Scented thoughts – November 2012

Photo: Mr Parfumista

The late autumn is here, the perfect season for staying inside perfumetesting and writing reviews. As readers of this blog are aware of, sampling, evaluating and writing about perfume is my fulltime sparetime hobby. There is a pleasure to test so many new fragrances either new launches or frags that are not new on the market but are not tested by me before. But sometimes when piles of (to exaggerate a bit) untested intriguing samples demands for attention, I can feel a frustrated of the fact that frags from my regular collection get no skintime. Almost always the crave to test an uncharted fragrances wins over the wish to calm down with a favourite. A positive side of a sampeling is that the more I sample, the more similarities I perceive between fragrances from different houses and within a certain category. The similarities together with the fact that I’m almost always is testing some sample leads to less purchases of full bottles, even if there are still too many, I’m still finding too many fragrances to love from the exercise of sampling.

I the latest months I have felt a growing attraction to some of the fragraces I was into when this blog started six years ago, ie the classics. For exemple I feel an urgent need to test and compare the new reinterpreted Molinard Habanita Edp (if I can get my hands on a sample) to the Habanita Edt I own. I also crave some “old ladies” scents as Lanvin Arpége, Rochas Femme and Madame Rochas and even if my skin doesn’t give them justice, they provide a welcome break from the contemporary scent map.

Writing about the contemporary fragrances there are so many interersting to test (here we are againJ). For the moment I’m excited to test the new Histoires de Parfums L’Olympia Music Hall and Veni, Vidi, Vici from the Edition Rare line and have also re-discovered the beautiful perfumline of Frapin. Late to the party when it comes to MDCI Chypre Palatin a beautiful frag I have smelled on my friend Fragrancefanatic from Riktig Parfym. Which make me think of that Riktig parfym carries a varied selection from the Etat Libre d’Orange-line and I hope that the new releases, The Afternoon of a Faun and Dangerous Complicity soon will be there as I want to put them under my nose asap. 

Parfumistans Blogg turns six years

Picture:Hip, Hip, hurra!
Oil on canvas, Peder Severin Kröyer, 1886
The colony of painters who worked in Skagen, Denmark, have gathered in a garden for a celebration.

Today six years ago this blog was born but under a slight different name Parfumistans Dagbok, The Diary of the Parfumista, it was in Swedish and at that time hosted on the blogservice of one of the Swedish newspapers. After almost a year the diary became Parfumistans Blogg on the website of the leading Swedish fashionemagazine Damernas Värld. But perfume is not that big in Sweden (or maybe beauty editors think it’s not that big because there is definitly a growing interest out there) and after 2,5 years the perfumeblog was cleaned out in favour of conventional beautyblogs and I was continued here on Blogger. What has started as a hobbyproject during marternity leave is today still a hobbyproject occupying most of my spare time when free from the duites of work. Of course I could continue my sampling without reviewing but as I also like to write and had to take notes when sampling anyway, way not do the extra and write for the blog rewarded with an increasing numbers of readers from all over the world. Thank you all! So I will continue to sample and learn (the more I get into perfume, the more I  discover the little I know about this botanical-chemistry-artform) blogging about my passion: Perfume.

Speaking of learning: SOTD celebrating the Parfumistans Blogg anniversary is the pleasant, wellcrafted, classy Puredistance I ,a fragrance that I finally has learned to understand and now truly appreciate.

Ramón Monegal – Dry Wood

Picture: Satureja Subspicata, Royal Botanic Garden Édinburgh
Photo by Peter Weis, (cc) Wikimedia Commons, some rights reserved

Dry Wood is a dark green, mossy, herbal, woody fragrance from Ramón Monegal. It’s a very potent creation and just two tiny spritzes are almost too much. But very light applied, Dry Wood offers an unusual experience and even if containing the usual cedary, peppery notes of contemporary woody perfumers gendered at the masculine side, Dry Wood highlights the note in a different way, somehow better blended.

Dry Wood starts with a blast of dark greenery over a woody backgound. Some full and rounded citrusnotes glimmering through and gives the introduction a spakle, just like the ray of light is shining through the treetops in a dense fir and pine forest a sunny autumnday. Dry Wood is really very dry and masculine in it’s charcter but anyway somehow wearable by a woman. In the heartnotes Dry Wood becomes rounder and almost soapy in style, like a green, herbal, mossy soap. When the fragrance dried down a little bit further, a slight almost liqueur-like note appears and lasts for quite a whlie. This is the only hint of something on the edge to sweetness in Dry Wood, the rest is non-sweet. In the basenotes, Dry Wood gets sharper again, woodier, with peppery elements but well embedded in the woody, mossy, herbal, dark green facets. The greeness is like that of the undergrowth in a swedish fir and pineforest during the autumn, moss, coniferus, humic, dry- and moisty grass, heather and hebal plants. An interesting ingredient in Dry Wood is satureja(savory), an herbal plant related to thyme and rosemary, which in Sweden is used to speice aquavit with, I havn’t seen that note used in perfume before, but I can smell some thymerelated notes in the blend.

As mentioned above, Dry Wood has the neutronbomb power in sillage and strength, in the same division as Montale Aoud Musk and Carner Barcelona Cuirs even if it smells differently. I have read opinions that reviwers think Dry Wood is onedimensional, but to my nose it is not, if (now I’m repeating myself again) applied very sparingly. Because a “normal” application of  4-5 spritzes almost ruins Dry Wood, the ingredients gets messy. I experienced this when Mr Parfumista tested Dry Wood, by mistake applying too much. Sillage is huge and the longevity for several days if not taken a sauna to sweat it out.

I think admiers of the bold herbal and mossy fragrances of the 80s and of contemporary fragranceas as Amoauge Opus V and Montale Wild Oud could appreciate Dry Wood. Even if not smelling the same, they conveys the same impression.

Rating: 3+ (a good fragrance but too masculine to me)
Rating: 5*)

*)Update February 2017: Dry Wood is a hidden gem which deserves a better rating. One have to see through the masculine a bit colognelike topnotes and wait for the rest, ie when Dry Wood unfolds in its intriguing dry fresh woody aromatic layers.

Notes: Citron, bay leaf, pepper, moss, sandalwood, cedar, cashmeran, amber, woody notes, satureja

Frapin - Speakeasy

Picture:This building at 1223 Connecticut Ave, NW, (the MCCXXII Club)
 was known as the Mayflower Club. It was considered the swankiest Prohibition-era speakeasy in DC
Author:dbking, Wikimedia commons (cc) some rights reserved 

Speakeasy was the nickname of more elegant illegal establishments selling alcoholic beverages during the Prohibition era in the United States. What could be more appropriate name for a fragrance from the old congachouse Frapin which since aboust ten years also has perfume as one of its businesslines. Speakeasy is a creation by perfumer Marc-Antoine Corticchiato who usually works for his own perfumehouse Parfum d'Empires.

Speakeasy starts with a clean and pronounced leather accord. The leather smells new and fresh, the image is of light cognaccolored leather of a good quality used in a fine handbag. The leathersmell is very natural to my nose and mot mixed up with so many other notes as it often is. In the opening stages there something similat to the leather in Montale Aoud Leather but the Frapin leather is smoother, better balanced and  lacks the almost aquatic note in the top notes of Aoud Leather. In its texture and appearance, even if different in the leathery smell, Speakeasy reminds me of a masculine Cuir de Lancome. After a whlie a minty note appears and it or something else, adds a metallic vibe to the fragrance which becomes even  more masculine than in the first accords. Here a bold 1989s maco tobacco-leather comes to my mind and will stay there during the whole dry down as the metallic leather will be there more or less also in the coming stages: Gianfranco Ferre Man. Speakeasy is a tuned down, smoother, rounder and contemporary interpretation on a similar theme with GF Man. As Speakeasy reaches the basenotes, suddenly it gets warm and the metallic note steps a bit aside in favor of a round, mouthwatering, boozy, ruhmlike note (which I think is davana) supported by some light tobbacco. A certain tamed sweetness helps to ground the delicious boozy accord, it's almost as a cognac barrel. In this stage there is similarities to the boozy davana of  L'Oiseau de Nuit by Parfumerie Générale but less sweet and subtler in Speakeasy. Somewhere in the middle of the basenotes suddenly a very clean, almost airy immortellenote shows up, it's not the dense syrupy version that sometimes is too dominating in leather/tobacco fragrances. The shift from the clean, light leather over the very masculine metallic stage to the round, delicious ruhm and cognac barrel notes accompanied by fresh tobacco base is very interesting, something happens during the whole dry down. The final accords evokes the picture of well used leather clubchairs in which gentlemen has lighten their cigars and sipped their cognacs for decades.

Even if a bit more on the masculine side in the middlenots of the unisexspectra, I think Speakeasy is genderless and I think it was pleasant to wear on a quite chilly Octoberday. It's a perfect fragrance for autumn- and winterdays as for chilly spring evenings. Sillage is medium and longevity more than 12h.

Rating: 5

Notes: Ruhm, orange, lime, geranium, mint, labdanum, styrax, tobacco, leather, musk, immortelle, tonkabeen

Lanvin – Eclat d’Arpege

Picture: Ein Korb mit Flieder,
signiert und datiert Carl Massmann 1896, Öl auf Leinwand,
Wikimedia commons

Eclat d’Arpege created by Karine Dubreuill 2002 for Lanvin, has nothing but the name and the decoration of the bottle in common with the dangerous original (but of course reformulated) Arpége from 1927.

Eclat d’Arpege starts with some light green notes with some citrusy elements, but above all; lilac. The lilac which is not artifcial and cheap as sometimes happens with this note, it’s just like the colour of the fresh light purple lilac. There is a slight metallic vibe, but not the aldehydic type as in for example Yves Saint Laurent Rive Gauche, it’s a more of a metallic facet of the flower. The lilac is’nt powdery as in Puredistances beautiful Opardu, the lilac note is quite clear and crips. It has more in common with another beautiful clear and bright lilac fragrance After my Own Heart by Ineke Rüland.

As Eclat d’Arpege dries down, mellower, fruity notes mixed with some warm flowers and a light tealike note appears. This accord somehow rounding off the metallic edge but the blend still stays flowery cool like a chilly day in the early spring. In the base Eclat d’Arpege is almost all about woody musk, but there is also a faint note of resin, probably the amber listed among the ingredients.  

Eclat d’Arpege is the perfect fragrance for spring, it’s overall chilly, flowery, woody, musky structure perfectly captures that season. One of the better balanced and not overly sweet fruity florals that is relatively easily aviable. It has also survived for ten years on the market, which is a sign for a certain quality. Eclat d’Arpege is somehow ageless in character, it’s a fruity-floral also for grown up’s, not obviously directed to the younger crowd. I don’t get the comparisons with Dolce & Gabbana Light Blue as that one is sharper, woodier, less flowery and with a green applenote, according to my nose. Eclat d’Arperge is smoother, more feminine and elegant in style. Eclat d’Arpege is a very wearable fragrance, especially for spring and summer but also for year around for days that demands something uncomplicated, nice smelling and office friendly. Sillage is medium and longevity not as good, less than 12h.

Rating: 3

Notes: Peony, peach blossom, tea, lilac, petit grain, osmanthus, wisteria, cedarwood, musk, amber

Lanvin – Arpége

Picture: Gedenktafel 10707 Berlin-Wilmersdorf, Zähringerstraße 13,

 Wohnung der Tänzerin Anita Berber

Photo: Wikinaut (cc) Wikimedia Commons, some rights reserved

Sometimes when testing all these well behaved and well adjusted contemorary niche and designerhouse fragrances I as a contrast just want to smell something wild, old fashioned and provocative to the average perfumeconsumer of today (from my preconception). Than the classical aldehydic bomb Arpége from Lanvin is a fragrance that will fit the bill. Before spritzing I have to prepare Mr Parfumista (it’s usually during weekends I wear severe classics like this) that today I will wearing an “old ladies scent”, I hate this expression but it well illustrates a certain category of mostly classic fragrances from which I like many, that he wil not like the smell etc. If not warned he sometimes I have found that he becomes a bit irritated as he don’t like the smell from Arpége and it’s companions on me anyway, because the comment is always “It not suit you and maybe there is something with the chemistry because it’s ok on the scentstrip”. Maybe the old aldehydes and chypres dosen’t suit me the best but anyway I sometimes long for them and want to smell them as they are interesting and difficult creatures to discover.

Arpége (the latest Edp-formulation in the black bottle) starts with a strong aldehydic blast that almost knocks my nose out. The aldehydes are somehow robust, rough and demanding in Arpége, in Chanel No 5 Edt they are more gracile and even more and also champangeny bubbly in Chanel No 5 Eau Premiere and Esprit d’Oscar by Oscar de la Renta. In the middle the aldehydes withdraws but are defintly still there supporting the dark decadent flowers with an uplifting sparkle. Something almost dark and dense leathery also apperars in the backround in this stage and it’s discreetly present even thereafter.

In the basenotes a dark and wet vetivernote that mediates a dark green almost mossy impression dominating. The vetiver reminds me of the dense and dark accord Encre Noire by Lalique and Route de Vetiver by Maître Parfumerur et Gantier, both gendered as masculine fragrances. As I remember it, the vetiver is more prounanced in this Arpége formulation compared to the one before in the transparent bottle where the mossy, woody notes were much more apparent. But the same expression dark, mossy, woody texture and image of the fragrance is preserved. To me Arpége is feminine but it’s also unisex, the opening aldehydic accord leaning at the feminine side but when reaching the basenotes it’s whichever.

Arpége was created 1927 by the perfumer Andre Fraysse in collobaration with Jeanne Lanvins daughter Margurite as a gift from Jeanne to celebrating the thirtieth birthday of her daughter. But tom me Arpége don’t exactly mirrors the elegant enviorment of the mother and daughter Lanvin rather to me it mirrors the decadant setting of the 1920s legendary cabarets and nightclubs in Berlin. Arpége is THE fragrance for the 1920s wild artist Anita Berber , the predesessor to artists as Madonna and Lady Gaga.

Arpége is an interesting fragrance, a darker, warmer, woodier and rougher than Chanel No 5 It has stood the test of time and reformulations very good. Even if a bit oldfashioned it’s in the same time eternal and a great frag to wear when the urge to wear something different that stands out from the clean, floral, fruity, patchouli, peppery, woody, odors of  contemporary perfumes. Arpége is also resonable priced especially compared to new launches and it definitly provides value for money.

Rating: 4 (on me if positive a 3, but considerating the history and peculiarity of the fragrance, the character the ability to create images and the smell on the sample strip, all together a 4)

Notes:  Bergamot, aldehydes, peach, orangeflower, honeysuckle, orris, rose, jasmine, ylang-ylang, coriander, sensitive plant, tuberose, violet, geranium, sandalwood, vetiver, patchouli, vanilla,musk

Robert Piguet – Bois Noir

Photo: Bois Noir de Robert Piguet
All rights reserved (c)

Bois Noir is one of five fragrances in the Nouvelle Collection by Robert Piguet that was introduced in 2012. Bois Noir is created by the “housenose” Aurelien Guichard.

Bois Noir starts almost loud with potent dry but warm woody-peppery notes and I suppose it’s the peppery aspects of the cedarwood as oud is not included in the notelist but there is of course possible there is a pinch of it in the blend. In the topnotes and most of the middlenotes Bois Noir is close to the powerful Cuirs by Carner Barcelona, but Cuirs is rougher, with more distinctive burned, leathery, woody, peppery, spicy notes. Cuirs has almost a hint of the smell of a hot sausage. Other fragrances that comes to my mind is Nasomatto Black Afgano even if that one is sweeter and with a slight, dark herbal touch. Also Montale Dark Oud with peppery oud that is balanced by warm sandalwood, is in the same style.

As Bois Noir drys down it becomes smoother and more balsamic in character. The patchouli is not evident as a distinctive note, it’s just there balancing all the woodiness with it’s earthy backdrop. Resiny and balsamic notes are stepping forward the more Bois Noir dries down. When settling in the base the woody notes is almost balsamic-creamy with a touch of sweetness from (I suppose) the labdanum supported with some delicate musk. This final stage lasts for much longer than 24 hours and it’s one of the most beautiful woody accords that I have experienced in a long time: It’s very addictive.

Bois Noir is a fragrance that is tricky to handle. As it’s very concentrated one has to be very careful when applying (two-three spritzes), if not it could be overhelming and almost headache-inducing. Even if similarities with other fragrances mentioned it’s an interesting fragrance that wins in the long run. It’s important not to dismiss it as another Cuirs or Black Afgano in it’s earlier stages, the following parts are well worth waiting for.Bois Noir is the best interpretation I smelled so far in this woody-peppery-spicy- style. It’s a fragrance with a very strong precense, a real statement, but without taking over the whole space.

To me Bois Noir is totally unisex even if I think that the “average perfume consumer” will say it’s leaning to the masculine side. Bois Noir is the perfect scent for the autumn, the storng, woody, peppery accords in the top and the almost creamy, spicy woodiness in the base perfectly accompanying a walk during a chilly autumnday with colourful rustling leaves around the feet. It’s also a good officescent at least I got compliments wearing it: “A very good smelling frag, it smells like autumn”.

Rating: 5

Notes: Gaiacwood, cedarwood, sandalwood, patchouli, balsam, cistus labdanum absolute