Parfums de Nicolaï - Incense Oud

Picture: One summer's evening they went with Bianca Maria
deep into the forest (1913)
Watercolor on gouche by John Bauer (1882-1918)
Wikimedia
(The swedish artist John Bauer, his wife and three year old son were tragically drowned in a
shipwreck on the lake Vättern 20 November 1918, ie exactly  98 years ago yesterday. )

Incense Oud is created by one of the best noses of today Patricia de Nicolaï for her own perfumehouse Parfums de Nicolaï.

Incense Oud starts with a clean and clear incense embedded in the typical "Nicolaïade" accord, sofisticated, smooth, slight soapy, chalcy, green with a sort of contemporary, retro touch. This Nicolaï accord in its different settings has a carefree, parisian, elegance. The oud is not a major player here, it's one of the interacting notes from the dept of the fragrance. The oud is not of the dense, smokey variety, nor the chemical, medical one. It's a transparent, herbal and dark green oud (if it had a color), refreshing in the same way as stayning in the deep forest among trolls and elves.
The oudnote is in the same vein as the oud note in Vescace Pour Homme Oud Noir and as in By Kilian Pure Oud, cold and sort of airy but quiter, smoother and seamless integrated with the other notes.  In the background there is also a slight musky almost animalic dept to the fragrance. A more prominent note which is interacting closely with the oud is patchouli. It's the same elegant (in the higher octaves of the fragrance note scale) herbal-fresh patchouli leaves note as in one of my favorite Nicolaïs Patchouli Homme later renamed to Patchouli Intense. Incense Oud reminds me much of the Nicolaï patchouli but Oud Incense is chillier, fresher, a bit herbal whereas Patchouli Homme has spicy and warm notes interacting with the patchouli. In Incense Oud I can also detect some of the slight green, chalky note present in Vanille Tonka. There is no obvious similarities with fragances from fragrances outside the house of Nicolaï, the fragrances of Parfums de Nicolaï are unique in its style compared to the rest of the market. One fragrance I come to think of when it comes to the herbal leaves patchoulinote is Coquillete Herat which blend of tobacco and a canabisnote reminds a bit of the patchouli accord in Incense Oud. There are also a tonality reminding a bit of By Kilian Smoke for the Soul but Incense Oud is much more structured, clean and not as thick and on the verge to messy as the Kilian blend. 

Picture: Incense Oud
Photo: PR Parfums de Nicolaï (c)

Incense Oud is a versatile fragrance wearable the year around expect in the warmest summerdays. It's a casual chic fragrance, suitable for office or for a day in the city. Sillage is medium + and the longevity is great. Incense Oud is unfragmented after more then 12h wearing and it's fully detectable after 24h and on textile after many days. The fragrance is unisex. From what I have smelled from the perfumelaunches of 2016, this is one of the very best.

Rating: 5

Notes: Artemisia, ambretta, coriander, rose, cedarwood, oud, cypriol, patchouli, frankincense, styrax, castoreum, amber, musk

PS: Parfums de Nicolaï is now also avaible from Fragrance & Art .

Ormonde Jayne - Vanille d'Iris

Picture: Iris Germanica (Deutsche Schwertlilie)
Drawing by Franz Eugen Köhler, 1897
Köhler's Medizinal-Pflanzen,
Wikimedia commons

Vanille d'Iris is a 2015 release from Ormonde Jayne created by Geza Schon.

Vanille d'Iris starts with an iris with an light, fresh carrotnote, like from a tin and small carrot "priemeur", harvested in the early summer. After a while Vanille d'Iris becomes more flowery, the carrot disappears as in most irisfragrances which are starting up with the rooty accord which gives an intriguing and sort of fresh, despite the earthy connction, impression for the irisgenre. After a while a non-sweet vanilla shows up and it reminds me of the chalky vanilla of Parfums de Nicolaï Vanille Tonka. The iris as the protagonist among other florals which dominates the heart and reminds me in style of the Le Galion Iris and Acqua di Parma Iris Nobile even if both these fragrances are more lush, flowery and warmer in apperance. Vanille d Iris goes quickly through the flowery phase but iris is also clearly evident in the woody-green accord of the basenotes , reminding me of a contemporary iris-woody classic as Heely Iris de Nuit. The iris in the base is balanced by a clean vetiver as also a barely detectable vanilla, adds an opposing smoothess which, together with a light glowing amber, almost precisely placing Vanille d'Iris just over the border in the feminine iris territory. But Vanille d'Iris is perfectly wearable for men who likes for example Dior Homme where the lipstick texture actually is more feminine in style than the subtle vanilla/amber addition in Vanille d'Iris.The base is also lightly infused with a clean but not powdery or soapy musk which higlights the other notes and makes the fragrance last for long.

Picture: Vanille d'Iris
Photo: PR Ormonde Jayne (c)

Vanille d'Iris is a good, elegant, "basic iris" wearable year around. It doesn't bring anything new to the genre but is well crafted and well worth  sampling if searching for a(nother) basic iris. It's a perfect office fragrance if carfully applied as it's a strong formula which despite its clean character could be overbearing if to much is spritzed, three-four spritzes is the limit. Longevity is very good about 24h, sillage is heavy.

Those who likes irises in general both flowery and woody, will probably also like Vanille d'Iris.

Rating: 4

Notes: Coriander, bergamot, carrot seed, pink pepper, oris, jasmine, magnolia bud oil, osmanthus, vanilla, cedarwood, vetiver, amber, musk

Thanks to Fragrance & Art for the sample to test

Parfums de Nicolaï - Ambre Cashmere Intense

Picture: Autumn oakleaves
Photo: Parfumista (c)

Ambre Cashmere Intense is the latest addition to the perfumeline of Parfums de Nicolaï, the reaible, quality niche house founded by the Guerlain descendant, perfumer Patricia de Nicolaï . The house celebrated a quarter of a century last year.

Ambre Cashmere starts with a beautiful, sparkling accord dominated by a full and round lemony note cleverly mixed with pepper. The pepper is not at all dominating, which unfortunately is very common with this note. Instead of beeing overdosed the pepper adds sparkle and contributes to a dry and warm impression. The lemony note has some green accents which adds an very elegant texture to the fragrance.I recognize this accord from other Nicolaïs as for example L'Eau Chic and Vanille Tonka, it's seems to be something like a signature for the casual chic style of Nicolai. When Ambre Cashmere reaches the middlenotes, a slight buttery note with a floral touch appears. Despite the buttery texture there is something almost ozonic, fizzy appearing for a while. A beautiful, dry vanilla which feels unprocessed and natural appears, there is not the candy sweetness nor the woody old-book smelling vanilla version. The vanilla in the basenotes is balanced with smooth, rounded resins, a powdery tonkabeen with a touch of patchouli which together with a light musk adds dept and longevity to the scent. Ambre Cashmere is intresting also in the basenotes, the fragrance is shifting in its performance, for example suddenly the base becomes a tad spicy, an almost cinnbar like note which I recognize from (but here it appears in a lighter form) the very special, most unusual patchouli secnt I have sniffed so far, Patchouli Homme which I think is renamed to Patchouli Intense. Further in the drydown the spicy patch gets cleaner, earthier but still discrete and supporting, not at all dominating.

Picture: Ambre Cashmere Intense
Photo: PR Parfums de Nicolaï (c)

Ambre Cashmere is a light, soft and uplifting amberperfume. The amber is not dominating as the name implies, the amber is discretly present, surrounding the fragrance and creating a soft, golden aura around the wearer. When it comes to the overall gentle apperance and texture of the fragrance, the "Intense" part of its namn it hard to understand. Ambre Cashmere is a perfect perfume in the first beautiful part of the autumn with the golden sunlight and the leaves shifting in orange and yellow. Something with Ambre Cashmere reminds me of Mona di Orio Les Nombres d'Or Ambre even if not smelling the same, the MdO Ambre is more distinct with a dry gunpowdernote. Anyway both fragrances are light ambers in the higher octaves of the notescale, powdery and cashmerelike in texture. Wearing these fragrances is like to be wrapped in a featherlight cashmereshawl.

Ambre Cashmere is a discrete fragrance with close sillage but  clearly present to the wearer and to those who are in 1-2 meters distance. A wearable and elegant fragrance, even if classified as unisex it's IMO leaning to the feminine side. Longevity is good, last unfragmented for a day and when it comes to this aspect of the perfume, it deserves the epithet "Intense". Even if not the most exciting or innovative perfume, Ambre Cashemere is very well made, elegant, relaxing to wear and as always with Nicolaï. perfectly blended and balanced.

Raring: 4

Notes: Black pepper, mandarine, citron, orrisrooth, violet, cloves, vanilla, labdanum, benzoin, tonka been, patchouli, sandalwood, amber, musk

By Kilian - Imperial Tea

Picture: Flower close up of Jasminum officinale
Photo: B.traeger (cc) some rights reserved, Wikimedia Commons

Imperial Tea is the other of the two latest releases in the By Kilian Asian Tales Collection, a collection with transparent, elegant and relaxing fragrances of high quality ingredients. Even if delicate in style, the Asian Tales fragrances have good lastingpower and sillage to be modern, light compositions. The Asian Tales line IMO is especially good for spring and summer. Imperial Tea is created by Claice Becker with the intention to recreate the olfactive impression of  a freshly brewed cup of exquisite jasmine tea.

Imperial Tea starts with a beautiful, very natural smelling jasmine, which is sparkling, light and uplifiting. After a while a contrasting almost green a bit tart, chalky note appears which remainds me of the smell in the oyster colored Jugendstyled bathroom of my grandmother. This note, is also present for a while in By Kilian Playing with The Devil and just a tad denser also in Vanille Tonka from Parfums de Nicolaï. When Imperial Tea dries down, it is obvious that  the jasmine is not as clean as the initial impression. In the middlenotes the animalic undertone of jasmine appears, contrasting the cleaner notes just as the chalky note persist. The teanote of Imperial Tea is subtle and just accompaning the jasmine. It is a light, gentle, white teanote, like silver tip tea and there is absolutely non of the for many teafragrances typical harsh, wet wipe note. The teanote of Imperial Tea is the best subtle teanote that I have smelled in perfume so far. In the basenotes, Imperial Tea becames darker in its tonality but the wellbalanced jasmine, tea, green chalky, slight animalic combo still persists.

Picture Bai Hao Yin Zhen tea leaves (white tea)
Photo: lateasquirrel (cc) some rights reserved, Wikipedia Commons

Imperial Tea is perfect for sipping white tea in a blooming jasmine bower a warm early summer day. It's a casual chic fragrance, perfect for daytime wear and is also very suitable for office. Compared to the other By Kilian which feature jasmine, Love and Tears, Imperial Tea is more minimalistic and less flowery in style. Both fragrances are classied as unisex and to my nose Love and Tears leaning more to the feminine side than Imperial Tea which is positioned in the middle but also slight more feminine. Longevity is for a day, if freely applied, the sillage is close, a true wristsniffer. This is a must have for summer :-)

Rating: 5

Notes: Jasmine, tea

By Kilian - Playing With The Devil

Picture: Quite contrary to the Devil: Kilian Hennessy himself,
as handsome as this fragrance is beautiful :-)
Photo: PR By Kilian (c) 

Playing With The Devil is the fourth installation in the By Kilian sub-line In The Garden of Good and Evil. As almost all By Kilians, PWTD is created by Calice Becker, a true champion when it comes to handle flowers in a delicate way. The first three fragrances of this sub-line, even if good, was a bit too similar and I find it difficult to distinguish them from each other. Playing With The Devil on the other hand, stands out from the crowd and is just stunning.

Playing With The Devil starts with the most natural smelling orange, in this case, Blood Orange I have smelled so far. The beautiful orangenote is underscored by darker fruity notes as a perfectly matched balckcurrant note and  round, delicious notes of peach and litchi. The peach is the same peachnote as in Flower of Immortality  from this spring, but slightly darker and fuller. The notes are nor sharp or synthetic smelling at all..

As PWTD dries down, flowery notes mingles with the fruit and in this stage PWTD becomes slight sopay on my skin and oddly, a chalky note that I also recognize in Vanille Tonka by Parfums de Nicolaï appears for a while but in a smoother interpretation. The flowers are accompanied by very smooth rendered versions of hot spices; pimento and pepper. This is very skillful performed, there is no traces of the typical peppernote that is common in current perfumery. In the basenotes, the fruity impression is still present, but darker and with an almost tobacco leaves/liqueur twist. This is probably the effect of fruit blended with resins, sweet tonka and delicate woody/patchouli notes. The base is lasting for hours and the fragrance is still unfragmented after more than 12h and distinct traces are still there after 24h.

Playing With The Devil is both elegant and comforting. It's very well blended, using high quality ingredients. It has nothing to to with the usual fruity floral offerings. It's just gorgeous!

Those who like wellcrafted fruity interpretations as Missoni by Missoni, Jeunesse by Robert Piguet, Bonbay Bling by Neela Vermeire Creations and Manguier Metisse by Huitieme Art will certainly appreciate PWTD:

Rating: 5

Notes: Blood Orange, black currant, peaches, litchi, pimento, rose, jasmine, pepper, cedarwood, sandalwood, patchouli, tonka been, benzoin, vanilla

Place des Lices - Fiordlatte

Picture: Summer Evening on the Souther Beach,
 oil on canvas by  Peder Severin Kröyer, 1893

Fiordlatte from Place de Lices starts a bit sharp with notes of green grass and some flowery notes. I bet I can smell a moderated galbanum, even if not mentioned in the notelist. When Fiordlatte settles a bit, a pleasant, soapy, glabanumlike, note appears. It’s similar to the “antique, bathroom, chalky” note that is also present, but more intense, in Vanille Tonka from Parfums de Nicolaï. This accord is fading, but not disappear completely, in a nice, a bit paper-dry in texture, white floral accord. Despite the “bathroom” vibe it’s not a watery floral of the kind that is en vouge by now for exemple Live in Love by Oscar de la Renta or Water Calligraphy from By Kilian. The white floral note feels more timeless and the dry white floral impression is more in the style of Un Amour de Patou by Jean Patou and Montale Crystal Flowers (even if rose centered) but subdued in comparasion.In the basenotes Fiordlatte becomes light musky and moistier. A slight sour note (in a positive way) which is present in many light rosefragrances becomes detectable and I think it’s the note of peony.

Fiordlatte is the perfect outdoor casualscent especially for spring and summer, preferably at sea as the dry white flowers will balance perfectly with the salty air by the seaside. Fiordlatte is also a nice casual or officescent when one has to be reminded of the lighter seasons of the year.

Rating: 3

Notes: Jasmine, cottonflower, peony, vanilla

Ramón Monegal - Cuirelle

 The Ramón Monegal testing is continuing....

Photo: Parfumista (c)

Cuirelle is an interesting and beautiful soft suede/leather fragrance from the Barcelonabased parfumer Ramón Monegal whose perfumehouse also bears his name.

As Cuirelle starts it’s a bit sweet and almost fruity with a rounding delicate suede accord. In the topnotes, Cuirelle reminds me of a smoother and less sweet and flowery In Leather Woman by Etienne Aigner (in swedish). As Ramón Monegal has created some fragrances for Etienne Aigner (don’t know if In Leather Woman in on of them) there is maybe a connection between the two fragrances. Another fragrance that comes to my mind in this stage is Ava Luxe Film Noir even if Film Noirs slight fruity suede note is tougher, rougher and more than a bit dirty.

When Cuirelle reaches the middlenotes it takes another direction than In Leather Woman. Where the latter highlighten fruity notes almost like applepie the former transforms to an almost chalky soapy accord, reminiscent to the accord in Vanille Tonka by Parfums de Nicolaï but less green and less distinctive. Later on a slight spicy, warm, honeyd  boozy note appears, similar to the interpretation in Mon Patchouly but without the cocoapowder feeling. In Cuirelle there are some light woody-patchouli notes that accompanying the delicate suedenote that depens as more the fragrance dries down. 

The basenotes is a beautiful accord of gentle and delicate, honeyed, clean leathery booziness with traces of cinnamon. The natural sweetness is just right balanced to create an aura of comfortable smothness. In this stage Cuirelle reminds me of a softer, warmer and sweeter relative to the discontinued contemporary cult leather Cuiron by Helmut Lang. In the base Cuirelle almost has transformed it’s suede to a smooth elegant leathernote, but just almost as the fragrances seems to be fleeting between soft sude and soft leather.

Just as most of the other Monegal perfumes I have tested, Cuirelle takes the wearer on an interesting journey during a day of wearing. Cuirelle is very well balanced, the notes mixes in each other in a very subtle way. It’s also like many of the other from the house of Ramón Monegal a thrilling blend where you can’t predict how the fragrance will end from just smelling the initial topnotes. That’s something that I really appreciate from a fragrance and one of all aspects that makes the perfumehobby so exiting.

Cuirelle is great to wear during the colder months, suitable both for daytime and eveningwear. The sillage is medium and the longevity is at least for 12h.

Rating: 5

Notes: Olibanum, patchouli, honey, cinnamon, vetiver, cedarwood, incense

Phaedon – Coton Egyptien

Coton Egyptien from the Pierre Guillaume associated line Phaedon is (probably) also created by Pierre. CE is, like Verveine Figuier reviewed earlier this week, compared to the fragrances in the general Parfumerie Générale-line, a lighter and “easier to wear” fragrance.

Coton Egyptien starts with a somehow soft blast of galbanum, often galbanum is strong, sharp and dominating, but not in CE. Soon a papery, vanillic note appears and mingles with the green during the well balanced dry down. The base is slight dry woody, grounded in a white musk.

In style CE reminds me of some Patricia de Nicolaï creations, especially her geraniumdominated L’Eau Chic. Coton Egyptien is the galbanumversion of L’Eau Chic but also infused with some of the papery, chalky vanillic note from Vanille Tonka.

Coton Egyptien is a soothing scent for the summer and with it’s similarities to the Nicolaïs of course also a more elegant and refined alternative to the mainstream acqua-citrus-musky freshness. There is a clean but absolutely not laudery feeling of CE. Perfect for casual and the office. Longevity is not so good, CE demands a heavy application.

Rating: 3+

Update July 2013: This summer I've come to really appreciate this fine, wearable, casual chic fragrance which unfortunately seems to be discontinued in the rebottled Phaedon-line.

Rating 2013: 4+

Notes: Galbanum, iris, jasmine, lily of the valley, lily, orange blossom, musk, cedar.

Thanks to PG for providing the sample to test.

Ett favoritparfymhus

Som jag skrev häromdagen så gillar jag sedan tidigare Le Temps d'Une Fête och Vanille Tonka från Parfums de Nicolaï. Men distraherad av allt som frestar att prova har jag liksom inte kommit vidare med PdN. Förrän nu och jag är helt såld.

Patricia de Nicolaï är ett barnbarn till en av Guerlainerna och hon har utbildts på ISIPCA:s parfymskola och har sedan parktiserat under släktningen Jean-Paul Guerlain. Jean-Paul (som är blind sedan han var 16 år) har skapat otroligt många (säkert de flesta) av huset Guerlains dofter de senaste femtio åren. Huset Guerlain har det senaste decenniet i mångt och mycket kommersialiserats och många dofter "slätats ut". Något som kanske  Patricia förutsåg. Hon ville hålla kvar vid det klassiska franska parfymeriet och producera i liten skala till ett överkomligt pris. Tillsammans med sin man startade hon därför Parfums de Nicolaï 1989.
De första dofterna var Number One för dam, snabbt följd av den berömda Odalisque och storsäljaren New York för herrar. Hon har laboratoriet och producerar dofterna i en fabrik nära Orleans och använder stora mängder blommor från odlingar i Grasse. Patrica använder naturliga ingredienser till mycket stor utsträckning i sina dofter.

Dofterna är tidlöst eleganta, damdofterna mycket kvinnliga, lätta och subtila men håller ändå ganska bra under dagen. Inga märkvärdiga flaskor eller etiketter men det är ju inte det yttre en Nicolaï-fantast är ute efter. Något som jag också uppskattar är att PdN ger ut dofterna i 30 ml flaskor och att dessa inte är jättemycket dyrare per ml än om man köper en 100 ml flaska.

Mycket på gång...

Foto: Herr Parfumista (c)

...just nu, presentköp,skolavslutningar, bjudningar osv. Här iallafall några parfym-snap shots:

*I nästa vecka händer (som det nu ser ut) något parfymspännande, återkommer mer om detta.

*Min långvariga favorit snart HKH Prins Daniel vinner kvinnornas hjärtan visar Expressens undersökning idag. Men vem hade trott något annat, han blir ett lyft för hela institutionen kungahuset. Bara ett orosmoln: Hur ser hans doftgarderob ut? Hoppas det inte bara är sportigt fräscht med hänsyn till det förflutna på gymmet.

*Håller på att prova några dofter från Parfums de Nicolaï. Är sedan tidigare helt fångad av Vanille Tonka och gillar också Le Temps d'Une Fête. De dofter jag nu provar håller samma höga standard. Love them all! Mer om detta längre fram.