Carner Barcelona - Rima XI

Picture: Meadow Elves (Ängsälvor), oil on canvas
by Nils Blommér 1850

Rima XI is a transparant spicy, floral, light gourmand perfume created by perfumer Sonia Constant for the Barcelonean nichehouse Carner Barcelona. Sonia Constant also created the powerful Cuirs for the house last year and with Rima XI she explores a quite different, lighter and more delicate style. The appearance of Rima XI lies in between Tardes and D600 by Carner Barcelona and closer to Tardes of the two.

Rima XI starts with an almost gourmand accord, similar to the bread and apricot acccord in Serge Lutens Jeux de Peau or the gourmand sandalaccord of Parfumerie Generale Praline de Santal, which to me is a Jeux de Peau follower. There is an almond, cardamon accord that shows up early in Rima X and which is more and less present during the dry down of the perfum. After a whlie, Rima XI suddenly evokes the olfactory image of a sort of sharper Bois Naufragé by Parfumerie Generale, the wood dried in the sun at the beach by the sea and the woody, sandy, slight salty nuances that emerges from this. After a while the sweet, gourmand, character appears again, like an almondcookie, it’s almost like the smell when sniffing in a cookie jar. There is also a discrete flowernote sneaking in to the blend.  This pastry impression remains during the whole development of Rima XI. There is not a oversweet impression, it’s surprisingly light and transparent and there is absolutly no risk that Rima XI will be overwhelming. The almondcookie seems to be offset by a note similar to spicy tea and this balances the fragrance in a delicate way. This accord reminds me of yet another Parfumerie Generale fragrance, Un Crime Exotique but tuned down multiple levels. As UCE is an extreme when it comes to “spieced beverages” inspirated perfumes, readers that dislike UCE should not fear trying Rima XI. As Rima XI is resting in the basenotes the impression still are flowers, almondcookies, spices and tea supported by woody notes.

Rima XI to me is a very versatile fragrance, contemporary in style despite its inspiration from a poem of the 19th Spanish poet G.A.Bécquer: “I am a dream, an impossible; vain ghost of mist and light; I am bodiless, I am untouchable; I cannot love you. – Oh, come, you come!”. IMHO this poem also could describe a the subtle precense of a beautiful perfume, like for instance Rima XI.

Rima XI is wearable year around and could be described as a comfortable and reliable parfume with a close sillage which makes it very officefriendly. The longevity is good. The spicy character, even if light, makes it suitable for daytime wearing during the upcoming Christmas just like another good fragrance for daytime Christmas fragrance, Aus Liebe Zum Duft No 1 (from the excellent german perfumeshop with the same name) which has similariteis in style with Rima XI but as a stronger and masculine alternative.

Rating: 4

Notes: Cardamom, black pepper, mint, saffron, cinnamon, nutmeg, jasmine, coriander, cedarwood, sandalwood, vanilla, benzoin, soft amber, musk

Perfumeshopping for Christmas

 Picture: Merry Old Santa Claus, 1 January 1881

in Harper's Weekly, Wikimedia Commons

I'm fully aware that an entry with the theme "advices for Christmasshopping" could be endless. Therefore I try to restrict, limit and structure it in some bullet points:

• All the beautiful perfumes that I have reviewed during the year (and the years before). Have in mind that all perfumes rated from 3 up to 5 have in common that they are all good perfumes. The final rating is in the nose of the wearer, ie my 3 rated perfume could be your 5 rated. Some favorite fragrances when looking back on the testings of 2012 (so far): Balmain Ivoire, Puredistance Opardu, Ramon Monegal Impossible Iris and Umbra, Robert Piguet Bois Noir and Mademoiselle Piguet, Chanel Coco Noir, Maria Candida Gentile Cinabre, Parfums MDCI Chypre Palatin , Huitième Art Poudre de Riz, Annick Goutal Nuit Etoilée, Vero Kern Kiki Edp, ByKilian Ambre Oud, Amouage Opus VI., Carner Barcelona D600, Mona di Orio Les Nombres d'Or Rose Etoile d'Hollande, Histoires de Parfums 1876 Mata Hari, Parfumerie Generale Corpes et Ames Eau de Toilette Apaisante, Frapin Speakeasy. This first bulletpoint was of course almost endless :-)
• For safety reasons: Chanel No 5 in all, or the favorite cocntentration. If the information provided during this autumn from the perfume master Octavian at 1000 Fragrances is correct, there will be no recognizable No 5 when the batches maufactured before June 30, 2013 ar sold out. This as the EU legislation,or IFRA selfregulation or both, will be significantly thougher after this date. And if this will not come into force, the person gifted (or yourself) are the lucky owner to a true and timeless classic.
• And of course, my usual nagging about to enjoy the easy to buy classics from different categories in the ordinary perfumeshop: For example: Boucheron (signature), Chanel No 19 Edt and Edp, Guerlain Shalimar, Lanvin Arpége, YSL Rive Gauche, Prada Infusion d'Iris Edp, Thierry Mugler Angel and Alien, Dior Poison (and flankers) and Dune,  Oscar de la Renta Esprit d'Oscar are all good fragrances, easy to catch.
• To attract someone to the perfumeaddiction: Gift with samples or decant-sets. First I'm a bit local:  A very good and reaible source for samples and decants, especially when it comes to the ELDO line (also carrying full bottles) is Riktig Parfym (Real Perfume). Fragrance & Art is another very good swedish E-tailer. F&A provides samples of all the fragrances sold. Well-stocked Aus Liebe zum Duft also provides samples of the perfumes in their assortment.The samples are almost always in spray and contains highly enough to provide sufficient testing.
• Discovery or samplesets as from Puredistance, Mona di Orio, Parfums MDCI and affordable high quality perfume in basic30 ml bottles from Parfums de Nicolaï.
• If investing in for example a rare Chanel or Guerlain, the Belgian Perfumeheaven Place Vendome is the real expertise to consult. Excellent and rapid customerservice.

Histoires de Parfums – L’Olympia Music Hall

Picture: L'Olympia, Paris 9em, France,
Photo: KoS, ref PA00089012, (cc) Wikimedia commons,
some rights reserved

L’Olympia Music Hall is another temptating Histoires de Parfumes fragrance (this house ruins me :-) created by the house founder and owner Gérald Ghislain. As in 1889 Moulin Rouge the parfumer is inspired of a parisan musical establishment: L’Olympia Music Hall.

L’Olympia Music Hall starts up with a beautiful, sparkling leather accord where the citrus notes are glimmering and makes the very true leathernote uplifting and captivating. The leathery note continues to be present during the whole dry down of L’Olympia even if teken a step to the background in the later parts of the fragrance. There is the scent of fine leather, as from the inside of an elegant handbag, an impression that deepens when the flowers and a quickly glimpsed accord of powder, occours. There is also a distinct, cold flowery, almost, green note that is present from early on and which also remains in the basenotes. Probably this note appers from the crisp “watery” flowers of lilac and freesia that is listed in the middlenotes. This accord, together with some of the peppery peony accord of Histoires de Parfums Vert Pivoine,   counterbalances the wellblended classical rose-saffron accord and adds additional sparkle to L’Olympia even in the later stages of its dry down. When L’Olympia reaches the basenotes the spicy aspect of saffron is reinforced but counterbalanced with dark patchouli and also with sweet, dark notes as licorice. There is also a  hint of a mouthwatering berrynote present. The leather in this part is tuned down and almost like velvet in texture ie like suede. A pleasant but distinctive musk is finally linking the basenotes together.  The musky, flowery facets that still remains in the base, reminds me somehow of the musky basenotes of the Vert Pivoine mentioned above. Also when L’Olympia lingers for multiple hours in the basenotes, it’s a beautiful fragrance, even if not as original as the opening with the leather accord which is so true to the real scent of leather. To me L’Olympia appears to be a successful mix of a good feminine leather fragrance as for example Cuir de Lancome and a dark, spicy, rose patchouli as for example Midnight Oud by Juliette Has A Gun and Agent Provocateur (by Agent Provocateur).

If L’Olympia embodies the establishment as well as 1889 Moulin Rouge captured the fin d’siecle mood of that establishment, I’don’t know as I don’t know anything about L’Olympia. But I trust the perfumer and assume there were rumbling and colorful shows going on there as very much is going on in this fascinating, distinctive and wellcrafted perfume.

L’Olympia is a perfume of high volume which is acting out its energy underscored by all the interesting notes. It’s appearance reminds me vaugly of the aura of the grand perfumes of the 80s, which is a pleasant discovery in the stream of beautiful, wellbehaved, subudued, powdery, musky, florals we are used to at the present. Under these conditions there is necessary to apply L’Olympia sparingly, a spritz too much and it becomes overpowering. L’Olympia is perfect for evening wear but could also be worn daytime during the winter. Great sillage and stayingpower.

Rating: 4 

Notes: Mandarin, lemon, bergamot, orange, pink berries, black pepper, saffron, rose, freesia, lilac, peony, blond wood, patchouli, frankincense, styrax, suede, vanilla, chocolate, licorice, white musk

Serge Lutens - Une Voix Noire

Picture: Billie Holiday and her dog Mister, backstage dressing room,
probably at the Downbeat, NYC, Juni 1946
Photo: William P. Gottlieb, Wikimedia Commons

Une Voix Noire, the latest exclusive from Serge Lutens is a strange creature, almost as last years exclusive De Profundis. I suppose Une Voix Noire is created by Christopher Sheldrake as almost all the Lutens fragrances. Voix Noire is inspired of, and a homage, to Billie Holiday with her dark, dramatic voice (and life), often wearing a gardenia in her dark hair.

Une Voix Noire starts with a dreamy, almost dusky, putty, gardenia accord or a white flower that could be gardenia as it is somehow indefinable. The abstract gardenia is not fresh, it’s a gardenia that just started to wilting. There is also a green, slight mentholic note following, a note that is also present (but more clearly) in Serge Lutens Tubereuse Criminelle. As Une Voix Noire further developes, a note of strawberry appears. The note is not the syntetic, sickly, sweet strawberry note in candy or bubbelgums, the note is less sweet, darker and as the smell of the whole plant, the strawberries, leaves, steam and root with some dry, sandy earth on the rootlets. Soon thereafter a metallic note emerges, a note of steel but also with facets of blood. This stage is a bit gruesome and there is also a dusky, moist, almost sour and rottening vegetating note in the background, a facet that reminds me of the damp floral water note in Kerosene Whips and Roses. There are no distinct basenotes, of course they are there, some slight woody nuances could be noticed, but overall Une Voix Noire seems to be anchored in subtle dark rummy and tobbacconotes. The booziness is dark and minmalistic as is the tobbacco. There is not the blond, dry and almost fresh tobbaco of, for example Frapin Speakeasy, but a dark, slight moisty pipe tobbacco just taken out from the tobbacco envelope to be stuffed in the pipe. The dusky gardenianote is fleeting in the blend, making Une Voix Noire to a beautiful, dark, mysterious and strange composition that leaves me wanting to try this fragrance repeatedly, just as De Profundis a year ago. After two days of wearing it finally klicked which fragrance Une Voix Noire reminds me of when it has dried down and lingers there on the skin until the morning after: The a bit weird and special creation Psychotrope by Pierre Guillaume for Parfumerie Generale, which I like much. The Psychotrope is lighter in its tonality and there are different flowers but there I something in the texture, in the metallic and in some facets almost syntetic feeling that unite these two fragrances.

Just as the stunning De Profundis, Une Voix Noire is a contemplative fragrance that demands peace and quiet to be properly perceived and to evoke the imagination of the wearer. Une Voix Noire could of course evoke the picture of the dark jazzclubs where Lady Day performed, but I also think it has an almost macabre side, the bloody, metallic accord that also could conjure some unpleasant associations.

As concluded from above, Une Voix Noire is a fragrance for quiet days at home, at least until the wearer is familiar with this strange creature. Then it could be worn anyway, preferably during autumn and winter. The sillage is medium and the longevity is very good. 

Rating: 5

Notes: Gardenia, tobbacco, rum 

Versace - Vanitas Edp

Picture: Woman in a yellow dress, oil by Max Kurzweil,1899
Wikimedia commons

Vanitas Edp just as the Vanitas Edt version reviewd earlier this week, is created by Dora Baghriche-Arnaud for Italian fashionhouse Versace.

Rationelly I should of course have reviewed Versace Vanitas Edp first as it was created 2011 the year before the launching of the Edt. But my rational was the weather: The first week in October when the testing took place, is up here in the North, a period with alternating relatively warm and contrasting chilly days. The more sparkling and lighter, when it comes to the mixing of the ingredients, Vanitas Edt was tested during a relatively warm day and the Vanitas Edp on a slight chilly day.

Vanitas Edp has not, as mentioned above, the uplifting, sparkling effects as the Edt possesses. Vanitas Edp is dimmed compared to the Edt, it’s mellower and the florals, which are yellow also in the Edp, are dense and velvety in texture compared to the almost chiffonlike texture of the Edt. The freesia is one of the leading characters in the Edp but not as dominating as in the Edt. In the later dry down I feel a familiar note that is not menitioned in the notelist but I almost sure it is there. It’s the dark end dense orangeblossom note that is even more apparent in Mona di Orios Jabu. Vanitas Edp, especially in it’s later stages, has a hint of the dark melancholy that is present as a hint in the overall joyful Jabu. Vanitas Edp plays with the same concept a comfortable and pleasant fragrance with a trace of seriousness. I think admiers of the fragrances mentioned in the review of Vanitas Edt will also like the Edp but also these who likes more compact, unobtrusive, velvetlike in texture, elegant florals as for example Boucheron pour Femme. Even if they don’t smell close, the conveys a common style.

Vanitas Edp is a fragrance for the days when you just want’s to be taken care of. It wraps around you as a smooth pashmina, as a true comfort for troublesome days. The sillage is less then the sillage of the Edt, which of course is no surprise as Edt-concentrations is constructed to perform a higher radiance. Longevity is about 12 hours, not quite as long as for the Vanitas Edt.

Even if the both Vanitas versions tested are very good and mirrors two faces of the same theme, I slightly prefers the Edt-version and therefore the Edp has a somewhat lower rating.

Rating: 4

Notes: Lime, freesia, tiareflower, tonkabeen, cedarwood

Versace - Vanitas Edt

Picture: Idleness, John William Godward , 1900,
Wikimedia commons

Some days I just want to wear a fragarnce that just smells incredible good and that not distracts with strange twists that urges for a constant analyze. Such a fragrance is Versace Vanitas Edt, created by Dora Baghriche-Arnaud, a fresher interpretation of the Edp which was launched last year.

Vanitas Edt starts with a blast of sparkling yellow and white flowers grounded on an mellow, tropical, almosfruity accord that is not overly sweet and accentuating the flowers and gives them a depth. In the earlier stages of Vanitas Edt there is a bit of, but not fully developed, watery-flowery accord in the lotus flower style, like in Water Calligraphy by ByKilian and Gala de Dia by Loewe. As the fragrance dries down the watery texture gradually softens but doesn’t disappear completely. Also in the base the flowers is the most distinguished notes even if grounded on woody and teanotes according to the notelist.

Vanitas Edt is a sophisticated floral fragance with notes that feels almost fruity in the background. It’s a grown up floral, far away from the sweet, pink, young-girlish style.There is also no shrillness as in some Versace creations, neither it reflects the sometimes almost vulguar noveau riche style of the Versace couture. The almost fruity light sweetness, I think it’s the freesia that dominates the blend, smells almost natural, like mango and papaya, and there is no chemical vibes that could be prominent in some fragrances in this style.

Vanitas Edt is suitable for those who enjoy Amouage Honour Woman, Ormonde Jayne Tiare, Dior Pure Poison and First by Van Cleef & Arpels even if the latter is a grand, soapy 70s aldehydic, the lustre and elegance in apparance is similar.

Vanitas Edt is elegant but also relaxing and comfortable, perfect for daytime wear year around and it really blooms in humid weather which was the curicumstances when I tested it. I also think it would be a terrific fragrance to wear during lazy summerdays and warm summerevenings. Longevity is very good, at least 12h and the sillage is medium.

Rate: 4

Notes: Freesia, rose, osmanthus, tiareflower, cedarwood, black tea

Puredistance - I

Picture: Puredistance I, elegant, white soft flowers.
Puredistance (c), all rights reserved.

The first feminine fragrance, properly named I, from Puredistance, is like a summery of the spirit of the fragrances of the house. Puredistance, with long time experienced perfumer Annie Buzantian as housenose (for the femine offerings anymay), is creating timeless elegant, chic and versatile fragrances which in the same time also feels contemprary. I is said to has first beeing created by the perfumer as a personal fragrance for herself and that it remains as one of her own favourites.

I opends up with watery, almost ozonic, mostly white blossom notes. Mr Parfumista says he is getting the olfactory image of a softer, smoother and much more elegant L’Eau d’Issey by Issey Miyake. Probably this is airy, and elegant fresh as the sea aura that surrounds the tamed and polite white blossoms that creates this impression.

As the development of I continues the blend gets light, fluffy, creamy and smells almost as a really exclusive sunscreen. The creamy white and also yellow flowers are fleeting soft and seemless within each other in the Annie Buzantian typical smooth and delicate way in handling flowers. In this stage Puredistance I reminds me of an elegant and smooth variation of Flora Bella from Lalique. Flora Bella also has this warm, almost tropical flowery quality with the clear air from the sea as a refreshing element. But I is rounder, gentler and much more elegant than the flamboyant Flora Bella. In the basenotes I gets less creamy even if some remians and the flowers appears somehow more distinctive, supported by a well balanced white musk combined with the fresh eartyness of vetiver and a hint of ambery depth. Overall there is something in the aura, texture and radiance of I that reminds me of a flowery counterpart to the beautiful airy, sealike, woody Bois Naufragé by Parfumerie Générale. I feels like the image of a beach on a tropical island with almost snowwhite sand on a sunny day with a totally clear, blue sky. Or the image of an elegant lady dressed in white.

I is a very feminine fragrance that adds pleasure and luxury to everyday. In the same time it is easy to wear and adds comfort and security to the wearer without beeing aggressive as a one of the “powerperfumes”. I have to admit hat it has taken some time for me to “get” I, 1,5 years to be exact (review in swedish from spring 2011 here). Not pleasing directly is often a sign of a complicated quality fragrance with many facets and the following indivdual interpretations of the scent. Even if, or probably because, I is not grundbreaking in style it’s a contemporary classic (despite the slight aquatic vibes that could be associated with the 1990s) that could easily qualify as a signature fragrance for a wearer that perfers a limited numbers of perfumes in her wardrobe. I is suitable for office, receptions but also an example of the perfect bridal perfume. A very versatile fragrance!

As all Puredistance fragrances, I is a perfume extrait and as such offer a discrete but definitly detectable sillage. A discreete trail is, under the right conditions, appearing after the wearer of I has left the room and when smelling this, one wonders from where this beautiful scent comes. The longevity is very good, about 24 h.

Rating: 5

Notes: Tangerine blossom, cassis, neroli bigarade, watery nuances,  

magnolia, rose, jasmine, parmenthia, mimosa, amber, vetiver, white musk.