Photo: Mr Parfumista (c)
Scroll down for an english version.
Det är alltid svårt att reviewa stora klassiker som så många redan har ventilerat sina åsikter kring. Serge Lutens Bois de Violette är just en sådan hyllad (5:a enligt Luca Turin) och av en hel del faktiskt också dissad doft. De som dissar den tycker att den dofter syntetiskt trä och syntetisk viol, vilket också är helt korrekt eftersom det rör sig om syntetiska noter.
Bois de Violette känns som en melankolisk doft för mig. Den påminner mig mer om hösten och bruna löv strax innan snön gör sitt intåg än om små fina violer om våren. Doften inleds med viol och gröna viol blad och ganska snart känns den karaktäristiska cederträbasen som finns i Serge Lutens boisserie. Jag känner igen mycket från den doft som föregick boisserien, Shiseidos Feminite du Bois men FdB är mörkare, kryddigare, ett distinkt inslag av kanel, och träbasen är tyngre. Det kan i och för sig bero på att jag här jämför FdB från nittiotalet med en tämligen ny version av Bois de Violette, den var tidigare mer kraftfull somjag förstått det.
Efter ett tag känns BdV som en cederträ ask där man förvarat violblad. I nästa fas är det som om asken malts ned till ett mycket finkornigt pulver och doften blir träigt pudrig på mig. Cederträet är milt, inte så blyertspennelikt och liksom rått som det kan vara i vissa tolkningar. I slutfasen är BdV lite tvålig och ger mig vintagekänsla.
Bois de Violette är en mycket fin och bärbar doft, en sådan där att ta på sig när man inte riktigt vet vad man ska ta på sig. Doften är på något vis meditativ och lugnande. Den har en intressant utveckling där den går igenom de faser jag beskrivit ovan. En sådan där doft där, när jag sniffar på handleden, upptäcker att det hänt något nytt sedan sist (om jag inte sniffar för ofta vill säga). En sådan livfullhet i kompositionen är ett tydligt tecken för en högkvalitativ parfym. Projektionen är ganska nära och hållbarheten under dagen god.
It's always hard to review the great classics that so many reviewers already have vented their views about. Serge Lutens Bois de Violette is just such a praised fragrance (rated 5 according to Luca Turin) but in the same time there are a lot of reviews that actually is anything but positive about this special violet-woody scent. Those who are not positive states that BdV smells of synthetic wood and synthetic violet, which is also correct because the case of the use of synthetic notes.
Bois de Violette is a fragrance that evoke melancholy feelings to me. It reminds me more of the autumn and the brown leaves just before the snow makes its way than the of the small fine violets in the early spring. The fragrance starts with violet and green violet leaves and pretty soon the distinctive cedar base found in Serge Lutens boisline make its entrance. I recognize much from the fragrance that preceded the whole boisline: Shiseidos Feminite du Bois. But FDB is darker, spicier, I can smell a distinct hint of cinnamon, and the wooden base is heavier. This in and of itself maybe because I compare FDB from the nineties with a fairly new version of the Bois de Violette, BdV in it's earlist formulations was much more powerful as I have understood it.
After some time of wearing the smell from BDV reminds me of a cedarbox where violet leaves have been kept.The next phase is as if the whole box with it's violet content, had been ground down to a very fine powder and the smell becomeswoody powdery on my skin. The cedarwood is soft, not as pencil-like and somehow raw as the note is interpreted in some fragrances. In the final stage BDV is a little soapy and gives me some vintage feel.
Bois de Violette is a very good and wearable scent, one of those to put on when you do not really know what to wear. The scent is somehow meditative and calming. It has an interesting development when it goes through it's different stages. BDV is one of those fragrances which, when you sniff your wrist during the day, you will discover that something has happened new has happend since you sniffed it the last time, this vividness in the composition is a true sign of a quality fragrance. The projection is pretty close to the skin and the longevity is good.
Rating: 4+
Noter/Notes: Viol (blomman), violblad och cederträ./Violet (flower) Violetleaf, cedarwood
This is one of my very favourites and I also discover something new every time I wear it. Lately I have been amazed by how exteremly prominent the cedar note is but still the violets do shine through. And also there is a big leather note in there, that it has taken me a year to discover :)
SvaraRaderaAlso, with many violet scents I get a dill note that I don't appericiate at all, I suspect that's ionone (an artificial substance commonly used in violet scent) but I don't know enough chemistry to be certain. BDV never goes dill, and that's a relief!
Interesting aspects of BDV, I also think the cedar is very prominent, almost too prominent and to me BDV is a woody scent with only hints of the flower. Must try finding the leather note as I really like leather in it's different incarnations. On the other hand, I now have to avoid finding the dill-note on violetperfumes. Havn't found it yet(as confirmed by the descriptions in the reviews in my ongoing violet-serie)but if I start to fokus on it, I will probably find it...Not that I'm against dill as a note, like it in Eau de Lalique and Eau de Hermés, but I think the dill should stay in the Eau-genre. Have a nice weekend and I'm really looking forward to Monday :-)
SvaraRaderaI can't remember reading about the dill note anywhere else, so if we're lucky it's just in my head. But it is disturbing because I associate dill with either crayfish or drinking vodka and eating dill-pickled cucumbers, Polish style. Nothing wrong with those things, but they just don't fit into the same picture as innocent little violets...
RaderaEven if not really desirable in this context now it is nevertheless a bit exciting trying to find the dill among the violets....
SvaraRadera