Parfums de Nicolaï - Incense Oud

Picture: One summer's evening they went with Bianca Maria
deep into the forest (1913)
Watercolor on gouche by John Bauer (1882-1918)
Wikimedia
(The swedish artist John Bauer, his wife and three year old son were tragically drowned in a
shipwreck on the lake Vättern 20 November 1918, ie exactly  98 years ago yesterday. )

Incense Oud is created by one of the best noses of today Patricia de Nicolaï for her own perfumehouse Parfums de Nicolaï.

Incense Oud starts with a clean and clear incense embedded in the typical "Nicolaïade" accord, sofisticated, smooth, slight soapy, chalcy, green with a sort of contemporary, retro touch. This Nicolaï accord in its different settings has a carefree, parisian, elegance. The oud is not a major player here, it's one of the interacting notes from the dept of the fragrance. The oud is not of the dense, smokey variety, nor the chemical, medical one. It's a transparent, herbal and dark green oud (if it had a color), refreshing in the same way as stayning in the deep forest among trolls and elves.
The oudnote is in the same vein as the oud note in Vescace Pour Homme Oud Noir and as in By Kilian Pure Oud, cold and sort of airy but quiter, smoother and seamless integrated with the other notes.  In the background there is also a slight musky almost animalic dept to the fragrance. A more prominent note which is interacting closely with the oud is patchouli. It's the same elegant (in the higher octaves of the fragrance note scale) herbal-fresh patchouli leaves note as in one of my favorite Nicolaïs Patchouli Homme later renamed to Patchouli Intense. Incense Oud reminds me much of the Nicolaï patchouli but Oud Incense is chillier, fresher, a bit herbal whereas Patchouli Homme has spicy and warm notes interacting with the patchouli. In Incense Oud I can also detect some of the slight green, chalky note present in Vanille Tonka. There is no obvious similarities with fragances from fragrances outside the house of Nicolaï, the fragrances of Parfums de Nicolaï are unique in its style compared to the rest of the market. One fragrance I come to think of when it comes to the herbal leaves patchoulinote is Coquillete Herat which blend of tobacco and a canabisnote reminds a bit of the patchouli accord in Incense Oud. There are also a tonality reminding a bit of By Kilian Smoke for the Soul but Incense Oud is much more structured, clean and not as thick and on the verge to messy as the Kilian blend. 

Picture: Incense Oud
Photo: PR Parfums de Nicolaï (c)

Incense Oud is a versatile fragrance wearable the year around expect in the warmest summerdays. It's a casual chic fragrance, suitable for office or for a day in the city. Sillage is medium + and the longevity is great. Incense Oud is unfragmented after more then 12h wearing and it's fully detectable after 24h and on textile after many days. The fragrance is unisex. From what I have smelled from the perfumelaunches of 2016, this is one of the very best.

Rating: 5

Notes: Artemisia, ambretta, coriander, rose, cedarwood, oud, cypriol, patchouli, frankincense, styrax, castoreum, amber, musk

PS: Parfums de Nicolaï is now also avaible from Fragrance & Art .

Maria Candida Gentile - Rrose Sélavy

Picture: Rrose Sélavy (Marcel Duchamp)
Photo: Man Ray, 1921 

Rrose Selavy is an intriguing rosefragrance from italian perfumer Maria Candida Gentile dedicated to one of the leading artist of the dadaism Marcel Duchamp and his double identity Rrose Selavy. In the 1920:s Duchamps was photographed as a women, Rrose Selavy in a cooporation with Man Ray.

Rrose Selavy is an all through rosefragrance, built around different types of roses, and from different parts and extractions of the roses. The perfume starts with the natural smelling rose accord as for example in Annick Goutal Rose Absolue and Montale Taif Roses. As in both of these fragarnces, Rrose Selavy has the for the natural roseaccord typical rubbery note,  but less rubber than in the two mentioned fragrances. As Rrose Selavy developes, some light animalic, a bit furry notes appears as also a dry touch of something similar to cinnamon. The fragrance has a tea-ish texture, but there are no sharp or harsh edges as in some tea fragrances. This texture reminds me of Masque Russian Tea not the scent but the apperance. The clean and natural rose petal note (vevet pink if it had a color) appears now and then in short glimpses during the dry down, the rest of the time it's mixed with the other notes of rose. There is also a sort of herbal, candided impression in the basenotes, as the rosepetals are glazed in a light herbal sweetness. In the basenotes there is also a light leathery note and some of the dry fur is playing underneath.

Picture: Rose Sélavy
Photo: Maria Candida Gentile (c)

Rrose Selavy is in the same cold, airy but in the same time not thin style of velvet pink rose fragrance as Hermès Galop d'Hermès but Rrose Selavy is more eccentric in style, completely unisex, and less sweet in its restrained rosy, slight leathery apperance. The leathery tone in Rrose Selavy has the touch of fur mentioned above as the leather in Galop is that of a fine pair of gloves with a scent bordering to suede.

Rrose Selavy is an elegant not so rosy, rose soliflore. It's perfect for daytime wearing for example for office. Sillage is close, it's parfumeconcentration, longevity for more than a day if applying liberally, if only little applaied it lasts shorter than a day.

A beautiful and rare rose soliflore. It smells as it has many more notes than the variations of the rose and maybe it has as, notelists are seldom complete. .

Rating: 5

Notes: Rose petals, Turkish rose, May rose, Michelle rose, rose stems, rose leaves

Thanks to Fragrance & Art for the sample to test

Perris Monte Carlo - Absolue d'Osmanthe Edp & Extrait

Picture: Absolue d'Osmanthe Edp
Photo: Perris Monte Carlo (c)

Perris Monte Carlo have created a wellcrafted line of fragrances and I have reviewed most of them during the latest year. Recently there are two additions, or to be completely true, four additions as each fragrance is avaible in a Edp and in a Extrait formula. First out for test and review is Absolue d'Osmanthe Edp & Extrait.

Absolue d'Osmanthe starts beautiful with a thick, flowery, sweet osmanthusnote. I've hardly smelled such a dense/thick osmanthus before, most of them I've tested before has been more diluted and with a tealike impression. After a while a pleasant barnyard note arrives adding a retro vibe to the blend. Smooth velvey flowers fading down the barnyard and an accord which reminds me of the taste of ceratin pastel patterned, fruity pastilles which was chewy and rectangular. I don't remember the name and it's probably discontinued as I haven't see the product in this millenium. Beside this pastille, there is also a light apricot, suedelike nuance in the fragance. Absloue d'Osmanthe reminds me of a much more discret and not as bold and vivid Yvresse from Yves Saint Laurent. As Absolue d'Osmanthe dries down a beautiful, well rounded, smooth, sandalwood appears connecting and anchors the fragrance together with warm and balsamic basenotes. The sandalwood is prominent

Picture: Absolue d'Osmanthe Extrait
Photo: Perris Monte Carlo (c)

The Edp and Extrait versions has the same notes, expect rose petals are added to the extrait, and smells similar. The Edp is in the higher ocataves of the fragrance notescale and more airy in apperance, the extrait is vevety, dark, rounder, smoother and more mature. The Edp emphasize the woody notes of the base and the Extrait the balsamic combined with the sandalwood in a subtle way. The different versions complement eachother, the Edp is perfect for wearing dayly especially in spring and summer, the Extrait is for the evening and for autumn and winter. The Extrait would be very nice as a perfume accompanying for Christmas.

Longevity is about almost a day when it comes to the Edp and between 12h - 24 h for the Extrait, depending on how much is applicated from the start. Sillage is close for both. Even if smelling very nice, the sillage and longevity of the extrait is not as good on my skin as of my favorite of the Perris Extraits so far, Ylang Ylang Nosy Be

Rating: 4

Notes: Osmanthus, jasmine sambac, sandalwood, vanilla, labdanum, tolu balsam

Today - A decade with the blog.

Picture: Nostalgia, a retro snapchat from the perfumcollection.
Photos from February 2004, long before Parfumistans blog
 was started 1 November 2006.  All the green ones above are still with me :-)
Photo: Parfumista (c)

This is a retrospective post. Today Parfumistans Blogg celebrates 10 years. It started as "Parfumistans Dagbok" (Parfumistans Diary) on the daily newspaper Expressen where it was possible for the readers to start up own blogs on the newspapers site. After six month I contacted the major swedish fashion magazines and the biggest of them, Damernas Värld, jumped at this opportunity. The website editor at the time proved to be interested in perfume, I doubt I would have my blogcolumn if this had not been the case. When she left and the there was a "site makeover" my blog was cleanad out for the benefit of blogs with broader content for example "Beauty" as a broader subject. Even today, six years after this (spring 2010), I can't find any specialized perfumeblog on the site. On the other hand, perfume is still not that big in Sweden even if the interest is growing and is far greater than ten years ago. In June 2010 the zenith of this perfumeblogging venture occurred (at least for the first half :-) as I was invited together with an expert from Swedens finest department store, NK, to talk about perfumes suitable for summer to the morning show in swedish television channel TV4. In October 2010 I moved to Blogspot and strarted to write in "swenglish" during 2012.

....as also these four
Photo. Parfumista (c)

Since then everything rolling on in the usual bloggingroutines writing on and sometimes two post in the weekend. I have found out which fragrancehouses I prefer to review fragrances from and mostly concentrate on them for full reviews. After so many years with perfume as a passion, I know which houses offerings generally suits me even if I certainly missing many good houses out there. Because of this non objektive selction of what is tested, most of my reviews are 4 or 5 rated and therefore I'm thinking of (but havn't decided yet) stop writing the rating figure as the selction is sort of biased from the start. A new experience During 2016 was that there has been a sort of writer's block during late winter, spring and summer but now finally the perfumespirits are back and some of the energy to write also. So this venture seems to continue, at least for a while.

Yours Parfumista

...the Hannae Mori is traded away since long...

PS: I'm painfully aware that I havn't checked the mail account which is linked to the blog for more than a year. Now I have to find the log in credentials and check the mail. I apologize if anyone  have mailed without response. There is no excuses but there are so many mails connected to first the mail at work, then the everyday household administration and probably because of that information overload, this maibox has been neglected :-(

...and so is the Trussardi  which I truly regret, the old formula
was a beautiful green, slight leathery chypre
Photo: Parfumista (c)

Rania J. - Cuir Andalou

Picture: Ziryab, one of the most famous musicians in Cordoba
 playing the oud, a musical instrument similar to a lute.
Poster illustrating  Cuir Andalou from Rania J. (c)

Rania Jouaneh is an independent perfumer with her own house Rania J. which has built a collection of wellcrafted fragrances with a high content of natural ingredients and with an oriental vibe. Rania dosen't rush releasing fragrances but now her new creation, Cuir Andalou dedicated to leather and supported by oud is here.

Cuir Andalou starts with a very dry leathernote and a light, slight fizzy, uplifting, clean dry spicy, slight peppery note I suspect it's the saffron. There's also an oudnote, clean and not smokey as often when combined with leather. The composition is like leather and pepper mixed with crisp, cold and clear high mountain air. Neroli is also present and brings the scent a vision of a garden with orangetrees in the palace of Alhambra. The orange, neroli and other flowery elements changes the apperance from slight chilly to golden and glowing, probably the saffron also contributes  to this impression. When Cuir Andalou dries further down, the well balanced clean oud spicy dry leather dominates but now in the warmer texture. In the basenotes there is also a touch of a animalic note, barely noticeable on my skin and a fine, dry, non smokey sort of embedded in golden nuances, vetiver which is prominent on me. The impression of the basenotes is as the fragrance is grounded in the dry, dusty, glowing Andalusian earth.

Picture: Cuir Andalou
Photo: Rania J. (c)

Cuir Andalou is a real wristsniffer, I catch myself constantly sniffing my wrists constantly during a day of wearing. An addictive experience (I'm craving Cuir Andalou in these grey autumn days). The fragrance is in the same genre as some other spicy/peppery-leathery-oud fragrances but Cuir Andalou is made with a feminine touch. It's not the rough, peppery, smokey variety Cuir Andalou is sort of fine cut with noble traits compared to the archetype of the genre. The sillage is medium+ and longevity great, it's still unfragmented after 12h and unfragmented traces are left after 24h. Suitable for year around, unisex but compared to most representatives of the genre, it's leaning more to the feminine side.

Cuir Andalou reminds me at bit of the dry, spicy texture of Robert Piguet Casbah without the smoke and the incense. As mentioned above it has something in common with leathery ouds in general but it's drier and doesen't contain the smokey note. So even if some similarities, Cuir Andalou is a frag of its own.

Rating: 5

Notes: Leather, rose, iris, neroli, patchouli, saffron, violet, castoreum, vetiver, sandalwood, oud

Chanel No 5 and its different faces

The most famous fragrance classic, Ernest Beaux's Chanel No 5 is the model for aldehydic perfumes. Since its introduction in perfume concentration 1921 No 5 has appeared in different shapes and formulas. A few weeks ago I worn some of its variations:

Picture: Chanel No 5 EDT
Photo: Chanel (c)

Chanel No 5 EDT: The Edt version of the original perfume was interpreted by Henri Robert in 1952. Before a cologneversion created by Ernest Beaux was launched in the 1930s. The Edt is an austere, balanced, sort of putty-soapy aldehydic fragrance, cold and refined as marble, perfect for formal occasions. A demanding and challenging fragrance, the appearance shifts slightly between wearings, but its overall "stiff upper lip" personality remains the same. A confident personality but as often in such cases, there is some uncertainty about the self-esteem.

Picture: Chanel No 5 EDP
Photo: Chanel (c)

Chanel No 5 EDP: The Edp version was created by  former Chanel inside perfumer Jacques Polge in 1986. Starts with the recognizable No 5 aldehydic accord, soon deepened with a smooth, deep note of sandalwood. Beside the refined sandalwood, jasmine, rose and peach are the protagonists. Chanel No 5 Edp as a whole is the one that differs most from the other versions tested, to me its a wellbehaved, restrained, sort of urban variation of the colorful, vivid sandalwood jasmine Guerlain Samsara. Strangly I also find similarities with a later composition, Miller Harris Noix Tubereuse. The perfect No 5 for autumn and winter.

Picture: Chanel Eau Premiére
(old bottle and the tested version)
Photo: Chanel (c)

Chanel No 5 Eau Premiére: Eau Première was created 2007 by Jacques Polge as a modern take on No 5 Edt. In 2015 Eau Premiére was reformulated and also changed its presentaion to the Chanel squarebottle. I'm testing the original formula in the rectangual bottle. No 5 Edt is clearly recognizable in Eau Premiére, the characteristic aldehydic accord is similar, the fragrance as a whole feels more uncomplicated, warmer and gentler probably because of the emphasize of the neroli, ylang ylang and vanilla notes. It's apperance, like sunny aldehydes, is creating an informal atmosphere. Eau Premiére's personality is well behaved, kind, with a great dose of self-esteem.

Picture: Chanel No 5 L'Eau
Photo: Chanel (c)

Chanel No 5 L'Eau: No 5 L'Eau created by inhouse perfumer Olivier Polge, is Chanels move to convince the young generation to like No 5. Airy, watery, with a lighter and higher interpretation of the classical No 5 aldehyde accord, the fruity (lemon, orange, mandarine) and floral (jasmine, neroli, ylang-ylang) notes are bright and clean (not detergent clean) and not embedded in the powdery-putty "just blown out candle" aldehydic notes of No 5 Edt and to a lesser extent No 5 Eau Première. Uplifting, and carefree, versatile to wear, a sort of casual elegance, perfect for any daytime occasion. As this is not a sweet, fruity, floral I doubt this will be a sucess in the yougest group of perfume consumers. No 5 L'Eau will attract those with a discerned taste in any agegroup. In my book this version is already a classic.

My favorite: With no doubt Chanel No 5 L'Eau, together with Galop d'Hermès the best release in 2016 (from the very small fraction I have tested). Followed by No 5 Edt because of its more intriguing dry down compared to Eau Première, which on the other hand I like better as a whole, considered its personality and friendlier apperance.  Last but not least Chanel No 5 Edp which is an elegant perfume but in another style, more dated and not as much No 5 as the other versions.

5 Top fragrances for fall

Picture: Maple leaves
Photo: Mr Parfumista (c)

Autumn is late this year but finally it has arrived with its glowing colors, fresh chilly air and damp/moisty scents. Below some fragrances I like/like to wear this autumn, whether they are autumnal or not:

Bois Blond (Parfumerie Generale): Now when my sample is drained after years of occasionally wearing, I suddenly realized how much I will miss this dry, hayish, woody beauty. It's not the easiest fragrance to come close to and probably too masculine for me....Anyway a bottle is on its way.

Galop d'Hermès (Hermès): No toplist without a Hermès, their fragrances are versatile and suits me perfect for everyday wearing. Galop exceed my expectations with its juicy, rosy, soft leather with a slight sort of clean, animalic touch. It's now my favorite Hermès together with my all time feminine favorite from the house: Amazone.

No 5 L'Eau (Chanel): I have to confess I didn't want to like this as L'Eau is a far longer step away from the distinct super aldehydic original No 5 than No 5 Eau Première. Even if I tried to resist when tested in store, this flowing light flowery beauty with many the notes from No 5 but in different proportions and with a lighter base is a new classic.

Baume du Doge (Eau d'Italie): It's such a well balanced myrrh dominated fragence. Infused with orange, resins  and spices, BdG warns during grey and rainy days. To be worn with a cashmere sweater/shawl.

Baptême du Feu (Serge Lutens): A bit weired but intrguing fragances with light gourmand, citric, incense and smoky notes. The incense in style with the clean note in L'Orpheline, the citric notes cold as metal, the gourmand licour and spice, the smoke from gunpowder and campfires. Intriguing during it's whole dry down.

Puredistance - Sheiduna

Picture: Perfumer Cécile Zarokian holds
the first sample flacon of Sheiduna Perfume
Photo: Puredistance (c)

Finally it's here Sheiduna, the long awaited release from Puredistance, the first since the beutiful flowery White early in 2015. White was also my "Best of 2015" .This time there is an oriental theme, the first oriental from the brand, in the spicy subcategory. Perfumer is one of the stars of later years, the talented Cécile Zarokian, creator of favorites of mine as Parfums MDCI Nuit Andalouse, Laboratorio Olfattivo Kashnoir, Masque Tango and of course, her breakthrough creation as one of the perfumers of Amouage Epic Woman. Sheiduna is released in pure perfume.

Puredistance tolds us about the inspiration of Sheiduna "With the creation of Sheiduna we wanted to bridge the sensuality from the Orient with the elegance from Paris. Wearing Sheiduna one wafts sensuality and at the same time feels like being wrapped up in a warm, soft blanket. Deep colours of Persian rugs touch the senses".

Sheiduna starts with a burst of a peppery note, maybe it's the clove/incense. Soon this fizzy intro steps back and a beautiful sort of deep, lush citric accord appears grounded in a light rosy touch. The tangerinenote appears very realistic, the best interpreation of tangerine I have smelled so far. A light gunpowdery dry note (as in Mona di Orio Les Nombres d'Or Ambre) also appears as also something soft and eveloping, slight Asian-kitchen-gourmand, green spicy coconutty note, a soft verision of a similar accord in Neela Vermeire Creations Ashoka. This accord is acting as a delightful background also for the rest of Sheidunas drydown. As Sheiduna dries further down, an accord appears dominated by a note of new-laid  vetiver, embedded and sort of glaced in spices and amber/balsamic notes. There is something rooty, green and tart with glimpses of a dry but warm incense, which contrasting the spicy/ambery/balsamic, oriental notes. The gunpowdery element reapperas in the basenotes together with the salty ambery note of ambergris. Blended with other oriental notes, this creates a special, a bit tart, dark, slight orange-y, balsamic, vintage, with a touch of the "old books", smelling accord which maybe is a sort of trademark for Cécile Zarokian as I have smelled it in various degrees in Kashnoir and Tango.A resembling note/accord is also present in Balenciaga Prelude. In the basenotes of Sheiduna I can also smell elements of a deep, soft dark rose.

Picture: The glowing Sheiduna
Photo: Puredistance (c)

When wearing Sheiduna I can understand the Persian inspiration (despite the light Asian-kitchen accord mentioned above), and than not just from the rugs. The fragrance brings forth an impression of spices, dried fruits, dark flowers, the architecture  and most of all the sunset in the desert with the glowing sun over the dunes.

Sheiduna is an intriguing fragrance, the impression shifts with and within each stage of the drydown. Much is going on, like a game where the interaction of the notes/accords quickly turns into contrasts and back again. The fragrance is warm and comforting, perfect for autumn/winter. But the enlighting and contrasting notes doesn't reserve Sheiduna just for the cooler month, the perfume will be a good choice also for humid and warm summer evenings.  The contrasting structure of Sheiduna prevents this contemporary oriental fragrance to become cloying and dense.

Sheiduna is classified as unisex which I agree with even if I think it lends a little bit more to the feminine side. The longevity is very good, traces are left after 24h, sillage is significant.

Rating: 5

Notes: Lemon, tangerine, geranium, rose oil, incense, myrrh, vetiver, patchouli, labdanum, ambergris, benzoin, tonka absolute, vanilla absolute,

Ormonde Jayne - Ta'if

Picture: In the Bey's Garden (1865)
Painting by John Frederick Lewais (1805-76)
Wikimedia commons

An Ormonde Jayne Classic, the beautiful oriental rosefragrance Ta'if was created by perfumer Geza Schoen in 2004.

Starts with a burst which smells like green pepper, not pink, mingling with something reminding of a tangy citric note. Soon an slight juicy, pink, rosy note appers, and then the whole accord becomes light creemy after a short while and Ta'if reminds me of a bit sharper, less juicier Le Galion La Rose. As Ta'if developes, the rose interacts with the other flowers, the bright and chilly freesia is prominent to me. Ta'if is more of a boquet than a solar rose fragrance and surprisingly bright and high up on the fragrance note scale to be an oriental fragance. The saffron is playing a supporting role in the background, not at all as prominent as in the standard dark, often oudy, oriental rose fragrance. At one stage in the middlenotes a hint similar to cedar appears which together with a fizzy, peppery note, reminds me of a light and smooth interpretation of Perles de Lalique and also of a more refined, cremy and smooth version of Marni. The datenote provide a moderating dark, fruity component, anchoring the kind of shrill flowers together with the pleasant amber-musky base.

Summed up Ta'if is a pleasant rose in the cold rose category. It's slight watery, but not at all thin, on the contrary it's heavy but in the same time transparant as the air of high humidity up in the mountains. As less sharp and more juicy/creamy than most cold roses, there is hints of warm trails Ta'if in some parts of the dry down. Since Ta'if creation many roses in the same style have emerged, I also comes to think of Burberry Body and Unum Rosa Nigra, and even if Ta'if is not as unique anymore, it has stood the test of time very well and is still a wellcrafted, intriguing fragrance. The longevity is great, traces are left after 24h, and sillage is good. Proper for daytime wearing escpecially for office or formal occasions. Works for year around, exept the coldest months.

Rating: 5

Notes: Pink pepper, saffron, dates, freesia, rose, orange flower, jasmine, broom, amber

Thanks to Fragrance & Art för the sample to test

Ormonde Jayne - Vanille d'Iris

Picture: Iris Germanica (Deutsche Schwertlilie)
Drawing by Franz Eugen Köhler, 1897
Köhler's Medizinal-Pflanzen,
Wikimedia commons

Vanille d'Iris is a 2015 release from Ormonde Jayne created by Geza Schon.

Vanille d'Iris starts with an iris with an light, fresh carrotnote, like from a tin and small carrot "priemeur", harvested in the early summer. After a while Vanille d'Iris becomes more flowery, the carrot disappears as in most irisfragrances which are starting up with the rooty accord which gives an intriguing and sort of fresh, despite the earthy connction, impression for the irisgenre. After a while a non-sweet vanilla shows up and it reminds me of the chalky vanilla of Parfums de Nicolaï Vanille Tonka. The iris as the protagonist among other florals which dominates the heart and reminds me in style of the Le Galion Iris and Acqua di Parma Iris Nobile even if both these fragrances are more lush, flowery and warmer in apperance. Vanille d Iris goes quickly through the flowery phase but iris is also clearly evident in the woody-green accord of the basenotes , reminding me of a contemporary iris-woody classic as Heely Iris de Nuit. The iris in the base is balanced by a clean vetiver as also a barely detectable vanilla, adds an opposing smoothess which, together with a light glowing amber, almost precisely placing Vanille d'Iris just over the border in the feminine iris territory. But Vanille d'Iris is perfectly wearable for men who likes for example Dior Homme where the lipstick texture actually is more feminine in style than the subtle vanilla/amber addition in Vanille d'Iris.The base is also lightly infused with a clean but not powdery or soapy musk which higlights the other notes and makes the fragrance last for long.

Picture: Vanille d'Iris
Photo: PR Ormonde Jayne (c)

Vanille d'Iris is a good, elegant, "basic iris" wearable year around. It doesn't bring anything new to the genre but is well crafted and well worth  sampling if searching for a(nother) basic iris. It's a perfect office fragrance if carfully applied as it's a strong formula which despite its clean character could be overbearing if to much is spritzed, three-four spritzes is the limit. Longevity is very good about 24h, sillage is heavy.

Those who likes irises in general both flowery and woody, will probably also like Vanille d'Iris.

Rating: 4

Notes: Coriander, bergamot, carrot seed, pink pepper, oris, jasmine, magnolia bud oil, osmanthus, vanilla, cedarwood, vetiver, amber, musk

Thanks to Fragrance & Art for the sample to test

Une Nuit de Bali - Suma Oriental, Mr Vetyver, Fleur des Fleurs

Une Nuit de Bali is a french fragranceline inspired from the plants, flowers, trees and natural substances of southern Asia.

Picture: Suma Oriental
Photo: PR Une Nuit de Bali (c)

Suma Oriental starts a tad too musky but this accord soon fades out in a bright sandalwoody and in the same time slight boozy accord. Later on Suma Oriental becomes darker, induced from a very well balanced patchouli which is supported by woody note and the sweet, powdery notes of tonkabeen. The light boozy impression remains also in the deeper and darker second part of the fragrance, a phase which is very comforting and long lasting. A good, easy to wear, woody oriental with classical vibes, there is something "Shalimar-ish" over it but not as complicated and without the sweet and animalic notes. Suma Oriental is my favorite in the line

Picture: Mr Vetyver
Photo: PR Une Nuit de Bali (c)

Mr Vetyver is a straight forward, masculine but IMO also unisex fragrance. In its first part Mr Vetyver smells like icecold dry vermuth. The chilly impression contiues when cold spicy notes appears, cardamon is dominating supported by herbal notes. There is also the musky note present in Suma Oriental which is more prominent and present duiring the whole dry down in Mr Vetyver. Maybe this musknote is a part of the house´s baseaccord. Worth to try for those who likes cold, white, boozy fragrances as Penhaligons' Juniper Sling and The Different Company De Bachmanov.

Picture: Picture: Fleur de Fleur
Photo: PR Une Nuit de Bali (c)

Fleur des Fleurs starts watery, like a floral light fruity bubble bath. The fruity notes are soft and airy, with a natural sweetness. There is also warm spicy notes, a light saffron is well blended with the flowesr and fruits. Warm, green notes, like tropical leaves balancing the fruits and flowers in a sunny, comforting and relaxing fragrance which is appropriate both for humid days in summer as to enlight during grey winterdays.Even if not smelling the same, Fleur des Fleurs reminds me of a contemporary interpretation of Balenciaga Michelle.

Thanks to Fragrance & Art for the samples to test

5 Top Late Summer fragrances 2016

Photo: Late Summer 2016
Mr Parfumista (c)

The summer is in its final stage, after a cold and rainy week in the middle of August, the sun and warmth are back, as often when school and work starts again. When it coming to perfumechoices, this late summer is a bit confusing compared to my earlier middle/late summer cravings which were for dark and dense autumn/winter appropriate perfumes. This year it seems as I havn't any cravings for a particular fragrancecategory at all, everything goes. Wearing fresh and bright fragrances is common this late summer compared to earlier years. Below five choices from the latest weeks, both bright and dark ones.

Vent Vert (Pierre Balmain): The windy-green Vent Vert  is the archetype of a spring/early summer fragrance but even as good in August. I like the new and the older 1990:s version equal, this time I've worn the new version which smells less flowery and more tart and musky than the older version. A fragrance which receives compliments.

Les Colognes Néroli (Annick Goutal): A contemporary reworking of the classic Annick Goutal Néroli Edt. The cologne is a somehow oldfashioned but not dated, sopay, musky, bittergreeen, neroli with an outstanding longevity to be classified as Cologne. Probably this is due to the musk which is present in many contemporary fragrances which aspires as Colognestyled, for example the whole line of Atelier Cologne.

Cuir Garamante (Parfums MDCI): Mr Parfumista goes for some dark stuff and Cuir Garamante is perfect in the glowing, damp heat of the late summer. The late summer conditions are perfect for the intriguing dry down of CG:s dark leathery, boozy, dark woody accords. This fragrance shows different aspects in different wearings and there is still new twists to discover. CG is one of the very best in this genre, from what I have smelled so far, IMO the best.

As Sawira (Penhaligon's): As Sawira is deep and mysterious, featuring dark frutiy, floral and spicy notes over a gentle resin, amber and slight oudy base. Not the standard oud-saffron-rose accord even if all three of them are present. As Sawira blooms a gray day with high humidity and some rain.

Rose Ishtar (Rania J.): A dry, spicy, dark, tart and watery rose with glimpses of a mens cologne and some almost herbal aspects. Even if close to the skin, Rose Ishtar is an intense and very present fragrance. A very special rose.

5 fragrances for the the height of summer

Picture: A stroll on the beach (1896)
Painting by Michael Ancher (1849-1927)
Wikimedia commons

The height of the summer is here and here are also five summer favorites 2016:

Aqua Sextius (Jul et Mad): So refreshing with its lime notes and watery texture. Green, wet, minty leaves and a dry woody-figgy accord, Aqua Sextius is perfect for a warm and sunny summerday. Excellent longevity even in high tempratures.

Un Jardin sur le Toit (Hermès):  Ripe fruits, greenery, damp soil and compost in an urban context, there is also a light touch of something that smells like the exhaust in the city air a warm summer day. UJslT is a comfortable fragrance, a fragrance to reach for days when I'm in a hurry and don't know what yo wear.

Eau Parfumee au The Bleu (Bulgari): This cologne really feels blue, the fersh, tea-ish structure of  the classic The Vert with lavender and iris. Hearbal, cool, earthy, combined with some elemets that slightly reminds me of Prada Infusion d'Iris which is no coincidence as the perfumer of both fragrances is Daniela Andrier.

Eau Parfumee au The Noir (Bulgari): This refreshing, leathery beauty could easily be a niche fragrance. Dry with smoky nuances but tea is not as detectable as in the other tea fragrances from Bvlgari. Probably the tea creates some of the smoky vibes and is the factor that lightens up the fragrance. Normally ingredients like in The Noir creates a ticker and heavier texture.

Imperial Tea (By Kilian): From the dark black tea to the regal white jasmine tea from Kilian. Clean and minimalistic, smelling just like a pot of fresh brewed jasmine tea. Very refreshing and easy to wear in summer.

I'm taking a summer break from blogging until August. Wish you a great summer!

Mona di Orio - Bohea Bohème

Picture: The Yunnu hill, the symbol of the Wuyi Mountains
Photo by Ricky Chow (cc)
Wikimedia commons, some rights reserved

Bohea Bohème is the latest fragrance from the house of Mona di Orio and the second release which is not created by the great, and sadly, late Mona. Bohea Bohème is created by Fredrik Dalman, an unknown perfumer to me, the name sounds suspicious swedish. The fragrance Bohea Bohème is inspired of and will capture (according to a brief from the perfumehouse)  "the smoldering delicacy of the distinctive tea cultivated in the Wuyi Mountains of China. The precious Bohea Tea, fumed with pinewood, is prized for its complex aroma and rich character"

 Bohea Bohème starts with a  smokey, light tea-ish note infused with a note resembeling tar. There also a hint of cardamom and a light, uplifting blond woody impression, as wood in the mountains of a warmer climat, cooled off by the rain. There is also something bright and almost chilly to the first part of the fragrance, probably an effect of the chamomille inteacting with the woody notes. As Bohea dries further down, the fragrance becomes warmer, woodier, rounder and a tad sweeter, even if this is not at sweet fragrance at all.
The fragrane also calms down from the explosion of notes in its first part, it becomes a skinscent, close to the wearer. The basenotes of Bohea is a plesant, light smokey, sort of waxy, balsamic, woody.

Alltogether, the fragrance is loud and somehow refreshing in its first part and then calms down to be intimate and relaxing in its later stages. Bohea as a whole is not the typical tea-fragrance, tea is just one of the co-working ingredients. This make me think of another fragrance in this genre which Bohea may be inspired from, the intriguing  Russian Tea from Masque. The same concept with tea as a co-working note and some similarities in smell, i.e the smoky note. Compared to Bohea Bohème Russian Tea is more distinctive, rougher, tougher with more contrasts during its dry down. Except smoky, black tea, Russian Tea also have notes of mint, leather and raspberry. If roughly translated to seasons of the year, Russian Tea is a winterfragrance and Buhea Bohème is for summer.

Picture: Bohea Bohème
Photo: PR Mona di Orio (c)

Bohea Bohème is a fragrance suitable for daytime wearing, both for work and casual. Silage is big in the topnotes but then becomes a close skinscent in the later stages. Longevity is very good, I can smell unfragmented traces after 24h+. The fragrance is totally unisex.

Bohea Bohème is a good fragrance but to me it lacks the originality, creativity and depts of the creations of late Mona di Orio herself. Compared to Monas compositions Bohea is soulless and could have been released from any nichehouse. The unique style, skills and the bottled passion in the fragrances created by Mona are lost in the releases post Mona. There will be a difficult future for the house of Mona di Orio to stand out from the nichecrowd as the house did during the days of Mona.

Rating: 4

Notes: Bergamot, cardamom, iris, chamomile,  poplar bud, balsam fir, boxtree, geranium, black tea oil, smoked juniper, oakwood, sandalwood, beeswax, bay leaf, benzoin, vanilla absolute

Malbrum - Short impressions

Malbrum is a norwegian perfumehouse which will join the norwegian spirit with french perfumery. The first three fragrances are inspired from asian ingredients, scents and aromas. I have tested two of them, both created by Delphine Thierry.

Picture: Shameless Seducer
Photo: PR Malbrum (c)

Shameless Seducer starts like a citric infused version of Infusion d'Iris combined with non-descript florals. There is some sharp notes, probably wood and vetiver, combined with a cold spicy impression, probably from the musk-cumin combo. The animalic notes described in the notelist are not clear to my nose.
Shameless Seducer has some almost refreshing, cold qualities that reminds me of the late winter just before the first signs of spring arrives which are captivating. Shameless Seducer is a bit messy to start with but then put it self together to a nice, easy to wear, musky, slight spicy, cold, almost airy floral fragrance. Unisex.

Picture: Tigre de Bengale
Photo: PR Malbrum (c)

Tigre de Bengal is a spicy, light leathery, warm oriental with smokey accents, reminding of burned wood in a tropic landscape. The smoke reminds me of a lighter version of the smoke from tropical burnt wood in Maïtre Parfumeurs et Gantier Eau de Iles. The warm spicy notes feels fresh, not as dried spices and the accord, comined with a creamy touch, reminds me of a lighter and paler version of Kenzo Jungle l'Elephant. There are also a boozy note in the basenotes of Tigre de Bengal. A nice contemporary, a bit subdued, representant of the spicy oriental sub category, unisex, leaning slight to the masculine side.

Both fragrances are in  Extrait de Parfum concenration. As a whole, I like Tigre de Bengal the most but Shameless Seducer on the other hand, has passages which are more original than what could be found in Tigre de Bengal. Somehow the fragarances mirroring each other: Some notes/accords have similarities but are interpreted in a cold respective warm version. Taken as a whole: The tested Malbrum fragrances are not groundbraking but easy to like and wear.

Thanks to Fragrance & Art for the samples to test.

Perris Monte Carlo - Ylang Ylang Nosy Be Extrait

Picture: Adele Bloch-Bauer's Portrait (1907)
Painting; oil, silver and gold on canvas by Gustav Klimt (1862-1919)Wikimedia commons

Ylang Ylang Nosy Be is the other of the first issued Nosy Be fragrances, see more information in the earlier review of Perris Monte Carlo Patchouli Nosy Be.

Starts with a burst of sweet floral and rounded citrusy fruity notes without any sharpness from the grape/lemon just a juicy, bright cloud. It's a very sunny accord, if the accord had a color it could be imagined as somewhere between glowing orange and yellow with golden elements glittering. The fruity-floral notes are sweet but natural and not at all chemical smelling, the ylang-ylang is just golden flowery delicious without any trace of the almost banana like note that sometimes show up in this floral note. The cardamon provides a soft, spicy green balance but it's hardly detectable as a singular note as it's so well integrated with fruits and flowers. There is a sort of electrical vibe to the fragrance, a very light metallic tinge like the snell in the air when the sun breaks through between two thunderstorms. This is also the case with the jasmine, rose and orangeblossom, they're interacting in perfectly blended accords. The basenotes are calming the flowers with vetiver, soft woods, resin and the same delicate vanilla as in Patchouli Nosy Be.  In the  later stages of the drydown, a juicy rose wich has similarities with thé juicy rose in La Rose from Le Galion steps a forward from the flowery blend even if ylang ylang is still clearly present. Ylang ylang Nosy Be as a whole is a quite linear fragrance and wearing it is like floating around in a warm, comforting, golden flow like Adele Bloch-Bauer on the famous Klimt painting.

Compared to the few other ylang-ylang fragrances Ive tested M.Micallef Ylang in Gold and Maitre Parfumeur et Gantier Fleur des Comores the Perris interpretetion is ticker, denser and more concentrated to the ylang-ylang. Ylang in Gold is more creamy and beachy in apperance , Fleur des Comores is more about a classic sweet, flowery vanilla with the typical slight animalic MPG ambery base.

Picture: Ylang Ylang Nosy Be
Photo: PR Perris Monte Carlo (c)

Ylang Ylang Nosy Be is lavish and very feminine in style and it suits for daytime wearing year around. It's a natural sweet and strong fragrance which has to be applied carefully to avoid a too sweet apperance. Sillage is medium to big and longevity great, there is unfragmented  traces left on skin after 24h, 24 extremely comforting hours.

Rating: 5

Notes: Ylang-ylang, lemon, grapefruit, cardamom, jasmine, orange blossom, damask rose, labdanum, vetiver, cedar, vanilla, field scabious

5 Early summerfragrances 2016

Picture: Ulriksdal Palace, one of the Royal Castles,
a morning in early May 2016
Photo: Parfumista (c)

Today it's Swedens nationalday! Early June with it's fresh, fragile flowers and greenery is, just as May, the most beautiful time of the year in this northen part of the globe. Flowery and light, sparkling fragrances are comforting and easy to wear. Below five reaible favourites:

Fleurissimo (Creed): This post continues in a royal setting: The wonderful green bouquet with tubereuse, violet, iris over a light ambergrisbase, was according to the storytelling from Creed, the fragrance made for and worn by Grace Kelly on her wedding with Prince Rainer of Monaco. My skin amplifies the violet/iris and the tubereuse here performs as a supporter, not the star of the show as in most fragrances with tubereuse as one of the main notes. Surprisingly there is a pleasant bananalike note contrasting and smoothing the blend, the nuance shows the tropical side of the tubereuse which is present in warm and lush tubereuse fragrances as in Le Galion Tuberéuse

Rose Essentielle Edp (Bvlgari): A sparkling blend of violet and rose in (to my nose) almost equal propotions. The violet is dominating on my skin most wearings, but sometimes the rose comes through more. Sweet, with a texture like hard candy but in the same time sort of fresh. The base is musky, slight earthy. After more then ten years on the market, Rose Essentielle is still an intriguing and very wearable fragrance.

Photo: Parfumista (c)

Jour d'Hermès Gardenia (Hermès): A tart, clean, minimalistic gardenia without the moist, earty smell of mushroom as in the heavier examples in the genre. Elegant, inoffensive and very easy to wear in most daytime ocasions. Not as grassy as the original Jour d'Hermès Edt .

Magnolia Romana (Eau d'Italie): Sharp green with almost rubbery, juicy white and yellow flowers. Sounds strange but smells so good. This is a fragrance for sunny and windy days, as there is sort of a natural flow in Magnolia Romana. An intriguing, contemporary floral.

Cristalle Edt (Chanel): A day in Cristalle is like a day in a cloud of sparkling Champagne, even if a regular workday. Retro bergamot-citrus fresh but at the same time with a distictive green, mossy body with hints of bulbfowers. A timeless creation, allways right to wear, true casual chic.

Anatole Lebreton - Incarnata

Picture: Incarnata
Photo: PR Anatole Lebreton (c)

Incarnata which is the latest Anatole Lebreton creation starts with a very true, dry, dusty,  powdery, not so sweet lipsticknote, that sort of vintage lipstcknote, a scent I'm remember since childhood. Cosmetic notes is also the theme for this intriguing, retroinspired perfume. It has a putty lipstick texture but is not as violet-rosy as Frederic Malle Lipstick Rose or sweet and dirty as Etat Libre D'Orange Putain des Palaces. After a while, there is a note appearing which smells close to cummin, but not the sharp varity, this is sort of a smooth versio. There is also hints of something similar to cough syrup but in a positive way. As Incarnata dries down, a smell that resembling the image of the texture of a thick, transparent, cold fluid appears: A splendid, deep myrrh, not as dark as in Huitième Art Myrrhiad but also not as airy as in Serge Lutens La Myrrhe, here it's almost the myrrh from Guerlain Myrrhe et Delires. The result of the myhrr mingling with the powdery notes is brilliant; the cosmetic notes becomes enlighted and almost refreshing.

Incarnata is a suitable perfume for a evening out in the opera or in the theatre. It's sort of sophisticated, robust with hidden secrets, like an untidy apartment hiding behind the perfect facade of a buildning on a posh street. It's an intriguing perfume which shifts during its development and evokes different images. The sillage is medium and longevity is very good with clear traces remaining after 24h. To me Incarnata is a very feminine perfume.

Like the other Anatole Lebreton fragrances I have tested, Incaranta is intriguing, well made and stands out in the flood of niche releases. I would like to own a bottle of each and thankfully those fragrances are quite reasonable priced to be niche, 90 EUR/50 ml.

Rating: 4

Notes: Raspberry, violet, rhododendron, orris root, myrrh, rose, powdery notes, amber, suede, benzoin vanilla

Anatole Lebreton - Bois Lumière

Picture: Bois Lumière

Photo: PR Anatole Lebreton (c)

Bois Lumière is the third fragrance in the Lebreton line starts very honeyed, sweet and rough animalic, in an almost an unpleasant accord. But as almost always with strange beginnings of a fragrance, the rest is so much better.  Even if still dominating, the honeyed sweetness is toned down in the rest of the dry down, balanced with warm woody/resin notes, immortelle, hay and orange. A warm, glowing, sparkling and cosy fragrance, very special and comforting for grey days. In the base there is also a musky feeling wish sweeps through the overall warm impression as a refreshing, chilly, gust. A friend of mine finds that there is something in Bois Lumière that oddly enough is resembling accords of a fragrance in a quite different style, Chanel Cristalle Edt but with a thicker and denser texture.

Honey dominated perfumes are not common and the one I think of when wearing Bois Lumière is (of course) Serge Lutens Miel de Bois which I precieve as a more elegant alternative. Bois Lumiere is rougher and sort of rual in appearance, the bewitched forest shows another dimension. Bois Lumière is a fragrance which attracts compliments.

Bois Lumière is the perfect autumn, winter and early springfragrance. The sillage is medium and longevity outstanding, 24h. It's neutral unisex.

Rating: 5

Notes: Juniper, clary sage, mandarin orange, fir balsam, honey, rose, carnation, immortelle, beeswax, cedar, benzoin

Anatole Lebreton - L'Eau Scandaleause

Picture: L'eau Scandaleuse

Photo: PR Anatole Lebreton (c)

L'Eau Scandaleause is the second in the interesting perfumeline of Anatole Lebreton. L'Eau Scandaleuse starts with a dry, minimalistic, cold tubereuse not at all the big, lush, tropical varity, this is a windswept tubey of the north. The tubereuse is mingeling with a fresh, just tanned leather, with clear animalic, sort  of tart and tangy smell. The leather has not the rubbery, smokey structure as is common in many niche leathers, the leather in L'Eau Scandaleuse is clear, somehow clean and refreshing despite the animalic touch. On my skin the leather is the dominating note, well supported by the tubereuse. The interpretation of the leather is splendid, one of the most natural smelling leathernote I've experienced in a perfume. Every lover of leather perfumes has to test this one. L'Eau Scandaleuse is an excellent fragrance in the style and expression of Histoires de Parfums Tubereuse 3 Animale even if not smelling similar, the HdP is a warm immortelle tubereuse. The coldness of the leather reminds me of the almost stone-leather note of Etat Libre D'Orange Rien and the fluid coolness of Helmut Lang Cuiron in the old formula, havn't smelled the reissue.

L'Eau Scandaleuse is suitable to wear year around but not in the hottest day of the summer. It's an outdoor perfume, proper for the stable and riding out, with its powerful apperance. One has to be careful in applying before entering office. Longevity is, as all the Lebreton fragrances very good, about 24h and sillage is grand. L'Eau Scandaleuse is an amazing, intriguing perfume which triggers my imagination during the days of testing.

Rating: 5

Notes: Bergamot, peach, artemisia, tuberose, ylang-ylang, leather, castoreum, nagarmotha, oakmoss

Anatole Lebreton - L'Eau de Merzhin

Anatole Lebreton has founded his own fragrancehouse in his native part of France, Brittany. His perfumes are gathered under the slogan "Parfums de Liberté" and exudes a natural, carefree, sort of rual charm. Anatole is a collector of vintage perfumes, a perfume blogger and has also selling rare teas and fine chocolates.

Picture: L'eau Merzhin

Photo: PR Anatole Lebreton (c)

L'Eau de Merzhin is the first composition of Anatole Lebreton and the initial accords of this green, slight dirty perfume are just amazing: Smelling like a well managed, well maintained horsestable with the smell from the horeses themselves, combined by a very true  haynote, all emphasized by a light flowery breeze blowing into the open door of the stable a warm summerday. In the middlenotes the animalic impression decreases and green, grassy, galbanum, leafy and light flowery notes dominates with hints of fresh, humid moss and  tangy green notes in the base.  L'Eau de Merzhin smells like a sunny summerday in the forest, the bewitched forest of Merlin. A fullbodied spring and summer fragrance which make me think of the older version of Pierre Balmain Vent Vert, Parfumerie Generale Papyrus de Ciane, and the two Parfums de Nicolaï: Le Temps d'une Fête (for the tangy, green, flowers) crossed with Vie de Chateau (for the breezy haynotes).

Even if it seems to be dedicated for spring and summer, L'Eau de Merzhin is a strong fragrance with a solid texture which also make it appropriate for colder months. It's longevity is very good, unfragmented traces are left on skin after 24h. Sillage is big. L'Eau de Merzhin is unisex but leaning a step to the feminine side IMO.

Rating: 4

Notes: Galbanum, angelica, violet leaf, cassie, hawthorn, flouve, hay, tonka bean, orris, oakmoss.

5 favorites for spring 2016

Picture: Springtime, the first anemones
Painting of H.A Brendekilde (1857-1942)
Source: Blog of an art admier

It's May and full spring at last. This time of the year I always come to think about the romantic Heinrich Heine poem (from Dichterliebe) when I have to stay inside the office during the beautiful, ephemeral May days.

"Im wunderschönen Monat Mai,
Als alle Knospen sprangen,
Da ist in meinem Herzen
Die Liebe aufgegangen.

Im wunderschönen Monat Mai,
Als alle Vögel sangen,
Da hab' ich ihr gestanden
Mein Sehnen und Verlangen."

And now to the serious stuff: What to wear in this intense season:

Fleurs d'Oranger (Serge Lutens): The spring nights are often chilly and the days sunny and (quite) warm. Warm and sunny as the fullbodied Serge Lutens classic Fleurs d'Oranger. It's a staple neroli with deep, rounded flowers, some spices contrasted by a pleasant tnagy note.

Eau de Néroli Doré (Hermès): A splendid, neroli in the cologne style. Retro nostalgic but somehow contemporary, a touch of soapy with a very light metallic touch. I think it's inspiration from the first Hermès fragrance Eau d'Hermès. I can detect traces of the characteristic cumminnote but soft and wrapped in neroli. Maybe this is Jean Claude Ellenas tribute to the great Edmond Roudnitska, which I read somewhere was a mentor to JCE and also created Eau d'Hermès. Good longevity and sillage to be a cologne.

Eau de Rhubarbe Ecarlate (Hermès):  Good longevity and sillage to be a cologne. Tart, green/red like the steam of the rhubarb combined with a sort of fresh, wet, slight earthy note. I also sense a touch of what I think is a pink, crisp, light musky rose, but I'm not sure. This fragrance mingles very well with my skin and I recieve compliments. As with the neroli, good longevity and sillage to be a cologne.

Week End à Deauville (Parfums de Nicolaï): The salty sea meat the windswept forests near the coast. Green, mossy, minty, herbal and airy/watery/sandy with a crispy, white carillon of the small but sturdy Lily of the Valley. A wonderful interpretation of spring.

Déjè le Printemps (Oriza L.Legrand): The ulitmate springfragrance with crispy bulbflowers and galbanum. There is also a very light nectar-powder like note interacting with the sharper green notes which makes this to a delicous, sparkling, green almost springtime fragrance, a perfume for hte green fairy. A perfume for Tinkerbell.