Montale – Gold Flowers

Picture: Polianthes tuberosa, 1816,

John Sims (1746-1799), Wikimedia commons

Montale Gold Flowers is one in the indefinite ranges of perfumes from the house of  Montale, created by the hyperproductive perfumer Pierre Montale some years ago. Gold Flowers belongs to the Edp line, which is the non-oud line of the house. Of course there are oudnotes in many of the blends in the Edp-line but the note is used as a woody note among others and not as the leading note of the creation as in the Oud-line.

In Gold Flowers I can’t detect any oud, Gold Flowers is a genuine, tuberose dominated spicy, bold flowery fragrance. Gold Flowers reminds me of at least three fragrances: Spellbound with it’s flowery spiciness, Fracas tuberose and the texture of the flowery, fruity chypre Jil Sander 4. But Gold Flowers is lighter, brighter and more contemporary than those three fragrances. As the fragrances of the early 90s has been one of the major trends in perfumery for some years, for example Burberry Body, Gold Flowers is quite in tune with time.

The sillage and longevity is great as almost always with the Montales. The composition is also well balanced. Gold Flowers is perfect for warming up a grey day in autumn- or winter but is also appropriate to summer as it last very well and has a certain transparency. With it’s character it is also suitable for evening wear. To summarize: Gold Flowers is not the most original composition but cozy and wearable spicy, tuby fragrance.

Rating: 4

Notes: Tuberose, pepper, clove, sandalwood, grey amber

Rania J. - Cuir Andalou

Picture: Ziryab, one of the most famous musicians in Cordoba
 playing the oud, a musical instrument similar to a lute.
Poster illustrating  Cuir Andalou from Rania J. (c)

Rania Jouaneh is an independent perfumer with her own house Rania J. which has built a collection of wellcrafted fragrances with a high content of natural ingredients and with an oriental vibe. Rania dosen't rush releasing fragrances but now her new creation, Cuir Andalou dedicated to leather and supported by oud is here.

Cuir Andalou starts with a very dry leathernote and a light, slight fizzy, uplifting, clean dry spicy, slight peppery note I suspect it's the saffron. There's also an oudnote, clean and not smokey as often when combined with leather. The composition is like leather and pepper mixed with crisp, cold and clear high mountain air. Neroli is also present and brings the scent a vision of a garden with orangetrees in the palace of Alhambra. The orange, neroli and other flowery elements changes the apperance from slight chilly to golden and glowing, probably the saffron also contributes  to this impression. When Cuir Andalou dries further down, the well balanced clean oud spicy dry leather dominates but now in the warmer texture. In the basenotes there is also a touch of a animalic note, barely noticeable on my skin and a fine, dry, non smokey sort of embedded in golden nuances, vetiver which is prominent on me. The impression of the basenotes is as the fragrance is grounded in the dry, dusty, glowing Andalusian earth.

Picture: Cuir Andalou
Photo: Rania J. (c)

Cuir Andalou is a real wristsniffer, I catch myself constantly sniffing my wrists constantly during a day of wearing. An addictive experience (I'm craving Cuir Andalou in these grey autumn days). The fragrance is in the same genre as some other spicy/peppery-leathery-oud fragrances but Cuir Andalou is made with a feminine touch. It's not the rough, peppery, smokey variety Cuir Andalou is sort of fine cut with noble traits compared to the archetype of the genre. The sillage is medium+ and longevity great, it's still unfragmented after 12h and unfragmented traces are left after 24h. Suitable for year around, unisex but compared to most representatives of the genre, it's leaning more to the feminine side.

Cuir Andalou reminds me at bit of the dry, spicy texture of Robert Piguet Casbah without the smoke and the incense. As mentioned above it has something in common with leathery ouds in general but it's drier and doesen't contain the smokey note. So even if some similarities, Cuir Andalou is a frag of its own.

Rating: 5

Notes: Leather, rose, iris, neroli, patchouli, saffron, violet, castoreum, vetiver, sandalwood, oud

Etat Libre D'Orange - Rien

Picture: Medival construction site.

Villard de Honnecourt, drawing of a buttress at Reims,

in his album of drawings, ca 1230 - 35. Bibliotheque Nationale

The name of Etat Libre D'Oranges Rien is an understatement to said at least. But that is on the other hand not surprising as it comes to this controventional perfumhouse, at least when it comes to the it's earlier releases. Rien is on of those earlier creations and it is executed by the famous Givaudan perfumer Antoine Lie. About the story behind and the perfumers inspiration of retro perfumes blended in a contemporary style and taken all the restrictions of rawmaterial in consideration that has ruined many of the great classics when reformulated, read the initiated review of Rien at Bois de Jasmin. Rien is one of these "complicated" cult fragrances, analyzed in almost it's every part in different parfumeblogs and forum and here is my version of it: The formula of Rien reviewed is the original, it's said to has been reworked to a softer version in 2014.

The perfume Rien is anything but "rien", instead it is very "très" as very much is going on in this blend. It starts by a very strong and almost overly harsh construction site note that I genreally like. But in Rien it's on the verge of being too much of that particular wet, putty, gritty and slight sweaty note. This note is also present but in a subtler and more pleasant way in Etros Messe de Minuit. There also a note of a tick, almost smokey and dry leather, as in a rough and heavy leather coat. As Rien is a very strong and potent blend one have to be very careful upon application. When sampling and wore a full sprits from the sample on the right arm and a half sprits on the left, I felt a difference in the scent. It smelled much better on the left, lower dose, hand, not as sharp and compact as on the right. But in the stronger concentration there on the other hand are some interesting animalic notes glimpse. As the first, strong blast tunes down, the fragrance turns into a pale pink almost withering rose backed up by a gentle cumminnote, musk and cold green whiffs that resembles geranium. This stage is slight powdery. The blend for a while gets even more dry to my nose and in this stage there is traces that reminds me of Aromatics Elixir by Clinique. But AE is a louder interpretation of the rose, geranium, moss and also distinguish the individual notes more apparently than in Rien, which notes seems to be more mixed together. In the basenotes there are also aimalic notes that is not as distinct in AE. There is an almost animalic furry note among the basenotes together with a distinct musknote and the powdery pale rose that remains subtle. In the middle and basenotes there are many similarities with the beautiful rose-musk combo in Musc Nomade by Annick Goutal and sometimes I'm almost thinking I'm wearing the latter even if MN is more refined and elegant in it's appearance. In the latest stage of the basenotes the rough leather from the earlier stages of Rien returns, but now it seems to be better in balance with the sourrunding notes than in the beginning.

Expect from the almost off-putting opening and topnotes of Rien, the perfume evokes just the right feeling of retroperfumes foremost in the leathery chypre style as Robert Piguet Bandit, Estee Lauder Azureé and Parfumes Grès Cabochard. But also as mentioned above, of a modern musky classic as Musc Nomade.

Rien is an interesting frag where a lot is going on during it's dry down and there is no risk of losing interest. Even the picky Mr Parfumista gives compliments when I wear Rien, which is strange as he often complians about strong aldehydic scents beeing too "old man/womanlike"on me. But Rien is dry, with almost no sweetness in it and Mr Parfumista is appreciating dry-wood perfumes for himself.  Rien is a must try for retro perfumelovers. I can't say it's officefriendly, not in it's initial stage anyway. This "offending" stage on the other hand dries down during the journy to work and when entering the office, the more pleasant middlenotes have appeared.

Rating: 5

Notes: Aldehydes, cummin, leather, iris, amber, patchouli, moss, incense, rose, pepper, styrax

Perris Monte Carlo - Oud Imperial Edp & Extrait

Picture: Illustration from Persian version of
"One Thousand and One Nights" (1849-56)
Painter: Sani ol molk (1814-66)

Perris Monte Carlo Oud Imperial  is another, to my nose much more masculine take, on the oud theme than the earlier reviewed Bois d'Oud. As the other Perris fragrances,  Oud Imperial  is created by Luca Maffei. The first issue of Oud Imperial Edp was avaible in a golden bottle, after that there was some improvements in the raw materials and today Oud Imperial Edp is avaible in the black Perris bottle.

Starts cold, with a fresh woody character which reminds me of confier and has some similarities to accords in Robert Piguet Oud. Some wearings highlighets a note similar to petroleum which glimpses by, other wearings it's not that present. The same happens with a turphentine like note, similar to the one in Lorenzo Villoresi Piper Nigrum. When Oud Imperial dries further down it turns darker and warmer, with an oily texture and some light, smooth smoke. There is also something leathery to it. The oud becomes more present in this stage and it smells very autentic woody and it's lightly infused with a smooth almost nutty note which I think is present in sandalwood. Somehow Oud Imperial evokes the color of black, maybe the patchouli which is lightly present in the fragrance contributes to that. For most of it's dry down, Oud Imperial reminds me of a denser and darker interpretation of the excellent, dry Montale Original Aouds. Taken as a whole Imperial Oud is a dark and classy very masculine oud. It smells authentic, exotic woody and it's a quite complicated fragrance as it's highlighting different accords, notes and nuances in different wearings depending on dosage, season, weather etc.

The Oud Imperial Extrait is even more oily, darker and has more smoke to it. The leathery note is also more present. As an extrait it has not such radiance as the Edp, it'is a close skinscent, ticker and denser than the Edp. The versions complementing each other and to generalize the Edp is for daytime wearing and the Extrait for the evening.

Picture: Oud Imperial
Photo: PR Perris Monte Carlo (c)

Oud Imperial is very strong and has to be applied sparingly. It's a fragrance suitable for autumn and winter but could also be worn in dark, humid summernights. Sillage is strong and longevity for more then 24h for the Edp. The extrait has a close sillage and a lonegvity for 12h+, not as long as the Edp. As said above, this is a very masculine fragrance and frankly I don't feel comfortable to wear it even if I appreciate it's quality and good smell. On the other hand, Bois d'Oud is definitly my cup of tea.

Rating: 5 (on Mr Parfumista who enjoys this very much, especially the Edp and the impression in this post is                 just as much or even more his observations)
              Ratings are the same for both  Edp and Extrait.

Notes: Jasmine, caraway, incense, patchouli, saffron, oud, sandalwood, blackwood, cedar, labdanum, vetiver

Les Cocottes de Paris - Melle Cléo

Picture: Cleo de Merode (1874-1966)
Photo: Unknown photographer 1903
Wikimedia commons

Melle Cléo is the last in the trio of courtesans in the Les Cocottes de Paris line. The fragrance is inspired from Cleopatra de Mérode a famous ballet dancer in the Paris Opera who was linked to the king of Belgium, Leopold II. Cléo was also a trendsetter and considered as the most beautiful women in the world during the latest years of the 19th century.

Melle Cléo starts very sweet, it smells like a jammy rose together with a fresh, just baked, vanilla bread which is wrapped in a white, crispy, cotton kitchen towel. After a while a the juicy note of litchi arrives and adds a fruity vibe to the fragrance as also sweet flowers. The rare perfumenote of night blooming cersus which (according to Fragranticas database of notes) is a  tropical cactus plant with flowers which smell like vanilla, is probably responsible for the special smelling vanillic accord in Melle Cléo. Probably the cotton flower also is responsible for the fabric texture mentioned above. In the basenotes, Melle Cléo becomes less sweet, even if still almost edible. The just baked bread texture returns in the musky basenotes. There is also something that similar to a lighter version of the blurred biscuitnote which is a present undertone in some flower fragrances from ca 2006 such as Burberry London for her and Agent Provocateur Maitresse. As the basenotes dries down, Mello Cléo smells almost the same but an octave darker, it's also a note that is close to light fresh tobacco present in the late stage of the fragrance.

Picture: Melle Cléo
Photo: PR Les Cocottes de Paris (c)

The notelist of Melle Cléo truly mirrors how the fragrance really smells which is not very  common. Melle Cléo could by the first glimpse be taken as a mainstream, sweet, fruity floral but when sniffing it thoroughly the very special notes described above comes through, announcing that Melle Cléo is a very special creature after all.

Melle Cléo is appropriate year around and I can imagine it will bloom beautifully during warm, humid summerevenings. Sillage is medium and longevity very good, it lasts for longer than a day.

Those who likes fruity floral fragances as for example Eau d'Italie Graine de Joie and Robert Piguet Jeunesse will probably also like Melle Cléo.

Rating: 3

Notes: Rosewood, bergamot, litchee, night blooming cereus, ylang-ylang, rose, cotton flower, lichen

Les Cocottes de Paris - La Belle Otero

Picture: Agustina Otero Iglesias (1868-1965)
"La Belle Otero"
Photo: PR Les Cocottes de Paris (c)

Les Cocottes de Paris is a brand started by Anaïs Biguine who also started the Jardins d'Ecrivains brand, inspired by litterature and gardens, some years ago. In the new brand, the inspiration comes from some famous nineteenth century courtesans who were active in the french capital. La Belle Otero is the first of three fragrances to be tested, inspired of a spanish artist, Agustina Otero Iglesias, who is said to have "devoted her life to dancing, men, precious stones, gambling, parties and all above freedom". The fragrance is said to be an invitation to misbehave and I can agree with that when testing La Belle Otero.

La Belle Otero starts sharp, fruity, boozy, chemical, almost as something that could be a sweet fruity floral celebrity fragrance but less sugary. Than the fragrance becomes more flowery, the violet accentuated by a crispy narcissus takes the center. There is almost a lipsticknote present but without the characteristic powdery-creamy smell that is the lipstick standard. The fruity note is still present in the basenotes, balanced by sandalwood and with musk which reinforces the blend. There is something vaugly dirty and decadant glimpsing through the floral-fruity facade, like dirty underwear hiding under a brand new amazing haute couture gown.

Picture: La Belle Otero
Photo: PR Les Cocottes de Paris (c)

Strong syntetical violet and narcissus over a light sandalwood infused by fizzy. musky, fruity elements is the synthesis of La Belle Otero. It's a demanding fragrance with rough edeges but in the same time a somehow pleasant fragrance to wear. It's a dangeroues fruity floral, something dark and beastly are lurking in the background. I think the syntetic smell is a bit too much in La Belle Otero but leaving that a aside, this is a intriguing and in the same time happy and taken as a whole, nice to wear fragrance.

Those who likes fragrances as Rober Piguet Jeunesse, Eau d'Italie Graine de Joie, Parfums MDCI Cio Cio San and By Kilian Playing with the Devil (which is much darker) could probably appreciate La Belle Otero.

Rating: 3

Notes: Neroli, pepper, absinthe, ginger, fig, violet, musk, lavender, narcissus, buchu, lavender, iris, frankincense, sandalwood 

Thanks to Fragrance & Art for the sample to test

Parfums MDCI - Cio Cio San

Picture: Poster for Madama Butterfly by Giacomo Puccini,
Author: Alberto Hohenstein (1854-1928), Wikimedia commons

Cio Cio San is the latest addition to the high quality Parfums MDCI line. Just as the intriguing Nuit de Andalouse from 2013, Cio Cio San is created by one of the brightest shining stars on the perfume heaven in the latest years: Cecile Zarokian. Cecile seems to have good hand (and nose) with oriental styled parfumes, she has created some of my favorites in the genre; Masque Tango, Laboratorio Olfattivo Kashnoir and Amouage Epic Woman.

Cio Cio San is also oriental styled but a floral oriental with intriguing, supporting fruity notes which are lightened up with skillfull handled teanotes which are note sharp or chemical at all. Cio Cio San starts sparkling with pink, lush floral notes, accentuated with fruits, with litchi as the leading star. I can't say that I can distinguish the cherry blossoms but I suppose they are involved in the sparkling, pink flowery opening.
From the very beginning Cio Cio San reminds me of a sort of reversed and less sweet Graine de Joie from Eau d'Italie. Where the fruits are the protagonists, supported by flowers in Graine de Joie, the flowers takes the central position in Cio Cio San even if distinctly supported by the fruits. Soon also deeper nuances appears in Cio Cio San which shows a wider spectrum of accords than in Graine de Joie. After a whlie a dark, rubbery note, similar to the rubber note of rose oil appears and as rose isn't mentioned I guess it comes from the peony. There is also a light glimpse of a fresh almost petrollike note in this stage. Soon also a dark woody note appears, it's similar to a light touch of oud (also not mentioned among the notes) and there is also something almost boozy lurking in the woody musky depths of Cio Cio San. Even in the deeper and darker dimensions of the fragrance, the loveliness of the flowers and fruits are clearly present. The teanote is perfectly intergrated and creates an airy and almost light impression also in the basenotes. There is also a pleasant sort of  tingling (maybe the ginger) tartness present during most of the dry down. The notes of Cio Cio San doesn't smell chemical which could be a problem in some fruity-florals and tea fragrances, respectively.

Picture: The "bust bottle" of Cio Cio San, there
is also a version with a plain cap.
Photo: PR Parfums MDCI (c) 

Just as Cio Cio San herself aka Madame Butterfly, the fragrance Cio Cio San is a fragrance with at least two faces: The happy one just as in the very beginning of the opera, then the melancolic and sad expression just as the way to, and the end of, this tragic drama. Another beautiful flower fragrance which honors Madame Butterfly is Amouage Honour Woman (swe) which is a creamy, well blended, but less original white floral which plays in a less dramatic scale and in higher octaves than Cio Cio San.

Cio Cio San is a intriguing fragrance where different ascpects/facetts are highlighted in different wearings depending for example from how much of the scent is applicated. I'm looking forward to test Cio Cio San also in cold weather as I suspect it will wears nice then too. For summer it's great. Cio Cio San is appropriate for many occasions, both for work and casual, but not for sports, it's too complex for that.
Sillage is somewhere between close to medium, longevity for at least a day with traces on skin the morning after.

Those who like good quality fruity florals as Neela Vermeire Creations Bombay Bling, By Kilian Playing With The Devil and Robert Piguet Jeunesse I suspect will also appreciate Cio Cio San.

Rating: 5

Notes: Yuzu, lemon, ginger, grapefruit, cherry blossom, peony, litchi, tea, guaiac wood, cedar, mus

Ramon Monegal - Moonbloom

Picture: Moonflower before opening for the nightblooming
Photo: The Moonlight garden circle com (c)

Moonbloom  is created by spansh perfumer Ramon Monegal. Moonbloom is another Ramon Monegal exclusive for Bloomingdales in Dubai, see also Dubai Next To Me  for Bloomingdales in Dubai.

Moonbloom starts starts with sweet, creamy, white flowers where tuberose supported by orangeblossom dominates in a delicate mix,I don't know if there is any moonbloom within as I don't know how it's smelling. The opeing reminds me slightly of the old gem Versace Blonde, but more bright, clean and innocent. Moonbloom is quite linear in its construction and when Moonbloom has settled, it smells of sweet, honeyed white flowers inteacting with an light ambery smooth woody base during rest of its lifespan. The ambery, flowery aura of the fragrance, reminds me of the similar, but more classic in style, impression of Maison Nicolas de Barry Madame de Pompadour. Some darker passages are swirling up to the surface in the second part of the dry down, this passages remins me of the special almost inky rose, spieces, sandalwoody combination in Vero Profumos beautiful Rozy Edp. Another fragrance that comes to my mind is Robert Piguet Mademoiselle Piguet but without the pleasant slight decaying greenery accord of the latter

To summon up Moonbloom, it's not an original fragrance as there are many in the same thick, almost tropical white flower style.The archetype for this style is to me a fragrance as Annick Goutal Songes even if there of course where other before that one in this group. On the other hand Moonbloom is very beautiful  and very pleasant to wear, smells wonderful. Even the picky Mr Parfumista commented in a very postive way on Moonbloom, and thats not happen very often when I'm testing new fragrances.

Moonbloom is an easy to wear fragrance, perfect for most occasions and is the type of fragrance which blooms and unfolds as best a very warm summerday. Longevity is for a day when tested under spring conditions ca 10+ C, silage is medium.

Rating: 5

Notes: Havn't found any notepyramid but I guess tubereuse, orangeblossom, rose, sandalwood, amber, vanilla. musk  are involved

Ramon Monegal - Hand in Hand

Picture: Skiers

Painting by Frits Thaulow (1847-1906)

WikiArt

Hand in Hand is an oud-oriental  inspired perfume from the Barcelona based perfumehouse Ramon Monegal. As usual the very experienced perfumer, the house of Myrurgia offspring, Ramon Monegal. As Myrurgia is mentioned as the Guerlain of Spain, Ramon could be likened to a spanish version of Patricia de Nicolaï. Both well educated and experienced in perfume/perfume business, running own perfume houses, independent from the old family houses which since long been sold to some of the big ones.

Hand in Hand starts cold, with a woody smell of juniper bush and pine in winter. After a while a smoky accord appears, it's the fresh, dry smell from dry wood, lighted to a campfire a cold and sunny winterday in the forest. This is not the rough,  masculine, meaty, smoky accord as in the campfiresmoke in Mona di Orio Les Nombres d'Or Cuir, the smoke in Hand in Hand is more refined. After a while a hint of leather ant a peppery note also shines through. The dark rose is  discrerte in the first stages of Hand in Hand. Over all the first part of Hand in Hand (even if not smelling the same) reminds me of the first part of Robert Piguet Oud, which also contains the cold, pine note. These two fragrances could be described as the ouds of the North, they are very suitable to the Scandinavian landscape and colder tempratures. Hand in Hand also has some kinship to Frapin Nevermore, as an unsweet, dry relative to that dark, dramatic, boozy, intriguing one. In the second part Hand in Hand becomes more spicy, a spicy mix which togheter with a musky base brings forward the rose a bit more, even if the rosy note not is as dominating as in most rose-oud combos. The rosy note is as integrated with the other notes. In the later stages of Hand in Hand I find similarites with the dark, purple, rose from Parfumerie Générale Isparta.

Picture: Hand in Hand in it's inkwell bottle
Photo: PR Ramon Monegal (c)

The cold, confier and smoke accords  is the first part of Hand in Hand I find the most interesting, the second part is more familiar for this style of fragrance. Hand in Hand could be worn year around at any occasion where a more intense pefume could be accepted. The fragrance is very concentrated, and just as with Isparta, it's hard to avoid overapplying. Less is more is definitly what is applicable in this case. Sillage is great and longevity for 24h+. Hand in Hand is unisex, leaning to the feminine side according to my nose.

Rating: 4

Notes: Rose, oud, spices, musk

Le Galion - Tubéreuse

Picture: Le Galion Tubéreuse
Photo: PR Le Galion (c)

Tubéreuse is one of the re-issued and re-constructued fragances of the french house Le Galion (more about that in the previous post). The original Tubéreuse was created 1937 by Paul Vacher and the current interpretation is performed by Thomas Fontaine.

Tubéreuse starts with a blast of fresh cut, white flowers with some of the crispy, green leaves also clearly present. The tuberose is dominating in the first stage but as Tubéreuse dries down, the fragrance developes, on the verge to, a  voluminous white floral bouquet with some sweet, almost fruity elements. Tubéreuse is fresh and innocent in style, there is neither an indolic interpretation of the flower, like Robert Piguet Fracas, nor a cold, earthy  and green interpretation of the contemporary style like L'Artisan Parfumeur Nuit de Tubéreuse. The flowers are clean and clear, a (white) rose is another flower which steps forward in some passages, and a light spicy accords reinforces as Tubéreuse dries down. There is no powder or soap in the mix, and what it smells like is an uncomplicated, well balanced and very comfortable white bouquet composed with good ingredients. The delicious flowers rests on a musky, slight woody, ambery base balanced with an almost animalic note. The musky-animalic bases gives the fragrance a good longevity and medium silage.

Tubéreuse is very wearable white flower, suitable year around for daytime wearing. It's a bright and happy fragrance and it's reminds me in style of other white bouqet tuberoses such as Gianfranco Ferre signature fragrance with the same name, Oscar de la Renta Mi Corazon (both quite timeless in style), Guerlain Jardins de Bagatelle (older and denser in style) and Ramón Monegal Kiss My Name (more contemporary in style).

Rating: 4

Notes: Mandarin, galbanum, pink pepper, pear; tuberose, rose, orange blossom, raspberry, cedar, amber, musk

Thanks to Fragance & Art for the sample to test

Serge Lutens - L'orpheline

Picture: L'orpheline
Photo: PR Serge Lutens

L'orpheline is the latest fragrance from Serge Lutens and it's a part of the square (spary) bottles line, sometimes also called the exportline. As the black label indicates, its a stronger concentration, and more expensive than the whitelabeled bottles. Perfumer is Christopher Sheldrake, the former inhouseperfumer of Serge Lutens, now also with Chanel. As with most of Lutens latest creations, there is a backstory to L'orpheline which has it's background in Lutens childhood, the relation to his mother and his analyze of his feelings of the time.

L'orpheline starts with an almost refreshing combination of aldehydes, a cold, woody,almost green incensenote similar to pine. After a while it becomes warmer and light woody, herbaceous and as the fragrance further dries down, a peppery twist of the incensenote similar to the one in Parfumerie Gènèrale L'Eau Guerrière, appears but only with a fraction of the strength of the latter. As the drydown goes furhter on, a comforting, slight soapy note appers, soften the incense without any sweetness. There is also traces of the chilly, fresh pinelike incensenote from the initial blast of L'orpheline, a note which is also present, but stronger, in Robert Piguet Oud and in Oriza L.Legrand Relique D'Amour. The dominating accord in the middle of the fragrance is this simple but beautiful combination of fresh incense and soapy aldehydes.

Reaching the base the special pleasant slight wet, powdery, putty and musky note appears which I like in creations as Chanel 1932 and several other good contemporary fragrances, here is the link to a special post about this basenote. In L'orpheline that special note is combined with incense and creates an alternately chilly and tepid impression. Overall, L'orpheline in its latest stage reminds me very much of Chanel 1932, without jasmine and with more incense. And probably is that not a coincidence taken Sheldrakes role in both houses into account.

L'orpheline is a subtle, lowkey skinscent with low silage. Longevity for a day but a bit weak in the latest stage. Office-appropriate but also casual mostly for intellectual leisures as visiting an art exhibition or a classic concert. L'orpheline is a fragrance for contemplating and situations that require some sort of tranquility. First it not seems very original as there are traces of other fragrances, but  when worn and properly evaluated, this is in my opinion a new way to treat incense, in a low key, comforting way. Anyway L'orpheline is intriguing (triggering the imagination) and pleasant to wear.

Update December 2014: Cold weather makes the best of L'orpheline, it's a awesome fragrance, easy to wear, intriguing, which means that you get compliments. One of the best releases of 2014.

Rating: 4 5 (December 2014)

Notes: Aldehydes, coumarin (fougere accord), woods, ambergris, patchouli, incense, chasmerean
(notelist from Perfumeshrine as Serge Lutens doesn't reveal the notes on the site)

Fragrance(s) of the week (14) 2014 - Kilian and more....

Picture: Kilian Hennessy,
the founder of  ByKilian
Photo: PR ByKilian (c)

Today I'm testing one of the new ByKilans from the Asian Tales collection: Sacred Wood. A great fragrance which I'll review when I have tried it a few more times. This week, I entered the Kilian-universe again, wearing the delicious honeyed tobacco Back to Black which has been neglected for too long. This made me think of one of my favorites flowers last summer, Water Caligraphy which is a fragrance that I have grown to love. See my updated review. The other floral favorites last summer was Annick Goutal Néroli (the discontinued Edt) and the perfect pink rose Rose Perfection by Robert Piguet. Now I'm longing for summer and the fragrance summer wardrobe.

PS: What a coincidence, the two "coverboys" of the perfume world, Pierre Guillaume and Kilian Hennessy in two entries in a row :-)

Vero Profumo - Mito Voile d'Extrait

Picture: The great swedish soprano Birgit Nilsson (1918-2005),
maybe the closest to a Diva we have had in this country of Jante. 
MitoVoile d'Extrait would have fit character as Birgit perfectly.
Photo: Gunnar Harnesk 1948, Wikimedia commons

The "Les Voile d'Extrait" sub-line from Swiss perfumer Vero Kern is another interpretation of Veros beuatiful perfumes and EDP:s Mito, Rubj, Kiki and Onda.  Just as the differences between the perfume and EDP line justifies owning both versions of the favorite, also the Voile Extrait versions are sufficiently different to justify owning also these. When it coems to Rubj, Kiki and Onda I think the Les Voiles d'Extraits are closer to the perfumes than to the EDP:s, the speical passionflower accord in the latter distinguishes the EDP:s of this three most from the perfume and the Les Voile d'Extrait-line. Mito EDP that is a later creation than the first three of the house is without this passionflowernote. But now to todays subject the stunning beauty Mito Voile d'Extrait.

Picture: The retrostyled bottle of
Mito Voile d'Extrait
Photo: PR Vero Profumo (c)

When Mito Vd'E starts the round, sunny,  fresh citrusy note of Mito is clearly present but not dominating as in Mito EDP. Instead a beautiful tubereusenote is taking the centerstage. The tubereuse is the varm, honeyed, nectarladen tubereusenote of Annick Goutal Tubereuse which smells like as I image the tubereuse flowers on the fiield during the day, exposed in the strong sunlight. Mito Vd'E is very feminine (whereas Mito EDP is more unisex) and voluptuous, a perfume for a Diva, but not the heavy diva as Fracas. Mito Vd'E is more transparent in texture and somehow a retro but  in the same time modern impression is achieved. The flowery notes which are present in the middle notes of Mito EDP for instance the magnolia are amplified in Mito Vd'E and the interaction of tubereuse and magnolia reminds me of another fragrance which combines these notes; Arquiste Flor y Canto even if the magnolia is more distinct in the latter and the combination is soapy, which is not the case with MitoVd'E. Compared to the original Mito EDP, Mito Vd'E is warmer and much more flowery, the original is a juicy citron, with distinct green and also some slight almost herbal notes and a moisty mossy base. The mossy base is also present in MitoVd'E but a bit smoother in character, or maybe just dazzled by the flowers. To compare the both Mitos: Mito EDP could be the daytime version and Mito Vd'E could be the evening/more festive version of the Mito theme.

Rating: 5

Notes: Citrus, galbanum, tubereuse, champaca, hyacinth, magnolia, peach, cypress, labdanum, moss, musk

Parfums MDCI - Nuit Andalouse

Picture: Innenhof der Alhambra, 1892Painting by Adolf Seel (1829-1907)
Wikimedia commons

Nuit Andalouse is the other of the two latest launches from Parfums MDCI, Cuir Garamante was reviewed in the prior post. Nuit Andalouse is created by the risning star in the perfumers Pantheon: ISIPCA graduated perfumer Cecile Zarokian which created (together with Daniel Maurel) the epic Epic Woman for Amouage when she still was a trainee at Robertet!

Nuit Andalouse starts with a sort of stripped down, elegant gardenia and cool violet, green notes contrasted with a zesty orange. This is not the usual big white floral burst which is the start of  most orange, this is more elegant and muted. As Nuit Andalouse developes, the flowery notes gets sweeter and deeper, but not as sweet and liqueur-ish as in By Kilian Sweet Redemption, this is a natural, floral, nectar sweetness. A restrained and almost dry in texture musk is present in during the whole drydown, contributing with a slight hay-ish impression. The whole impression of Nuit Andalouse is that of a transparant but not at all cologne-ish orangeblossom fragrance.

Picture: The Deluxe falcons of Parfums MDCI,
there is also a plain version
Photo: PR Parfums MDCI (c)

Nuit Andalouse is a beautiful, well-made, elegant and very wearable orangeblossom fragrance. Maybe not that innovative or avantgarde but a high-quality, classic fragrance in a style that is timeless. Perfect to wear year around, both for office and dressed up. This is a fragrance that really cheers up a grey, chilly winterday and blooms a hot summerday. Sillage is medium and longevity for 12h+.

Those who like lovely and uplifting orangeblossoms such as L'Artisan Parfumeurs Seville à l'Aube, Robert Piguet Blossom, Maison Francis Kurkdjian APOM Femme and Oscar de la Renta Granada will probably also like Nuit Anadalouse.

Rating: 4

Updated rating November 2015: 5 

After more wearings since the review this one has grown and I have to adjust the rating as it's a very versatile and beautiful orangeblossom with excellent longevity, on fabric for weeks.

Notes: Orange, violet, green notes, gardenia, ylang-ylang, rose, orange blossom, vanilla, sandalwood, musk, amyl salicylate (light flower/cutted gras musk note)

PS: Parfums MDCI offers generous 12 ml bottles in the samplesets on their website 

Parfums MDCI - Cuir Garamante

Picture: Foggara (water chanell) in the
old Garamantes territory in Libya
Photo: Tagelmoust (cc) Wikipedia,
some rights reserved 

Parfums MDCI is a french niche house, founded by Claude Marchal, which offers high quality fragrances in collaboration with both experienced established perfumers and the coming perfumer generation.Cuir Garamante is one of the two latest launches from the house. The fragrance is created by Richard Ibanez, an experinted senior perfumer, creator of for example the special, before its time, dark, woody Sonia Rykiel Le Parfum.

Cuir Garamante is inspired by the ancient saharian berbers who was constructors of water channels for irrigaton and therefore dominated the traderoute from Tchad to the Mediterranean ca 500 B.C. As inspired from the desert, Cuir Garamante starts very dry, hot and spicy. Pepper, saffron and the likes creates a fizzy almost transparant, warm, desert-windy impression.As CG deepens there is also a pleasant slight sweaty note, like a soft touch of cummin glimpsing through. The oud is of the smoother variation and it's contributing with a dark, luxury, boozy, woody impression in the same way as in Puredistance Black.On my skin the rose in Cuir Gramante is not detectable as it is when testing it on the scentstripe, probably as the rose is light.On the teststripe the oud-rose (medium pink rose) smells very balanced and restrained, this is not the traditional rose-saffran-oud combo of  Montale and the crowd of followers of this, in those days avantgarde house. The Cuir Garamante rose-oud combo is more of (even if the fragrances are different in style) the gentle second oud genaration rose-oud accord, as in Parfums de Nicolaï Rose Oud. In the basenotes the boozy quality is still present, but in a slighter sweeter context than earlier, probably the resins, smooth sandalwood and discrete, dry vanilla (pod) notes, absolutely not the gourmand, dessert vanilla. In the basenotes there is also a fine leather, which interacts seamless with the other notes.

Picture: Cuir Garamante in Parfums MDCI Deluxe Falcon
There is also a plain version bottle
Photo: PR Parfums MDCI (c) 

Cuir Garamante is marketed towards men but I think it's an unisex creation which leans to the masculine side, contrary to Puredistance Black which is a more feminine unisex IMO. But this is just nuances, one have to test on oneself. Cuir Garamante is suitable both for office and dressed up occasions, for all seasons except for the warmest summerdays. The longevity is about a day.

Cuir Garamante is a well crafted fragence, well balanced and made of high quality ingredients. It's not original or avantgarde, an increasing number of niche lines includes a fragrance of this dark-woody- spicy- oud- booze-leather character (even if emphasizing a bit different among the notes) in their catalouge. Beside a spicier version of Puredistance Black, Cuir Garamante also resembles Robert Piguet Casbah (the dry spices) and partly Huitième Art Monsieur (the niche standard woody impression).

Rating:. 5

Notes: Pink pepper, nutmeg, saffron, rose, oud, papyrus, leather, vanilla, labdanum, frankincense, sandalwood

Huitième Art - Monsieur

Picture: Monsieur in its stylish bottle
Photo: PR Huitième Art (c)

Monsieur is the latest fragrance in Pierre Guillaumes line Huitième Art where each fragrance emphasizes on a special ingredient. In Monsieur different nuances of wood is the star and it's the first fragrance that is classified as masculine in the line, just as the excellent Poudre de Riz from last year was classified as (and really is) feminine. The review is based on comments from and my own impressions from Mr Parfumistas several wearings of a sample from Fragrance & Art.

Monsieur starts strong woody, the fizz of fresh cedar and sandalwood is prominent, underscored with incense. Vetiver and blond woody notes supports interacting with heavier notes as oak and a dry, clean and stripped down, woody patchouli, it's not the typical earthy and herbal "full" patchouli. The over all impression is a dry woody fragrance, linear in its construction as almost everything happens at the same time. When sniffing Monsieur another true woody Pierre Guillaume  fragrance  from the Parfumerie Générale line comes to my mind: L`Eau Guerriere even if that one is in a brighter and lighter context, but not in strength. Another fragrance comparable with Monsieur is Robert Piguet Bois Noir. There also something that resembles parts of Puredistance Black but Monsieur is drier and louder.

Monsieur is a reaible, true woody fragrance intensified with incense which creates a sort of radiating impression. It's in the cathegory "perfect for office" as it's smells appealing and inoffensive. Unfortunately the longevity doesn't match the strong initial impression, Monsieur stays at skin for about 6-8h (on Mr Parfumistas scenteating skin). On the other hand, on a paperstrip or cloth, it stays for days.

Despite not an original and innovating fragrance, it seems as sort of created in a rush and to be honest, not really worthy a nose that have created gems as for example Poudre de Riz,  Cozë and Papyrus de Ciane   Monsieur is a good choice for those in search for a contemporary, basic, woody fragrance.

Rating: 3         (my initial rating was 4 but after some further sniff & consideration I concluded that this is nothing but a good basic woody fragrance ie 3)

Notes: Patchouli, cedar, vetiver, sandalwood, poplar buds, incense, papyrus, oak, oakmoss

The perfumed year 2013

Photo: Mr Parfumista (c)

Time to summerize some perfume related matters from 2013:

* The year started with the intention to say something perfumewise or perfumerelated each Saturday in the "Fragrance(s) of the week" post. This routine lasted as long as three quaters of the year then it subsided. Writing two posts a week, which usually are reviews, is just enough having a full time job in a complete different business, family etc.

* My Twitter also subsided after almost two years of SOTD tweeting. In the end I almost felt exhausted about this daily compulsion. In 2014 I'll try a middle course, tweeting for a  week now and then.

* During the year I tested, sniffed just for short briefs or evaluated fragrance testings outsourced to Mr Parfumista, a number of ca 135 fragrances. It  means that in about 37% of the days of 2013, some form of perfume evaluating activity took place. Upon this there are of course also fragrances just worn which I have not written about but I have registrated most of them in my "scentmemoey" as references.

*In 2013 there was just one or two fragrance free days and this was when I had a stomach flu. When I'm cold and can't smell anything I put on a light cologne for its ambience. In 2014 the sniffing rate will slow down (I think).

*Days when there are no fragrance assessments on the agenda I relax in comforting fragances as for example the Piguets, the Goutals, the By Kilians or the Hermes Colognes or just appreciate the classics. For example Guerlain Mitsouko is far more interesting than most of the new releases even in its current formula.

*I'll coming back to my perfume testing routines in a post next year, ie how I test and evaluate for a full review.

* In 2013, even if there where many good releases, my nose become a bit jaded. There is nothing wrong with the releases as such, but when sniffing a lot of fragrances, in the end, not many of them stands out. Different  fragrances within a certain category are generally very close in style and smell. When reviewing I try to don't let this affect the assessment as such, I like to compare them with other fragrances captured in the scentmemory.

* 2013 was also the year when the EU restrctions which became effective July 1 would put an end to many of the classics so I've stocked up some during the first half of the year, just to be sure. Today it seems as in reality nothing has happened, but who knows when the old stocks runs out.

* At the moment there are some positive signs about the perfumed future. I read somewhere on Bois de Jasmin that Victoria had smelled a new batch of Mitsouko which was very good and smelled much more like the vintage version. Some newly invented/improved moss substitutes are probably the reason for that. Hopefully this is just the start for new inventions and who knows, in the end and taken as a whole, maybe the restrictions dosen't matter. Maybe something even better comes out of this within a few years.

I wish all readers a Happy New 2014!

Jardins d'Écrivains - Orlando

Picture: Orlando
Photo: PR Jardins d'Écrivains (c)

Orlando is the latest fragrance in the affordable niche line Jardins d'Érivains where the fragrances are inspired of the world of literature. Orlando is of course inspired from the novel of Virginia Woolf and when testing Orlando the great movie with Tilda Swinton relives.

Orlando starts balsmaic, cool, fizzy-spicy and the balsamic/spicy impression lasts during the whole dry down. Notes appears that reminds me of expensive retro bubblebath + dirt (like in a stable) + the almost plasticlike (vinyl) note that sometimes emerges from shiny new leather is an intriguing accord that conveys an impression of the immortal Orlando, present in so many centuries. This accord is  counterbalanced by the mysterious dark, spicy, balsamic and musky basenotes which creates a sort of timeless impression. Orlando has a dry, powdery-putty-balsamic texture and is comfortable in the same time as it's evocative and fires the imagination as there are new nuances to find at every turn. Orlando is very much it's own fragrance but I find some similarities with another a bit "strange" perfume, Psychotrope from Parfumerie Générale. Psychotrope is flowery where Orlando is spicy but the clean. cold. almost leatherlike note as also the bubblebathy are present in both. The initial spicy, sparkling impression of ginger, also have something in common with Aus Liebe zum Duft No 1 but the gingernote is not as sharp in Orlando as in the latter. As Orlando has developed for some hours in the basenotes, it suddenly becomes stronger in apperance and in this stage, Orlando reminds me of the classic Robert Piguet Bandit.

Orlando, just as its role model is a genuine unisex fragrance despite Mr Parfumista thinks it's leaning more to the masculine side and and I think it's slight more feminine. Orlando is appropriate both for work and casual, it has good stayingpower, about a day at least, and the sillage is medium. Orlando is IMO the most interesting and original fragrance from Jardins d'Écrivains so far.

Rating: 5

Notes: Orange, pink pepper, ginger; amber, patchouli , cloves, guaiac wood, peru balsam, musk

Thanks to Fragrance & Art for the sample to test.

Puredistance - Black

Picture: Odette and Odile
Photo: City Ballet of San Diego (c)

A short break in the ongoing Guerlain-cavalcade as I feel I have to share my impressions of a new beautiful perfume: Puredistance Black is created by Antoine Lie for the top notch niche house Puredistance and will be released in November/December 2013. In the marketing blurb Puredistance ask us just to relax, enjoy and not analyze. Therefore the notelist is not disclosed which of course even more triggers a true parfumista to analyze what could be in that little sample vial.

It would be intriguing to know the notes and I hope Puredistance will disclose the notelist later on. I'm no "notepicker" but I think at least I smell as follows: To my nose Puredistance Black starts with a fine incense and some gentle spices, followed by a dark, ripe plummy note underscored with the woody notes of old oak cognacbarrels and a subtle oud. As the composition proceeds, it suddenly becomes colder and greener, I can smell what I think is pine balm, some traces of an almost fizzy geranium and some velvety, dark in the same time contemporary but clean patchouli over warm resins. On my skin Black goes from warm and dark notes to colder, greener even if still dark, dark like muffled mossgreen velvet worn in a cold, starry winter night.Further on in the second part of Black, the boozy, woody cognac notes appears again togehter with the dark plum, the fragrance gets warm, cozy and comforting in the later stages of the base. I pleasant, subtle smoky note (no harsh edges) also appears in the late dry down and together with the other notes, stays close to the skin for the rest of the dry down.

The vision of Puredistance Black is to be the dark and more masculine equivalent to the bright and light feminine I.  IMO this vision has been fullfilled, this is like Odile and Odette, resembling each other, beautiful and graceful, but in the same so time different in character. Both Black and I are subtle and refined fragrances, Black dark and mysterious, I bright and shining. Black also deliver on the promise to slowly unfold its layers and this proecess is continuing during the whole extended drydown, longevity is minimum 24h for me, when showering of the pefume after one days, it's still unfragmented and full in its texture..

Even if not particularly original as a composition, Puredistance Black is (as always with Puredistance) a very well made and wearable fragrance, of high quality ingredients and with good sillage and longevity. It's interesting to wear and a fragrance which wins in the long run. Black is definitly unisex even if lending slightly to the masculine side. The first part of the fragrance is more feminine than the second, Black becomes more masculine when the (which I guess is) pine and geranium notes appears. In it's third stage, where the warmer notes are re-appearing Black becomes more feminine again.  When it comes to resembling fragrances I think the first part contains elements from and reminds me in style of Serge Lutens Boxeuses (swe) (but without the leather and less sweet) and Annick Goutal  Mon Parfum Cheri, par Camille (swe) but drier in texture than the latter. In the cooler part of the drydown I find traces of Robert Puguet Oud but Black is more gentle and quiet in style. Another fragrance which comes to my mind when wearing Puredistance Black is Donna Karan Black Cashmere and the great Le Parfum Couture Denis Durand for M.Micallef but clean, polished and well behaved in character compared to the dangerous latter.

Rating: 5

Notes: Not disclosed but woody oriental - see my guesses above.

By Kilian - Playing With The Devil

Picture: Quite contrary to the Devil: Kilian Hennessy himself,
as handsome as this fragrance is beautiful :-)
Photo: PR By Kilian (c) 

Playing With The Devil is the fourth installation in the By Kilian sub-line In The Garden of Good and Evil. As almost all By Kilians, PWTD is created by Calice Becker, a true champion when it comes to handle flowers in a delicate way. The first three fragrances of this sub-line, even if good, was a bit too similar and I find it difficult to distinguish them from each other. Playing With The Devil on the other hand, stands out from the crowd and is just stunning.

Playing With The Devil starts with the most natural smelling orange, in this case, Blood Orange I have smelled so far. The beautiful orangenote is underscored by darker fruity notes as a perfectly matched balckcurrant note and  round, delicious notes of peach and litchi. The peach is the same peachnote as in Flower of Immortality  from this spring, but slightly darker and fuller. The notes are nor sharp or synthetic smelling at all..

As PWTD dries down, flowery notes mingles with the fruit and in this stage PWTD becomes slight sopay on my skin and oddly, a chalky note that I also recognize in Vanille Tonka by Parfums de Nicolaï appears for a while but in a smoother interpretation. The flowers are accompanied by very smooth rendered versions of hot spices; pimento and pepper. This is very skillful performed, there is no traces of the typical peppernote that is common in current perfumery. In the basenotes, the fruity impression is still present, but darker and with an almost tobacco leaves/liqueur twist. This is probably the effect of fruit blended with resins, sweet tonka and delicate woody/patchouli notes. The base is lasting for hours and the fragrance is still unfragmented after more than 12h and distinct traces are still there after 24h.

Playing With The Devil is both elegant and comforting. It's very well blended, using high quality ingredients. It has nothing to to with the usual fruity floral offerings. It's just gorgeous!

Those who like wellcrafted fruity interpretations as Missoni by Missoni, Jeunesse by Robert Piguet, Bonbay Bling by Neela Vermeire Creations and Manguier Metisse by Huitieme Art will certainly appreciate PWTD:

Rating: 5

Notes: Blood Orange, black currant, peaches, litchi, pimento, rose, jasmine, pepper, cedarwood, sandalwood, patchouli, tonka been, benzoin, vanilla