Side by side test of....

....some Coco variations. I wanted to compare Coco Mad EDT with Coco Mad EDP and Coco Mad Intense EDP. As I had a fourth spot free, I also spritzed Coco Noir EDP even if that one probably should be compared with the original Coco's, especially the ETP.


Picture: Coco Mademoiselle EDT
Photo: PR Chanel (c)

Coco Mademoiselle EDT: Sort of pink fluffy, girly Coco Mad variation. It's like fluffy cotton on the plant growing on the cottonfield with the smell of dry soil a sunny summerday. This outdoor accord is also combined with a touch of what I imagine as fresh picked strawberries on a straw.


Picture: Coco Mademoiselle EDP
Photo: PR Chanel (c)

Coco Mademoiselle EDP: This is the ladylike Coco Mad variation. Flowers over a tangy, slight fruity accord, some green cold steems like the stems of bulbflowers. This chic and chilly bouquet is anchored in the patchoulibased Noveau Chypre accord, where the patchouli is just a part of the mix, it doesn't stand out as a dominant note. It's still daytime and sun with the EDP but colder outside, like spring or early fall.


Picture: Coco Mademoiselle Intense EDP
Photo: PR Chanel (c)

Coco Mademoiselle Intense EDP: In the dark Intense version an elegant velvet patchouli wrapped in some restrained amber is the protagonist. The flowers are not recognizable as an own accord, they are blended with the dark notes, creating a glimmering edge which comes up to the surface now and then. An comfortable and elegant perfume for evening or cold days in fall or Winter. Not as ladylike as the EDP, this is more the boho chic style. Reminds me in style of Prada Amber.

Picture: Coco Noir EDP
Photo: PR Chanel (c)

Coco Noir EDP: When compared directly to the Coco Mad there is obvious that Coco Noir has it's background in another branch of the Coco family tree. Elegant, light spicy with a distinct retro smell, the opening reminds me of a classic parfume which I could not place right now. I come to think of a resting in a backyard  garden in the shadows of the medival walls of an Mediterranean  ancient town a hot summerday. Noir is for the effortless, stylish globetrotter.

Best of 2018

Picture: Cap Néroli
Photo: PR Parfums Nicolaï (c)

Picture: Néroli Intense
Photo: PR Parfums Nicolaï (c)

As 2018 should be the year wearing from my own perfume wardrobe, I only tested a few perfumes launched during the year. Therefore I couldn't announce a winner in "Best of 2018" even if there where some that I enjoyed and will write about below. Of course both the nérolis Cap Néroli and Néroli Intense from the reliable quality house Parfums de Nicolaï were great.

I also enjoyed Atelier Cologne Iris Rebelle very much, the Rebelle is my favorite from the AC line together with Café Tuberosa which was launched in 2017.

Picture: Iris Rebelle
Photo: PR Atelier Cologne (c)

Picture: Rose Rouge
Photo: PR Van Cleef & Arpels (c)

Picture: Gucci Guilty
Absolue pour Femme
Photo: PR Gucci (c)

Gucci Guilty Absolue pour Femme is in the dark patchouly contemporary chypre genre that I appreciate much, here with a juicy blackberry touch. Even if good it's not reaching  the level of Gucci Guilty Absolue pour Homme. Rose Rouge from Van Cleef & Arpels was another nice addition this year which also has some dark tangy fruit involved. The new variation of Coco Mad,  Coco Mademoiselle Intense  (which I wear today) is the winner (of the few I've sniffed) in the dark patchouly, contemporary chypre genre, at least for me, an  admirer of the Chanel style.

Picture: Coco Mademoiselle Intense
Photo: PR Chanel (c)

Picture: Nomade
Photo: PR Chloé (c)
  

Picture: Flerur d'Argent
Photo: PR Miu Miu (c)

Picture: Ombré Leather
Photo: PR Tom Ford (c)
 

Other good releases in 2018 were Miu Miu Fleur d'Argent  a musky, cold, grand floral and the quiet and floating Chloé Nomade slight mossy and suedelike. A 2018 release   that Mr Parfumista appreciate much is Tom  Ford Ombré Leather even if he likes Tuscan Leather better, the dept, strenght and longevity of TL is better than OL.                   
 


Picture: Eau de Citron Noir
Photo: PR Hermès (c)

A fragrance that confuses me among the  launches is Hermès Eau de Citron Noir. On  me it smells as sort of a peppery hell, on my son it smells really good, like a sundried, salty, lime infused piece of wood on a sandy seashore.

 

Addition on 31 December 2018: I knew there was some good launch I've forgotten when I wrote this entry and today I'm remember which one, when reading the best of 2018 on Bois de Jasmin. It's Hermès Cédre Sambac which is actually no 1 of the ones I've tested 2018. Probably I forgot about it as there was only a only a brief test, a single spritz and a scentstrip at NK departmentstore. So maybe I can't include it as properly tested but who cares when it comes to this beauty, a clean woody jasmin that somehow reminds me of an upscale variation on Cacharel Scarlett a fragrance that i didn't like in it's heydays.

Picture: Hermessence Cédre Sambac
Photo: PR Hermès (c)

HAPPY NEW YEAR 2019!  

The Fragrances of Christmas Eve 2018

Picture: This years pretty
Christmas tree
before it get dressed up
Photo: Parfumista (c)

The Scent of Christmas Eve 2018 is Rubj Extrait in honour to it's creator Vero Kern who passed away last week. Vero was so kind, nice  and commited to the art of perfume and I hope that
her unique creations will be continued in production as Vero:s fragrances have to be experienced by
every true parfumista.  As Christmas this year actually is white with snow and  ca - 8 C degrees outside, the glowing, orange, white flowers, light spice of  Rubj  is the perfect warmer.  Yesterday I worn the fab Veroprofumo  Onda Extrait one of the best in the retro genre with its barnyard, soil, damp grass, leather vetiver accord.

Mr Parfumista is wearing  Eau d'Italie Bois d’Ombrie an almost fresh, chilly, woody scent with a pleasant vetiver/whiskey/tobacco/leather accord, inspired of the umbrian forest a rainy day. Eau d'Italie  Sienne l'Hiver would of course have suited even better, but B d'O fit well together with the greenery of the fresh Christmas tree.
 Below is the updated list of the fragrances I've worn the last fiftheen Christmas Eves:

2017: Vert de Fleur by Tom Ford (elegant retro but also contemporary austere flowery-green.)
2016: Oud Sublime Parfums de Nicolaï (quality "forest-refreshing" dark green, mossy, woody)
2015: Rose de Taif Extrait Perris Monte Carlo (high class smooth velvety rose petals)
2014: Impossible Iris Ramòn Monegal (an elegant, contempory iris with a delicious rasperrynote)
2013: Quintaesensia Ramòn Monegal, (a special retro styled blend, furry, ambery, herbal/spicy)
2012: Nothing, knocked down by the worst flu in ten years+.
2011: Betrothal, Grossmith (classic, light and exquisite florals)

2010: Cuir Mauresque, Serge Lutens (saddle leather, orangeblossom, jasmine, spices)

2009: Tribute Attar, Amouage (dark leather, smoke, oud, excellent spices)

2008: Incense rosé, Andy Tauer (rose, mandarine, cardamom, myrrh cedar, incense)

2007: Ambre Russe, Parfum d'Empires (boozy amber, the, wood, oriental)

2006: Jil Sander 4, Jil Sander (dark, overripe fruits, white almost withering flowers, oriental spices)

2005: Nuit de Noël, Caron (dusky, retro flowers, moss and a furry note)

2004: Cabochard,  Parfums Grès (leathery chypre, harsh green notes and retro flowers)

2003: Fracas Robert Piguet (the ultimate classic grand tubereuse)

Wish you a Great Fragrant Christmas! 

Picture: And here it's dressed up
for Christmas Eve
Photo: Parfumista (c)

 

Parfums de Nicolaï - Néroli Intense

Picture: La Carmencita (1890)
Painting by John Singer Sargent  (1856-1925)
Musée d'Orsay

Néroli Intense (NI) is an elegant nérolicentered fragrance, created by perfumer Patricia de Nicolaï. NI is not a stronger version of Cap Néroli from this summer, it's a variation (just as with the different concentrations of classic Guerlains and Chanels) on the néroli-theme with less higher and lighter citrus notes and more of warm, sweet, dense and dark oriental notes. If NI had a color it's would be like the muted orange color of the dress of La Carmencita above. If it had a texture it would be like bitterorange marmalade

Néroli Intense starts like a massive warm glowing wall of orange néroli and other inteacting sweet and bitter citrus essences with a clever contrast of a dark green, "fat" herbal tarragon note. If Cap Néroli is the sunrise and the scent of a summer morning, NI is the golden sunset of the late afternoon.   There is an almost bloody, metallic accord that seems to rise from the depts of the fragrance and serves as an intriguing contrast to the elegant and well behaved notes of néroli and orange. This accord make me think of a similar twist in Serge Lutens La Fille de Berlin. Maybe this impression is created with a combination of the beewax absolue and the herbal tarragon. The musky base with patchouli is not like a separate stage of the fragrance, it's blended in the fragrance to support the other notes in a very well balanced way.  Another PdN fragrance that NI reminds me of is the discontinued dark hebal-néroli  Eau sOleil, an Eau Fraiche with good longevity. Even if I remember that one as creamier, almost soapy, with less néroli, with more other with flowers and a note of fresh mint accompained by other herbs.


NI is dense like velvet in it's structure but not at all cloying. Timeless in appreance, it has a clever retrotouch. NI is a top notch nérolidominated perfume with high quality ingredients, there absolutely no syntetic vibes about it. To me NI is leaning more to the feminine side of unisex, but just as with Cap Néroli, wearable for both. NI is an elegant fragrance and just as with Cap Néroli it goes well in the boardroom but for autumn and winter instead. NI would also be a perfect companion to our

patient, committed and beautiful Queen Silvia when celebrating her 75th birthday today. Long live the Queen!

Go for Néroli Intense if you wan't some glowing, warm, elegance for winter.

Rating: 5

Notes:

Picture: Olfactory pyramid of  Néroli Intense
Photo: PR Parfums de Nicolaï

Thanks to Parfums de Nicolaï for the opportunity to test Néroli Intense. Néroli Intense is also avaible by Fragrance & Art.

It's the Puredistance time of the year....

November and December is the Puredistance time of the year. Of course I'm wearing them during other seasons too, but for this dark months, one need something extra. And as it's also soon is Christmas I come to think of  that the beautiful fragrances from this house are the ones to wear for the holidays. Below some suggestions:

Picture: Puredistance Warszawa
Drawing: PR Puredistance (c)

Warszawa (Puredistance): I've worn the dark, mysterious, almost plummy Warszawa  much during grey November. An elegant, high quality dark floral oriental, with vintage vibes, boardering to a chypre in the light spicy-fruity genre (think Guerlain Mitsouko, original Dior Poison and Tauer Loretta). 

Picture: Puredistance Opardu
Drawing: PR Puredistance (c)

Opardu (Puredistance): Even if Opardu is the ultimate perfume for spring, it has recently lightened the gloomy days up. It's a lilacperfume with many other facets (for example rose) and interesting twists, with something almost crystalized, slight gourmand.Opardu is not of the light, outdoor, airy variety, it has a much deeper texture and more body.

Picture: Puredistance Sheiduna
Drawing: PR Puredistance (c)

Sheiduna (Puredistance):The grey and gloomy weather demands some true quality and elegance to be defeataed. Sheiduna is a brilliant spicy, slight gourmand oriental with warm and boozy accords. There is also some almost refreshing, offsetting notes, almost like tea. Sheiduna is just superb and reminds me slightly of another gem from perfumer Cecile Zarokain Kashnoir from Laboratorio Olfattivio.

Picture: Puredistance M
Drawing: PR Puredistance (c)

M (Puredistance): An elegant, classical gentlemans leather fragrance but just as Marlene Dietrich with Knize Ten, M could be worn by women too. A smooth and close to the skin variation of Hermès Bel Ami.

And last but not least - the luxurious Puredistance sample giftset is the perfect Christmas gift.

Thank's to Puredistance for contributing with samples to test over the years.

At the moment - Top 3 favourites

Picture: From a walk earlier this autumn,
before the leaves started to fall.
Photo: Parfumista (c)

As a Parfumista my longing for a certain fragrance or fragrancestyle are highly volatile, what I crave for is changing very fast. Top 3 by now:

Lankaran Forest (Maria Candida Gentile): Fresh, piny green, the undergrowth in a cold, autumnal forest. Nothing sweet or cloying, meditative to wear.
Rose Privèe (L'Artisan Parfumeur): When I first tested this three years ago it was not a favourite, even if intriguing, I thought it was to harsh and herbal. But now, I completely changed my mind, this is the smell of an English garden a chilly day. This is how the new Burberry Her should have smelled.

Cuir Cuba Intense (Parfums de Nicolaï): Sundried tobaccoleaves, in a light leathery context. Elements of hay, light, dry spices and dry patchoulileaves. Not a thick and dense but an airy and transparent tobacco.

Blog anniversary 12 years

Picture: Rose hips
Photo: Parfumista (c)

November 1, today it's twelve years since my first blog-entry about perfume. As there is less time for blogging, my entries will appear irregular these days. During my most active years, there was about two to three entires per week, then decreased to one per week and now, now and then. I think that is a better alterntaive than to close the whole venture down. There is still plenty of scented impressions from which I want to share some. So here we go for another year!

Atelier Cologne - Part 2

The Atelier Cologne testing has continued .....

Picture: Trèfle Pur
Photo: PR Atelier Cologne (c)

Trèfle Pur: Elegant and minimalistic. Smooth lime, moss, not powdery but wet chalky. Contemporary but somehow retro in the same time. Reminds me of a favorite modern cologne Mugler Cologne in a more elegant chypre inspired version. Trèfle Pur has to be applied liberally to last during a whole day, almost a full sample is needed.

Picture: Orange Sanguine
Photo: PR Atelier Cologne (c)

Orange Sanguine: Juicy, sunny and so happy! Starts like fresh squeezed orange juice, sipped on the terrace, during a breakfest in the height of the summer. The orange-y scent stays during the whole musky slight ambery dry down. There is also green fragments of the orangetree leaves in the mix. In the later phases of the dry down, Orange Sanguine resembles Clémentine California but more sweet juicy where CC is greener and more tangy.

Picture: Grand Néroli
Photo: PR Atelier Cologne (c)

Grand Néroli: Elegant, citrus - bergamott opening,like  a contemporary interpretation of the 70s classics as for example Eau de Rochas and Chanel Cristalle Edt. After a while GN takes a different path and the nèroliaccord takes the center. The longer the drydown, the softer and creamier GN appears, as with Trèfle Pur, there are similarities with Mugler Cologne in the late stage of the dry down. Also Grand Nèroli has to be applied just as liberally as Trèfle Pur to last.

Picture: Rose Anonyme
Photo: PR Atelier Cologne (c)

Rose Anonyme: This is one of my favorite roseparfumes, I imagine a cool dark pink rose wrapped in fresh, earthy patchoulileaves and some cool spices, combined with a balanced woody oud. There is also something almost winey about it. Despite this, Rose Anonyme is not thick and heavy, instead it's surprisingly transparent. A woodier variation of Laboratorio Olfattive Rosamunda and a fragrance for those who loves dark roses as for example Marni Marni, Juliette has a Gun Lady Vengeance, Terry de Gunzburg Rouge Nocturne and so on.

Atelier Cologne - Part 1

Atelier Cologne is a house which I for many years have overlooked to discover properly. I love Jasmine Angelique and like Mistral Patchouli and Rose Anonyme very much. Café Tuberosa enticed me to try more of the line. Thanks to the generous Atelier Cologne Sales representative in Åhlens City, I've a bunch of samples to test. Here are my short impressions:

Picture: Tobacco Nuit
Photo: PR Atelier Cologne (c)

Tobacco Nuit: A stunning transparent Tobacco from one of the Edp sub-lines of Atelier, Collection Orient. On paperstrip it first smells like a anorectic version of Kerosene Copper Skies, on skin it's tobacco, citric notes, sort of a dry smell of soft paper and finally sparkling, fresh cardamon. A proper and clean tobacco for those who are afraid of a disruptive interpretation of the note. 

Picture: Encense Jinhae
Photo: PR Atelier Cologne (c)

 

Encens Jinhae: Also belonging to the Collection Orient, E J is dry incense wrapped in berries, pink pepper and roses. E J immediately reminds me of a smoother and more sophicated Vivienne Westwood Anglomania mixed with some Chopard Madness.

Picture: Clémentine California
Photo: PR Atelier Cologne (c)

Clémentine California: An almost natural smell of Clementine, slight bitter but in the same time juicy sweet. Green notes like the leaves of the tree and  also a cold, breezy impression. Compared to for example Hermès Eau de Mandarine Ambrèe  CC is brighter and sharper in apperance, In MA the mandarine is wrapped in a soft, glowing amber.Strong and longlasting for belonging to the cologne subline, somewhere between Edt and Edp on my skin.


Picture: Café Tuberosa
Photo: PR Atelier Cologne (c)

Café Tuberosa: I've already posted two mini-reviews of CT and therefore add both: "Starts with thick tuberose, bergamot, blended with dry cacao and maybe a hint of coffee. It's a thick blend, vintage in style reminding me in texture and style of Vero Profumo Rozy. Later there are traces of the colognestyle with hints of citric notes. " (April 2018) "What a comforting beauty! A dark oriental floral with chypre vibes. The coffee and cacao are not sharp or sticky, they blends very balanced with the tuberose in a retrostyled accord. The tuberose dosen't stand out as a flower, it's just a part of the dark blend. " (September 2018).

Further impressions from testing fragrances from Atelier Cologne will appear during the coming months.

5 fragrances for Fall

Picture: From a walk in the hoods
a crisp, sunny, autumn Sundaymorning 2018
Photo: Parfumista (c)

The early autumn month of September has (almost) passed, most sunny and crisp. Probably it's therefore I still don't crave for the dark, thick and heavy frags in the oriental genre. Instead there are most lighter fragrances I've wearing during the last month, fragrances which at least some of them are good examples of transition fragrances:

Iris Rebelle (Atelier Cologne): This is my new favorite iris. Light with a very pleasant opening smelling of fresh baby carrots. Then a beautiful, clean iris appears, wrapped in smooth citric notes.

Nomade (Chloé): The best mainstream release this year , at least from the not so many I've smelled. Like a transparent and contemporary version of Jean Couturier Coriandre. Coriander and moss with a ceratin warmth added to it by delicate soft flowers and light spices. Incredible longevity for such a transparent styled creation.

Mon Parfum Cheri, par Camille Edt (Annick Goutal): This is perhaps the messanger of the real autumn in the top 5. That even if the Edt of this elegant, dark, retro patchoulibased beuaty is more transparent than the Edp. A frag that boosts ones confidence. Full review (in swedish) here.

Café Tuberosa (Atelier Cologne): What a comforting beauty! A dark oriental floral with chypre vibes. The coffee and cacao are not sharp or sticky, they blends very balanced with the tuberose in a retrostyled accord. The tuberose dosen't stand out as a flower, it's just a part of the dark blend.

Fathom V (BeauFort): This damp, green, cold, watery, earthy creation reminds me of late winter/early spring but I crave this utterly intriguing composition for fall also. Full review here.

Midsummer 2018

Picture: Midsummerroses 2018
Photo: Parfumista (c)

Midsummereve was yesterday. The summer solstice up here in the north is much celebrated and a national holiday. This year the weather (always a big question in Sweden) was quite good, rainy and cold (+9  C in the morning) and mostly sunny and quite warm in the afternoon followed by a chilly evening. The day was without rain, except in the morning.

This year (again) I didn't feel to wear florals to match the occasion. I couldn't think of any light high pitched flowery fragrance that was right for me. Instead I wanted something heavy, dark and dense so I went for Penhaligon's Halfeti, a dark rosy, dry spicy oud based fragrance inspried from the  black shaded roses which is/was grown in the turkish town named Halfeti.


Picture: The black rose of Halfeti
Photo: PR Penhaligon's

Halfeti is a fragrance that intriguing me. When I blindbought it about two years ago I was a bit disappointed, to much of the screaming, peppery type of oud. But still there was something that fascinated me with Halfeti and I went back testing it multiple times, I didn't want do give it up. Yesterday I finally find out the trick to avoid the overload of pepper/spice and how to hold Halfeti in check: One has to be very careful when  applying it, just using tiny half sprays at four to five points on skin. Full sprays is much too much. Applied in this way the dark, deep and spicy rose appears in a beautiful way, there are also a warm, dry and in the same time creamy sandalwoodaccord. Halfeti is difficult to understand and to tame, but it was certainly worth all the experimentering. The long process to evalute and to finally understand a complex fragrance is definitly some of the features of this fascinating hobby. Midsummer 2018 will be remembered as when I finally understand Halfeti.

Let's have a great summer 2018, combining the holidays with evaluation of the fragrance wardrobe!

Parfums de Nicolaï - Cap Néroli

Picture: Parfums Nicolaï Cap Néroli
Photo: PR Nicolaï

Cap Néroli is the new 2018 EDT from Parfums de Nicolï, a real favoritehouse of mine. Last years release was Rose Royale, a celebration to the pink roses of the palacegarden in the center of Paris. this year is celebrating néroli and what a celebration: This is not the usual soliflore niche stuff, this is lika a full fragrance, a bouquet of notes which makes one think that Cap Néroli doesn't belong to the soliflore genre.

Cap Néroli starts with an uplifting, cheering, burst of juicy, natural smelling full orange, like fresh oranges squeezed  in the sun by noon on the terrace of a villa in chic mediterrain surroundings. The orange liquid squeezed is natural, with fruit fibres, tick and not diluted or sugared. This is the accords of a early summer sunny day bearing all the expectations of the wonderful days which will come. In the nexte stage a chilly green, minty note appears blended with a herbal touch. The orange becomes more elegant, restrained and sincere in this stage, the néroli oil appears. Also a dry, salty note enters, a note similar to sea salt and also the scent which reminding me of old school bath salts, in this stage Cap Néroli has left the soliflore stage and enters the domains of a more complex fragrance. The salty ant bath salty aspects are also apperant in  Deco London Lawrence even if the latter is greener and colder in style, like an early summerday of the coast of Britan instead of the shores of the Mediterrain. Cap Néroli is grounded in oakmoss and musk an probably this is a part of the secret of the elegant retro feeling of the fragrance. The timeless elegant, green freshness could be the sign of the oakmoss and the herbs even if I guess that some of the typical Nicolaï geranium (think l'eau Chic) could be embedded in the base accord. During the whole drydown the slight herbal minty note gives Cap Néroli a certain sparkle and together with the salty note, offset the sweetness of the flowers of the fragrance. Compared to my other favorite Nicolaï neroli, Eau sOleil, Cap Néroli is brighter and higer on the fragrance note scale. Eau sOleil is the warm, glowing and slight spicy fragrance for the golden sunsets of the late summer, the orange of Eau sOleil is darker, with velvet nuances of gold and brown.

The overall impression of Cap Néroli is classic retro elegance, interpreted in a modern way. Cap Néroi is a modern take on the classic chypre accord, it's minimalistic and scaled down but still some of the moisty mossiness is there together  the with retro salty, slight soapy cleanness and retro freshness, elegant freshness as in vintage Eau de Rochas. To me Cap Néroli as a whole is more of a formal summer fragrance, it goes well in the boardroom. Both the radiance and longevity are very good to be an EDT, Cap Néroli lasts for over twelve hours. The fragrance is unisex, just as good on my skin as on Mr Parfumistas even if my skin amplifies more of the orange notes and his the green, salty and herbal notes. This fragrance shouldn't be missed, its perfect for effortless elegance both in formal and casual chic summer gatherings.

Rating: 5

Notes: Petitgrain bigaride, orange, mandarine, rosemary, mint, neroli, ylang-ylang, jasmine, orangeblossom, oakmoss, musk

Olfactory dessert

Picture: Olfactory dessert April 28, 2018
Photo: Parfumista (c)

As mentioned several times before in this blog, in this houshold there are very rarely desserts served after weekend dinners (only when we have guests). Instead Mr Parfumista often insists on sniffing/analyzing fragrances. As he in 9 of 10 times takes the initiatve to this "dessert", the inhabitants of his fragrance wardrobe are overrepresented. Yesterday evening there was two themes:

1) The frequently occurring comparison between two of Mr Parfumistas wardrobe staples Tom Ford Tuscan Leather (TL) and Acqua di Parma Colonia Leather  (CL) similar in style but both definitly needed. The role model Tuscan Leather is darker, denser, thicker, with smokey, tobacco, leathery notes, like a well worn bikers leatherjacket. TL also reminds me of a polished sibling to Mona di Orios wild Les Nombres d'Or Cuir. When it comes to CL the weird thing is that I always smell the raspberry which is a note in the Tuscan Leather pyramide and not mentioned in the CL pyramide and in TL I can hardly smell the raspberry at all. CL is more transparent in style, with an uplifting citiric aura which is not smelling citrus, it's blended in the texture per se, adding some sparkle to the brew. The leather in CL is the fine and noble leather, the inside of an exclusive handbag.
2) The random fragrance theme, which just occuring, was yesterday triggerd by Mr Parfumistas testing of Parfums de Nicolaï new Cap Néroli. He really likes it and said he will rather wear it than "that sample I was thinking of maybe buying a FB of ". I immediately thought he ment  MFK APOM Pour Homme which he has sampled lately but to my initial surprise, not when thinking twice, he brought out PFM Geranium pour Monsieur. Geranium is a note which is present in the typical Nicolaï "houseaccord", it's not mentioned in the notelist of Cap Néroli even if I suspect it's there as a part of the baseaccord. The other fragrance Mr Parfumista related to after a days wearing of Cap Néroli was Deco London Lawrence. Also a fragrance with a distinct dose of geranium, special and retro smelling, salty and dry like old-fashioned bath salts. These associations shows that one should not limit oneself to compare a certain fragrance to those in the same, in this case, neroli category, one should experience fragrances without any limitations in the mindset, which is hard to achieve.

And when it comes to Cap Néroli, a full review will follow probably after the next weekend when my birch pollen allergy hopefully has calmed down so I can smell and evalute this beautiful fragrance properly.

Avicii

Tim Bergling aka Avicii
Photo Wikipedia (cc)
some rights reserved

So terribly sad  - RIP Avicii

 

Dear Boy

 

 

 

 

Short impressions of some new fragrances

Picture: Stockholm Sergels Square,
between  NK and Åhléns,
the two major departmentstores
Photo: Borrowed from the  KTH website

I have speed sniffed some relatively new arrivals this weekend. Below some short impressions:

Hermessence Agar Ebene (Hermès): A beautiful, high quality leather, first impressions of another Hermessence; Cuir d'Ange where Agar Ebene is fuller and more mature in its texture. Somehow I come to think of a nice and anxious leather, more "simple" in construction , not as complex and charcteristic as for example Chanel Cuir de Russie with its dry gunpowdery and light flowery notes. Unisex.

Hermessence Cedre Sambac (Hermès): A full and fruity, jasmine contrasted by the fresh, slight peppery cleanness of cedarwood. An intersting combination where the jasminenote reminds me about of the jasminedominated, white floral accord of Cacharel Scarlett but less sweet. Cedre Sambac is unisex, leaning to the feminine side.

Eau de Citron Noir (Hermès): Lemon with accompaning dry, smokey teanotes and slight peppery woody notes. Refreshing, without beeing clean in style, longlasting and with a good sillage taken ion consideration it's classified as an Eau de Cologne. Unisex leaning slightly to the masculine side.

Café Tuberosa (Atelier Cologne): Starts with thick tuberose, bergamot, blended with dry cacao and maybe a hint of coffee. It's a thick blend, vintage in style reminding me in texture and style of Vero Profumo Rozy. Later there are traces of the colognestyle with hints of citric notes.

Coco Mademoiselle Intense (Chanel): As a lover of Coco (Coco Noir) in all its incarnations, the Intense Mad inerpretation is just was I expected: A darker, denser, lower on the fragrance note scale then the regular Coco Mad. The patchouli is also more pronounced and the flowers subdued compared to the original. Even if similar to each other I need both variations....

Still winter....

Picture: Winter is still here...
Photo: Mr Parfumista (c)

Last week was snowy and with  tempratures between -10 and - 15 C. In the same time the light is back and there were some sunny days which, even if cold,  indicate that spring really is around the corner. These opposites causes an ambivalence in perfumewearing, I'm craving both warm and heavy fragrances as also lighter and brighter ones. This was reflected in the fragrances worn last week:

Epidor (Lubin): Both Monday and Tuesday was cold, sunny days and Epidors  sunny, hayish and light fruity apperance was both contrasting but also somehow matching as it has something like a cold string in it. This together with a distinct tonka been make me think of the original Dolce&Gabbana pour Homme when wearing Epidor.

Opium Edt (Yves Saint Laurent): The current, more woody version. But still cinnamon is evident as also the overall, varm, velvety and oriental spicy character. Opium warmed the whole cold, windy and snowy Wednesday up.

Prada La Femme Intense (Prada): An elegant, restrained, white and tropical flowers over a well-behaved patchouli is suitable in any climate or season. Added some casual elegance to my Thursday.

Najaf  (Xerjoff): Craved for something dark and woody for Friday and a sample of Najaf caught my interest. Animalic, very woody, with the tangy, bitter but in the same time sort of fresh smell of oud.

Aromatic Elixir (Clinique): This bombastic, dry, rosy and woody chypre requires cold weather. A powerful and demanding fragrance, a classic which has stood the test of time. Unfortunately I was a bit too triggerhappy this time so I was on the verge to having headache on  Saturday. 

Jardin Blanc (Maître Parfumeur et Gantier): A beautiful white flower boquet where tubereuse is the major player flourished my Sunday. Well balanced, dense but not heavy, with chords of green and some animalic glimpses from the dept of the fragrance.

Rediscovering fragrances - Prada

This time of the year when the daylight returns and spring is just two months away, I start to crave for brighter and lighter fragrances. Last week I came to think of that I havn't worn my Pradas for ages. The Prada fragrances emphasize a chic, confident, minimalistic elegance, all recognizable as creations of the masterful perfumer Daniela Andrier:

Picture: Prada Infusion d'Iris (2007)
Photo: PR Prada (c)

Infusion d'Iris Edp (2007 version)  is the perfect austere and elegant fragrance for springtime officewear. Of course this iris cold, clean, minimalist-orangeblossom soapy, contemporary classic is proper to wear during the year. I find it's character particularly suited for late winterdays, cold and snowy but bright and light, sometimes with the sun breaking through and the sunrays now strong enough to thaw the snow.

Picture: Prada Infusion d'Iris Absolue
Photo: PR Prada (c)

Infusion d'Iris Absolue is delicious, sweeter, darker and thicker in texture. A golden Iris glowing from resins, vanilla and tonka which creates an balsamic oriental iris supported by the orangeflowers as in the original. Somehow I get the impression of a delicate soft, fluffy almondcake in the later stages of the absolue. The elegant gourmand iris.

Picture: Prada Infusion Fleur d'Oranger (2009)
Photo: PR Prada (c)

Infusion Fleur d'Oranger (2009 version) personally I feel more comfortable in this warm, sunny, elegant infusion than in the cold iris. Fleur d'Oranger is on the verge to soapy but it really doesn't passes the line. It is also less sweet than many contemporary styled orangeblossoms The fragrance has an almost vintage appearance without smelling like an old fashioned orangeblossomcentered perfume. Infusion Fleur d'Oranger is a captivating, wearable fragrance for daytime use.

Picture: Prada L'Eau Ambrée
Photo: PR Prada (c)

L'Eau Ambrée balsamic, with light, cleaned up resins and amber which mingles with the faintest glimpses of flowers. The problem is that it seems as I'm partial anosmic to this fragrance. If applied quite liberally, I can smell the beautiful opening which reminds me of a bright and higher pitched variation of the comforting, in comparasion, dark and dense in texture Diptyque Volutes. L'Eau Ambrée is a fleeting but also haunting fragrance, when you think it's gone, it suddenly re-appears in its restrained elegance.

Gucci - Gucci Guilty Absolute pour Femme

Picture: Gucci Guilty Absolute pour Femme
Photo: PR Gucci (c)

Gucci Guilty Absolute pour Femme is the female interpretation of the 2017 success for him, the rubbery leather Gucci Guilty Absolute pour Homme. Both fragrances are created by the very experienced perfumer Alberto Morillas. 

Gucci Guilty Absolute pour Femme (GGApF) starts with a juicy, very natural black berry and to my nose also black currant accord. Later on  a purple rose accompanied by the green woody note of cypress, some glimpses from the leather in Gucci Guilty Absolute pour Homme  (GGApH) and the dark patchoulinote shows up. Light rose pepper sparkles in the blend like glimpsing stars on the dark night sky in the middle of a cold winter. The pepper never goes peppery, it's just fizzy. The fruity notes are tangy and delicate, and not especially sweet. GGApF has some similarities with GGApH, the same woody notes, especially from the cypress and a smooth interpretation of the leather. GGApF has not the rough and though burnt rubbery notes of GGApH, instead it has those beautiful dark fruity, juicy notes blended with the rose which creates a plush feminine impression over the contrasting masculine woody notes.

GGApF could be worn both for day and night. It's a bit formal, it's not a casual, laid back fragrance, it's perfect for the office and for after work. It's a fragrance that builds confidence, in the same way as for example Chanel Coco Mademoiselle Edp and even more; Montana Parfum de Peau. Just as the fragrances mentioned, the longevity is great, silage not as big but medium.

GGApF is an excellent example of the new chypre style, less sweet than the usual ones and with its own juicy, dark blackberry character. Even if GGApF is an example of the new chypre style, wearing it somehow makes me think of, even if not smelling similar, the above mentioned grand chypre of the 80s Montana. GGApF:s character also reminds me of Sisley Soir de Lune which is also a great contemporary chypre but created in the classic style. 

To me GGApF is one of the best releases for years in the womans section. I'm convinced this will be a classic just as GGApH.

Rating: 5

Notes: Blackberry, bergamot, pink pepper, rose, cypress, woody notes, amber, patchouli

Tauerville Stories Collection - Hyacinth and a Mechanic

Picture: Hyacinth and a mechanic
Photo: PR Tauerville (c)

The Tauerville line is perfumer Andy Tauer's vision for a offering inspiring perfumes handcrafted in smaller production batches. Most of the fragrances are interpretations of a special note as for example rose, incense, fruit, patchouli. Some fragrances within the Tauervilles are very rare, the Stories Collection are sold exclusive when Andy himself appears for an event in some of the perfumestores who carries the brand. Hyacinth and a Mechanic is such a fragrance. To celebrate the 15 years anniversery of LA nicheboutique Luckyscent, the three fragrances from the Stories Collection were avaible online for a month last autumn. And I couldn't resist ordering the Hyacinth despite expensive shippingrates and of course customs duty. Anyway it was worth it, this is a very rare, intriguing and beautiful fragrance.n

Hyacinth and a Mechanic (HAM) starts with the most natural smelling hyacinth note that I've smelled so far from a perfum. When applicating the fragrance, a crisp, slight fresh green spicy, sparkling hyacinth appears, is just like entering a christmasdecorated house with hyacinths in the windows, out from the cold and snowy winterlandscape. Soon a oily, petrol and light metallic accord appears, followed by a  rough leathernote, togehter contrasting the crisp hyacinth and green note. It's just like that the one who makes the entrance is coming directly from repairing the car in the garage, still wearing the overalls under a heavy leatherjacket with a curly sheepskin collar. The oily, metallic, leathery intensifies and an animalic vibe appears in the fragrance, the hyacinth is still recognizable as the unexpected contrast to such notes. Later in the drydown, the hyacinth steps forward again and during the whole dry down, the hyacinth alternate with the dirty accord of beeing the most prominent player. In the last aaccords of the basenotes, the hyacinth and the dirty accord finally seems to have blended in sort of an integrated accord.

HAM is fragrance of its own and there are no similar fragrance that I come to think of even if I imagine similar aspects in other fragrances. For example the chilliness of the hyacinth I also recognize in the cold hyacinth-iris accord of Serge Lutens beautiful Bas de Soie and to some extent also Tom Ford Vert de Fleur, the oily/metallic/petrol accord reminds me of some parts of Histoires de Parfums Petroleum but not at all as intense as the latter.

HAM is a complicated beauty, the contrasts are intriguing. In the same time it's a casual, easy to wear fragrance sort of relaxing and with an interesting development which makes one sniff the wrists regulary during the day. The sillage is medium in the first stage, then close to skin. Longevity is for a day. HAM is totally unisex to my nose.

Rating: 5

Notes: Hyacinth, animal notes, leather, woody notes