Puredistance No 12

 

Picture: No 12, 17,5 ml
Parfume extrait 25%
Photo: Puredistance (c)

Puredistance No 12 is the last creation in the Puredistance circle of extraits de parfum. There will be just twelve fragrances at time in the Magnificent XII Collection, when a new fragrance is launched, it will replace one of the other twelve. But fear not, the retired perfumes will still be able to order directly from Puredistance from a Private Collection.

Puredistance No 12 is created by masterparfumer Nathalie Feisthauer the creator of  many fragrances for example two favourites of mine  ELd'O Putain de Palaces and Hermès Eau des Merveilles (with Ralf Schweiger).The opening of No 12 is bright and shiny, there is a clean and abundant, full mandarine note which, even if close in its texture is not at all sweet and thick like marmelade. It's paried with an elegant vintage touch of bergamot, and bracing cardamon. In the frirst spritz of No.12, the opulence of this contemporary chypre with vintage vibes, is obvious. Almost in the same moment as the topnotes hits the skin, other layers in the blend introduces themselves. The beautiful, clean rose, the flower, no torns and greenery either not the rubbery note of roseoil, the seamless blend of jasmine and other classic notes as orange flowers, narcissus, lily of the vally and orris. The notes are so masterfully blended and therefore the different notes are hard separate, they just  mingles in smooth, creamy accords, fleeting like a heavenly (blue) symphony. 

The patchouli in the base of No 12 is together with rose, orris, mandrain and cardamom the note that, to my nose, stands out the most in the fragrance. The patchouli in No 12 is not used that much in todays perfumery: It's a clean (but not stripped down), cosy, soft like cashmere, sort of dry, almost powdery earthy dark chocolate type, which smothness blends lovely with the notes mentioned and with the ingredient of all real chypres: Oakmoss. The patchouli and oakmoss combo adds a clean dept to No 12.  I've found something close to this particular patchoulinote in  two totally different and more one dimensional interpretations; in  Perris Monte Carlo Essence de Patcholuli and Davidoff Zino Davidoff. None of them as smooth, elegant and creamy as No 12, theese fragrances are more of "one note"  patchouli fragrances. Another fragrance that comes to my mind is the beautiful floral chypre La Perla (the original version from 1987), although No 12 is more contemporary in style.

Picture: No 12 in all sizes
Photo: Puredistance (c)

The impression of No 12 is that of total cleanness, like clean water in a mountian stream. But the water is thick and accompanied by many nuances, for example something like a clean luxury soap even if the texture of No 12 is not soapy. It's a fragrance that surprise, with different wearings, different accords/notes stands out, some wearings I can smell a faint leather note (smooth leather from inside a luxary handbag),iris paired with a clean earthy impression. 

Compared to last years  Rubikona, No 12 is brighter and higher on the fragrance note scale, Rubikona is more muted and dark, like silky velvet, where No 12 is like fluid tick silk in texture. Both are chypres, where No12 is more of an elegant carefree daytime fragrance and Rubikona is more serious, leaning to a evening event, although both could be worn around the clock. The blue No 12 to me is a glimmering faceted, cornflower blue saphire, framed in white gold, whereas Puredistance Gold which I associated with a saphire, is a darker, cabochon cut dark saphire framed in muted gold. 

Picture: Queen Maxima of the Netherlands,
in the Mellorio Sahppire Tiara
Photo from: Pinterest photographer unknown/
Royal roaster tumbler dot com (c) 

If Rubikona evoked the vision of  the "fit and proper" powerwomen, the EU President Ursula van der Leyen, No 12 is the perfume of a Queen. The queen I come to think of is, appropriately Queen Maxima of the Netherlands. As it seems from what is written in the press, a warm, colourful and sparkling personality sometimes appearing in an elegant, bohemian chic style. The color of No 12 is regal blue, like the saphires in Maxima's imposing tiara.

Although Rubikona and No 12 are in the same family, very elegant well constructed and wearable modern chypres, I could not choose a favourite. Both are equally good and complements each other, one have to have both for variation. The overall impression of No 12 is like a sunny day, with blue sky, full of joy and complete effortless.  The parfum is timeless and proper both for casual chic and formal events. Regardless of the occasion No 12 really lifts the spirits and is a ride in true comfort. 

Rating: 5

Notes: Bergamot, Mandarin, Cardamom, Coriander, Ylang Ylang, Narcissus Absolute, Jasmin Absolute, Rose, Geranium, Lily of the Valley, Orange Blossom, Osmanthus Absolute, Orris Butter, Heliotrope, Hedione, Vetiver, Sandalwood, Patchouli, Oak Moss, Tonka, Ambrette, Ambroxan, Vanilla, Musk

Peccato Originale - Quick reviews

Picture: Papaver somniferum. (Schlofmoon)Franz Eugen Köhler (1897), Köhler's Medizinal-Pflanzen, Wikimedia commons

Peccato Originale (Original Sin) is an Italian nichebrand founded by chemist/pharmacist Silivia Monti inspired from her her work in a pharmacy and the clients she met there. The fragrances har created by Siliva in collaboration with not revealed pefumers, expect one which is mentioned; Lucca Maffei. I have tested samples of four fragances from the line which consists of at least eight fragrances which is defined as unisex.

Antidoto Reattivo is a juicy citrusdominated fragrance with a cold spicy vibe from cardamon. There are also contrasting, green notes with an almost dry, airy, very light flowery, tangy touch and also a boozy slight antiseptic element in the base. Maybe the dry, flowery, tangy impression is from mate which is mentioned among the notes. Something in the over all expression reminds me of a less flowery Une Nuit de Bali Fleur des Fleurs.


Iniezione di Morfina despite its name this one is a classical, powdery, floral aldehydic musky fragrance with the usual flowers rose, iris, jasmine but here with an noticeable addition of lily of the valley. A late follower to fragrances in the style of Lorenzo Villoresi Teint de Neige, Etat Libre d'Orange Putain de Palaces and Frederic Malle Iris Poudre et al. The Morfina is very feminine to my nose

Picture: Tintura Spiritosa
Photo: PR Peccato Originale 

Tintura Spiritosa starts like a random Mancera/Montale fragrance with rose and spice but much less oud. The oudy impression soon disappears and TS becomes sweeter with a tangy blackcurrant (the berry) note combined with  a light boozy touch and tea accents. This over a  musky peppery resin amber base where the pepper is quite detectable.

Cantaride the softest and most polite of the four tested. A light amber with angelica which creates the typical contemporary classic suedenote. Some very light animalic passages as also a very light touch of booze glimpses by and all is grounded in a pleasant musky base. A comforting, calming and pleasant "wrist-sniffer". Cantaride makes me think of fragrances as Guerlain Cuir Beluga and to a soft and tame variation of Annick Goutal Sables.

My impression from the sampling is that the Peccato Originale line is quite ok but nothing as spectacular as some of the names of the fragrances indicates. All the first three tested fragrances have a cold (not Cantaride which is warm), almost boozy strike to them, maybe a recollection from the Pharmacy. The longevity is impressive, around 24h for all four fragrances. Taken as a whole, my impression from sampling three the Peccato Originales is that the house have some own characteristic even of beeing one in the crowd of new fragrancehouses which have flooded the market during the latest years.

Vero Profumo - Rozy EDP

Photo: Mr Parfumista (c)

The rose variations Rozy  from Vero Profumo are said to be inspired from the intensive (to say the least) italian actress Anna Magnani and espceially the movie The Rose Tatoo. As usual the fragrances from Vero Profumo is created by the founder of the house, Vero Kern. Today my impression of Rozy EDP and in the next entry, Rozy Voile d'Extrait.

Rozy EDP starts with an accord that reminds me of the honeyed flowery/rosy a bit lipsticky in texture start of the clasic  Shocking by Elsa Schiaparelli. But after a while Rozy EDP takes its own track, a delicious, fruity, golden nectar, honey and rose. The passionfruit, characteristic for the EDP:s of Vero Kern is deeper, denser and more gentle than in for example Rubj EDP or Kiki EDP. Something original with Rozy EDP is the mix peach, rose, honey and lilacflowers which gives the fragrance its own, original characteristic, its texture is almost inky and the smell has also some similarities (cold, wet metallic) with fluid ink. As a contrast, a soft, smoothing sandalwood is interacting. In the basenotes there is an animalic, dirty quality, powdery almost like putty in texture, a combination that I like very much, present also, but much more powdery, in fragrances as Etat Libre d'Orange Putain de Palaces and Huitéme Art Poudre du Riz. Overall, the resemblance with something that could be a contemporary and more sofisticated (at least compared with current EDT, haven't tried the vintage perfume) Shocking by Schiaparelli lingers during the whole drydown. In the basenotes something that  vaughely reminds me of a flowery version of Amouage Gold Extrait in the older formula is also present as also a resemblence with Antonio Visconti Rose Savuage.

Picture: Rozy EDP
Photo. PR Vero Profump (c)

Rozy EDP is a beautiful, retrostyled rose that distinguishes itself among other dark, dramatic roses. Longevity is very good, traces are left unfragemented almost 24h later. The sillage starts big but lingers to close and in the end to a skinscent. Rozy EDP could be worn year around even if I think it would be great for the colder season or for chilly summerevenings.

Rating: 5

Notes: Rose, peach, passionfruit, honey, lilac, hyacinth, tarragon, sandalwood, powdery notes

Editions de Parfums Frederic Malle - Lipstick Rose

Picture: Viola Riviniana and Viola Canina

Nordens flora, picture painted between 1917and 1926 by

swedish botanist Carl Axel Magnus Lidman

Wikimedia commons

Lipstick Rose is created by perfumer Ralf Schwieger for Editions de Parfums Frederic Malle year 2000 and was released with a bunch of other fragrances in the earliest edition of the house.

To me Lipstick Rose smells very innocent, well behaved and girl next door-ish. Even so (of course the girl next door wears a little pink lipstick on special occasions) Lipstick Rose is a appropriate name of this violety, rosy, slight powdery and slight earthy blend. The top- and middlenotes definitely conveys the picture and smell of a lipstick of high quality. There is a creamy and slight powdery note, dominated by violets. The rose is the second player and disappears on my skin as the scent drys down to the basenotes. In the basenotes there is still a trace of the powdery violet but the notes of vetiver and musk anchor it in a slight earthy base. On my skin those notes blended together also create a tealike note.

The powdery note present during the whole dry down reminds me of a polished version of the gunpowdernote that I appreciate in Lorenzo Villoresis Teint de Neige. In it's earlier stages Lipstick Rose is somehow a well-behaved violet-version of the, in comparison, wild and eccentric TdN. But Lipstick Rose don't goes the whole hog as TdN, neither by the gunpowdernot or by the soapiness as the Lipstick Rose powder never passes in to the great soapiness of TdN. Other fragrances that have similarities with LR is Andy Tauers beautiful Une Rose Vermeille a jammy, fruity rose with hints of violets and with the texture of Etat Libre D'Oranges Putain de Palaces. Even as also it's name indicates, this scent with it's dirty animalic heft is the direct opposite to the girl next door-ish Lipstick Rose, but the style,violets and the rose are in common. 

Lipstic Rose is a well executed, almost linear fragrance that is easy to wear for many non-casual occasions in autumn, winter and spring. It's a tad too sweet and powdery to feel appropriate for summerwearing.

Rating: 3

Notes: Rose, violet, musk, vanilla, vetiver, amber