L'Artisan Parfumeur - Quick impressions of some classic L'AP:s 2(2)

More impressions from my random L'Artisan samples sniffing. Today from the lighter fragrances department:

Picture: Thé pour un Été,
refreshing, retro jasmine
Photo: PR L'Artisan Parfumeur (c)

Coeur de Vetiver Sacré: A creation of Karine Vinchon Spehner from as late as 2010 which seems to have flopped as it would be discontinued if I have understand i right. Despite the name that indicate this is a vetiver dominated fragrance, the said note is discrete and interacting in a subtle and wellbalanced way with incense, spices, light fruity and woody notes. Calming and relaxing and a bit misunderstod IMO.

Thé pour un Été: A creation from the era of fresh perfumes, the 90s (1995), by Olivia Giacobetti. A refreshing jasminetea blend with some lemony sparkle and contrasted with a very light spicyness. TpuE has a certain retro feeling, when I smell it I immediately come to think of Catherine Deneuve in the movie Indochine from the colonial French Indochina. TpuE is gentler and doesn't get the smell as much of wet wipe that is common in many tea fragrances form the era, for example the iconic Bulgari Eau Parfumeé au Thé Vert. TpuE seems also to be a gentler forerunner to another jasmine-tea-spicy fragrance Dior Escale à Pondichéry.

Verte Violette: A bit strange 2001 violet creation by Anne Flipo. Starts smelling like Yves Saint Laurent Paris and after a while a note of water melon appears and adds an aquatic but also vegetal impression.When it alls calms down, a beautiful, sleek, violet flower note remains. In the same group as Annick Goutal La Violette which is (despite the name) greener and with a crispy candy feeling and Parfums de Nicolaï Violette in Love which is more fruity/sparkling.

To summon up: In the flood of all new releases, don't forget to look back and revaluate the old gems from the fragrance houses which has stood the test of time.

L'Artisan Parfumeur - Quick impressions of some classic L'AP:s 1(2)

Picture: One of the L'Artisans,
Drôle de Rose
Photo: PR L'Artisan Parfumeur (c)

After becoming disappointed with the new sub-line L'Explosions de Emotions from the old (one of the very first niche-houses, only Diptyque was earlier) reaible L'Artisan Parfumeur, I had to test/re-test some of my samples from the house to get my confidence back. Below some quick impressions of some classic L'Artisans from different genres.

Bois Farine: A 2003 Jean-Claude Ellena inspiration from an unusual tree in the Caribbian. Sweet, powdery, like flour, woody with some spices. The opening smells like peanutbutter. Delicious, mouthwatering and comforting (if properly dosed) to wear cold and grey days. Unfortunately Bois Farine now is discontinued, so it's time to stock up.

Voleur de Roses: Created by Michel Almairac as early as 1993 and it's a forerunner to the whole dark, earthy, moisty, dark, red rose and patchouli that I like so much. VdR is somehow the unpolished gem (ruby) of the genre the patchouli is dirtier and moistier, the red rose is darker and bolder than in the more polished followers such as Guerlain Rose Barbare, Juliette has A Gun Lady Vengeance, and Frederic Malle Portrait of a Lady.

Drôle de Rose: A powdery, cosmetic, lemony, cherful, sunny take on the combined violet and pink rose theme, created by Olivia Giacobetti in 1996. Also a forerunner to fragrances such as Frederic Malle Lipstick Rose which more formal in appearance and with more pronounced violet than in DdR and Etat Libre d'Orange Putain des Palaces which is a dramatic, dark and dirty variation of violet-rose.

To be continued in the next post.

L'Artisan Parfumeur - Explosions D'Émotions 2 (2)

Today impressions of the two remaining Explosions D'Emotions.

Picture: Skin on Skin
Photo: PR L'Artisan Parfumeur (c)

Skin on Skin "a wanton embrace" also for this fragrance the marketing blurb is fitting. Skin on Skin embraces you with an obtrusive, chemical candynote which interplays with a sweet irisnote, passably dimmed with soft saffron somewhere in the middle of the fragrance and moved to a note similar to hairspray. A musky, smoky (probably the Whisky mentioned among the ingredients) suede is lurking in the background, contrasting the hairspray and the sweet  notes. As the fragrance is strong and shrill, one should be careful with application. Skin on Skin seems almost as sort of an experimental mockery of a great iris-suede as Histoires de Parfums Tubereuse 1 Capricieuse which, despite its name, foremost is an iris-suede with gourmand accords of cacao and saffron. Skin on Skin could also be one of the sketches to Duchaufours own L'Artisan creation Traverseé du Bosphore. 

Picture: Amour Nocturne
Photo: PR L'Artisan Parfumeur (c)

Amour Nocturne "the intimacy of the night" Amour Nocturne shocks with a loud and garish chemical note of cocos + milk chocolate like a liquid Bounty Bar. As it dries down to the middle- and basenotes, the scent softens and a milky accord infused  with some sweet candynotes contrasted with a dry burned (probably hints of the gunpowdernote), plastic slight flowery note (as in Parfumerie Generale Psychotrope but I like the latter much better)  dominates the fragrance until it's fading out about 24h after the initial application. After going through the jarring top notes, Amour Nocturne despite or maybe because of the burned, plastic  is quite pleasant and comforting to wear in a small dose. Just as with Skin on Skin: Beware to overapply this!

To sum it all up: Probably I'm too old school and doesen't understand anything from this avantgarde(?) creating: Probably I also have a too ironic mind because when sampling Explosions D'Émotions I almost suspect Bertrand Duchaufour for making fun of his public and the current exalting of niche, taking it too serious. After all, these fragrances are more expensive than the IMO overall much better L'Artisans in the regular line. Seems like he's taking the concept a famous name (the perfumer and brand) + nice bottle + an OK juice + some "exclusive" marketing chit-chat to the extreme. An interesting concept and the fragrances as such is very well worth sampling (thanks to Fragrance & Art for the samples) as a reflection of the state of niche today or just to find an unconventional and (in some phases of them if applied sparingly) comforting fragrance.

L'Artisan Parfumeur - Explosions D'Émotions 1(2)

The Expolsions D'Émotions trio are fragrances signed Bertrand Duchaufour for L'Artisan Parfumeur that must have been created with the intention to provoke the smell of sense. The fragrances are wellcrafted and unconventional, and seems to be almost a sort of experimental fragrances ie nothing for daily wearing but something to stuck in and analyze a day staying at home. Explosions D'Émotions are bottled in a new stylish design of the L'Artisan bottles.

Picture: Déliria
Photo: PR L'Artisan Parfumeur (c)

Déliria "exhilaration of the senses" according to L'Artisan marketing blurb and that's true. Déliria starts with a note close to sweet pinapple (BD inspired from Jean Patou Colony?)contrasted with the dry, dirty, unaired ambernote that is present in one of my favorite ambers, L'Ombre Fauve from Parfumerie Générale. After the contrasting opening, Déliria proceeds in a bubblegum note close to the classical pink, swedish bubblegum namned Bugg. Then the sweet notes are more nondescript, its more of a candystore and later the fragrance softens, like the note of candyfloss. The candy notes are darker, deeper and better blended then the regular sweet candy fragrance, a more serious interpretation of this pink-sugary genre.

To be continued in the next post.....

Etat Libre d'Orange - La Fine du Monde

Picture: A scene from the last phase of Ragnarök (1905)
Painting by Emil Doepler (1855-1922)

Who could imagine the Armageddon so quiet and undramatic, almost relaxing? I image chaos, horror and fear but this is not what is expressed in the latest Etat Libre d'Orange fragrance La Fin du Monde created by Quentin Bisch .

La Fin du Monde starts with an iris accord emphasize the rooty, carrot smell. But the carrot isn't raw, instead it's softer, like stewed carrot, an impression that I also get from Huitèime Art Naiviris but in the latter the stewed impression is more intense. After a while a smooth peppery, fizzy, spicy note come up, probably the pepper/cummin. The cummin seems to be a stripped down version, without the sweat (strange that the sweatish component is missing when thinking about the dramatic inspiration for La Fin du Monde). Then a torrid, slight burned note appears, a light interpretation of gunpowder. A sweet, a bit nutty note, reminding me of a almondcake glimpses by, contrasting in the dry, black lead-like accord. In the next stage a slight salty nuance appears and soon a mild popcornnote arrives. The popcorn is gentle and natural in style compared to the candied popcorn note in Miss Dior Cherie (original 2005 version). The composition is grounded in a light, very dry woody-resin base, with the soft gunpowdernote continuously present. The gunpowdernote is much more soft than in fragrances such as Mona di Orio Les Nombres d'Or Ambre or in Lorenzo Villoresi Teint de Neige.

The overall impression of La Fine du Monde is a connection to another recent gunpowdery-slight gourmand interpreation: Amour Nocturne by L'Artisan Parfumeur (an analyze will be published in the coming weeks), but it seems as the names are interchanged.La Fin du Monde is soft, quiet and balanced compared to the much stronger, louder and chaotic Amour Nocturne, which seems to be an experimental and provoking fragrance. La Fin du Monde on the other hand, is very wearable, pleasant and officefriendly, a fragrance many could like, not as extreme as the earlier ELd'O fragrances. When wearing La Fin du Monde, I spontaneously received very positive remarks from when it comes to perfume fastidious Mr Parfumista. La Fin du Monde has close sillage and good longevity, about 12h.

Rating: 4+

Notes: Popocorn, carrot seeds, cumin, sesame, black pepper, freesia, vetiver, sandalwood, ambrette, iris, styrax and gunpowder.

Thanks to Riktig Parfym for the sample.

Pierre Balmain - Extatic

Pictures: All pictures above and below:
PR Pierre Balmain (c)

Extatic is the latest release from the venerable house of Pierre Balmain. Extatic is created by Emelie Copperman.

Extatic starts with soft flowery, slight fruity notes accompanied by a light woody smell which induces a note that almost smells like something I image as light tobaccoflowers. There is nothing of the annoying candy like sweetness of many mainstream fragrance, the sweetness is well balanced. The rest of the flowery impression is nondescript and there is hard to sort out any of the individual notes. The woody notes are soft, with the musky cashmeran dominating probably infused with some clean patchouli. Overall a pleasant, polite, easy to wear and non-extatic fragrance, without own identity or specific features. Extatic is suitable both for day and night and it's not a heavy partyfragrance. The longevity is very good as often with woody-musky fragrances, more then 12h.

To be honest I'm a bit confused about Extatic. It's IMO a let down from the good releases of Balmain the latest decade such as the very well reformulated Ivoire and Vent Vert as well as the contemporary creations Ambre Gris and Carbone. I hope this is a temporary incident and not a trend reversal in the Balmain perfumeline. This doesn't mean there is something wrong with Extatic, quite the contrary, it's a good mainstream perfume that many will like. The issue is that I have higher expectations on Balmain than just to be likable and pleasing.

Those who like easy to wear, pleasant, contemporary, woody florals will probably like Extatic. I can't put my nose on which fragrances Extatic resembles but I smell the likes when walking around in the public. Anyway, Extatic is worth trying, remember my medium rated perfume could be your top rated :-)

Rating: 3

Notes: Rose, osmanthus, pear, orchid, iris, jasmine, amyris, sandalwood, cashmeran, leather

Parfums MDCI - Nuit Andalouse

Picture: Innenhof der Alhambra, 1892Painting by Adolf Seel (1829-1907)
Wikimedia commons

Nuit Andalouse is the other of the two latest launches from Parfums MDCI, Cuir Garamante was reviewed in the prior post. Nuit Andalouse is created by the risning star in the perfumers Pantheon: ISIPCA graduated perfumer Cecile Zarokian which created (together with Daniel Maurel) the epic Epic Woman for Amouage when she still was a trainee at Robertet!

Nuit Andalouse starts with a sort of stripped down, elegant gardenia and cool violet, green notes contrasted with a zesty orange. This is not the usual big white floral burst which is the start of  most orange, this is more elegant and muted. As Nuit Andalouse developes, the flowery notes gets sweeter and deeper, but not as sweet and liqueur-ish as in By Kilian Sweet Redemption, this is a natural, floral, nectar sweetness. A restrained and almost dry in texture musk is present in during the whole drydown, contributing with a slight hay-ish impression. The whole impression of Nuit Andalouse is that of a transparant but not at all cologne-ish orangeblossom fragrance.

Picture: The Deluxe falcons of Parfums MDCI,
there is also a plain version
Photo: PR Parfums MDCI (c)

Nuit Andalouse is a beautiful, well-made, elegant and very wearable orangeblossom fragrance. Maybe not that innovative or avantgarde but a high-quality, classic fragrance in a style that is timeless. Perfect to wear year around, both for office and dressed up. This is a fragrance that really cheers up a grey, chilly winterday and blooms a hot summerday. Sillage is medium and longevity for 12h+.

Those who like lovely and uplifting orangeblossoms such as L'Artisan Parfumeurs Seville à l'Aube, Robert Piguet Blossom, Maison Francis Kurkdjian APOM Femme and Oscar de la Renta Granada will probably also like Nuit Anadalouse.

Rating: 4

Updated rating November 2015: 5 

After more wearings since the review this one has grown and I have to adjust the rating as it's a very versatile and beautiful orangeblossom with excellent longevity, on fabric for weeks.

Notes: Orange, violet, green notes, gardenia, ylang-ylang, rose, orange blossom, vanilla, sandalwood, musk, amyl salicylate (light flower/cutted gras musk note)

PS: Parfums MDCI offers generous 12 ml bottles in the samplesets on their website 

Parfums MDCI - Cuir Garamante

Picture: Foggara (water chanell) in the
old Garamantes territory in Libya
Photo: Tagelmoust (cc) Wikipedia,
some rights reserved 

Parfums MDCI is a french niche house, founded by Claude Marchal, which offers high quality fragrances in collaboration with both experienced established perfumers and the coming perfumer generation.Cuir Garamante is one of the two latest launches from the house. The fragrance is created by Richard Ibanez, an experinted senior perfumer, creator of for example the special, before its time, dark, woody Sonia Rykiel Le Parfum.

Cuir Garamante is inspired by the ancient saharian berbers who was constructors of water channels for irrigaton and therefore dominated the traderoute from Tchad to the Mediterranean ca 500 B.C. As inspired from the desert, Cuir Garamante starts very dry, hot and spicy. Pepper, saffron and the likes creates a fizzy almost transparant, warm, desert-windy impression.As CG deepens there is also a pleasant slight sweaty note, like a soft touch of cummin glimpsing through. The oud is of the smoother variation and it's contributing with a dark, luxury, boozy, woody impression in the same way as in Puredistance Black.On my skin the rose in Cuir Gramante is not detectable as it is when testing it on the scentstripe, probably as the rose is light.On the teststripe the oud-rose (medium pink rose) smells very balanced and restrained, this is not the traditional rose-saffran-oud combo of  Montale and the crowd of followers of this, in those days avantgarde house. The Cuir Garamante rose-oud combo is more of (even if the fragrances are different in style) the gentle second oud genaration rose-oud accord, as in Parfums de Nicolaï Rose Oud. In the basenotes the boozy quality is still present, but in a slighter sweeter context than earlier, probably the resins, smooth sandalwood and discrete, dry vanilla (pod) notes, absolutely not the gourmand, dessert vanilla. In the basenotes there is also a fine leather, which interacts seamless with the other notes.

Picture: Cuir Garamante in Parfums MDCI Deluxe Falcon
There is also a plain version bottle
Photo: PR Parfums MDCI (c) 

Cuir Garamante is marketed towards men but I think it's an unisex creation which leans to the masculine side, contrary to Puredistance Black which is a more feminine unisex IMO. But this is just nuances, one have to test on oneself. Cuir Garamante is suitable both for office and dressed up occasions, for all seasons except for the warmest summerdays. The longevity is about a day.

Cuir Garamante is a well crafted fragence, well balanced and made of high quality ingredients. It's not original or avantgarde, an increasing number of niche lines includes a fragrance of this dark-woody- spicy- oud- booze-leather character (even if emphasizing a bit different among the notes) in their catalouge. Beside a spicier version of Puredistance Black, Cuir Garamante also resembles Robert Piguet Casbah (the dry spices) and partly Huitième Art Monsieur (the niche standard woody impression).

Rating:. 5

Notes: Pink pepper, nutmeg, saffron, rose, oud, papyrus, leather, vanilla, labdanum, frankincense, sandalwood

Boucheron - Place Vendôme

Picture: Place Vendôme
Photo: PR Boucheron (c)

Place Vendôme is created to capture the spirit of the venerable jewellery house Boucheron, situated at the epicentrum of luxury. Place Vendôme is created as a collaboration between perfumers Olivier Cresp and Nathalie Lorson.

Place Vendôme starts sparkling, citric with traces of fruit and light, white flowers. The initial accord reminds me of a rounded and fruity version of Dior Escale à Pondichéry, without the teanote. As PV dries down the blended flowery impression intensifies and is somehow wrapped in gentle, not too sweet, notes. The flowery notes are light as a veil in texture and impression. The sweetness discrete, the honeynote involved is not of the animalic kind as in Serge Lutens Miel de Bois, this is a stripped down version, with just some elements of the honey extracted. The base is light and woody, with a sweet resin quality and the honeyed florals are still pleasant, deeper in expression as in the middlenotes. On my skin, the base is blooming 12h+ after application, I woke up in the middle of the night wondering "What is smelling so good"? The basenotes is the best part of PV for me.

The impression and expression of Place Vendôme is sort of a mainstream Grossmith Floral Veil. Nondescript light, ariy flowers are fleeting in and out in the accords, just as a fleeting light silk veil. Place Vendôme is also a bit "mainstream" rugged in texture compared to Floral Veil but on the other hand, the fragrances are in different priceranges. Another fragrance that comes to my mind when wearing Place Vendôme is Versace Vanitas, even if Vanitas is cold, a bit watery and crispy in texture, where PV is on the verge to creamy.

Picture: The stylish bottle of Place Vendôme
Photo: PR Boucheron (c)

Place Vendôme is a modern interpreation of the classical Boucheron floral-oriental theme. It's fleeting (as many contemporary fragrances after all the IFRA regulations have been effective) and lighter compared to classic Boucherons but elements of the elegant, a bit sweet, classic Boucheron base could be found also in PV. PV is feminine, elegant and suitable both for office and dressed up occasions. It is utterly well behaved, almost annoying in its perfection and it is hard to catch and analyze. Even if PV has no distinct characteristics it's pleasant and easy to wear. The longevity is very good, traces are left after almost 24h. Altogether a fragrance which fits most women, smells nice, is comforting and doesn't offend anybody.

Rating: 4

Notes: Pink pepper, rose, orangeblossom, mandarine, jasmine, honey, peony, praline, benzoin, cedarwood

Fragrances for cold winter

Photo: Mr Parfumista (c)

After a green, rainy and green winter (with tempratures about +5-10 C) which spanned over the year end and nine days into January, the regular snowy and cold winter is now here and seems to be permanented. Even if the white snow is beautiful, everyday life gets much more tedious (all the clothes one have to wear, scraping the car windows, slippery outside, shoveling snow etc). But one thing is very positive, at last I really carve the hard core orientals. Here are some favorites at the moment.

Labdanum 18 (Le Labo): Thanks to Sigrun (Riktig Parfym) I got a sample of this and it was instant liking. Dense, warm, like dark brown, viscous, chocolate, even if not smelling of that. To me it smells of resins, a bit powdery, animalic and balsamic. Reminds me of Shalimar but not as complex and darker. Which leads to:

Shalimar (Guerlain): Cold weather is the right condition for this multifacetted beauty. I get less of the lighter notes as bergamot/citric and more of the dark, balmy, resin and animalic ones. "Shallan" is a true follower which could always be trusted.

Ambre Doré (Maître Parfumeur et Gantier): This is a dark, velvety, slight dirty amber with oud deepening the creation and givning it an interesting twist. The oud is very discrete, one doesn't think of it as oud. The dirtyness is also discrete, not as much as in another amber favorite L'Ombre Fauve from Parfumerie Générale.

Rêve d'Ossian (Oriza L.Legrand): Ossians dream has emerged to be my favorite Oriza in very hard competition as they are all so good. Amber, incense, pines, resins and some spieces are creating a comforting, warm and snuggly texture which warming up the coldest of days.

Opium (Yves Saint Laurent): As I'm saving on the little which is left of my vintage version, I'm mostly wearing the current version which I think is a very good woody-spicy oriental on its own merits. Can't understand all the complaints about it.

What is your comfort cold, winter scents?

Olivier Durbano - Citrine

Picture: Citrin geschliffen 58 Carat
Photo: Wela49 (cc) Wikimedia Commons,
some rights reserved

Citrine is just like Lapis Philosophorum earlier this week a part of the Olivier Durbano line dedicated to semiprecious stones. Citrine to the yellow to brown rare gemstone (most "citrines" are in fact heat treated smoky quartzes or amethysts).

Citrine starts with warm and lemony, accompanied with slight pepper/incense notes. After a while a flowery accord sweetens Citrine and the yellow mimosa shines through as does a balancing note of rosewood. The mimosa is not as distinct as the mimosa in Annick Goutal Le Mimosa and the rosewood is nota as notable as the rosewood in Comme des Garcons Palisander. Resins and slight honeyd waxy notes are lending an unusual sweetness without any vanillic notes and the fragrance is very comforting. In the basenotes the warm and glowing, resin sweetness of myrrh and ambery notes completes Citrine in deeper facets. Traces of the peppery/ginger/elemi accord from the beginning of the fragrance is present in the background as also the soft note of mimosa.

Citirine is a pleasant and thanks to the mimosa unusual resin/incense fragrance. It's soft and discrete, a deliberated fragrance that doesn't intrude to the personal space of others ie a good fragrance for the workplace. With it's sunny apperance it's suitable for summer but also for autumn and winter to remember the warm days. Longevity is for a day.

I think those who like one of my all time incense favorites Comme des Garcons Zagorsk would also appreciate Citrine. Even if Zagorsk is stronger and more distinct with its pine and incense, both fragrancses has a flowery quality but whereas the Zagorsk flower is icy and cold, the yellow mimosa of Citrine is sunny and warm.

Rating: 4

Notes: Citron, orange, elemi, ginger, pink pepper,carrot seed, mimosa, rosewood, linguum vitae (sort of gaiac wood), musk, myrrh, grey amber, beeswax

Olivier Durbano - Lapis Philosophorum

Picture: From the world of alchemistry
Photo: PR Olivier Durbano (c)

Lapis Philosophorum is the 2013 release from Olivier Durbano who is an architect and a jewelry designer, His perfumes are inspired by his collection of semi-precious stones, Bijoux de Pierres Poèmes (Perfumes of Stones Poems).A common trait in his perfumeline is the involvement of different types of incense. Lapis Philosophorum is inspired from how the ancient alchemists was searching for the Philosopher’s stone that would change base metals into pure gold. 

Lapis Philosophorum starts with soft balsamic notes with over a gentle, winey backgrouond, the winey accord is reminiscent of the winey expression in Editions de Parfums Frederic Malle Une Rose. After a while a soft note of incense appears, balancing the tangy winey notes in a sort of meditative harmony. The winey soft incense accord stays through the whole dry down of LP and lasts also in  the contrasting base of the fragrance. The base is very original, a clear menthol note which adds an almost sea-salty impression, is blended with warm, balsamic notes of opoponax and myrrh with oakmoss contributing with its mysterious, dark, velvety green dept. There is something with LP in this phase that reminds me of a darker, warmer and  incense infused sibling to the salty, aquatic, herbal  Finisterre by Maria Candida Gentile.In the later stage of the basenotes, LP turns dark blue in its expression as an inky note appears on an almost metallic background. 

Picture: Lapis Philosophorum
Photo: PR Olivier Durbano (c)

Lapis Philosophorum evokes the image of medieval alchemist working in the secret, hidden somewhere in the a dark moisty cave with lichens on the rough and cold walls. The overall impression of Lapis Philosophorum is, despite the odd combination of notes, a well balanced, soft, calming and relaxing fragrance of high quality and with (even to my jaded nose) intriguing twists in each phase of the dry down. This is a fragrance that catches my attention from the first dab to the final notes 12h+ later, something I really appreciate from a perfume.

Rating: 5

Notes: Calamus, juniper, rum, truffle, grapefruit, wine sediment, frankincense, mesquite, ambergris, menthol

opoponax, myrrh, musk, oak moss

Thanks to Fragrance & Art for the sample to test.

Guilty (perfume) pleasures

Picture: My guilty perfumepleasure -
Jimmy Choo Flash
Photo: PR Jimmy Choo (c)

Sigrun at perfmeblog  "Riktig Parfym" is describing a sort of a guilty perfumepleasure in yesterdays post.
My guilty perfume pleasure is definitely Jimmy Choo Flash. In theory, or at least in the view of perfumesnobbery (which I'm not, I hope, but Mr Parfumista sometimes accuses me to be) I shouldn't like this almost insipid tubereuse/jasmine/orangeblossom with a flashy twist of strawberry (just as Sigruns Miss Dior Cherie - strange, the same berry AND Christine Nagel as creator :-) and catchy, bling-bling box. But somehow I'm attracted to this fragrance, which I find relaxing and comforting, quite contrary to the marketing of the fragrance which mediates images of a glamorous but hectic life in the limelight. But for me strangely, it makes me calming down a stressful day. A hidden gem among "mainstream".

Picture: The official image of Flash
Photo: PR Jimmy Choo (c)

Fragrant dessert

Picture: Scent stripes
Photo: Parfumista (c)

Sometimes when we had dinner we ends up with a fragrant dessert instead of a conventional dessert loaded with calories. Sometimes there is a theme and sometimes there is just random sampling. We are testing on scentstripes in order to experience the fragrances unaffected. Here is an example from a recent fragrant dessert:

First some theme-oriented scentstrips: The intention was to compare immortelle notes which then devolved to compare immortelle and boozy notes.

Sables (Annick Goutal) The starting point was of ocurse the role model of immortelle, Sables. This rough and salty immortelle is the image of dunes, wooden boats and docks, the soggy and slaty air at seaside.

Cuir Beluga (Guerlain) Refined luxurry immortelle combined with the softest, light suedenote ever. Pure delight!

1740 Marquis de Sade (Histoires de Parfums) The immortelle is here and working together with leathery/balsamic notes makes a true dark, cognac, boozy impression appearing.

Speakeasy (Frapin) Of course 1740 MdS had to be compared with the lighter boozy immortelle Speakeasy. On scentstripe the minty note is very prominent compared to what I percieve when wearing it, worn it's more of leathery-dark rum.

After this immortelle study, we went on for a "similar in style and expression but contemporary vs old school" study when I once again complained about the discontinuing of the great contemporary chypre

Mon Parfum Cheri, par Camille (Annick Goutal) testing the less radiant and somehow denser Edp. MPCpC IMO is the best AG so far, dark, deep patchy- plummy, a contemporary Femme Fatal and as such clean compared to its (as I belive) role model:

Femme (Rochas) testing an old Edp of the 1989 version, dark, plummy and spicy, predominantly cummin which lends it just the right slight animalic skanky aura. This is perfume at its best, outdoing most of the current niche offerings.

Talking about current niche offerings, we went further to a great and at the moment hyped one:

Iris Nazarena (Aedes de Venustas) Mr Parfumista has complained this smelling "old man and Brut" on me but I suspecting he's just plotting to take over my sample of it. On the scentstripe the smooth, rooty-iris-carrot note is very pleasant and later on, maybe there is a hint of a refined Fabergé Brut. When Mr Parfumista wears Iris Nazarena the day after it smells like on the scentstripe. Maybe I let him have the sample after all...Unfortunately it seeems to be the same as with Mona di Orio Violette Fumée, I really appreciate the fragrance and want to wear it but Mr Parfumista wears it much better :-(

Finally to the antithesis of niche: My mother had handed over an interesting sample to me:

Oud (Alyssa Ashley) interesting because I'm interested to find out how a "budget-oud" is smelling and the answer is: Faint and fleeting, syntetical, dark woody fragrance with a slight almondy note. This note also appears in expensive nicheofferings but with more dept and accompained with more notes and nuances. In the Alyssa Ashley Oud interpretation it's somehow a flat soli-note. Not a bad perfume but nothing engaging either.

Téo Cabanel - Alahine

Picture: Alahine in its current extravagant bottle.
Photo: PR Téo Cabanel (c)

Alahine is probably the most famous of the Téo Cabanel fragrance and the third one released since the house re-started 2005. Alahine is created by Téo Cabanels in house perfumer, Jean-Francois Latty.

To me Alahine is the image of the floriental fragrance, even if Alahine has a contemporary slight gourmand twist, a strange but sucessfull interaction between pepper and liqueurlike notes. Alahine starts with an instant flowery sweetness of ylang-ylang supported by rose and the classical whites: Jasmine and orangeflower. Those accords are contrasted by fizzy peppery notes and soft notes of pencilshavings (not the sharp varity) also appears. The liqueur note which, just like the notes of pepper and pencil shavings, stays all through the dry down of Alahine. There is a warm and resin-y dept of Alahine which lends the fragrance a velvet soft quality. If Alahine has a color it's definitly red, medium jelly like (a bit transparent) red in the beginning and dark, red, thick, silky velvet in the end. Alahine is very sweet but the woody and peppery notes are contrasting the sweetness in such a well balanced manner and Alahine never gets cloying. When comparing an older sample with recent I don't find any notable differences between the versions. The older version is a bit deeper in character and the newer is just a notch more flowery.

When tested Alahine I come to think of another original red, liqueur, pepper, pencilshaving, floral which preceeded Alahine with six years, Chopard Madness. Madness is loud and sharpedged compared to Alahine but Madness is a forerunner and definitly ahead of its time. Another loud, red and spicy fragrance which comes to my mind when wearing Alahine is Vivenne Westwood Anglomania. Compared to both these red's, Alahine is wellbehaved, elegant and somehow the perfection of the theme. Alahine is a fragrance for autumn and winter, a blanket in grey, cold and rainy weather. Longevity is good, 12h+ and sillage is medium.

To sum up:Alahine IMO still holds its number one position among the Téo Cabanels even if Barkhane is a close runner up.

Rating: 5

Notes: Bergamot, ylang-ylang, rose, jasmine, orangeblossom, pepper, iris, labdanum, benzoin, patchouli, sandalwood, vanilla, musk

Téo Cabanel - Barkhane

Picture: Erg Chebbi, Morocco, Africa
Photo: 84514010 Author Rosino (cc),
Wikimedia Commons, some rights reserved

Barkhane inspired of Saharian dunes of transverse form, is the latest release from the house of Téo Cabanel. Barkhane is created by the housenose Jean-Francois Latty.

Barkhane starts dark, boozy and almost edible. The amber is not the sweet vanillic type, nor the typical herbal version, but  traces of spices are evident. A refreshing note of geranium shines through in the early stages of Barkhane and somehow the ease that the geranium provides to the fragrance, remains during the developement of Barkhane. Despite all the heavy ingredients, Barkhane doesn't become dense or cloying and in the later third of the fragrane a dry,on the verge to powdery, paper-like quality appears which is close to a much less sweet version of the papernote in Boucheron Trouble. Probably this comes from the vanilla note as vanillin like notes could be extracted from wood. This dry papernote is interacting beautiful with the dark, underlying, boozy, woody notes. There is also a wellcrafted, dark, minimalistic patchoulinote coming forward in the pleasant base of Barkhane. The spices also comes forward in the later atages of Barkhane, the almost putty, slight metallic curry tree note gives the spicy blend a special touch.

Barkhane is, as all Téo Cabanels tested so far, a well crafted, classic styled (but with a contemporary touch) oriental blend of high quality ingredients, very wearable in many situations. The fragrance is also affordable taken in consideartion the steep increases in the prices of niche. It's a perfect fragrance for winter but as it's note dense or cloying I also think it would be nice to wear in late summerevenings. Longevity is good, about 12h and as the stylish creation it is, the sillage is just right, not at least intruding but not just a skinscent.

Fragrances which comes to my mind when wearing Barkhane is Parfum d'Empire Ambre Russe similar lightness despite the boozy amber, Maître Parfumeur et Gantier Ambre Doré the dark, mysterious notes and the cult amber Farmacia SS. Annunziata dal 1561 Ambra Nera also dry, dark, almost powdery and with some spices. Also The Different Company Oriental Lounge comes to my mind and probably this comes from the spicy qualities of Barkhane, in particular the curry tree note that both fragrances have in common. I think those who considering the mentioned fragranses should also try Barkhane before the final decision what to buy.

Rating: 4+

Notes: Bergamot, cumin, geranium, curry tree, patchouli, vetiver, oud, labdanum, myrrh, tonka bean, vanilla, musk

Téo Cabanel - Oha

Picture: December roses
Photo: Mr Parfumista (c)

Oha from the venerable house of Téo Cabanel is an old school styled chypre. Oha is created by the house nose or Téo Cabanel, Jean-Francois Latty, a skilful perfumer when it comes to fragrances in the the high quality classic style of Téo Cabanel. I have tested a recent sample and an older one with juice from a bottle of the old design.

Oha starts grandly with a slight powdry and bitter bergamot with contrasting accords of different roses, I can image both pink and red roses. When Oha reaches its middlenotes the roses is still dominating but has deepened and has become darker and tarter. Jasmine and iris is supporting in a robust classic flowery accord with some cool spicyness from the cardamom. There is very little sweetness, if none in Oha, even the musky base is woody and dry powdery, the vanilla and tonka are barely detectable but I suspect these notes prevent Oha from being too austere. Even if lacking oakmoss which seems to have be replaced with musk and woods, Oha is old school chypre-ish in style, something that fails most modern fragrances in this genre.  Ohas lack of sweetness and robust chypre character makes it to an unusual fragrance.

Picture: Oha (in the current bottle)
Photo: Téo Cabanel (c)

Comparing the two samples of Oha, despite just  the older one is more classic, deeper, boozier and less musky powdery with slightly better longevity. The current sample is more musky powdery, a bit sweeter in the roses and reminds me especially in the opening of Narcisco Rodriguez for Her Edt. Oha is said to be an evening scent but I think it's also appropriate for formal daytime wear as it is close to skin. Longevity is good, ca 12h.

Those who like fragrances in the style of Sisley Soir de Lune, Estee Lauder Knowing, the original Agent Provocateur, Niki de Saint Phalle, but also a bit more spicy blends as Chanel Coco, will probably also appreciate Oha.

Rating: 3 +

Notes: Bergamot. tea, rose, jasmine, cardamon, iris, vanilla, tonka been, woods, musk

Huitième Art - Monsieur

Picture: Monsieur in its stylish bottle
Photo: PR Huitième Art (c)

Monsieur is the latest fragrance in Pierre Guillaumes line Huitième Art where each fragrance emphasizes on a special ingredient. In Monsieur different nuances of wood is the star and it's the first fragrance that is classified as masculine in the line, just as the excellent Poudre de Riz from last year was classified as (and really is) feminine. The review is based on comments from and my own impressions from Mr Parfumistas several wearings of a sample from Fragrance & Art.

Monsieur starts strong woody, the fizz of fresh cedar and sandalwood is prominent, underscored with incense. Vetiver and blond woody notes supports interacting with heavier notes as oak and a dry, clean and stripped down, woody patchouli, it's not the typical earthy and herbal "full" patchouli. The over all impression is a dry woody fragrance, linear in its construction as almost everything happens at the same time. When sniffing Monsieur another true woody Pierre Guillaume  fragrance  from the Parfumerie Générale line comes to my mind: L`Eau Guerriere even if that one is in a brighter and lighter context, but not in strength. Another fragrance comparable with Monsieur is Robert Piguet Bois Noir. There also something that resembles parts of Puredistance Black but Monsieur is drier and louder.

Monsieur is a reaible, true woody fragrance intensified with incense which creates a sort of radiating impression. It's in the cathegory "perfect for office" as it's smells appealing and inoffensive. Unfortunately the longevity doesn't match the strong initial impression, Monsieur stays at skin for about 6-8h (on Mr Parfumistas scenteating skin). On the other hand, on a paperstrip or cloth, it stays for days.

Despite not an original and innovating fragrance, it seems as sort of created in a rush and to be honest, not really worthy a nose that have created gems as for example Poudre de Riz,  Cozë and Papyrus de Ciane   Monsieur is a good choice for those in search for a contemporary, basic, woody fragrance.

Rating: 3         (my initial rating was 4 but after some further sniff & consideration I concluded that this is nothing but a good basic woody fragrance ie 3)

Notes: Patchouli, cedar, vetiver, sandalwood, poplar buds, incense, papyrus, oak, oakmoss

The fragrance of New Years Eve

Photo: Mr Parfumista (c)

As the winter here in the north is the warmest in decades and New Years Eve is more like a mid-autumn or mid-spring day in temprature the choice was also unusual for this day. Instead of a dark and heavy scent I chose a light and transparent fragrance, a sample that I unfortunately have forgotten for over six month but was reminded of when reading all the Best of 2013 lists: Marni (by Marni).

Marni definitly should be included in my Best of 2013 list (or maybe the 2012 if the releasedate on Fragrantica is correct), even if I discovered the last day. It's transparent but in the same time it has strength and lasts, it is both cold and warm in character, refreshing but also comforting and calming. A great mainstream fragrance, created by one of my favorite noses, Daniela Andrier which also created the first female classic of this century: Prada Infusion d'Iris.

The warmer spicy-incense part of Marni reminds me of the from the perfumecommunity surprisingly dissesd 2013 release Vaara from Penhaligons, a fragrance which I like very much. The colder aspects reminds me of one of the early "Noveau Chypres" Perles de Lalique, a more intense, deep and in the same time icy cold, rose-woody combo with characteristic pencilshavingnotes. The rose/incense/spices also reminds me of what Caron Parfum Sacre could be if it would appear in an Eau Fraiche variation. Very oddly a light and smoother trace of the "päronsplit"-note (swedish icecream, vanilla icecream covered with pear-ice, popular among children, more about htis see earlier post on Riktig Parfym) in Angelique Noir glimpses by. or maybe it's not that strange, A N is also created by Daniela Andrier.

A very wearable fragrance, easy to wear, comforting and a good officescent. Will be perfect for the coming spring and also for the winter if these tempratures stays.

Rating: 5

Notes: Bergamot, spices, rose, cardamon, cinnamon, vetiver, cedarwood, incense, patchouli

The perfumed year 2013

Photo: Mr Parfumista (c)

Time to summerize some perfume related matters from 2013:

* The year started with the intention to say something perfumewise or perfumerelated each Saturday in the "Fragrance(s) of the week" post. This routine lasted as long as three quaters of the year then it subsided. Writing two posts a week, which usually are reviews, is just enough having a full time job in a complete different business, family etc.

* My Twitter also subsided after almost two years of SOTD tweeting. In the end I almost felt exhausted about this daily compulsion. In 2014 I'll try a middle course, tweeting for a  week now and then.

* During the year I tested, sniffed just for short briefs or evaluated fragrance testings outsourced to Mr Parfumista, a number of ca 135 fragrances. It  means that in about 37% of the days of 2013, some form of perfume evaluating activity took place. Upon this there are of course also fragrances just worn which I have not written about but I have registrated most of them in my "scentmemoey" as references.

*In 2013 there was just one or two fragrance free days and this was when I had a stomach flu. When I'm cold and can't smell anything I put on a light cologne for its ambience. In 2014 the sniffing rate will slow down (I think).

*Days when there are no fragrance assessments on the agenda I relax in comforting fragances as for example the Piguets, the Goutals, the By Kilians or the Hermes Colognes or just appreciate the classics. For example Guerlain Mitsouko is far more interesting than most of the new releases even in its current formula.

*I'll coming back to my perfume testing routines in a post next year, ie how I test and evaluate for a full review.

* In 2013, even if there where many good releases, my nose become a bit jaded. There is nothing wrong with the releases as such, but when sniffing a lot of fragrances, in the end, not many of them stands out. Different  fragrances within a certain category are generally very close in style and smell. When reviewing I try to don't let this affect the assessment as such, I like to compare them with other fragrances captured in the scentmemory.

* 2013 was also the year when the EU restrctions which became effective July 1 would put an end to many of the classics so I've stocked up some during the first half of the year, just to be sure. Today it seems as in reality nothing has happened, but who knows when the old stocks runs out.

* At the moment there are some positive signs about the perfumed future. I read somewhere on Bois de Jasmin that Victoria had smelled a new batch of Mitsouko which was very good and smelled much more like the vintage version. Some newly invented/improved moss substitutes are probably the reason for that. Hopefully this is just the start for new inventions and who knows, in the end and taken as a whole, maybe the restrictions dosen't matter. Maybe something even better comes out of this within a few years.

I wish all readers a Happy New 2014!

Best of 2013

Picture: Summer evening in Stockholm Archipelago 2013
Photo: Mr Parfumista (c)

2013 was another year with a flood of releases, many good and well constructed but too close to other perfumes too really catch my attention. The fragrances of the best of list are such that immidiately caught my attention and a "wow" feeling appeared.

For Her: Le Parfum Couture Denis Durand pour M.Micallef Already during my first wearing of this dark rosy, retro, skanky perfume I knew this would be the perfume of the year to me and it made it to the end.

For Him: Royal Vintage from M.Micallef fresh mangled, exquisite, linen tablecloths worthy a the Royal table. Notes of a just lit cigarette with hints of a minimalistic dry jasmine complements.

For Both: Oumma by Stéphane Lucas Humbert 777 a runner up tested the weekend before Christmas. A fragrance in a class of its own, balsamic resins, rose and a smooth expression of saffron and precious woods.

Close runner up's/ Honorable mentions: Oriza L.Legrand Chypre Mousse, Neela Vermiere Cretations Mohur Extrait, Andy Tauer PHI Rose the Kandahar, Robert Piguet Rose Perfection, Puredistance Black, By Kilian Playing with the Devil, Oliver Durbano Lapis Philosophorum and Aedes de Venustas Iris Nazarena.

2013 apperantly was a good year for Martine Micallef and her house nose Jean-Claude Astier, releasing special and wearable fragrances that stands out to me and make my jaded nose a bit excitetd. The sampling of Oumma was pure luck, random choosing from a sachet of Aus Liebe zum Duft samples. About all the fragranes which almost made it (I'm also almost sure I've forgot to mention some interesting releases): They are all very good and I or Mr Parfumista are delighted to wear them.

Which fragrance is your best of 2013?

Ramón Monegal - Quintaesencia

Picture: La Rambla, Barcelona
Photo: Flickeruser Oh barcelona.com, (cc)
Wikipedia commons, some rights reserved

Quintaesencia my Christmas Eve perfume is created by spanish perfumer Ramón Monegal for the Christmas and New Years Holidays of 2012. When I tried it at that time it was a very limited almost "secret" editon but it seems as for Christmas 2013, Quintaesencia is prepared for a wider distribution in the regular Ramón Monegal "Inkwell" bottles, don't know in which concentration, My review is describing the initial perfume.

The Quintaesencia perfume is attempted to catch the essence of Ramóns hometown, the beautiful and rich in ancestry, Barcelona. The fragrane is very unique as it uses one of the famous amberbases, created by the house of Myrurgia (Ramón is an descendant of this perfumehouse, the Guerlain of Spain), over fifty years ago. Those amberbases were then bought by Jaques Guerlain to be used in the excellent Guerlain-creations of the time.

Wearing the beautiful blend of Quintaesencia I immediately get the following associations:
1) Quintaesencia captures the spirit of Caron Nuit de Noël, there is a furry, almost oily note, some supporting, very fine and fresh, true smelling  leather and a liquor-orangepeel-herbal-rose touch that intermediate a vintage feeling. I can also smell (what I'm thinking is) some subdued oud in the basenotes. I can imagine an elegant fur, cutted in the 1920s fashion with a wide shawl collar.
2) Quintaesencia is the olfactory image of the Carlos Ruiz Zafón Barcelona novels (The Angels Game, The Shadow of The Wind), it somehow captures the eternal spirit of these stories as also the likewise eternal spirit of "Cathedral of the Sea" (La Catedral del Mar) by Ildefonso Falcones. So Ramóns attempt to catch the city of Barcelona in a perfume is indeed very successful.

Picture: Santa Maria del Mar
Photo: Paolo da Reggio (Paolo Picciati)
Wikipedia Commons

The perfume is like a golden nectar, a bit syrupy in character, dark and velvety. Almost as a smooth oil to treat oneself with during cold winterdays. But Quintaesencia is also lovely to wear during a warm summerevening. The dark, almost oily quality is somehow similar with an attar and attars are generally blooming beautifully under warm weather conditions.

Rating: 5

Notes: I don't know the notes but my nose can imagine the following: Fur, leather, liquor, orangepeel, herbs, dark rose, honey, oud, wood, dark musk

The fragrance of Christmas Eve

Picture: Winterroses. 2013 is a warm winter
without (almost) any snow so far.
Photo: Mr Parfumista

Time for the regular Christmas Eve post:. Scent of Christmas Eve 2013 is the retrostyled, furry, herbal, ambery, beauty Quintaesensia created by Ramòn Monegal. I'll review Quintaesencia tomorrow.
Below is the updated list of the fragrances I've worn the last then Christmas Eves:

2012: Nothing, knocked down by the worst flu in ten years+.
2011: Betrothal, Grossmith (classic, light and exquisite florals)

2010: Cuir Mauresque, Serge Lutens (saddle leather, orangeblossom, jasmine, spices)

2009: Tribute Attar, Amouage (dark leather, smoke, oud, excellent spices)

2008: Incense rosé, Andy Tauer (rose, mandarine, cardamom, myrrh cedar, incense)

2007: Ambre Russe, Parfum d'Empires (boozy amber, the, wood, oriental)

2006: Jil Sander 4, Jil Sander (dark, overripe fruits, white almost withering flowers, oriental spices)

2005: Nuit de Noël, Caron (dusky, retro flowers, moss and a furry note)

2004: Cabochard,  Parfums Grès (leathery chypre, harsh green notes and retro flowers)

2003: Fracas Robert Piguet (the ultimate classic grand tubereuse)

I wish all of you a Great Christmas and as I'm very curious to know what you are wearing for Christmas, feel free to leave a comment.

Edit at Christmas Eve: Mr Parfumistas SOTD is the incredible Chypre Mousse from Oriza L.Legrand. A perfect match to this rainy and green Christmas (green lawns and roses outside).

Parfums de Nicolaï - Rose Oud

Picture: Rose Oud
Photo: PR Parfums de Nicolaï (c)

Rose Oud is the rosy one of the two newly launched perfumes by Parfums de Nicolaï containing the famous oudnote. As always the owner of the house the Guerlain descendant, ISIPCA graduated perfumer Patricia de Nicolaï has created the fragrance.

Rose Oud starts with the most natural smelling raspberry note I've smelled so far. The rose that follows is light, fresh and medium pink in color. The raspberry lends it a jammy but discrete character. In this stage Rose Oud reminds me of another Nicolaï Jardin Secret but Rose Oud is softer. As Rose Oud dries down the rose gets more dominant but it's soft, gentle slight creamy, very comforting, not a power rose. The rose is interacting with to my nose non-descript light florals togehter with a light, refined, woody mix. When Rose Oud reaches the basenotes I can smell a sparkling note similar to geranium that I recognize from Mona di Orio Oud and I think this is the oud probably natural or at least a high precentage of natural, as the syntetic ones smells much stronger, headier, rougher and darker. But I no expert so I'll just guess. To summerize the basenotes, they smell close to, but creamier and lighter, the base of Amber Oud.

Rose Oud is overall a wellcarfted, wearable, "take no risks" fragrance. It is discrete, elegant and proper for daily officewear. It's even lighter in apperance than Amber Oud but has a good longevity on skin, traces are there after 12h+.

Just as Amber Oud, Rose Oud is an un-oudy oud, it's a wellcrafted, discrete, flowery fragrances, where oud is one supporting note among others in the base. Rose Oud had no similarities with By Kilians Rose Oud which is a traditional rose-oud creation with these two notes dominating.

Rating: 4

Notes: Raspberry, artemisia, osmanthus, rose, lily-of-the-valley, oud, patchouli, sandalwood, vanilla, musk, castoreum, amber

Parfums de Nicolaï - Amber Oud

Picture: Amber Oud
Photo: PR Parfums de Nicolaï (c)

Amber Oud is one of two newly launched perfumes by Parfums de Nicolaï containing the famous oudnote. As always the owner of the house the Guerlain descendant, ISIPCA graduated perfumer Patricia de Nicolaï has created the fragrance.

Amber Oud starts with a light animalic, almost barnyard like accord followed by lavender and herbal notes. Something in the mix, probably the interaction between some of the ingredients, smells almost as dry pineapple with hints of an also dry vanilla note. In this part Amber Oud strangely enough reminds me of an unsweet version of Sonia Rykiel Belle en Rykiel. The lavender cinnamon that is present in Amber Oud also reminds med of another Nicolaï, the bolder Maharadjah. As Amber Oud continues to develope in the heart, light spices and the amber emerges. The amber is of the herbal, not boozy or vanillic, variety, the same style of amber as in Maître Perfumeur et Gantier Ambre Precieux but softer. Parfums de Nicolaï Amber Oud should therefore not be compared to its namesake ByKilian Ambre Oud as the latter is of the amber-vanillic type. In Nicolaï Amber Oud there are also woody notes supporting the spices and one of them is oud which blends seamless with the other and add some dept to the woody part. This is just like the contribution of the oud in Mona di Orio Oud where the oud is so well integrated that I don't think of it as a oudfragrance, but as as a well balanced fragrance with woody notes. In the basenotes the animalic vibe from the start of Amber Oud returns but in this stage it is smoother, surrounded by balsamic and slight powdery notes, and later on a deeper, darker, slight boozy note which also is present in Maître Parfumeur et Gantier Ambre Doré (another fragrane on the amber-oud theme but less herbal despite it's heritage from Ambre Precieux) appears and is present until the last traces of Amber Oud, almost 24 h after application.

Despite Amber Ouds extensive notelist, the fragrance is overall minimalistic in apperance, it is comforting as in the same time casual chic. The fragrance developes step by step in a wellbehaved manner and it is classic in apperance and very wearable. Even if not smelling alike, I  instinctively come to think of Guerlain Heritage but also Habit Rouge when it comes to the well mannered style of Amber Oud. As a wearer, one have to appreciate a developement "in the small" as Amber Oud is all about nuances, there is nothing bold or glaringly with it. Amber Oud is polite and proper in many situations and will not interfere for example in the workplace. Even if unisex I think this one is the most masculine of the two Nicolaï oud-launches.

Amber Oud is a good representative of the "second oud generation" fragrances where oud is one of the interacting and supporting notes and not the dominating note and theme of the fragrance as the "first
oud generation" like the Montales, Juliette Has a Gun Midnight Oud etc. Amber Oud is a fragrance with oud which I don't think of as an oud, to me it's an aromatic-spicy-balsamic fragrance.

Rating: 5

Notes: Lavender, thyme, sage, artemisia, cinnamon, saffron, oud, cedar, patchouli, sandalwood, vanilla, tonka bean, styrax, musk, castoreum, amber.