting the coming weeks theme  Oriza L.Legrand already today. Just follow the twitterlink to the left to read more.

UNUM - Opus 1144

Picture: Central tympanum, the Western (Royal) Portal at cathedral of Chartres (ca 1145). These architectural statues are the earliest Gothic sculptures and
were a revolution in style and the model for a generation of sculptors.
Photo: Cancre (cc) some rights reserved, Wikimedia commons

Opus 1144 is the second fragrance from the Italian nichhouse UNUM. Opus 1144 is inspired from the gotic era which was started approximately 1144. The fragrance is inspired from the stone in the cathedrals and the grey skies of Normandy, a birthplace for the Gotic style and culture.Just as with LAVS, Opus 1144 is created by Filippo Sorcinelli with help form the secret parfumer.

Starts like a natural lemony (not chemical lemon pledge) contemporary Shalimar without the animalic notes in the original one and less vanillic then the "Route" Shalimars-line. In the Opus 1144 middlenotes the powder intesifies and becomes deeper, a sort of wet, chalky, putty powder. Now the vanilla also intensifies, probably because a clear musky note, complementing the discrete, cold flowers which are also present. In this stage Opus 1144 reminds me of a more vanillic and less flowery Oriza L. Legrand  Jardins D'Armide .  Also the oriental vanilla Kèora from Jean Couturier comes to my mind. As Opus 1144 dries further down it becomes darker, deeper, balsamic, resin and ambery now with slight salty, animalic notes from the ambregris. Tanken as a whole Opus 1144 is quite linear even if the fragrance changes to deeper nuances as it dries down.

Picture: Unum Opus 1144
Photo: PR Unum (c)

Even if classified as unisex, Opus 1144 to my nose is very feminine, like a fluffy angorajumper. Unfortunately, Opus 1144 doesn't remind me of medival times at all, to me it's more of a fragrance for a very feminine and elegant lady. The concept is not new, this is a classical fragrance directly in the footsteps of Shalimar. Opus 1144 powdery elegance is combined with a certain cosy comfort. It's perfect for autumn and winter, could be worn during the day but most people would classify it as an evening perfume. Sillage is medium+ and longevity overnight, a cosy, lemony, powdery, vanillc accord remains after 24 h. This is strong stuff (perfume strength) and one has to apply sparingly.

Those who like powdery fragrances as Huitème Art Poudre de Riz which is less sweet than Opus 1144 as also deep, woody vanillas like Montale  Boisé Vanille will probably also like Opus 1144.

Rating: 4

Notes: Jasmin, mandarin, elemi, bergamot, iris, orchid, cashmere wood, musk, ambregris, vanilla, benzoin, leather, sandalwood

Franck Boclet - Patchouli

Picture: Empress Josephine in a
patchouliscented kashmere shawldress
Painting by painting by Antoine-Jean Gros (1809)
Picture from pintertest, referred to 1000fragrances.bolgspot.com 

Patchouli is a fragrance from the perfumline of the fashionhouse Franck Boclet. Patchouli is created by perfumer Melaine Leroux.

Patchouli starts with an old book musty patchuli but the old book note is not as strong or sharp as in Les Nereides Patchouli Antique. Soon the old book impression lightens up and a dark chocolate and spices are added, with the moisty impression prevails. After a while the chocolate and spices transforms to a beautiful, clean not by any means muddled tobbacco note. Tobbacco is not mentioned among the notes but somehow the fresh tobbacco smell is present. This clean almost sparkling and natural smelling tobbacco is the leading part for quite a while, the tobbacco reminds me of the beautiful Parfums de Nicolaï Cuir Cuba Intense. Then the patch, this time cleaner and earthier, once again takes the centerplace. The pathouli is now paired with a very pleasant, smooth, moisty, creamy, slight musky note, which rounds the edges off. As Patchouli dries further down, the spicy accord appears again as also the tobbacco glimpses now and then. The basenotes are woody with ambery, vanillic touches, the patchouli still present but appears lighter and cleaner almost as it now has transformed for a mission where it has to offset the other sweeter and heavier basenotes.

Picture: Franck Boclet Patchouli
Photo: PR Franck Boclet (c)

Having a soft spot for patchoulifragrances, Franck Boclet Patchouli IMO is a very good and multifaceted representant of the genre. As much is going on, with contrasting elements interacting in different ways during the different phases of the dry down, Patchouli is particulary intriguing when taken in consideration that it's presented as a solinote perfume (which it of course is not).

Patchouli is a warm, comforting and relaxing patchouli, perfect for autumn and winter. It's projects close to medium depending on dosage. It's unisex in character and could be worn for work or casual. Very good longevity, it lasts unfragmented for more than a day.

Those who likes patchouli fragrances as Chanel Coromandel, Oriza L. Legrand Horizon and Ramon Monegal Mon Patchouly will probably like Franck Boclet Patchouli too.

Rating: 5

Notes: Patchouli, cedar- and sandalwood, amber, benzoin, tonka been, vanilla, musk

Thanks to Fragrance and Art for the sample to test

Aedes de Venustas - Copal Azur

Picture: Views of the South Seas, a set of four,
HMS Resolution and Discovery in Tahiti
Watercolour by James Cleveley (1747-1786),
Wikipedia commons
 

New York based perfumstore and also perfume house Aedes de Venustas has, like so many others, also accelerated their launch rate the latest year. Copal Azur realeased in late 2014 is their second latest one. Copal Azur is composed by Bertrand Duchaufour.

Copal Azur starts with an accord dominated by a sort of smooth, rounded but in the same time distinct incensenote. The incense is not as heavy or sharp as in the traditional church insence personified by the classic  Commes des Garcons Avignon. Further on an accompanyng accord appears. This accord reminds me of a something woody, coconutty in a airy, humid, salty surrunding, there is also a slight woody-green note present. I get an image of a palm-tree situated on a beach, the weather is becoming worse, grey skies are appearing over the sea and the wind is increasing and with flurries. From the still sunwarmed palm-tree trunk, one can smell the tree resin, balsamic-woody with hints of coconut. As Copal Azur dries down further down, the resin qualities strengthens as also the spicy ones and in the same time the fragrance also becomes  ambery sweet. Maybe, at least when it comes to my nose, a bit too sweet when compared to the intitial airy-incense phase of the fragrance. Even if a different incensesmell, the airy pine-incense Oriza L.Legrand Relique D'Amour comes to my mind as it's also the airy incense concept but sutiated in the North whereas Copal Azur is the airy incense of the shores in the countries around the equator.
Recently I watched a documentary on television about Captain James Cook and I can imagine the smell of Copal Azur when the ship anchored by the islands in the South Pacific.

Picture: The beautiful Copal Azur bottle.
Photo: PR Aedes de Venustas (c)

Copal Azur is refreshing and pleasant to wear especially in spring and summer but could also be suitable in autumn and winter when in the right mood for this type of high and airy incense. It's a daytime fragrance, perfect for both work and casual. Silllage is medium and longevity for a day. Copal Azur is totally unisex.

Those who likes different kinds of airy incense fragrances as for example the dry, woody, high Incense Extreme by Andy Tauer, the light slight flowery incense Encens d'Ange by Autour de Parfums as well as the airy-aldehydic "Chanelesque" incense of Montale Full Incense could also like Copal Azur.

Rating: 4

Notes: Incense, salt, ozonic notes, patchouli, cardamom, tonkabeen, amber, myrrh

Thanks to Fragrance & Art for the sample to try

Oriza L.Legrand - Marions Nous

Picture: The Marions Nous label
Photo: PR Oriza L.Legrand

Marions Nous "Let's get married" is a recreation of a 1928 Oriza L.Legrand fragrance inspired from a book and a popular comedy based thereupon.

Marions Nous starts powdery, and goes on powdery in its whole development.  The impression is very retro, just as sniffing from a bottle of an vintage aldehydic fragrance where the topnotes are slight off. Notes of orangeblossoms, bulbflowers and greenery dominates the top. As Marions Nous dries furtherdown, the green notes intesifies and the fragrance smells like a softer and less sharp version of vintage Caron Infini Edt. There is also a fresh, green chypre impression like in vintage Carven Magriffe. Classic aldehydic flowery notes like carnation, clove and rose dominate the heart of the fragrance but orangeblossom is still present. Marions Nous dries down to a musky, slight powdery, tonkabeen, sandalwood base and the true retro impression of a traditional smelling, slight animalic, aldehydic fragrance, lasts until the last whispers of the fragrance about twelve hours later, whiffs could be captured from the hair 48h later and than it reminds me  of a green sibling to Laboratorio Olfattivo Kashnoir. The powder in Marions Nous of course has the characteristic, elegant, dry, airy Oriza vibe.

With Marions Nous on the market there is no need for hunting for flowery, green aldehydic
fragrances, Marions Nous is an excellent alternative. It recreate the impression of the perfumes of the late 20s and the 30s. As a revived retro creation, Marions Nous of course is not denominated to the olfactory landscape of today and the majority probably will not understand it at all, judging it as an "old ladies scent". Despite that and from a perfumista perspective, Marions Nous is suitable both for daytime and evening wear and for any season.

Rating: 4

Notes: Orange blossom, rose, jasmine, hyacinth, aldehydes, carnation, clove, iris powder, ylang-ylang, tonka been, civet, musk, sandalwood

Oriza L.Legrand - Héliotrope Blanc

Picture: Héliotrope Blanc
Photo: PR Oriza L.Legrand

Héliotrope Blanc is a recreation of a 1886 Oriza L.Legrand release on the sweet. powdery heliotrope-theme. Responsible for the recreation is as always, Oriza co-owner Hugo Lambert.

Héliotrope Blanc starts powdery mixed with the orangeblossom/violet. The powder is of the dry gunpowder type which is clearly present in fragrances such as Lorenzo Villoresi Teint de Neige and Mona di Orio Les Nombres d'Or Ambre, especially in the topnotes. After a while a bit strange, not at all unpleseant, vegetal note appears as some mouldering leaves where thrown into the brew. The vegetal note soon steps in the background and the powdery flowers continues featuring the sweet, but not sugary sweet, warm heliotrope. Tonkabean is also prominent in some stages. From the middlenotes to the late drydown in the basenotes where Héliotrope Blanc is secured with the typical Oriza ricepowdernote. Héliotrope Blanc makes an overall linear impression, no particular twists and changes, but cosy and nice to wear. When it comes to other Orizas, Héliotrope Blanc in style most reminds me of the more intricate Jardins D'Armide. Another fragrance with similarites to Héliotrope Blanc is Parfums de Nicolaï Kiss me tender, which is sweeter, cookielike and smells as it is edible.

Héliotrope Blanc has close sillage and god overday longevity. Suitable for most seasons and occasions but would not be recommended for the warmest months. A good, easy to wear, Oriza styled fragrance but not as intricate as especially the earliest  re-releases from the house.

Rating: 4 (2015)  /5 (2016)

Reassessment February 2016: Wearing Heliotrope Blanc is like relaxing in a cloud of fluffyness, HB is incredibly cozy and smells just fab. An uncomplicated fragrance which creates a cherful mood. Perfect for grey days and Mondays.

Notes: Orangeblossom, violetleaf, almond, heliotrope, iris, mimosa, musk, risepowder, benzoin, tonkabeans

Oriza L.Legrand - Violette du Czar

Picture: Violette du Czar
Photo: PR Oriza L.Legrand (c)

Violette du Czar is another re-construction of an old formula from the early 20th century released by venerable perfumehouse Oriza L.Legrand, a which was brought back to business a few years ago.

Violette du Czar starts with a true smell of violet, not artifical, candy sweet, but fresh and natural, as the newly sprung flower in the moisty soil a sunny early day in spring. The violet in this stage reminds me of the violet in Annick Goutal La Violette but without any sweetness. After a while the violetnote steps backwards and the smell of hay contrasted with some light stablenotes appears. In this stage one almost belive the violet has surrendered but soon it steps forward once again together with a flowery irisnote, similar but not quite as vivid to the one in Le Galion Iris. There is also a tangy oldschool soapy Accord,as if there are som citric notes as bergamot present. The soap is very light handed, it's just a touch. The basenotes is balsamic, light woody and with a transparent leathernote, like elegant, long, cream-colored glace gloves accompanying a ball gown. There is something in the overall impression in the this stage thar reminds me of Ramón Monegal Impossible Iris even if the latter is sort of denser and stronger in apperance. When it comes to the transparancy and overall impression of the fragrance, it reminds me of  the texure of Jardins d'Ecrivains La Dame aux Camélias whereas the violet is more present in Violette du Czar, in La Dame... the violet is not as prominent, the orangeblossom is the more distinct flower in the latter.

 Violette du Czar is transparent and light fragrance, the notes  (even the dirty one) are carefully handled and there is a compoistion in the higher octaves of the fragrance notescale. It's refreshing and a perfect elegant daytime fragrance particularly for spring but it's suitable for all seasons when one want something light, refreshing and natural smelling, there is no chemical vibes in this Beautiful fragrance. As Violette du Czar is light it demands generous application. The silage is somewhere betweeen close to medim and longevity for about a day.


Rating: 4
Notes: Violetleaf, violet, violet, iris, heliotrope, tolu balm, russian leather, amber, guaiacwood

Parfum d'Empire - Corsica Furiosa

Picture: Emperor Napoleon I (1769-1821),
another corsican furiosa.
Painting by  Paul Delaroche (1797-1856)

The latest addition to the highquality house Parfum d'Empire, Corsica Furiosa is a tribute to the ISCPA-trained perfumer and owner of the house Marie-Antoine Corticchiato native island Corsica. Corisca Furiosa, which features the mediterrian shrub lentisque, is an aromatic-green fragrance in its very own style , one hand dry, herbal, on the other green, leafy, crisp.

Corsica Furiosa starts with an accord which smells of dried herbs and gras over the sunbaked, hot, earth of a mountained, mediterrian island. There is also a note of smoke, as the smoke from a fire far away. A light spicy limenote is also present and is recognizable also in later stages of the fragrance. After a while a natural haynote appears and further in the dry down an almost animalic note, a pleasant furnote, appears. This stage reminds me of something in Musc Tonkin but softer and tuned down. In the basenotes a note clos to crisp, bulbflower leaves appears, probably the tomatoleaves but different handeled than in typical tomatoleave fragrances as Sisley Eau de Campagne and Joop! What about Adam. In this stage a light flowery element which reminds me of daffodil, enlighten this, taken as a whole, austere composition. This flowery note, the green note, the fur note and some of the hay with a slight herbal touch is what remains in the basenotes and lasts until the fragrance has dried down after 8-10 hours. There is also an element in Corsica Furiosa which reminds me of an accord in the base of Olivier Durbano Lapis Philosophorum.

Corsica Furiosa is gentle and close to the skin, it's light, almost as a cologne and could be re-applied during the day without any risk for overdoing it. It's a very casual fragrance but would also perform well in the workplace, especially in the scentfobic office. Corsica Furiosa is most intriguing in its first part, than its plesant and quite ok but with out the sensation of the first one third.

To me Corsica Furiosa is truly unisex but to be honest I think it wears better on me than on Mr Parfumista who tried it at first as I thought it would be more herbal bitter and masculine in style. Other fragrances which comes to my mind when testing Corsica Furiosa is Guerlain Cologne 68 which have some of the burnt, herbal mediterrian notes but is more flowery and sweet. The crispy bulbflower leaf is present in for example Pierre Balmain Vent Vert (older formula) and Oriza L .Legrand Deja le Printemps.

Rating: 4

Notes: Lentisque, hay, grass, lime, honey, moss, labdanum, mint, tomatoleaves, pepper

Thanks to Fragrance & Art for the sample to test.

Aedes de Venustas - Oeillet Bengale

Picture: Oeillet Bengale
Photo: PR Aedes de Venustas (c)

The latest release from New York based perfumeshop Aedes de Venustas, Oeillet de Bengale is created by perfumer Rodrigues Flores-Roux, a pefumer who created hidden mainstream gems as Donna Karan Gold  (swe) and also hyped niche fragrances as for example for Arquiste.

Oeillet Bengale starts with a true and soft carnation note followed by a light spicy incense focused note. Soon a beautiful rose appears, the rose is tender and natural smelling. As Oeillet Bengale dries further down, the rose and spices blends in a mix that creates an impression of a soft spicy carnation. Further in the development, the rose steps forward and appears in a different form, now in the form of a retro diva, the rose smells balsamic and a bit oldfashioned, deep and dark but without powdery and soapy nuances and reminds me of the rose-saffron accord in Odori Zafferano but in a smoother version. In the basenotes the balsamic, ambery impression deepens and playing beautifully with the spicy, rose-carnation. Taken as a whole, Oeillet Bengale is linear in style but playing in a higher, flowery register in its first part and on the deeper, darker part of the scale in the second part.

Oeillet Bengale is subtle with an obvious, chic-simple elegance, I can imagine the wearer of Oeillet Bengale in a basic uniform consisting of a black chasmere jumper/cardigan, a black light woolen penskirt, contrasted with different decorative silkscarves or pashminas. In its olfactory character, Oeillet Bengale reminds me of a non powdery Chanel 1932 or a Grossmith like Amelia. When it comes to carnations, the current (or just disontinued) Caron Bellodgia Edt is too watered down and not as balsamic in style, Bellodgia Edt in
the older version is in the traditional eugenol carnation style. Compared to another great carnation release from this year, Oriza L. Legrand Royal Oeillet reviwed earlier this week, Oeillet Bengale is a more of a non descript carnation, the fragrance is in fact a spicy rose underscored by balsamic notes which creates the impression of carnation, whereas Royal Carnation is a very true, classical carnation but in a contemporary interpretation. I have also heard from a reaible source that Oeillet Bengale have many similarities with vintage Yves Saint Laurent Opium Extrait, havn't smell the vintage extrait myself.

Oeillet Bengale is soft, elegant and in the same time comforting. It's sillage is close
but fully detectable for those nearby. Appropriate both for casual and the office especially for the colder months. The stayingpower is good, for over a day. And the bottle, like the other Aedas falcons, just marvellous.

Rating: 5

Notes: Turmeric, cinnamon, black pepper, cardamon, clove, saffron, rose, white pepper, strawberry, floral notes, vanilla, tolu balsam, benzoin, labdanum

Thanks to Fragrance & Art for the sample to test

Oriza L.Legrand - Royal Oeillet

Picture: Study of Polly Bernard  1885 for
"Carnation, lily, lily, rose"
Painting by John Singer Sargent (1856-1925)

Royal Oeillet is a composition inspired of the rich heritage of the revived french powder and perfumehouse Oriza L.Legrand. The house of Oriza recreates some of the old formulas taken the restrictions of and opportunities in to account and the result is one of the very best nichelines of today. In Royal Oeillet he interpretes the it-note of 2014: Carnation.

Royal Oeillet starts with an traditional, dense carnation note, a full carnation as in Caron Bellodgia pre year 2000. After a while, a contrasting note appears, a glimpse of the, what I call "an old attic" note appears, but much lighter, cleaner and airier than in the "old attic" gold standard L'Ombre Fauve from Parfumerie Générale. The note soon steps back and integrates with the carnationnote. The carnation is dry and papery in structure, I imagine its color as brick red. The clove which is a part of the carnationnote is very balanced and doesn't overpower the composition. Compared to Royal Oeillet, for example M.O.U.S.S.E and M.O.U.S.S.E II from Oliver & Co, spicy clovefragrances and the impression of carantion is subordinated the spices. Royal Oeillet is, despite the light spieces, in a strange way refreshing when worn a warm summerday. It's linear and minimalistic in its apperance but not at all boring. Its a meditative and calming fragrance which triggers the imagination and transports the wearer to the late 19th century and the impressionists era. The atmosphere in John Singer Sargents wonderful painting Carnation, lily, lily rose is similar to the vibes of Royal Oeillet.

Picture: Carnation, lily, lily, rose -
 the finished painting 1885-1886
 John Singer Sargent (1856-1925)

Compared to the other Oriza L.Legrand carnation, Oeillet Louis XV Royal Oeillet gives the impression to be a soliflore carnation, the Louis is more of an aldehydic boquet with carnation as the leading flower. In the Mâitre Parfumer et Gantier carnation Soie Rouge, where fruit and rose are more predominat an its also less spicer. Haven't tried my sample of Aedes de Venustas Oeillet Bengale yet but I'll compare it with Royal Oeillet when I review it.

Royal Oeillet could be worn in many situations when one need a comforting, elegant and easy to wear fragrance. The fragrance is appropriate year around, but especially for late summer/fall, the sillage is medium and longevity for almost a day.

Rating: 5

Notes: Rose, black pepper, myrrh, geranium, cloves, pink pepper, cedar, bitter orange, violet leaf, sandalwood

Favorite Orizas

Picture: The crest of Oriza L.Legrand
Photo: PR Oriza L.Legrand

As mentioned before, as I like retrostyled fragrances, the fragrances of Oriza L.Legrand are among my best findings during the latest years. The Oriza fragrances are all wellblended, of a good quality and which to prefer is not a matter of uneven quality among the fragrances, it's just ones personal preferences. My top three favorite Orizas (so far) are:

Oeillet Louis XV "The Oriza Carnation"; powdery, tart light caranation
Rêve d'Ossian "The Oriza Amber"; balsamic, tender, comforting
Horizon "The Oriza Patchouli"; very well rounded patch, one of the best patchoulis on the market

But I also would be pleased to wear:

Relique D'Amour "The incense Oriza"; incense in the colder, green pine-y, sub-family
Déjà le Printemps "The green Oriza"; crispy, springtime bulbflowers
Jardins D'Armide "The powdery Oriza"; an esteemed member of the elegant ladylike, aldehydic family

For Mr Parfumista

Chypre Mousse "The chypre/fourgé Oriza" The best Oriza so far, very original, no smell alikes (from what I have smelled) expect Kerosene Creature which has some similar notes, but not as balanced as in Chypre Mousse.
Vetiver Royal Bourbon "The vetiver Oriza" One of the very best vetivers on the market.

Chypre Mousse is the favorite of the very picky Mr Parfumista followed by Royal Vetiver Bourbon.
Looking forward to the coming recontructions/recreations from this quality house.

The Orizia L.Legrand fragrances are available at Fragrance & Art as also the Oriza L.Legrand  webshop.

Serge Lutens - L'orpheline

Picture: L'orpheline
Photo: PR Serge Lutens

L'orpheline is the latest fragrance from Serge Lutens and it's a part of the square (spary) bottles line, sometimes also called the exportline. As the black label indicates, its a stronger concentration, and more expensive than the whitelabeled bottles. Perfumer is Christopher Sheldrake, the former inhouseperfumer of Serge Lutens, now also with Chanel. As with most of Lutens latest creations, there is a backstory to L'orpheline which has it's background in Lutens childhood, the relation to his mother and his analyze of his feelings of the time.

L'orpheline starts with an almost refreshing combination of aldehydes, a cold, woody,almost green incensenote similar to pine. After a while it becomes warmer and light woody, herbaceous and as the fragrance further dries down, a peppery twist of the incensenote similar to the one in Parfumerie Gènèrale L'Eau Guerrière, appears but only with a fraction of the strength of the latter. As the drydown goes furhter on, a comforting, slight soapy note appers, soften the incense without any sweetness. There is also traces of the chilly, fresh pinelike incensenote from the initial blast of L'orpheline, a note which is also present, but stronger, in Robert Piguet Oud and in Oriza L.Legrand Relique D'Amour. The dominating accord in the middle of the fragrance is this simple but beautiful combination of fresh incense and soapy aldehydes.

Reaching the base the special pleasant slight wet, powdery, putty and musky note appears which I like in creations as Chanel 1932 and several other good contemporary fragrances, here is the link to a special post about this basenote. In L'orpheline that special note is combined with incense and creates an alternately chilly and tepid impression. Overall, L'orpheline in its latest stage reminds me very much of Chanel 1932, without jasmine and with more incense. And probably is that not a coincidence taken Sheldrakes role in both houses into account.

L'orpheline is a subtle, lowkey skinscent with low silage. Longevity for a day but a bit weak in the latest stage. Office-appropriate but also casual mostly for intellectual leisures as visiting an art exhibition or a classic concert. L'orpheline is a fragrance for contemplating and situations that require some sort of tranquility. First it not seems very original as there are traces of other fragrances, but  when worn and properly evaluated, this is in my opinion a new way to treat incense, in a low key, comforting way. Anyway L'orpheline is intriguing (triggering the imagination) and pleasant to wear.

Update December 2014: Cold weather makes the best of L'orpheline, it's a awesome fragrance, easy to wear, intriguing, which means that you get compliments. One of the best releases of 2014.

Rating: 4 5 (December 2014)

Notes: Aldehydes, coumarin (fougere accord), woods, ambergris, patchouli, incense, chasmerean
(notelist from Perfumeshrine as Serge Lutens doesn't reveal the notes on the site)

Oriza L.Legrand -Vétiver Royal Bourbon

Picture: The great vetiver  Vétiver Royal Bourbon
Photo: PR Oriza L.Legrand (c) 

Vétiver Royal Bourbon is another sucessful reinterpretation/reconstruction of an old (1914) Oriza L.Legrand formula. As usual conducted by Oriza the co-owner, perfumer Hugo Lambert.

Vétiver Royal Bourbon starts with uplifting notes who complements the gingerfacet of vetiver and the impression is fizzy, sparkling almost gauzy. The imagined color is bright green. As Vétiver Royal Bourbon dries down, the darker, almost juicy-rooty-grassy aspects steps forward and the imagined color is medium green-grey in a velvet texture. A smooth, natural dry, spicyness also appears. When reaching the basenotes the multifacetted vetiverblend finds its stable foundation a slight smoky, boozy  base. Here an ambery brown has joined the imagined color of the fragrance.

Vétiver Royal Bourbon is an extraordinary vetiver. It's dense but not in a heavy or cloying way and it smells very natural as I imagine oils of the highest qualties of the vetiver grass are smelling. As mainingredient for the fragrance the finest and rarest vetiver from Réunion Island (Isle de Bourbon) also is used. Compared to the gold standard true vetiver "solivetiver" Les Nez Turtle Vetiver Excercise 1 by Isabelle Doyen, Vétiver Royal Bourbon is in the same leauge. Comparing the two, Vétiver Royal Bourbon is a more polite and civilized take on the natural smelleing vetiver,  comfortable chit-cating in the royal salons whereas Turtle is the the noble savage  the entering from the huge forest. Just as Turtle, Vétiver Royal Bourbon isn't as diluted as the bulk of vetiverfragrances avaible today, it feels like there are a higher concentration of the vetiveroil in both these excellent fragrances. Vétiver Royal Bourbon is a vetiver for lovers of the real thing, not the common, diluted versions of the note. A true gem.

Picture: The perfect match for Vétiver Royal Bourbon, 
the newly installed Bourbon (Borbón) king ,
HM King Felipe VI of Spain.
Photo borrowed from the net, photograph unknown. 

The review is based on wearings both by me and the vetiverconnoisseur Mr Parfumista, whos top vetiverfragrance of all times is the above mentioned Turtle Vetiver Excercise 1. Despite the similarities with the Turtle, Mr Parfumista is strongly considering adding Vétiver Royal Bourbon to his collection and that´'s a good rating as he very rarely buys a full bottle, the latest was by the best Oriza of them all, Chypre Mousse. Vétiver Royal Bourbon is classified as unisex and it is, even if I think it's leaning to the masculine side. Beeing a vetiver, the fragrance is exceptionally suitable for dressed up occassions but is also appropriate for office or as casual-chic. The longevity is good, about a day and the sillage is pleasantly present.

Rating: 5

Notes: Peppermint, thyme, vetiver, labdanum, iris, sandalwood, juniper, leather, styrax, immortelle, tobacco, oakmoss

Maria Candida Gentile - Finisterre

Picture: Fisterre, Galicia, Spain
Photo: Greta, Wikimedia Commons

Finisterre is one of the latest releases in the classical line of my favorite Italian perfumer, Maria Candida Gentile. Finisterre is a contemporary representative of the, among many (snobbish) perfumistas, not so valued (to be diplomatic) aquatic genre. This genre seems to have a revival recently with Hermès Epice Marine as a forerunner. The aquatics of the 2010s doesent have the traditional melon (calone) note and re-interprete the genre.

Finisterre is inspired by the second (the first is Cabo da Roca outside Lisabon which I've wisited myself) outermost tip of the Iberian Peninsula, Cape Finisterre in Galicia, where the wawes of the atlantic ocaean rolls in over the cliffs with full power. Finisterre really captures what I image as a sunny, windy summerday at the place. The first part has something in common with the original Kenzo pour Homme but without the intriguing aromatic aquatic twisted lily of the valley note that is the characteristic of the Kenzo. Very soon a very well done, not sharp, turpentine note appears and is present during the whole dry down. It's contrasted with a green, non sweet, minty note and when these notes are interacting a sea like note appears. There are also a woody freshness of fir present softened with a discrete sandalwood and immortelle. The immortele is not at all the bombastic proportions of for example Annick Goutal Sables or leathery strong as in Histoires de Parfums 1740 Marquise de Sade. The herbal qualities of Finisterre expresses itself as an soft anise/ licorice-like nuance which discretely accompanies the other notes. A note of crisp green leaves, just like fresh tulip or other bulbflowers crispy leaves i  spring also appears and this part reminds me of the beautiful springfragrance of Oriza L.Legrand Déjà le Printemps.  There is also a relaxing, salty, balsamic aspect of Finisterre, probably the ambregris which lends the composition a true oceanic expression.
Even if no distinguishable incensenote there is also an almost churchy aspect of Finisterre, a nuance of what is much more noticeable in MCG Sideris and Exultat. Maybe this is mirroring the fact that Finisterre is the final destination of the pilgrims of the Way of Saint James, the last 90 km walk from the pilgrim metropole Santiago de Compostela. When reaching Finisterre, the pilgrims following an old tradition, burns their clothes or shoes. Finsterre is a quite linear composition to my nose and one experience most of its features at the same time.

Picture:. The stylish bottle of Finisterre
Photo: PR Maria Candida Gentile (c)

I instantly liked Finisterre for the first time when I tried it and my liking has constantly growing through the wearing from the sample supplied by Fragrance & Art. Finisterre is also drawing compliments, several people have independitly complimented this aquatic wonder. A perfect summerfragrance, both for casual and for office. Not the most complicated MCG fragrance but on the other hand, who wants to analyze the whole time, sometimes at least me, just want to relax in a good fragrance. Finsterre is just great IMO and it has joined my other two most favorite MCG:s  Sideris and Cinabre in the top.

Rating: 5

Notes: Sea notes, immortelle, pine tree, ambergris, sandalwood