By Kilian - Musk Oud

Picture: Autumn dark, pink rose
Photo: Mr Parfumista (c)

Musk Oud is the last episode in By Kilians Arbian Night Collection preceded by Pure Oud 2009, Rose Oud 2010, Incense Oud 2011 and Ambre Oud 2012. Musk Oud is created by Alberto Morillas.

Musk Oud starts with bright, sort of clean light fruity and spicy notes, the impression is a natural freshness. From the beginning a pink, slight musky rose, deepened by a gentle oudnote, is also present. The rose-spice-musk and oud combo is gentle and brings an air of sophisticated comfort. The more Musk Oud dries down, the more the fragrance simplifies when it comes to perceived notes. The oud-rose combo climbes forward and when entering the second half of the dry down, Musk Oud resembles any conventional basic oud-rose combo with one exception: A very light, barely discernible boozy, slight sour, note appears which is somehow a  little annoying to me. When reaching the basenotes, the fragrance is very oud-y.

The overall impression is that of a good, easy to wear, standard rose-oud. The sillage is great and so is the longevity, 24h. Musk Oud is wearable any time of the year. Of the By Kilan offerings of 2013 Flower of Immortality and Playing with the Devil, Musk Oud is the one that impresses me the least. On the other hand, Playing with the Devil is one of the best releases of all 2013 IMO. Absolutely nothing wrong with Musk Oud, but I have smelled the same for almost a decade and has become a bit jaded.

Rating: 3

Notes: Lemon, cardamom, coriander; cypress, rose, geranium, artemisia, rum, incense, agarwood, musk, patchouli.

Perfumeshopping for Christmas 2013

Picture: Julbocken (The Yule Goat) 1912
Drawing by John Bauer (1882-1918)

Soon Christmas is here and below are some ideas when it comes to perfumeshopping not just for the holidays but also looking in the long term.

• First of all I'll recommend the beautiful perfumes I have sniffed and reviewed this year. Remember: All are good regardless rating. The rating reflects my personal impression when testing the fragrance,  my 3 rated could be your 5.
• For the moment, from the perfumes reviewed 2013, I'm specially craving: Puredistance Black eternal beauty, Robert Piguet Alameda contemporary but in the same time retro, oriental styled chypre, a sophisticated fragrance, the dark and dirty beauty of Le Parfum Couture Denis Durand for M.Micallef and the fascinating, age-, gender- and timeless Orlando from Jardins d'Écrivains.
• Another perfume grabbing my attention at the moment is Andy Tauers fantastic rosecentered PHI Une Rose de Kandahar which is built around a rare afghan roseoil of very high quality. As the roseoil is avaible just for limited time periods, Rose de Kandahar will also be avaible in limited quantities and periods. Therefore true roselovers should test this beautiful rose now.
• Samples of Patricia de Nicolaïs Amber Oud and Rose Oud just arrived. Have just sniffing outside the vials but my impression is I'll not be dissapointed, on the  contrary, they smell delicious. Reviews will follow.
• In the current niche-hype: Don't forget all the good perfumes within "mainstream" such great classics (despite more or less reformulated) as Chanel Coco, YSL Opium, Guerlain Shalimar, Estee Lauder Youth Dew and Thierry Mugler Angel are perfect for warming up in dark and cold winterevenings (and days).
• Rumors on Basenotes says Chanel No 5 Eau Premiere will be repacked in the squared Coco Mademoiselle bottle and that some minor adjustments will be done in the formula. As tweaking with formulas when changing bottledesign is very common, it could be time to stock up with the current version for frequent users of Eau Premiere.
• When it comes to repacking: Parfums Annick Goutal has changed the bottle design (don't know about the formulas) during the year and discontinued some gems: Mon Parfum Cheri, par Camille which is the best Goutal ever IMO, the perfect springfragrances Eau de Camille, Eau de Ciel and the cosy Le Mimosa. For Goutal fans it's time to stock up as the old (and cheaper) bottles soon are gone.
• A package of samples is an intriguing Christmas gift to most. Luckily Fragrance & Art and Riktig Parfym could support in such matters.

Coquillete - Tan-Tan

Picture: Sahrawi tribal men performing fantasia at the
Tan-Tan (Moussem) festival, Morocco
Photo: Maxim Massalitin (c), Wikimedia commons
some rights reserved

Tan-Tan is the first masculine fragrance (also classified as unisex in some sources) by the nichehouse Coquillete. Tan-Tan is, just like the first edition of four fragrances Sulmona, Sumatera, Moramanga and Herat, inspired of warm, exotic places.

Tan-Tan starts green and balmy with a note reminding of a smooth rhubarb, not as tart and dominant as in for example Aedas by Aedas de Venustas. The tartness is present during the whole drydown and balances the milky, figgy notes as also the pine and artemisia. The figgy notes reminds me of Neela Vermeires green Ashoka even if the latter is warm and foody in texture where Tan-Tan is clean and balmy in comparasion. In the middlenotes Tan-Tan becomes more aromatic/herbal and reminds me of the classic green, moisty chypre Givenchy Gentleman. In the basenotes a oily note appears, creating a chalky-earthy-petroleum impression resembling of a lighter and smoother version of the base of Kerosene Copper Skies. This oily accord is perfectly conterbalancing the creamy figgy note.

Even if Tan-Tan, just as the other Coquillete fragrances, is subtle in its apperance, it's suprisingly distinctive and longlasting. Mr Parfumista who was performing the test thanks to a sample from Fragrance & Art, found Tan-Tan very pleasant and easy to wear while also intriguing waiting for the next step in the development of the perfume. Appropriate to wear daytime the year around, non-offensive but in the same time, interesting officescent.

Rating: 4 (November 2013)

Update February 2014: The more Mr Parfumista tests this, he is now on the 2nd sample, the better this coconutmilky fig-frag is.

Rating. 5 

Notes: Pinetree, bergamot, fruity notes, artemisia, fig, cedar, vetiver, jasmine, patchouli, carnation, coconut milk, fig tree, white musk, ambergris, sandalwood, leather.

Jardins d'Écrivains - Orlando

Picture: Orlando
Photo: PR Jardins d'Écrivains (c)

Orlando is the latest fragrance in the affordable niche line Jardins d'Érivains where the fragrances are inspired of the world of literature. Orlando is of course inspired from the novel of Virginia Woolf and when testing Orlando the great movie with Tilda Swinton relives.

Orlando starts balsmaic, cool, fizzy-spicy and the balsamic/spicy impression lasts during the whole dry down. Notes appears that reminds me of expensive retro bubblebath + dirt (like in a stable) + the almost plasticlike (vinyl) note that sometimes emerges from shiny new leather is an intriguing accord that conveys an impression of the immortal Orlando, present in so many centuries. This accord is  counterbalanced by the mysterious dark, spicy, balsamic and musky basenotes which creates a sort of timeless impression. Orlando has a dry, powdery-putty-balsamic texture and is comfortable in the same time as it's evocative and fires the imagination as there are new nuances to find at every turn. Orlando is very much it's own fragrance but I find some similarities with another a bit "strange" perfume, Psychotrope from Parfumerie Générale. Psychotrope is flowery where Orlando is spicy but the clean. cold. almost leatherlike note as also the bubblebathy are present in both. The initial spicy, sparkling impression of ginger, also have something in common with Aus Liebe zum Duft No 1 but the gingernote is not as sharp in Orlando as in the latter. As Orlando has developed for some hours in the basenotes, it suddenly becomes stronger in apperance and in this stage, Orlando reminds me of the classic Robert Piguet Bandit.

Orlando, just as its role model is a genuine unisex fragrance despite Mr Parfumista thinks it's leaning more to the masculine side and and I think it's slight more feminine. Orlando is appropriate both for work and casual, it has good stayingpower, about a day at least, and the sillage is medium. Orlando is IMO the most interesting and original fragrance from Jardins d'Écrivains so far.

Rating: 5

Notes: Orange, pink pepper, ginger; amber, patchouli , cloves, guaiac wood, peru balsam, musk

Thanks to Fragrance & Art for the sample to test.

Oriza L.Legrand - Jardins D'Armide

Picture: A rose from Armidas garden
Painting by Marie Spartali Stillman (1894)
Wikimedia commons

The original  Jardins D'Armide was released in 1905 and the current version is an interpretation of the original that preserves the old school feeling in a contemporary wearable way. The re-working is performed by Oriza L.Legrand houseperfumer Hugo Lambert. Jardins D'Armide is inspired of the garden in the story of Armida, a sacaran sorceress who during the First Crusade captured the Roman soldier Rinaldo and created an enchanted garden where she held him a lovesick prisoner. 

Jardins D'Armide starts dry powdery with a furry note, but in the same time a bit cold, like the texture and feeling of an orchid. A sweet note, reminding me of candy also appears in a very pleasanst way. The roses are dry, like dried rose petals, and a bit tart. When Jardins D'Armide developes a wellblanced, still cool, slight spicy, flowery heart appears soon followed by supporting sweeter and warmer notes. For a short while a very realsitic almond note glimpses by followed by powdry tonka and a pleasant musky base in which an almost geraniumgreen, tart note are apperant on my skin. The powder of Jardins D'Armide is not dominating, it's not the heavy powdery/soapy aldehydes of for example Lorenzo Villoresi Teint de Neige or Cartier Baiser Volé, the powder is just an accent, not the theme of the whole parfume. Jardins D'Armide is a retro perfume that in apperance somehow reminds me of one of the Grossmiths I think it is Hasu-no-Hana that comes to my mind. Another perfume which is more close in what it smells like is Profumi del Forte Roma Imperiale but without the slight dirty notes which is lurking in the latter.

Picture: Jardins D'Armide -another tempting bottle
from Oriza L.Legrand
Photo: PR Oriza L.Legrand (c)

As all Orizas, a wellblended and balanced perfume, Jardins D'Armide has a distinct sillage and longevity up to 24h even if discrete trails at that stage. A powerfragrance with a demanding appeal, appropriate for most elegant occasions but also in small doses, for officewear.

Rating: 4

Notes: Dry potpourri rose, orange blossom, iris powder, iris, violet, wisteria, carnation, honey, almond, tonka been, musk

Sample avaible at Fragrance & Art

Oriza L. Legrand - Horizon

Picture: Louise Brooks, her flapper style
could serve as the role model of a dark, seductive
"Les Années Folles" fragrance  as Horizon.
Photo: Pressphoto from the
George Grantham Bain Collection,
Wikimedia commons

Horizon, is according to information from the house Oriza L.Legrand unaltered since its creation during "Les Années Folles" in 1925. Probably it smells a bit different anyway, as I suspect most ingredienses not smells exactly the same today, the synthetical ones could be (and are certainly) altered in their composition and even the natural ones could be differently threated today compared to over eighty years ago.

Horizon starts very similar to the hard core patchouli Patchouli Antique by Les Nereides and it has also similarities to Bois 1920 Real Patchouly in the first accords but compared to RP Horizon goes on darker, boozier and stronger where RP developes in a more casual lighter, brighter and slight cedarwoody way, even if good as a balmy woody patchouli fragrance, flat if compared to Horizon. Horizion has much more in common with Patchouli Antique and its damp, dusty, dry, leathery patchouli note - just as old antique leather books in an old wooden bookshelf. There is nothing of the contemporary clean patchouli or the loud hippie-patchouli of the 70s. The similarities with Patchouli Antique are evident during the first half of the fragrance even if PA takes a rough and though route and Horizon gets more refined and sofisticated as it developes. Somewhere in the middlenotes, a cocoaonote appears. The note is present in Serge Lutens Borneo 1834 but more prominent in the latter and also in a more powdery way in Ramon Monegal Mon Patchouly. As Horizon dries down, wellbalanced, boozy, tobacco, soft leathery notes and something slightly green appears, accompanying the patchouli in a very pleasant way. Horizion doesn't end in the ambery or musky base which are common alternatives for patcoulifragrances.

Picture: Horizon
Photo: PR Oriza L.Legrand (c)

Even if Horizion is the patchouli fragrance in the Oriza collection, it's so wellblended/-balanced and therefore doesn't stand out as a basic patchouli as the patch-offerings of many lines. This fragrance has so many other dimensions and therefore it can't be justified to classify Horizon as "just" a patchouli.

Horizon has a great longevity, smooth but unfragmented trails are present after 24h. The fragrance is, despite its rough opening, elegant and seductive, perfect for autumn and winter evenings (and days) but also for cold and crisp early spring evenings. Even if Horizion has an flappery attitude it is genderless to me i e it doesn't lend over either to the masculine or feminine side.

Update August 2014: Wearing Horizon in hot humid weather (ca 30 Celsius) it is even better than in autumn/winter. The tobacconote is really blooming, very natural in style. Even if Horizon is a warm patchouli with ambery notes, it doesn't smells particulary sweet, and has some almost refreshing herbal notes in the heat.The best and most versatile patchouli I have tested so far.

Rating: 5

Notes: Bitter orange rind, mandarin confit, dried rose, ambered cognac, aromatic tobacco leaves, cocoa, roasted almonds, aged oak, patchouli, benzoin, ambergris, peat, blond tobacco, vanilla, honey, leather

Oriza L. Legrand - Chypre Mousse

Picture: The retro styled Oriza bottles are just awesome -
just as their content
Photo: PR Oriza L. Legrand (c)

One of the far best perfumelines I have discovered the latest years (thanks to P. at Fragrance & Art who has a truly refined taste for perfume) is the venerable french house Oriza L.Legrand. It started to produce powder for the whigs in the 18th century and perfumes later become a part of the business. During the 19th and beginning of the 20th century Oriza provided different royal courts with perfume and soaps. During the later years perfumer Hugo Lambert and his parter Franck Beleiche recreated the house, and have started to reconstructing the fragrances and soaps taking contemporary restrictions in to account. And the result is awesome, se my reviews earlier this year, Rêve d'Ossian, Relique d'Amour, Oeillet Louis XV and Déjà le Printemps.

From the description of Chypre Mousse, re-created by Hugo Lambert: "After the first rainfall in September nature exude scents of humus, peat and wetland. This is the time for a promenade in the woods to enjoy the freshness after the heat of summer." The original version (1914) of Chypre Mousse is said to be launched to the dandies of this world. My impressions are as follows:

Chypre Moussse starts with balmy and brisk green notes, in the first part of the fragrance I perceive more of the forest early in the spring (at least the swedish forest), just when the greenery buds and the moss is light green, young and fresh. The dominating note during the first half of Chypre Mousse is a fresh, natural smelling mint. The minty note is present during the whole dry down, even if it stays in the supporting background in the second half. In the first stages of the fragrance, a retrostyled leathernote is also present, its the dry, antique leather of book-binding. In the early stege the minty and green notes reminds me of Parfumerie Générale PG 11 Harmatan Noir  but without the salty/metallic almost bloody notes which are accompanying the mint in the latter. Chypre Mousse continues green and the green deepens, together with an almost animalic note, a bit in its later stages, and here the early autumn could be recognized. A beautiful note of fern is the protagonist on my skin in this stage. In the later middlenotes and in the base, there is an accord and impression that reminds me of Ava Luxe Chypre Noir if I remember correctly, could be Film Noir but without the cigarette smoke. Something which is striking with Chypre Mousse is the absence of flowers, I can't smell them anywhere. Despite that, Chypre Noir is fresh and balmy as a floral-green fragrance. In it's overall impression, but a tad brighter, Chypre Mousse reminds me of a favorite contemporary chypre, Parfumerie Générale PG 24 Papyrus de Ciane.

Picture: Fresh moss in spring
Photo: Mr Parfumista (c)

To me Chypre Mousse doesn't reach the dark, velvety, earthy, damp and often dirty depts of the old school chypres. Chypre Mousse to me is more of a ligther and brighter contemporary green/fourgé with some mossy elements which skilfully mixed, creates a retro feeling but in a sort of contemporary frame. An intriguing and fascinating fragrance even if almost linear in my testing.The fragrance is unisex but more masculine than  Déjà le Printemps which is a green, feminine floral fragrance. With Chypre Mousse the dandies and all other men has their own, green Oriza but it has to be clearified that Chypre Mousse (even if better on Mr Parfumista than on me) fits women as good, the fourgé notes are not harsh and masculine in style of traditional fourgé fragrances. Chypre Mousse has good longevity, unfragmented after 12h+, traces after 24h, and good sillage. 

Rating: 5

Notes: Wild mint, clary sage, wild fennel, green shoots, oakmoss, galbanum, angelica, fern, wild clover, mastic, violet leaves, vetiver, pine needles, mushroom, fresh humus, roasted chestnut, leather, labdanum, balms