Maria Candida Gentile - Lady Day

Picture: Billie Holiday (1915-1959),
Photo: PR  (Getty) (c)

Lady Day starts intriguing with a cold, dry, cold flower (gardenia) complemented with almost tarry, leathery notes. As Lady Day dries down the gardenia comes forward, the composition becomes warmer and almost balsamic. From the middle to the base Lady Day reminds me of a gentler and less sweet version of the early 2000nd Bertrand Duchaufour creation for Lalique Flora Bella. As I like Flora Bella, Lady Day is also a very nice acquaintance. Just as Serge Lutens Une Voix Noire, Lady Day is a tribute to Billie Holiday and I think both fragrances are appropriate as such; Lady Day mirrors the positive sides of Billies life symbolized by the characteristic gardenia worn by her, Une Voix Noire the darker sides with the decaying interpretation of the flower.

I can image Lady Day as a perfect companion warm and humid summerevenings in the tropics but also for the dark nights of August up here in the North. Medium longevity, lasts for a workingday, and close sillage as this is an extrait.

Rating: 4

Notes: Galbanum, gardenia, peru balsam

Thanks to Fragance & Art for the sample to test 

Maria Candida Gentile - Luberon

Photo: Mr Parfumista (c)

Lately I've tested some fragrances from Maria Candida Gentile, an Italian perfumer who's creations I really appreciate, see my reviews of some of the earlier releases Exultat, Hanbury, Barry Lyndon, Cinabre, Sideris. This week I'll write about my impressions of three fragrances from the Exclusive Collection and starts with the lavender beauty Luberon.

Luberon is inspired of the lavenderfields in the Provencale region with the same name. Trying it, I can imagine cycling around the lavendelfields a sunny summerday  inhaling the wonderful herbal-flowery scent. Luberon starts with the most natural smelling lavenderaccord, reminicent of the lanvender gold standard in the genre, Caldey Island Lavendel (swe). After a while tha lavender blend with other notes and becomes almost chalky-oily, a bit similar to a light petrolnote, maybe the minty leaves creates this effect together with the lavender. The rose nor the woody note is noticable as a separate notes, it's the beautiful lavender which dominates during the whole drydown. The longevity is very good for a lavenderfragrance, it lasts for a whole day performing outdoor activities, which also is the right setting for Luberon. Where Caldey Island Lavendel is musky in the base, Luberon is of a drier, woodier character.

Rating: 4

Notes: Lavender, rose, mint, oakmoss, cedar

Thanks to Fragance & Art for the sample to test 

Fragrance(s) of the week (14) 2014 - Kilian and more....

Picture: Kilian Hennessy,
the founder of  ByKilian
Photo: PR ByKilian (c)

Today I'm testing one of the new ByKilans from the Asian Tales collection: Sacred Wood. A great fragrance which I'll review when I have tried it a few more times. This week, I entered the Kilian-universe again, wearing the delicious honeyed tobacco Back to Black which has been neglected for too long. This made me think of one of my favorites flowers last summer, Water Caligraphy which is a fragrance that I have grown to love. See my updated review. The other floral favorites last summer was Annick Goutal Néroli (the discontinued Edt) and the perfect pink rose Rose Perfection by Robert Piguet. Now I'm longing for summer and the fragrance summer wardrobe.

PS: What a coincidence, the two "coverboys" of the perfume world, Pierre Guillaume and Kilian Hennessy in two entries in a row :-)

Parfumerie Générale - Isparta 26

Picture: Pierre Guillaume
Photo: PR Parfumerie Générale (c)

As almost always when reviewing something from Parfumerie Générale it's hard to resist publish a picture of the perfumer Pierre Guillaume himself :-)

But now over to todays subject, Pierres latest release, a beautiful dark rose named Isparta 26. Isparta is named after the turkish province which roses produces superior roseoils, featured in this fragrance and 26 as PG:s numbered collection now has reached that number of fragrances.

Just reading about the ingredients of Isparta makes me excited. I have to admit that I'm very fond of the rose-patchouli-ambroxan combination in fragrances such as Juliette Has a Gun Lady Vengeance and Frederic Malle Portrait of a Lady, and this accord, in Isparta combined with balsamic and animalic accords, makes me drool.

Isparta starts heavy but in the same time transparent and light, the rose is really purple, and the rosy smell is a bit tart and as a contrast it's surrounded by a not too sweet, jammy note. A clean, cold patchouli is also contrasting with a high and clear darkness, just as the night sky a starry night. As Isparta dries down it becomes a bit warmer, even if it remains in the cold spectrum, with balsamic and woody notes, among them a well balanced oud. The clean amber, the ambroxan is not as evident as in Portrait of a Lady, in Isparta it is handled with a lighter hand. In the basenote there is also a moisty, mossy note thar togeter with the tart, purple rose are contrasting the ambrox-oud combo. The mossy note together with the rose is what is left after 24h. The moss in this stage reminds me of the refreshing and uplifting mossy note of Parfumerie Générale Papyrus de Ciane.

Picture: Isparta, a dramatic, dark, purple rose
Photo: PR Parfumerie Générale (c)
  

I have read some comment that Isparta doesn't add anything new to the rosegenre. I have to strongly disagree as IMHO this is an unusual combination of the strong and intense but in the same time airy and light. In texture Isparta is just as an exquisite, purple silk veil with silverstitches and embroderies. That image makes me think of another beautiful purple rose, Neela Vermeire Creations Mohur Extrait, which seems to be Ispartas antithesis in the purple, rosy spectrum. Mohur is like a dense, smooth, purple silk velvet with golden stiches and embroderies as opposed to the light, transparent, sliver silk veil of Isparta. Even if these purples of course are not smelling the same, Mohur Extrait (which is more spicy and flowery than Isparta) somehow reminds me much more of Isparta than the more obvious (when reading about its notes) ambrox-rose-patchouli Portrait of a Lady. Just as Mohur, Isparta gives me images of a relaxed, life i luxury, somewhere in the East, during the time of Thousand and one nights.

Despite its light texture, Isparta 26  is strong in its concentration and one have to be careful when applying, too much and Isparta transforms to a sillagemonster. About four spritses is enough of Isparta to keep it within the limit of officetolerable. Sillage is great and longevity for days if more than the four spritses is applied :-)

Rating: 5

Notes: Red berries, rose, peru balsam, calamus, patchouli, olibanum, benzoin, oud, ambroxan, moss

Vero Profumo Voile d'Extraits - Summary

Picture: Vero Kern with her Mito Edp
Photo: PR Vero Profumo (c)

My conclusion from testing the Volies d'Extraits and comparing from my testing of the Extraits and what I remember form my earlier testings of the Edp:s is:

* The Edp and Extraits/Voiles d'Extraits are different enough to justify owning one from each category if you are a Vero aficionado.

* When it comes to the Extraits vs Voile d'Extraits there is more of a question which version to own, ie if you prefer you fragrance in the higher octaves or in the lower register of the scale.

Overall the perfumes of Vero Kern is intriguing, high quality creations with great personalities and the line is flexible enough to let everyone find his/her favorite version.

Vero Profumo - Kiki Voile d'Extrait

Picture: Mr Dunfords Champion wirehaired Foxterrier
Arthur Wardle early twentieth century painting

Over the years, Kiki both in Extrait and Edp has grown to be my favorite fragrance from Vero Kern, dethrone Rubj to be number two. Therefore it was of course very intruiging to test Kiki in the Voile d'Extrait version.

Kiki in Extrait is an multifacetted fragrance with notes of lavender and some notes that reminds me of wheat and beer notes over a dark, fresh earthy accord in the basenotes. Review here. The Edp version is almost gourmand in style and the passionfruitnote contrasted with dark patchouli is more prounanced. Review here.

To make a long story short, I think that Kiki Voile d'Extrait is close to the extrait (just as Rubj and Onda) it just play one or two ocataves higer on the scale. The fragrance is brighter and more sparkling in its apperance and the lavender is a bit more pronounced.

All the Kikis are intriguing fragrances with new twists in each stage. Kiki is a demanding, stubborn, racy and energetic character which is never boring, just as the two (after each other) wirehaired foxterriers of my grandparents who were named Kiki.

Kiki Voile d'Extrait has a good longevity just as the extrait, over 12h. Nice to wear during autumn, winter and early spring.

Rating: 5

Notes: Bergamot, citron, black currant, passionfruit; lavender, geranium, musk, patchouli, opoponax, amber caramel

Vero Profumo - Rubj Voile d'Extrait

Picture: Bayâd singt zur Laute vor der Herrin und ihren Dienerinnen
Bild im "Die Geschichte von Bayâd und Riyâd" (« Hadîth Bayâd wa Riyâd »),
Maghrebinisches Manuskript, 13 Jh, Wkimedia Commons

Rubj Voile d'Extrait from Vero Profumo is, just as Onda Voile d'Extrait reviewed a few days ago, a lighter and brighter variation of the Extrait version of the fragrances. Rubj Voile d'Extrait is created by Vero Kern.

Rubj Voile d'Extrait starts brighter and fresher than more spicy and darker Rubj Extrait with its dirty notes of cumin. In the Voile d'Extrait, even if not mentioned in the notelist, I almost smell a note of a fresh lavender instead of the cumin. Just as in Rubj Extrait, the orangeblossom note is very beautiful, deep and full and without any syntetic wibes as in many orangeblossom fragrances. Also the jasmine is full bodied in texture, natural and blends perfectly with the orangeblossom. Even if Rubj Voile d'Extrait lays an octave or two higher than the Extrait, it also intermediate the image of resting on a couch, hiding from the heat at noon in the palace gardens of Alhambra during the days of the Moors in Al-Andalus. The Extrait is like resting in the same place in the warm and velvet dark evening, lighted by the stars, the full moon and the torches in the palacegarden, listen to the sparkling of the fountains and the music from the lute and other strings.

Overall, to my nose, Rubj Extrait is a bit more complex with its dirty, retro notes and Rubj Voile d'Extrait is easier to wear and could therefore be appreciated among a wider audience.  Rubj Voile d'Extrait is as indicated above, proper for daytime wear and the mysterious Extrait is better suited for evenings and nights even  if I don't care about such "rules" and wears the Extrait also at daytime. Longevity for both fragrances are about 12h, the Extrait a bit longer and the sillage is good, with a bit better radiance from the Voile d'Extrait.

Rating: 4+ (Extrait still 5)

Notes: Orange blossom, jasmine, musk, cumin