Ramon Monegal - Very Private

Picture: Beneath the Lilac at Maurecourt,
Painting by Berthe Morisot, 1874,
Wikiart

Very Private is an exclusive composition created by Ramon Monegal for Bergdorf Goodman, New York. The fragrance is said to capture the hypnotic and magical impression of the Bergdorf Goodman flagship store as well as Central Park in springtime.
Very Private starts with a sunny burst of what I percieve as yellow-green fruity notes, accompanied by fizzy peppery notes. There is also a hint of alcohol in the beginning, the impression of a fruit cocktail. Soon also rose and a note that reminds me of melon appears. the fizzy, fruity first stages of the perfume reminds me of another joyful Ramon Monegal - Lovely Day. Lovely Day and Very Private also have some common notes; rose and licorice and I can also smell a similarity also in whole accords of the fragrances even if Lovely Day is more peppery and fresher where Very Private is more flowery with a golden, warm, honeyed sweetness. The melonnote is of the Galia varity, not watermelon. The lilacnote, to my nose, is recognizable in the second part of the dry down and I have to smell very close to really sort it out from the seamless blended fruity-flowery mix. The basenotes are a pleasant musky mix with oak moss and licorice adding some dept and contrasting darkness to the this bright and happy fragrance.



Picture: Very Private in its white cap,
 inkwell bottle
Photo: PR Ramon Monegal (c)

Very Private I can imagine (the test is done in cold springweather) is a durable fragrance for warm, summerdays. Also suitable for spring and wearable in most occassions, very good to cheer up in the office. Perfumesnons should not fear away as this is a genuine fruity-floral fragrance, it's not the sickingly artificial smelling sweet fruity-floral, Very Private smells almost natural in its interpreation of florals and frutis. Sílage is medium and longevity good, for a day.

Those who like Hermès Un Jardin apres la Mousson, Ramon Monegal Kiss My Name (which is in a similar style as Lovely Day) and Guerlain Idylle Duet Jasmin-Lilas will probably also like Very Private.

Rating: 3+

Notes: Citrus, fruity notes, tea rose, violet, lilac, orange blossom, oak moss, licorice, vanilla, musk

Ramon Monegal - Dubai Next to Me

Picture: Dubai Next to Me
Photo: PR Ramon Monegal (c)

Dubai Next to Me is a limited edition from Barcelona based perfumehouse Ramon Monegal. The fragrance was (at least originally) distributed only in Dubai.

Dubai Next to Me starts peachy, not the atrificial, chemical peach, but an accord which feels quite natural. The coconut is very smooth and also feels natural in style. Soon the peach is offsetted with smooth spices and later in the dry down also smooth, velvety flowernotes appears as also balsamic and a very smooth leather note. The oud is very soft and acts as a deep woody ingredient in the base, not recognizable as a distinct note. Dubai Next to Me, even if consisting of deep and thick notes, appears as somhow refreshing and transparant, there is an almost cold, metallic vibe to it, probably from the combination of rose and some of the spices. The fragrance is very well blended, made of high quality ingredients and it performs as it is fleeting in circles seamless around the accords, Dubai Next to Me seems not to be built in the traditional pyramid structure of accords, to experience this fragrance gives me associations to the Hermès scarf/shawl De la Mer au Ciel with its eternal circles of life.

Picture: Beautiful Hermès De la Mer du au Ciel,
140x140 cm cashmere/silk,
designer Laurence Bourthoumieux
Photo: PR Hermès (c)

Dubai Next to Me is not a traditional, middle eastern perfume, it's a fragrance which is most certainly appreciated in any part of the world and it could be worn in most occasions except for sports. I think this fragrance demands much warmer tempratures than swedish spring (+10 C) to really bloom with its beautiful fruity, floral, spicy notes and I will test it again in the summer heat to confirm that. Silage is very close and longevity is good, for at least a day.

Other fragrances that I come to think of wearing Dubai Next to Me is Naomi Goodsir Or du Serail which is similar in style. Also Aqaba Midnight Sun even if stronger and more flowery, has something in common with Dubai Next to Me in the overall expression.

Rating. 4

Notes: Coconut, peach, melon, saffron, nutmeg, black pepper, jasmine, rose oil, rose absolute, frankinsence, cistus labdanum, oud, sandalwood, cashmeran, spanish leather, tonka, ambraceme absolute

Maison Nicolas de Barry - L'impératrice Sissi

Picture: Emperess Elisabet of Austria (1837-1898)
Painting by Amanda Bergstedt (1841-1918)
Wikimedia commons

L'impératrice Sissi from the historic line of Maison Nicolas de Barry is inspired of the Empress of  Austria-Hugary the beautiful  redhead Elisabeth of Bavaria. L'impératrice Sissi is create by Nicolas de Barry and Eddie Blanchet.

L'impératrice Sissi starts sparkling, flowery where natural smelling violets blended with iris, the flowery irisinterpretation are featured. Later on the fragrance goes more cosmetic, like the smell of lipstick, a bit putty- powdery, and this impression deepens as the dry down goes further on. The base is slight vanillic, musky powdery in a  pleasant way.

L'impératrice Sissi is a well made, not candy sweet pastille smelling violet, the flowery iris blances the violet in a perfect harmony. Simple in notes but well balanced and with good ingredients, L'impératrice Sissi is pleasant to wear year around, this is not the typical transaprent spring violet. It's a comforting but in the same time casual chic fragrance, wearable in most occasions.

Frederic Malle Lipstick Rose and L'Artisan Drole de Rose are fragrances in the same vein as L'impératrice Sissi in its later stages. The flowery opening is more in the style of Acqua di Parma Iris Nobile and Le Galion Iris.

I don't konw why  Elisabeth inspired to a violet fragrance, maybe because she liked to wandering in the nature or simply because violets where popular in the romantic era in the 19th century.

Rating:4
Rating: 5 (November 2016)

Re-testing Sissi in November 2016 - its a really great fragance, I like it even better now, the natural vanilla together with an almost herbal facet shines through in a much better way this time. 

Notes: Bergamot, violet, iris, vanilla

Thanks to Fragrance and Art for the sample to try

Maison Nicolas de Barry - Louis XV

Picture: Louis XV  (1710-1774)
Painting from 1730
  by Hyacinthe Riguad (1679-1743)
Wikipedia commons

Louis XV is the masculine counterpart to Madame de Pompadour also from Maison Nicolas de Barry reviewed earlier this week. Louis XV is created by Nicolas de Barry and Eddie Blanchet and part to the line inspired of historic royalties.

Louis XV starts with a sunny blast of sweet honeyed orangeblossom contrasted with the green and a tad bitter facetts of neroli. The opening is golden, as the rays of the sunset. As the fragrance developes, a classic bouquet of  flowers emerges and acts as a solid backgrund to the orange maintheme. The texture of the fragrance is as a smooth, silky golden velvet, suitable for a royal robe, worthy Louis XV himself. From the bouquet there are certain crispy green notes fleeting around in the blend, more or less noticeable as the flowery theme varies. Overall the composition has a citric tingeThe base is warm ambery, slight musky with just a small touch of soap. Louis XV is far from as ambery as Madame de Pompadour, Louis XV is a varitaion of the usual orange-/neroli theme and a much more straight forward white floral.

Louis XV is a very good orangeblossom interpretation, there is no harsh edges or artificial feeling. It's round and warm, very flowery, without the cologne texture common among many orangeblossom fragrances and also not as soapy as many of them. Louis XV to me is unisex and could be worn in most ordianry occasions, this is a fragrancs that adds everyday comfort and casual elegance. It also draws compliments. The sillage of Louis XV is medium and longevity not as great as the Madame P, Louis on my skin lasts for a day reapplied. This is strange as Annick Goutal Les Colognes Nèroli lasts for about a day without reapplication.

Picture: Louis XV
Photo: PR Maison Nicolas de Barry (c)

Fragrances that Louis XV reminds me of are Historiae Orangerie du Roy which is fresher and more colognestyled, Annick Goutal Neroli, which is thinner and less flowery, as well as it has some similarties with the more masculine, woody neroli Eau de Cardinal also from Maison Nicolas de Barry.

Rating: 4

Notes: Neroli, orange, roses, jasmine, violet, gardenia, hyacinth, daffodil, tubereuse, amber

Thanks to Fragrance & Art  for the sample to test

Maison Nicolas de Barry - Madame de Pompadour

Picture: Madame de Pompadour (1721-1764)
portrayed as a turkish lady, 1747
Painting  by Charles André van Loo (1705-1765)

Madame de Pompadour is a creation from Maison Nicolas de Barry, a house which creates fragrances inspired from the history. The fragrances is created by Nicolas de Barry and Eddie Blanchet.

Madame de Pompadour starts with a burst of florals under command of the regal iris, the flowery version, not the carrot root note. Soon the rest of the boquet takes over, different flowers are fleeting in and out from the centerplace. On my skin the bulbflowers daffodil and hyacinth are particularly present, supported by a beautiful tuberose. The amber blends very well with the flowers and creates a special glow to the perfume. Also the amber and iris particulary seems to connect during the dry down, plush, velvety aura. The base are ambery-musky with the flowers still very clear present and a touch of a contrasting slight earthy/dirty smell. There is also a touch of the special textile band-aid note present in vintage Musst de Cartier Edt.

Summarized: Madame de Pompadour is a beautiful floral-oriental bouquet, interacting with a glowing, ambery base creating a warm, rounded boquet. Even if classic in structure and ingredients Madame de Pompadour doesn't smell dated neither dense or loud. One could imagine that a fragrance inspired by Madame de Pompadour would be lighter, pink much more fluffy, powdery and painted in lighter pastel colors as fashionable in the Rococoera. But the reality beyond the pastels was, as we all know, strong odeurs, attempted to be hidden by perfumes. In the perfume there is a hint of a dirty note in the base, so subtle on almost not recoginze it at first. It's not at all like in the barnyardnotes fragrances.

Picture: The Mme de Pompadour flacon
Photo: PR Maison Nicolas de Barry 

Madame de Pompadour is suitable for all seasons but just for evening in the summer. It's very elegant and maybe too much for most offiicies even if a pleasure to smell and wear. Sillage is medium and longevity for at least a day.

Wearing Madame de Pompadour I somehow get to think of (even if not smelling the same) classic Creed flower boquets as Irisia, Fantasia de Fleurs and Tubereuse Indiana. Madame de Pompadour is for everyone who enjoy a wellmade, grand, timeless floral boquet.

Rating: 5

Notes: Iris, roses, jasmine, gardenia, violets, hyacinth, daffodil, tubereuse, amber

Thanks for Fragrance & Art for the sample to test

Ramon Monegal - Hand in Hand

Picture: Skiers

Painting by Frits Thaulow (1847-1906)

WikiArt

Hand in Hand is an oud-oriental  inspired perfume from the Barcelona based perfumehouse Ramon Monegal. As usual the very experienced perfumer, the house of Myrurgia offspring, Ramon Monegal. As Myrurgia is mentioned as the Guerlain of Spain, Ramon could be likened to a spanish version of Patricia de Nicolaï. Both well educated and experienced in perfume/perfume business, running own perfume houses, independent from the old family houses which since long been sold to some of the big ones.

Hand in Hand starts cold, with a woody smell of juniper bush and pine in winter. After a while a smoky accord appears, it's the fresh, dry smell from dry wood, lighted to a campfire a cold and sunny winterday in the forest. This is not the rough,  masculine, meaty, smoky accord as in the campfiresmoke in Mona di Orio Les Nombres d'Or Cuir, the smoke in Hand in Hand is more refined. After a while a hint of leather ant a peppery note also shines through. The dark rose is  discrerte in the first stages of Hand in Hand. Over all the first part of Hand in Hand (even if not smelling the same) reminds me of the first part of Robert Piguet Oud, which also contains the cold, pine note. These two fragrances could be described as the ouds of the North, they are very suitable to the Scandinavian landscape and colder tempratures. Hand in Hand also has some kinship to Frapin Nevermore, as an unsweet, dry relative to that dark, dramatic, boozy, intriguing one. In the second part Hand in Hand becomes more spicy, a spicy mix which togheter with a musky base brings forward the rose a bit more, even if the rosy note not is as dominating as in most rose-oud combos. The rosy note is as integrated with the other notes. In the later stages of Hand in Hand I find similarites with the dark, purple, rose from Parfumerie Générale Isparta.

Picture: Hand in Hand in it's inkwell bottle
Photo: PR Ramon Monegal (c)

The cold, confier and smoke accords  is the first part of Hand in Hand I find the most interesting, the second part is more familiar for this style of fragrance. Hand in Hand could be worn year around at any occasion where a more intense pefume could be accepted. The fragrance is very concentrated, and just as with Isparta, it's hard to avoid overapplying. Less is more is definitly what is applicable in this case. Sillage is great and longevity for 24h+. Hand in Hand is unisex, leaning to the feminine side according to my nose.

Rating: 4

Notes: Rose, oud, spices, musk

Le Galion - Sortilège

Picture: Le Galion Sortilège
Photo: PR Le Galion (c)

Sortilège is like all the other re-released Le Galions a reinterpreation/ reconstruction of the Paul Vacher fragrances, created for his house, Le Galion during the 1930s to 1970s. The reworking of the fragrances is performed by perfumer Thomas Fontaine.

Sortilège starts with subdued, soft, very aldehydic flowers, a non perfumista would probably belive that the topnotes are off. The impression is very vintage, in a soft, non-screachy way, a wonderful opening to my nose. There is also a light, smooth spicy (cinnamon) impression, contrasting the soft flowers. As Sortilège reaches its heart flowers are still embedded in an aura of aldehydics but much softer and not as outstanding as in the initial blast. The flowers are warm, soft yellow, like the golden nectar, seamless mixed in a fleeting during a balsamic, warm, woody slight ambery base which becomes excellent creamy in texture after some hours.

Sortilège is a fragrance for elegant occasions year around. The sillage is medium and longevity for at least a day. Of course it could be worn also for work, this is a perfume that boosts ones confidence.

Picture: Le Galion Sortilège
Photo: PR Le Galion (c)

Sortilège, first created in 1965, havn't smelled the vintage, traditionally was one of the topsellers from Le Galion and I'll not be surprised if the modern interpretation will follow the original. It's a beautiful, retro styled fragrance, interpreted in a contemporary but in the same time timeless style. It's very elegant, sort of french in style, there are similarities in style, with the aldehydes in Hermès Calèche. Somehow I also associate to Parfums de Nicolaï  Le Temps d'une Fête even if the latter is a green floral fragrance, rougher and outdoorsy compared to the artistic bound floral bouquet in the salon, Sortilège. Also the beautiful Antonia from Puredistance comes to my mind when testing Sortilège. It could also be compared as the feminine counterpart to Le Galion Special for Gentlemen the same elegant timeless, retro style. To me Sortilège together with Special and Iris is the best fragrances from what I have tested from Le Galion.

Rating: 5

Notes: Lily-of-the-valley, lilac, ylang-ylang, aldehydes, jasmine, narcissus, rose, iris, mimosa, sandalwood, vetiver, labdanum, musk, amber 

Thanks to Fragrance & Art for the sample to test

Le Galion - Snob

Picture: Tagetes, probably T. patula, on Gotland, Sweden
Photo: A friend of author Per Enström, user Plkr (cc)
Wikimedia commons, some rights reserved

Snob is another of the reworked and re-released fragrances from classical french perfumehouse Le Galion. The reworkings are performed by Thomas Fontaine, the originals were created by Paul Vacher.

Snob starts with sparkling, almost metallic, cold flowery, crisp fruity notes with a touch of saffron. As Snob dries further down, medium bright rosy note appears, if I imagine a color, it's creamy white. The rose is backed up with classical white flowers. Soon the note that seems to be the twist of this fragrance shows up; the tangy, sour and almost citric note of tagets, a great contrast to the rest of this well behaved floral mix. The tagets makes me think of Montale Aoud Red Flowers a darker and denser, more distinkt floral-woody-oriental fragrance featuring the not so common flower (in perfume); tagetes.
The flowery, sparkling coolness remains during the whole drydown of Snob. The base is bright as rest of the fragrance, woody-musky without powdery notes.

Picture: Le Galion Snob
Photo: PR Le Galion (c)

Snob is a good fragrance for spring and summer, an elegant, but not snobbish, officescent with a twist in the overall floral harmony. Longevity is good, about a day, sillage is descent. Those who likes a bright, wellmade  floral boquet in a timeless style like for example Jean Patou Joy would probably appreciate to test Snob as also the other florals from Le Galion, all well made in a opulent and timeless style. Which one to prefer is in the end up to the personal floral taste.

Rating: 3

Notes: Mandarin, bergamot, saffron, apple, rose, jasmine, orange blossom, iris, tagetes, sandalwood, cedarwood, musk

Thanks to Fragrance & Art for the sample to try.

Le Galion - 222

Picture: The light leather 222
Photo: PR Le Galion (c)

Le Galion 222 is another reissue/reconstruction of an old fragrance from the house of Le Galion. Thomas Fontaine has reworked the old formula of Paul Vacher.

222 starts with a accord  similar to cardamon (not mentioned in the notelist) and leather, first the spicy note appears, than the leather intensifies. In this stege 222 reminds me of the cardamon infused trio Veni, Vidi, Vici by Histoire de Parfum.The leather is a natural smelling, medium strenght leather, like the leather in a pair of gloves, not the rough leather of a black bikers jacket nor the smooth leather inside a fine handbag. The leathery/spicy accord is balanced with a cold, slight nondescript  flowery accord and the fragrance as a whole is cold in texture. The base is sort of clean, contemporary mossy/woody with the leather still apperant. In the basenotes 222 reminds me of a smoother and weaker Helmut Lang Cuiron (vintage version).

222 is a gentle leather, suitable for most daytime occasion, for most season exept the warmest summerdays. Those who like light leathers like Hermès Kelly Caleche, Cuir de Lancome etc, could also appreciate 222.

Rating: 3

Notes: Violet, myrrh, styrax, lavender, geranium, coumarin, oakmoss, cedar, sandalwood, vanilla, leather

Easterfrags 2015

Picture: The Peter the Great Egg, 1903
Photo: Uploaded from Dutch and UK Wikipedia,
no rights reserved for the file

Easter is more of a "fragranceholiday" than Christamas to me. In Christmas there are so many other competing smells as from the Christmastree, Glögg (swedish mulled wine), saffron bread, red cabbage, mustard etc. Easter is expressed in  three distinct fragrancegroups to me: The foody - gourmand fragrances, the crispy - green fragrances,  especially the ones containing bulb flowers or cold iris and the churchy- incense or precious resinfragrances. Below some reaible ones from each category:

The foody
Kiss Me Intense (Parfums de Nicolaï): Pastry and sweet floral high-level gourmand pleasure.
Cuir Garamanate (Parfums MDCI): Some dark, boozy almost liqurie notes hides in this powerful woody blend.
Nevermore (Frapin): Now we're entering the dark, boozy territory, mysterious and dark as Good Friday itself.

The crispy
No 19 Edp (Chanel): Contains more flowery notes than the Edt, beautiful iris, rose, galbanum accord.
Amazone (Hermès): Crispy, cold, green bouquet with bulbflowers with some amplifying fruity notes. An old time favorite, very casual chic.
Antonia (Puredistance): Green leaves and stems in a beautiful sunny, floral composition. Timeless, casual chic, perfect for the Easter lunch.

The churchy
Pink Quartz (Olivier Durbano): A pink mineral rose with myrrh, incenses and precious spices. Cold as the marble of the cathedral, contrasted with the warmth and smell of the incense burned inside.
Relique D'Amour (Oriza L.Legrand): The small medival chapel with a Madonnasculpture who has listened to centuries of prayers.
Passage d'Enfer (L'Artisan Parfumeur): Incense in the air, lillies on the altar and a ray of light shining through the gotic windows of the cathedral.

Wish you a Happy Fragrant Easter!

Parfums de Nicolaï - Kiss Me Intense

Picture: The Kiss (1908-1909)
Painting by Gustav Klimt (1862-1918)
Wikimedia commons

Kiss Me Intense is a reworked version of Kiss Me Tender Edt which was launched 2010. As usual when it comes to the house of de Nicolaï, Mme de Nicolaï herself is the creater of the fragrance.

Kiss Me Intense starts with a beautiful, warm, lush, sunny and somehow fresh note of heliotrope. It's not overly sweet, it's like it's just picked and some of the juicy green from the steam and leaves are also included. The heliotrophe is sweet and warm,  close to the scent of mimosa but thicker and darker in scent and texture. Almond and anice add gourmand sweetness to the fragrance and the mix smells almost like a soft almondcake. The flowery, gourmand accords are saftely anchored in a soft vanilla base. The fragrance is quite linear and the wearer could enjoy most of the notes  simultaneously. Kiss Me is a very cosy and embracing fragrance, like a smooth cashmerejumper. Somehow Kiss Me reminds me of how I imagine the atmosphere in beginning of the last century, the era of Gustav Klimt, where elegant ladies enjoying pasteries in Wiener cafés.

Picture: Kiss Me Intense in 30 and 100 ml
Photo: PR Parfums de NIcolaï (c)

To me Kiss Me Intense is a bit less pastery and more of the flower than the Edt version. It's a very good, sort of natural smelling gourmand fragrance, not too sweet or cloying, it has an uplifting sparkle to it. The gourmand style combined with the sweet flowernote makes Kiss Me perfect to wear for Easter. The longevity is good, at least for a day and sillage medium. Kiss Me is a fragrance for comforting, casual chic occasions and would also suit for casual Friday in the workplace.

Kiss Me is for those who like gourmands like Etro Heliotrope, Editions Frederic Malle Dries van Noten, By Kilian Intoxicated Carner Barecelona Rima XI and El Born

Rating: 5

Notes :Heliotrope, vanilla, star anise, almond, hay.

Mona di Orio - Nuit Noire (old and new version)

Picture: Nocturne in Black and Gold: The Falling Rocket
Oil on canvas 1875
by James Abbott MacNeill Whistler (1834-1903)
Wikimedia commons

Nuit Noire is, just as Lux, reviewd recently, one of the earliest fragrances created by Mona di Orio and has been withdrown from the market for some years. Now it has re-appered in the Signature collection. According to information from the house of Mona di Orio, no changes in the composition either of Lux nor Nuit Noire is done in the reissued fragrances.

Nuit Noire reveals its true self right from the start: Already the introducing accords are dirty, animalic, obscure floral oriental with a wiff from the stable, a mysterious and dangerous magic potion. I detect, or at least imagine I detect, citrus in the new version, which probably faded a bit in my original bottle where the opening is less sparkling, a subdued, dark orangeblossom/tubereuse, spices which are quiet, with a texture and color as darkbrown silkvelvet. There are also notes of ambery leather, a furry animalic, civet styled note combined with a bit sweet and slight animalic almost fuggy musky note, not the vegetal musk or clean musky note which are more common in contemporary perfumes. Expect from the short wiff of citrus in the very beginning there is not much that differs when comparing the old and new version. I precieve the basenotes of the new one as a tad lighter, this is just a nuance and maybe it depends on how much was applied on each wrist from the beginnig and how much is washed off during the day etc.

Picture: Nuit Noire (new bottle)
Photo: PR Parfums Mona di Orio (c)

Nuit Noire is a fragrance in the same vein as Caron Nuit de Noël and  Jean Desprez Bal à Versailles but softer, more polished and not as old fashioned even if retro styled. I can imagine a mature and elegant woman wearing this a very dark night in late autumn. It's intriguing with all facets that appears during the relatively linear dry down. Nuit Noire has close sillage and good longevity, traces are left after 24h. A fragrance for evening/night in autumn /winter or for daytime cold days, adding some everyday drama. A classic in the typical elegant, well made and timeless style of Mona di Orio.

Rating: 5

Notes: Orange blossom, cardamom, ginger, cinnamon, tuberose, sandalwood, cedar, clove. amber, musk, tonka, leather

Scented thoughts - March 2015

Picture: PR Puredistance (c)

Two years ago I regulary posted my general thoughts about fragrances in the "Fragrance(s) of the week". Today I'll start this up again but on a more random basis.

* Kudos to Puredistance, LOWERING their prices, going completely the opposite from the mainsstream movement of niche rising the prices to sometimes outrageous and ridiculous levels. That's what I call customer care. For more information, read here.

* On Twitter I have a SOTD-project going on for about a month. The aim is to find out if there is some pattern in my fragrance wearing. The project is planned to recur a month per each quarter 2015. Until today there is no clue besides when I was a little sick I prefered light Goutals like Les Colognes (Néroli, L'Eau d'Hadrien, Vétiver) and Le Mimosa.

* A general observation linked to what is written about the light Goutals: The longer I'm "in perfume" the more I appreciate the chic, simple, wearable, good quality stuff, frags which are sort of basics in the perfume wardrobe. It doesn't matter if it's niche, mainsteam or in between. Of course it's fun to wear, analyze and review complicated stuff, but for everyday wear I observe an increasing wearing of the basics.

Puredistance - WHITE

Picture: Puredistance WHITE
Photo: PR Puredistance (c)

The idea of the new perfume WHITE  from the house of Puredistance is to create at perfume so Beautiful and positive that it gives the wearer an instant flow of happiness.  IMO Perfumer Antoine Lie and house founder/creative director Jan Ewoud Vos  have indeed succeeded in their mission to fullfill this idea. The process to create WHITE took over one year and probably this is a big part of the sucess, Puredistance never stresses new perfumes into the market, the creators take the time needed. Therefore the Puredistance line is one of the most solid lines in the market, there are no misses (so far) just solid, sophisticated, very high quality perfumes and I'm very fond of them all, can't choose a favorite as each fragrance suits different moods, styling and occassion. See my reviews of Black, Opardu, I, M and Antonia.

WHITE starts bright, transaprent and happy. My instant thought is the image of a daisy, a dried specimen of that little sunny flower was also included with the sample from Puredistance, a very good illustration to this scent. As WHITE dries down, flawless like an exquisite brilliant it becames thicker but never heavy in its texture. An excellent creamy smoothness appears and stays during the rest of the drydown, making WHITE very comforting to wear despite its elegant aura. WHITE is 
seamless blended and it's hard to pick up where on note start dominating and another take a step backwards. The notes are interacting, shaping a flowery veil anchored in a smooth top notch sandalwood, whitout any harsh or sharp edges, it's like the sandalwood is a part of the bouquet. There is a tonality of musk  wafting from the base of WHITE, a white, non-dirty musk which has no traces of  chemical,laundry. Instead it's deepens the accords and gives  bodies to the flowers. The musk also, together with the pleasant sweetness of tonka been and a minimalist patchouli, creates that special tart note which I  appreciate so much in complex floral compositions, in WHITE without the powdery aspect which the tart note also could be combined with. On my skin the tart musky accord especially highlighing the airy rose, pale yellow or pale pink if imagining a color, supported by some dry, slight fizzy, light earthy orris elements but without the orris carrotnote.



Picture: Picture: Puredistance full Collection
spring 2015
Photo: PR Puredistance (c)

WHITE is a sophisticated fragrance, surprisingly easy to wear taken its elegance and the expensive, high quality ingredients in to account. It would the perfect pefume for the bride of the coming swedish royal wedding in June, Sofia read this :-). WHITE is comforting and conveys a  happy mood and sunshine. Even if in style a spring/summer perfume WHITE has enough dept and genuine texture for pleasant  wearing year around. It's as timeless and versatile as for example Chanel No 22. The longevity is very good, 12h+ and a few small spritses from the samples is enough. WHITE is in perfume (extrait) strenght and therefore quite close to the wearer, even if distinct traces are recognizable for people around.

WHITE is so wellcrafted that it makes me considering selling off my less well crafted florals. Even if I like them as such, when compard to a fragrance as WHITE the chemical, harsh and laundry notes of especially some mainstream perfumes becomes quite obvious.

WHITE is for everyone who likes a delicate, flower boquet and will please those who like the  style of fragrances as for example Grossmith Amelia and  Floral Veil or the new Teo Cabanel Lace Garden.

Maybe a bit boring but the fact is that I already know WHITE will be one of my most liked pefumes of 2015. And it definitly has the potential to be THE number one of 2015. Beware Chanel Misia.

Rating: 5

Notes: May rose, tonka absolute, orris root, sandalwood, bergamot, musk, vetiver, patchouli.

Le Galion - La Rose

Picture: Hever Castle rose garden and fountain, Kent, England
Photo: Graham Bould 2007, Wikipedia commons 

La Rose is another successful flowery re-creation (see the reviews of Tubereuse and Iris in January 2015) performed by Thomas Fontaine. The original is as usual when it comes to Le Galion, a Paul Vacher creation for his own house, a house that has been revived during 2014.

La Rose is a very juicy rose, warm and flowery like the smell of the petals in hot weather, one can imagine contempling in an english rosegarden a very warm summerday. There are no steams or green leaves from the roseplant in the mix. It starts sparkling and flowery, followed by smooth notes of cedarwood, nothing sharp or pencilshaving alike. Despite the cedar, La Rose is warm in texture and apperance, the more it dires down, the more it settles in a very pleasant creaminess. La Rose is also supported by other flowers and just as in Le Galion Iris, the lily is prominent to my nose. There are also a light fruity touch in La Rose. When La Rose has reached the musky, slight woody basenotes, a pleasant boozy notes appeares, the smell is as if whisky has been stored in rosewood barrels.

Picture: Le Galion La Rose
Photo: PR Le Galion (c)

Fragrances with similarities to La Rose when it comes to the woody part are Lalique Perles and Marni Marni, despite those are the complete opposites in their apperance, sharp, icy and cold as the winter. When it comes to the lush flower expression of La Rose, it is in the same style as Tubereuse and Iris, as the three fragrances has a similar background but featuring different flowers.

Rating: 4

Notes: Bergamot, violet leaves, rose, ylang-ylang, peach, water notes, lily; cedar, patchouli, vanilla, musk


Thanks to Fragrance & Art for the sample to try.

Teo Cabanel - Lace Garden

Picture: Lady in Flower Garden, 1891
Painting by Childe Hassam (1859-1935)
Wikiart 

The venerable french perfumehouse Téo Cabanel founded 1893 in Algeria, moved to Paris 1908, has some glorius decades then declined and almost closed down around Y2K. The house was restored by Caroline Ilacqua, a relative to the founder in 2005. Téo Cabanel produces high quality fragrances, most of them in a timeless style with some resembles to the fragrances of Annick Goutal and Parfums de Nicolai. Personally, I (and my nose) think this hidden gem of perfume house is worth much more attention among perfumecritics/ perfumewrites.

Lace Garden is a delicate, white floral bouquet which starts with accords highlighten a transparent tubereuse with its classical white flower supporters; jasmine and orangeblossom. The tubereuse is less prominent and more integrated with the rest of the bouquet than in L'Artisan La Chasse aux Papillion  or Annick Goutal Gardenia Passion which ar two classics that comes to my mind, when it comes to the tubereuse part, wearing Lace Garden. A smooth magnolia is contrasting with its pale yellow, slight lime flowery scent. The base is soft and discrete vanillic, balsamic, woody seamless blended and the overall expression, style and scent reminds me of the signaturefragrance of Gianfranco Ferré which bears the same name, of the delicate bouguet Floral Veil from Grossmith and the first fragrance from Parfums de Nicolaï Number One.

Picture: The beautiful bottle of Lace Garden
Photo: PR Téo Cabanel (c)

Lace Garden is fleeting and transaperant, the name is a perfect description of the impression which this lovely, very feminine fragrance conveys. The fragrance feels natural, there are no traces of the artifical notes smell which often are present in contemporary "high-octave" florals. Lace Garden is the perfect spring and summer fragrance but it is also suitable for winter when longing for the warmer months. It's elegant in style and suits well for festive occasions, it's a perfect bridal fragrance IMO. A must try for lovers of delicate white flowers.

Rating: 5

Notes: Ylang-ylang, lemon, tubereuse, jasmin, orangeblossom, magnolia, vanilla, wood, benzoin, powdery notes

Maison Nicolas de Barry - Casanova

Picture: Portrait  of Giacomo Casanova (1725-1798)
Drawing by Fransesco Giuseppe Casanova (1727-1802)
Wikimedia commons

Casanova is a sparkling Edt from french nichehouse Maison Nicolas de Barry. The fragrance is composed by the founder of the house himself, Nicolas de Barry.

Casanova starts green, enlighted by citirc notes. There is also a light herbal, almost non-sweet minty touch in the topnotes. Soon a very beautiful, full, not diluted, jasmine appears. It's a jasmine somewhere between the jasmine in Maître Parfumeur et Gantier Jasmine (swe) but without the dirty, horsey nuances and the flowery clean jasmine of for example By Kilian Love and Tears (swe). Some of the greenery of the jasmin seems also to be destilated in Casanova and the jasminenote is seconded by a smooth orangenote which adds a hint of fruit to the composition. The basenotes are light woody and warm with a light amberglow.

Casanova is for jasmine what Eau de Cardinal (reviewed last week) is for orangeblossom, a natural smelling, without any harsh chemical notes and no artificial smelling sweetness. Not anything new, but an easy to wear fragrance. The connection to Casanova is ambiguous, the perfume is nice smelling and in that part seducitive but when it comes to the character Casanova, I think the dirty MPG Jasmine would be a better choice.

Picture: Casanova
Photo: PR Maison Nicolas de Barry (c)

The longevity on skin is about the same, about a day, as for Eau de Cardinal even if the latter is classified as a cologne, but on the other hand I applicated more of Eau Cardinal when I tested it so maybe the longevity is better for Casanova. Casanova is very jobfriendly, couldn't offend anyone with its optimistic spirit and has close silage. A fragrance especially for spring and summer but suits also during the winter when longing for the warm season.

Rating: 4

Notes: Bergamot, lemon, orange, jasmine, sandalwood, amber

Maison Nicolas de Barry - Eau du Cardinal

Picture: Cardinal de Richelieu (1585-1642)
Painting by Philippe de Champaigne (1602-1674),
Wikimedia commons

Eau du Cardinal is a creation based on neroli from the house Nicolas de Barry. Nicolas has composed the fragrance and according to productinformation "Nicolas de Barry became perfumer of the Church Princes and wanted to recreate a fresh and delicate Eau de Cologne, paying tribute to the great Cardinals of France." .

Eau du Cardinal starts smooth citrusy, with the neroli and probably also orangeblossom, even if not mentioned in the notelist. A smooth and not harsh at all woody accord appears after a while to balance the citric-flowery notes, which also feels very natural, and it add a ticker texture almot dry to the fragrance, quite different to the usual, fleeting colognes.The sandalwood-neroli combinaton is very pleasant and there is also something almost soapy (probably musk) to Eau du Cardinal despite it never reach into the soapy territory, just touches it. The frankincense in the basenotes doesn't stand out as a singular note, it's so well blended with the woods.

Picture: Eau du Cardinal
Photo: Maison Nicolas de Barry (c)

Eau du Cardinal is a minimalist, unisexfragrance, composed of fine ingredients. It lasts very well to be a Cologne, it is also mentioned as an Edt and I think thats the correct concentration even if one has to applicate it liberally. As it's denser and ticker in texture than a real cologne Eau du Cardinal is suitable to wear year around for daytime. It adds sun an warmth a cold, grey winterday and don't disappears too soon as most colognes during the summerheat.

When wearing Eau du Cardinal I'm reminded of Parfums MDCI Nuit de Andalouse and there is also something from Annick Goutal Néroli. Eau du Cardinal is well worth trying for those who likes well made orangeblossom/neroli dominated fragrances as for example L'Artisan Seville à l'Aube and Oscar de la Renta Granada.

Rating: 4

Notes: Bergamot, lemon, neroli, teakwood, sandalwood, frankincense

Maison Nicolas de Barry - Eau de Vizir

Picture: Die Kinder des Vicomte d'Andrezel,
 französischer Botschafter an der Hohen Pforte,
werden dem Großwesir Ibrahim Pasha vorgestellt, 10. Oktober 1724
Oil on canvas by Jean Baptiste Vanmour (1671-1737)
Wikimedia commons

Eau de Vizir is a masculine, very original creation from the house Nicolas de Barry who has composed the fragrance, maybe in collaboration with Eddy Blanchet as some of the other fragrances.

Eau de Vizir starts with an aromatic, citric-herbal blast, it's strong and cold in apperance. Early a very sort of clean, dry, smoky vetivernote appears and it is present in full or as whispers during the rest of the fragrance. As it continues, herbs, especially basil, green notes and fresh bitter notes appears, the fennel is sort of natural fresh and uplifting. In texture and impression Eau de Vizir is cold as original Marni, but without the rosy elements. There is also a slight mentholic touch in some stages and somehow By Kilian Smoke for the Soul comes to my mind as also the classic Azzaro Acteur with its moisty forest floor accords. The aromatic-herbal accords are founded in a musky, woody accord in which the smoky vetiver also are clearly present, a base which emphasizes the fresh coolness of the scent.

Picture: Eau de Vizir
Photo: PR Maison Nicolas de Barry (c)

Eau de Vizir is a good fragrance for regular daytime wearing. It's definitly masculine, suitable year around and would be perfect in early spring with the slight chilly air and wet soil. The longevity is very good, a little goes for about a day. Maybe Eau de Vizir is another addition to the reported upcoming, mostly non-sweet, woody-tarry-aromatic trend.

Rating: 3

Notes: Lemon, bergamot, orange, basil, vetiver, fennel, sandalwood, musk

Parfums de Nicolaï - Cuir Cuba Intense

Picture: Native American Tobaccoo flower and buds
Photo: William Rafti of the William Rafti Institute (c)
Wikimedia commons, some rights reserved

 Cuir Cuba Intense is a recent creation from one of the perfumer I appreciate the most, Patricia de Nicolaï. OK, she's a Guerlain offspring so she has perfume in her blood so to say, but the heritage in it self doesn't form a talented perfumer. Patricia is not just talented (there are many talented) she also has the education, training and long experience that in the long run discerns a master parfumer form the good perfumers and the up coming stars. Patricia creates very wearable perfumes which are distinctive and intriguing but in the same time  commercially viable. Cuir Cuba Intense is another example of such a fragrance from the house of de Nicolaï.

Cuir Cuba Intense starts fresh sparkling with  warm citrus and fresh tobacco leaves balanced with some smooth, darker almost gourmand notes of licorice and anise. I can imagine just harvested tobaccoleaves that dries in the sun. Soon a bright and intensive, magnolia note appears and gives tha fragrance a warm, flowery, uplifitng expression. The magnolia is not the shrill and almost disruptive magnolia of  Frederic Malle Eau de Magnolia, the magnolia in Cuir Cuba Intense is sort of domesticated and it's better balanced with other notes. Cuir Cuba Intense is sunny, warm and a happy perfume. After a while smooth spicy elements are showing up, a bit peppery and deepening the warmth and pleasing nature of the fragrance. The cumin is skillfully handled, it doesn't stand out as a separate note, I suppose it just adds some of the strength to the spicy mix. As Cuir Cuba Intense reaches the basenotes it becomes darker and a slight gourmand, spicy cake, aspect of the fragrance appears and is offsetted by a light, animalic touch which create an intriguing inteaction. The patchouli, which smells what I percieve as the smell of natural patchouli leaves are blended with the fresh tobbacco in a extraordinary beautiful way, the best balanced rendition of the combo I have sniffed so far. In the basenotes Cuir Cuba Intense reminds me of another enjoyable recent release, Huitième Art Liqueur Charnelle but without the booze of the latter. The leather in Cuir Cuba Intense is not obvious to me, but tobbacco fragrances are often also referred to as leather/tobbacco. The fragrance is also not the heavy mens club, club chair tobbacco as for example By Kilian Back to Black, which I also like much, Cuba Intense is playing in its own league with the brilliant idea combining the fresh tobbacco with the magnolia.

Picture: Cuir Cuba Intense in the 100 ml bottle
Photo: PR Parfums de Nicolaï (c)

Cuir Cuba Intense is just that, very intense with a strenght that makes four spritzes on the verge to too much. A small 30 ml bottle will last for ages. The longevity is very good, I can smell it  light but unfragmented on skin after 24h. It's the perfect perfume to brighten up in winter but as a work of such an experienced perfumer, I could imagine it will show other aspects when tested in summer. Cuir Cuba Intense is unisex, leaning a bit to the feminine side when it comes to my nose.

Rating: 5

Notes: Lemon, star anise, licorice, mint, lavender, geranium, ylang-ylang, magnolia, coriander, cumin, patchouli, cedar, tobacco, hay, liatris, civet

Mona di Orio - Lux (old and new version)

Picture: Still-life with Lemons, Oranges and Rose,
Painting 1633 by Francisco de Zurbáran (1598-1664)
Wikimedia commons

Mona di Orio is one of my most favorite perfumers as I love, like and wear (or Mr Parfumista) all her fragrances except Check, check mate wich I have not smell, I think it was a special edition for a fashion designer Jan Taminiau. Lux is one of the first fragrances released from Mona, and it was withdrawn from the market for some years, now re-apperaring in the Signature Collection. In the review I'll compare the juice from my old original Lux bottle with the current from a  sample which I kindly received from Parfums Mona di Orio



Picture: Lux (old version)
Photo: PR Mona di Orio (c)

The old Lux starts lemony, round and fullbodied whith some almost candided sweetness. It has a slight candided sweetness and in its texture its like dark yellow/grey silk velvet, soft and subdued. It's not the bright shining lemon, it's more of a pickled lemon or unsweet on the verge to bitter marmalade. The new Lux starts less lemony, with slight sparkling, light peppery and Woody green notes which brigthen up the lemon a bit compared to the old version. Maybe the difference comes from my perfume has matured over the years but I don't think so as I remember that special lemony, subdued, vevlvet feeling from before. Maybe regulations has changed the concentation of the ingredients, in the topnotes my old brew feels thicker and the newer more transparent. As Lux dries down, the initial special lemony accord remains and the two Lux versions get closer to each other, the slight difference is that I smell more prominent contrasting, almost animalic notes in the old one. They are also present in the new one but I percieve the vetiver stronger in the new version. The vetiver is also more present in the current version when it comes to the balsamic, musky base of Lux. There is more contrasts in the basenotes of the new one thanks to the more prominent vetiver, the old one is more musky with traces of something almost dirty and the impression is slight retro. The basenoteaccord in the new one has better tenacity and longevity than the old version, it's like they are improved a bit. To summerize: I like the topnotes best in the old version, the basenotes best in the new and the middle section is equal liking.

Picture: Lux (new version)
Photo: PR Mona di Orio (c)

Both versions are intriguing and beautiful, the differences I discribe is of minor impact, taken as a whole it doesn't matter which version to own. Lux is a typical Mona di Orio fragrance, it's elegant, mysterious, understated and lingering like a second skin for a day. It's a fragrance that never becomes boring, it intrigues the wearer during the whole dry down. A timless fragrance which in style somehow resembles a nighttime version of Dior Diorella.

Rating:5

Notes: Petitgrain, litchi, lemon, sandalwood, vetiver, cedar, labdanum, benzoin, amber, musk, vanilla

Huitème Art - Liqueur Charnelle

Picture: Liqueur Charnelle
Photo: PR Huiteme Art (c)

Liqueur Charnelle is a woody aromatic fragrance with a gourmand touch created by Pierre Guillaume for one of his lines, Huitème Art.

Liqueur Charnelle starts with boozy notes accompanied with the for dark gourmand fragrances, typical dark, accord of dried fruits. There is also an interplay with not too sweet gourmand notes, like hard candy or delicate cakes. An offsetting, fresh, woody note, like just carved juniperwood also appears and creates a special touch in the top.  After a while woody peppernotes in a distinct dose appears and are the leading accord in the fragrance during almost the rest of its drydown. Liqueur Charnelle acts quite linear during the dry down, with the light pastery accord, supported with some booze as the offsetting notes to the woody pepper. In the basenotes, the pepper steps back and the dark, dried fruits preserved in cognac appears forward just as an accord which highlights balsamic and tobacconotes joins the composition. And the beautiful fresh juniperwood from the topnotes appears and is the note which remains in the very late dry down. To me the basenotes are the most pleasant part of Liqueur Charnelle.

Liqueur Charnelle is definitly a fragrance for late autumn and winter, I think it could be overwhelming in warmer weather. It has an impressive sillage and is strong, very light application is necessary. Liqueur Charnelle is partyly similar to a bunch of woody/spicy/aromatic/gourmand fragrances on the market as for exemple when it comes to the spicy, gourmand part: Editions Parfums de Frederic Malle Dries van Noten, Carner Barcelona Rima XI and to some extent  El Born. That despite all the three mentioned are smoother and cozier, more of "sitting in a café sipping latte", than Liqueur Charnelle which is more extroverted with its woody peppery accords, similar to some recent more masculine woody fragrances. Those fragrances often containing oud, mentioned or not, and when testing Liqueur Charnelle when it comes to its woody part, I come to think of recent releases such as the HA of 2013  Monsieur , Parfums MDCI Cuir Garamante , Puredistance Black (here also the boozy aspects), Robert Piguet Bois Noir (the woody pepper) just as in Montale Dark Oud.

Liquer Charnelle has traces from many fragrances but also an own personality, it's a good fragrance, nice to wear if lightly applied. When I tested Liqueur Charnelle the first time, Mr Parfumista liked it better than me, but after I have worn the sample a few times and found the right, light dose to apply I like it as much. Liqueur Charnelle is something as strange as an aggressive comfortfragrance.

Rating: 5

Notes: Cognac, dried fruits, linden blossom, grapes, caramel, vanilla, black pepper, pink pepper, elemi, amber, raspberry, coumarin, tobacco

Thanks to Fragrance & Art for the sample to test.