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Picture: Elisabeth of York, (1465-1503)
queen consort of England
Paining from ca 1500, unkonwn painter
Wikimedia commons |
Tudor is said to be the last installment in the fragrance journey of french nichehouse Coquillete. There is no perfumer mentioned for Tudor.
Tudor starts with a pink,velvet rose carried by a fully ripe lemon, which create a fresh, fruity but not too sweet vibe of the fragrance. There are absolutely no harsh or sharp edges either from the lemon or from the rose. The rose smell is the fresh petals, without the green leaves, steam and thorns. One can imagine a noble lady relaxing a sunny, early summer day outside a heavy medival castle relieved that the "cousins war" or as we call it today, the war of roses was finally over.
As Tudor reach the middle, the rose and other notes mingles in a beautiful, creamy texture, smelling almost like the smooth rose-nailcream (don't remember its name) which my mother used decades ago and also told me that her grandmother used. Going further in the drydown, Tudor suddenly becomes slight spicy and the pink velvet darkens. There are also earthy qualities apperaing, just as the moisty loam of the forestfloor heated up by the warm sun contrasting the early summerlight and delicate green of the grass, bushes and threes. In the basenotes Tudor continues in the light spicy, creamy style and also gets deeper and more balsamic in texture. There is a touch of amber added with light vanilla notes that together with the rest, creates a strange sort of dark putty lipstick-accord, almost touching a smooth, dark leathery element. In this part there is someting (the dark lipstick) that reminds me of a pale version of the beautiful
Rozy Edp from Vero Kern, part of the basenotes of that fragrance seems to be present also in Tudor. There is also a dark, slight herbal, medical note contrasting in the base, in this fragrance darker and ticker than in the archetype of medical roses, Parfume d'Empire
Eau Suave. In the overoll context of the basenotes there is also something that reminds me of a feminie interpreatation of Frapin
Nevermore, which I experience as a masculine rose. Tudor is, just like Nevermore, classified as unisex but to me it's much more feminine in style, for those who cares of genderclassifications. The longer Tudor dries down in the base the more sweet (like a deep dark frutiy retro candy note) but also, unfortunately, also indistinct and plain it becomes. The top-, middle- and early basenotes is the best and interesting parts of Tudor, in the second part of the basenotes nothing happens.
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Picture: Tudor
Photo: PR Coquillete (c) |
Taken as a whole, Tudor despite its shortcoming (compared to the earlier stages) in the late dry down, is an intriguing rose fragrance, developing from a innocent, creamy, pink and sunny rose to a darker variation with some not so innocent nuances. The fragrance may actually serve as an olfactory portrait of the first Tudor queen, Elisabeth the Princess of York (the White rose) married to the Tudor (Lancaster the red rose) Henry, who bacame king
Henry VII as the outcome of the civilwar and both parents to Henry VIII. Without any sharp edges and with its sort of retro sweetness, Tudor smells timeless and sort of mysterious natural, like a recipe of a brew preserved since the days of the Tudors.
Tudor is suitable to wear year around, for any (non-sport) occasions. Sillage is medium and longevity for a day. This intriguing and timeless perfume also causing compliments to the wearer.
Rating: 3
Re rating 2018/2019: 4 + - this is a comfortable and easy to wear rose for everyday. It doesn't become boring, it has enough interesting twists. A rose suitable for fall and winter.
Notes: R
ose, geranium, lily of the valley, amber, benzoin, soil, rosewood, labdanum, benzoin, grey amber, vanilla
Thanks to Fragrance & Art for the sample of Tudor
