Téo Cabanel - Early Roses

Picture: Young woman in a rosegarden
Painting by Umberto Veruda (1868-1904)
Source: flickr.com

Early Roses is created by the inhouse perfumer of the venerable perfumehouse Téo Cabanel, Jean-Francois Latty some years ago. The Téo Cabanel house IMO create high quality, very wearable, natural smelling fragrances with timeless character, a house which should be tested by perfumelovers who likes the styles of the houses of Parfums de Nicolaî and Annick Goutal.

Early Roses starts with a perfectly balanced combination of pink dewy, heady roses and an smooth pink pepper which isn't sharp or dominating at all. There are also natural smelling, light woody notes with a smell which reminds me of some fresh cedarwood and most of all; juniperwood. The pink rose is dewy fresh without any tangy or souer nuances. This stage feels very natural and refreshing and also a bit rare as refreshing roseaccords often involves geranium which isn't the case here.

As Early Roses dries further down, a smooth, fluffy creaminess appears, also this accord is perfectly balanced, nor the musk or the touch of berries are overpowering or too sweet. It's like a clean, minimalist cream where high quality roses are melted down. The rosy creaminess is resting on a warming and golden glowing  amberbase with light woody nuances. The amber is also light, delicate and feels sort of natural, there is not the heavy ambroxstyle, which is present in many contemporary rosefragrances. There is also a pleasant, slight salty touch in the later stage of Early Roses, that creates a slight seaside impression, maybe a hint of ambergris.

Picture: Early Roses
Photo: PR Téo Cabanel

Fragrances which reminds me of Early Roses are for example Coquiliete Tudor for the rosy creaminess, where Tudor is not so well balanced and harsh and screachy in comperasion. A fragrance of high quality which comes to, my mind when wearing Early Roses in its later stages is Parfums de Nicolai Rose Oud which also has delicate ambery, woody, rosy basenotes.

Early Roses is a officefriendly fragrance for days when craving a delicate pink rose, regardless season. Sillage is medium and longevity for about a day.

Early Roses is a fragrance in the same transparent, elegant, flowery style as the latest release from the Téo Cabanel brand, the delicate white flower-tubereuse Lace Garden. Both fragrances could be equaled to olfactory Monet gardens.

Rating: 5

Notes: Jasmine, water, rose, pink pepper, musk, amber, wood

Olfactive Studio - Panorama

Picture: Sheats Goldstein House, LA with panorama view
Photo: Miguel Sandinha, PR Olfactive Studio (c)

Panorama is the latest addition to the Olfactive Studio line. The green fragrance is inspired of the "urban jungle" and the amazing view from the famous Sheats Goldstein House, an extraordinary villa in Los Angeles. Panorama is created by perfumer Clement Gavarry.

Panorama starts green but not with the damp and moisty greeness that I associate with jungles. Instead it smells like some green Irish mist perfume, a cold, herbal, clover greeness, man cologne-ish in style. After a while Panorama gets warmer and spicier  and a gourmand note reminding me of the asian gourmand note in Neela Vermiere Creations Ashoka and also in  État Libre d'Orange Fils de Dieu du Riz et des Agrumes. Probably this is the wasabi note mantioned, but far away in strength compared to when eaten with sushi. There is also a light incense-pepper note lurking in the background and here there is something (minus some sweetness) that reminds me of Tauer Reveire du Jardin. After a while, cooler, fir-like,  greenery appears and once again Panorama feels very masculine. The basenotes is the most plesant part of Panorama, the blend has smoothing out, some almost flowery and earthy elements have joined the mix and suddenly I recognise an old acquaintance the rough and tough lady Balmain de Balmain which is much more distinct and interesting green blend compared to Panorama. Not much more is happening in Panorama, it's a safe linear, but quite different and a bit weird green blend which is almost refreshing in its apperance.

Picture: The Beautiful green liquid of Panorama
Photo: PR Olfactive Studio

Panorama is good for summer, office friendly. with close sillage and longevity for a day. Even if a unisex fragrance, to me it's more masculine which I also think of Balmain de Balmain which is marketed as a ladys fragrance.

Rating: 3

Notes: Bergamot, lemon, wasabi, violet leaves, fig leaves, galbanum, cardamom, freshly cut gras,  musk, vanilla, tonka beans, myrrh, labdanum, fir, patchouli

Thanks to Fragrance & Art for the Panorama sample to test

Arquiste - Quick Impressions 3(3)

My final entry regarding my quick impressions of the Arquiste line.

Picture: Aleksandr Pushkin (1799-2837)
Author: V.A.Tropinin (cc) Wikimedia commons

Aleksandr: Inspired by Aleksandr Pushkins last duel in St.Petersburg  January 1837 Aleksandr highlights fresh green notes in a cold context, notes as fir,neroli, violet leaves and leather. The fragrance is elegant and subtle but to md the mixed ingredients almost smells like a smooth anise over soft suede and a fine vanillanote. An easy to wear everyday scent, classified as masculine but could also be worn by women IMO. Sillage is close and longevity for almost a day.

Picture: Still life with lemons, oranges and rose, 1633
Painting by Francisco de Zurbarán (1598-1664)
Wikimedia commons

L'Etrog: Inspired by Medieval Calabria, October 1175, where a family gathers to celebrate a good harvest. Starts with a sunny, yellow true smelling lemon, followed by a light, fresh in the same time a bit dark, ripe, fruity sweet note which ends up in a scent similar to fresh tobacco. Then L'Etrog softens in the lemony impression and get green and woodier during the drydown. A pleasant lemony, green-leafy-woody scent but unfortunately with a bad stayingpower. 

Overall the fragrances in the Arquiste line are well made and very wearable.My favorites are 1) Fleur de Louis, 2) Infanta en Flor followed by 3)Flor y Canto, 4) Anima Dulcis, 5) L'Etrog, 6) Aleksandr.
The fragrances are composed by perfumers Rodrigo Flores-Roux and Yann Vasnier who in a earlier colaboration has created (with Calice Becker) the much underappreciated Donna Karan Gold. Taken as a whole, the Arquistes have almost something of a polite and dimmed down Parfume Generale style, which make them wearable to a wider audience than the more distinctive Parfumerie Generale line. The latter is also more affordable than the Arquistes. Arquiste (samples and bottles) are aviable on Aus Liebe zum Duft

Arquiste - Quick Impressions 2(3)

Picture:  Infanta Maria Teresa is handed over
for the wedding with Louis XIV on  l'Île des Faisans in 1659
Painting by Laumosnier

The Arquiste quick impression session continues, in this entry with a complementing duo inspired of the marriage between Louis XIV the "Sun King" and his first wife Maria Teresa of Spain.

Infanta en Flor: The Infanta starts surprisingly a bit dirty, orangeblossom supported by a barnyardnote. But soon the Infanta smells freshly baded, the fragrances turns to a soapy, transparent, bubblebath orangeblossomsmell, the same bubblebath effect as the tubereuse in Flor y Canto but in Infanta en Flor the effect lasts during the whole dry down. Even if the bubblebath effect is evident, the orangeblossom deepens and get denser in the later part of Infanta en Flor and the dirty notes thankfully also returns.

Fleur de Louis: Sharper and more masculine in style than the Infanta, there is deeper, greener and woody notes accompaniying the orangeflower and iris in Louis. There is a wiff of conifers and the note of cedarwood is evident but it's not sharp or peppery at all. It is of a smooth, balsamic varity that induces the wowen patch smell that I like in fragrances as Comme de Garcons Jaisalmer and Musst de Cartier Edt vintage version.

Both Infanta en Flor and Fleur de Louis have medium sillage and longevity for about 24h. These two I like best of the Arquistes I have tried and of the two I find Fleur de Louis to be the most original.

Arquiste - Quick Impressions 1(3)

Picture: Mendoza Codex depicting the mexican coat of arms16^th century, Wikimedia Commons

The samples I ordered of some fragrances from the (at least five years ago) hyped Arquiste-line has somehow been forgotten. I start with some quick impressions of two fragrances inspired of Mexico, the homecountry of Carlos Huber the founder of the house of Arquiste.

Anima Dulcis: Inspired of the scent of exotic spices which floats throughout the halls of the Royal Convent of Jesus Maria, Mexico City in November 1695, where a group of nuns prepares a Baroque recipe of Cocoa infused with an assortment of chilies. Starts with an intersting, dirty, animalc blast of cumminlike notes over butterscotch follwed by a gentler soft, woody peppery phase in the style of Yves Saint Laurent Nu Edp and also with elements from Parfumerie Generale Cadjmere. Then it softens into a dark, almost slight minty, choco and nice vanilla with some polite notes of fiery pepper popping up from time to time. The longer in the dry down, the more the vanilla appears. An easy to wear contemporary gourmand-oriental with close sillage and longevity for about 24 h..

Flor y Canto: Inspired of the flowers offered on the temple altars of the Aztecs in August 1400 in Tenochtitlan, Flor y Canto starts heavy with the almost burnt butterscotch accord present. The butterscotch is blended with a tubereuse which is bubblebath-soapy at first but than deepens into a creamier one, in texture just as mediumpink velvet. As a tuberoselover this butterscotch-tuby version attracts me into half of its dry down but then it strangly weekens, blends with a lighter mangnolia note and after that does not regain the dense, velvety, buttery tubey from the heart. The silage is close and the longevity, just as when it comes to Anima Dulcis for about 24h. Even if the scent weakens, it's very pleasant to wear and it growes with each wearing. Wearing Flor y Canto is also a great way  to receive compliments.

L'Artisan Parfumeur - Mon Numéro 9

Picture: Citrus x limon,
Franz Eugen Köhler, Köhler's Medizinal-Pflanzen (1897)
Wikimedia commons

Mon Numéro 9 is a contempoary styled but in the same time classic cologne in one of the sub-lines of L'Artisan, the numbered Collection. See also my earlier review of the directe opposite to Mon Numéro 9, the boozy oriental Mon Numéro 10.  Both No 9 and No 10 are composed of superperfumer Bertrand Duchaufour, nowadays active in most wellestablished, older nichhouses and of courese also in some newcomers as BD seems to be a safe bet.

Mon Numéro 9 starts with a smooth, juicy and round lemon over green notes, on a light flowery carpet. The lemon is not sharp like the smell of chemical detergent which sometimes is present when lemon is dominating nor harsh-herbal as in some old styled mens colognes. The lemon-green-flowery accords are grounded in and contrasted by a typical contemporary vetiver, patchouli, woody, musky base. The musk is quite present but is not taking over the composition but assure that the longevity is very good for a citrus cologne. As described above, Mon Numéro No 9 goes on until it last traces fades away about twelve hours after application.

Mon Numéro 9 is a perfect, safe officefragence, fresh without the ordinary annoying, chemical freshness. Even if colognes traditionally are imagined as summerfragrances I think No 9 has enough body and tenacity to be worn also to bring some sunshine into autumn and winter. An versatile and well made fragrance even if nothing new in style.

Mon Numéro 9 reminds me to some extent of Sisleys Eau de Sisley 3 despite the latter is more uncommon and a bit more interesting as it also features a fizzy gingernote. Also Parfums de Nicolaï Cedrat Intense comes to my mind even if that one is heavier on the woody/patchouli notes.

Rating: 4

Notes: Citron, lime, petitgrain, lavender, coriander, rhubarb, cyclamen, shiso, rose, myrrh, vetiver, musk, patchouli, amber, wood

Thanks to Fragrance & Art for the sample to try.

Aedes de Venustas - Copal Azur

Picture: Views of the South Seas, a set of four,
HMS Resolution and Discovery in Tahiti
Watercolour by James Cleveley (1747-1786),
Wikipedia commons
 

New York based perfumstore and also perfume house Aedes de Venustas has, like so many others, also accelerated their launch rate the latest year. Copal Azur realeased in late 2014 is their second latest one. Copal Azur is composed by Bertrand Duchaufour.

Copal Azur starts with an accord dominated by a sort of smooth, rounded but in the same time distinct incensenote. The incense is not as heavy or sharp as in the traditional church insence personified by the classic  Commes des Garcons Avignon. Further on an accompanyng accord appears. This accord reminds me of a something woody, coconutty in a airy, humid, salty surrunding, there is also a slight woody-green note present. I get an image of a palm-tree situated on a beach, the weather is becoming worse, grey skies are appearing over the sea and the wind is increasing and with flurries. From the still sunwarmed palm-tree trunk, one can smell the tree resin, balsamic-woody with hints of coconut. As Copal Azur dries down further down, the resin qualities strengthens as also the spicy ones and in the same time the fragrance also becomes  ambery sweet. Maybe, at least when it comes to my nose, a bit too sweet when compared to the intitial airy-incense phase of the fragrance. Even if a different incensesmell, the airy pine-incense Oriza L.Legrand Relique D'Amour comes to my mind as it's also the airy incense concept but sutiated in the North whereas Copal Azur is the airy incense of the shores in the countries around the equator.
Recently I watched a documentary on television about Captain James Cook and I can imagine the smell of Copal Azur when the ship anchored by the islands in the South Pacific.

Picture: The beautiful Copal Azur bottle.
Photo: PR Aedes de Venustas (c)

Copal Azur is refreshing and pleasant to wear especially in spring and summer but could also be suitable in autumn and winter when in the right mood for this type of high and airy incense. It's a daytime fragrance, perfect for both work and casual. Silllage is medium and longevity for a day. Copal Azur is totally unisex.

Those who likes different kinds of airy incense fragrances as for example the dry, woody, high Incense Extreme by Andy Tauer, the light slight flowery incense Encens d'Ange by Autour de Parfums as well as the airy-aldehydic "Chanelesque" incense of Montale Full Incense could also like Copal Azur.

Rating: 4

Notes: Incense, salt, ozonic notes, patchouli, cardamom, tonkabeen, amber, myrrh

Thanks to Fragrance & Art for the sample to try

Maria Candida Gentile - The Flight of the Bumblebee 2(2) - Leucò, Kitrea and Syconium

Picture:  A sweet bumblebee (bombus pratorum)
is flying in for nectar
Photo: Bernie, Wikimedia commons

Today review of the last one in this delicate, contemporary styled Maria Candida Gentile trio.

Syconium:

Syconium starts with a sweet fignote over a background almost similar to a not too sweet cookie, probably the sandalwood. As Syconium dries further down, it becomes pleasantly, creamy, milky and reminds like that in the rest of its development even if the sandalwood gets even more prominent and is dominating  in the basenotes. In the basenotes there some vibes from the sandalwood which reminds me of  Editions Frederic Malle Dries van Noten. In the late phase of the basenotes, an moisty, dark, earthy accord appears, taking over  from the dry  and warm sandalwood. As a whole, there are no harsh edges in Syconium and it's not the figgy-woody-fresh type as for example Diptyque  Philosykos, Syconium is more of a gourmand fig as for example the much more spicy, and more complicated in construction, Neela Vermiere Creation Ashoka. Both has the gourmand fig concept in common, wheras Ashoka is the main course and Syconium the dessert. As with the other members of the Bumblebee trio, the longevity of Syconium is very good, at least a day. Sillage is medium and the fragrance even if ecpecially suitable for warm, casual summerdays, also fits as a reminder of warmer days, year around. Syconium is also office approved, with its happy and warm character it will not offend anyone.

Rating: 4

Notes: Honey, milk, fig, sandalwood

Picture: Plate 38, Moses Harris:
An exposition of English insects (1782) Moses Harris (1731-1785)

The Flight of the Bumblebee trio is light, easy to wear fragrances, which would please most people. There is nothing of the challenge and sometimes even quirky twists, of the first six MCG fragrance. But sometime one just want something good smelling, non-deamnding and very wearable. For that purpose The Flight of the Bumblebee trio is a splendid alternative, especially for spring and summer. As the trio is avaible also in 15 ml á SEK 288/EUR 30,55 they are excellent choices as a signatures for Summer 2015. 


Thanks to Fragrance & Art of the samples to test

Maria Candida Gentile - The Flight of the Bumblebee 1 (2) - Leucò, Kitrea and Syconium

Picture: The fresh Bumblebee Collection
Photo: PR Maria Candida Gentile (c)

Italian perfumer Maria Candida Gentile "Flight of the Bumblebee" trio, inspired from the beautiful music piece of Nikolaj Andreyevich Rimskij-Korsakov, uses honey as the common theme of the three fragrances. The fragrances are light and natural, ar also inspired from the beauty and simplicity of mother nature. All three parfumes are Edp:s and has a very good longevity but in the same time feels light and transparent in texture.

Leucò: Dominated by light spices, woody and white flowery elemtents over a musky base. It's fleeting without sharp edges. The honey is not dominating, it's a supporting note adding some warmth to the composition. In other words, there is nothing of the challening honey of Serge Lutens Miel de Bois. The more Leucò dries down, the more present is the tubereuse and the light peppery,woody slight musky basenotes, which even if smooth, take some of the natural impression away but this is not at all disturbing. Probably thanks to a skillful handling of the woody musky elements (the latter not mentioned in the notelist), the longevity is tremendous for such a light and transparent fragrance, on a scarf it could be recognized, unfragmented a week after testing. As Leucò is strong but has a light texture, one have to be careful and apply sparingly.

Rating: 4

Notes: Honey, cistus, lily, tubereuse, benzoin, pepper, frankincense

Picture: Porträt des Komponisten Nikolaj Andrejewitsch
Rimskij-Korsakow (1844-1908)
Painting by Valentin Alexandrovich Serov (1865-1911)
Wikimedia 

Kitrea: Kitrea is the most unusual in the trio. Starts light fruity-citrusy with mixed with salty seanotes which are very refreshing. There is a pleasant hint of woody sweetness in the salt, probably the effect of the grey amber which I suppose is the same as (syntetic) ambregris. Kitrea with its seaside, salty vibes reminds me of another MCG gem, the woody-aquatic  Finisterre but Kitera is a sweeter fragrance whit is natural feeling sweetness of honey and fresh fruits. The fresh fruits is nothing like the standard ultra sweet muddled accords of  many fruity-floral fragrances, the fruitiness of Kitrea is transparent, natural and cold-clear. Another salty fragrance which Kitrea reminds me of is Laboratorio Olfattivo Salina.  Just as Leucò,  Kitrea albeit citrusy, is strong in concentration but has a light texture. Therefore  one have to be careful when applying as a little goes for a day.

Rating: 5

Notes: Honey, lemon, bergamot, fresh fruit, grey amber


Thanks to Fragrance & Art of the samples to test

Ramon Monegal - Moonbloom

Picture: Moonflower before opening for the nightblooming
Photo: The Moonlight garden circle com (c)

Moonbloom  is created by spansh perfumer Ramon Monegal. Moonbloom is another Ramon Monegal exclusive for Bloomingdales in Dubai, see also Dubai Next To Me  for Bloomingdales in Dubai.

Moonbloom starts starts with sweet, creamy, white flowers where tuberose supported by orangeblossom dominates in a delicate mix,I don't know if there is any moonbloom within as I don't know how it's smelling. The opeing reminds me slightly of the old gem Versace Blonde, but more bright, clean and innocent. Moonbloom is quite linear in its construction and when Moonbloom has settled, it smells of sweet, honeyed white flowers inteacting with an light ambery smooth woody base during rest of its lifespan. The ambery, flowery aura of the fragrance, reminds me of the similar, but more classic in style, impression of Maison Nicolas de Barry Madame de Pompadour. Some darker passages are swirling up to the surface in the second part of the dry down, this passages remins me of the special almost inky rose, spieces, sandalwoody combination in Vero Profumos beautiful Rozy Edp. Another fragrance that comes to my mind is Robert Piguet Mademoiselle Piguet but without the pleasant slight decaying greenery accord of the latter

To summon up Moonbloom, it's not an original fragrance as there are many in the same thick, almost tropical white flower style.The archetype for this style is to me a fragrance as Annick Goutal Songes even if there of course where other before that one in this group. On the other hand Moonbloom is very beautiful  and very pleasant to wear, smells wonderful. Even the picky Mr Parfumista commented in a very postive way on Moonbloom, and thats not happen very often when I'm testing new fragrances.

Moonbloom is an easy to wear fragrance, perfect for most occasions and is the type of fragrance which blooms and unfolds as best a very warm summerday. Longevity is for a day when tested under spring conditions ca 10+ C, silage is medium.

Rating: 5

Notes: Havn't found any notepyramid but I guess tubereuse, orangeblossom, rose, sandalwood, amber, vanilla. musk  are involved

Måns did it!

Picture: The ESC winner 2015
Photo: K.Joensson Expressen (c)

The wonderful Måns "Yum-Yum" Zelmerlöw of course  did it. He is the winner of ESC 2015 in Vienna  after the most exciting voting in years :-) A well deserved victory for this well excperiensed artist. Congratulations!!!

Scented thoughts - May 2015

Picture: Swedens face (and voice :-) in 2015 ESC,
Måns Zelmerlöw
Photo: TT (c), PR SVT

Times flies and even if many fragrant thoughts are going on, there is so short of time to write them down.

* Now I also have a busy summer ahead, sniffwise at least.  Yesterday a lovely letter with samples form the best assorted nicheboutique in Sweden, Fragrance & Art. was waiting in the letterbox. As mentioned before, the ovner has an incredible talent for selecting good and unusual perfumelines. In the letter there were samples from a just introduced line, Franck Boclet, which I havn't recoginized until now. From sniffing from some of the samples, these seems very promisíng. And there were other exciting things in that letter too, stay tuned for comming reviews.
* To day is the Evening of the Grand Spectacle, final in Vienna of the  Eurovision Song Contest which is very fun to look at (an comment :-) together with friends and family. Sweden has a great chance to win it all with the very professional artist Måns Zelmerlöw, also nick-named Yum-Yum. It not just Måns handsome look and good artistery, the melody Heroes and animated light show are also great. I'll be dissapointed if Måns don't make it, this will be an exciting evening.
* Which fragrances are in rotation when not testing new samples, i.e what has been worn during the workdays lately? In the transition between spring and summer I crave both for lighter fragrances and darker. Favorites lately are some Hermèses as the tangy, fruity, almost composting smelling, slight rosy Un Jardin Sur le Toit.  Also the flanker to one of my all time favorites Amazone, Rose Amazone is worn relatively much. Even if I like the original better, at least in my 1990s version, I also like Rose Amazone very much, more easy to wear, not as deep  as the original, fruity, rosy, tangy (this one too :-). In the light category, my Puredistance sample of  the wonderful flowery WHITE is a great favorite. Elegant but in the same time so comfortable to wear, my vintage Hermès  Les Voitures a Transformation  (in blue) worn yesterday together with this gem is now soaked in Whites beautiful aura. When passing it, I can't resist to sniff the silk.
* When it comes to the darker ones, I have rediscoverd some great Parfumerie Gènèrales which I was not so found of some years ago but now find are great: The smoky, woody, sweet, caramelized, wheat of Cedre Sandarque is delicious. The vetiver accented, inscrutable, slight soapy, contemporary chypre Querelle is also fab, if lightly applied. If too heavy handed, it appears as a mens Cologne.

Ramon Monegal - Mediterranean Memories

Picture: A favourite plant for Chinese New Year
Photo: Mokkie (CC),
Wikimedia Commons, some rights reserved

Mediterranean Memories by Ramon Monegal is created for and available exclusively at the famed hotel Mandarin Oriental Hotel Barcelona. 

Mediterranean Memories (MM) starts with a realistic, sharp tangerine note. Soon a smell of green leaves, which I can imagine as the leaves of the tangerine three, appears. As MM dries further down it becames sweeter, probably the light green yellow lindenblossom note achieves this and in this phase MM reminds me slightly of Carthusia The Essence of Centaral Park.  Some accords  later, the smell of MM suddenly reminds me of citrus/orange hard candies. More yellow flowers are to come, when the lovely, sunny, nectarious mimosa appears, golden and warm. The fruity vibes still lingers and even if MM not is smelling of pineapple, I find  similatities with another contemporary, fruity chypre Jean Patou EnJoy which has a dominating note similar to pineapple, is much bolder but has a resembling expression and aura. Later on an very light, almost peppery impression shows up, probably from the cedarwood in the basenotes. There is also additlional, varm spicy, woody notes combined with a light, white musk, a musk which has been present, highlighten the notes during the whole development of MM. The basenotes is the part I like the best with MM, probably as I'm no great fan of lindenblossom. The base notes retains the chypre-ish expression and MM is here darker than in the exuberant top- and middlenotes.

Picture: Mediterranean Memories by Ramon Monegal
Photo: PR Ramon Monegal (c)

Mediterranean Memories is an easy to wear, elegant, albeit a tad to sweet for my taste in the middlennotes, everyday fragrance suitable for work or daytime pleasure in spring and summer. Sillage is close and longevity good, for approximatly a day.

MM is in the same vein as another  Ramon Monegal exclusive Very Private, reviewed earlier. Both are flattering and easy to like by many as they are smelling very good and are versatile in style. But they are not as interesting as the basic Ramon Monegal line. For those who havn't tried Ramon Monegal yet, my recommendation is to start with the basics.showing the versatile but genuine Ramon Monagal style as expressed in the first fifteen fragrances released to the international market in 2012.

Rating: 3+

Notes: Tangerine, green leaves, lindenblossom, mimosa, cinnamon, cinnamonbark, cedarwood, musk (I think as I havn't seen any official notelist, only some mentions in an article)

Ramon Monegal - Very Private

Picture: Beneath the Lilac at Maurecourt,
Painting by Berthe Morisot, 1874,
Wikiart

Very Private is an exclusive composition created by Ramon Monegal for Bergdorf Goodman, New York. The fragrance is said to capture the hypnotic and magical impression of the Bergdorf Goodman flagship store as well as Central Park in springtime.
Very Private starts with a sunny burst of what I percieve as yellow-green fruity notes, accompanied by fizzy peppery notes. There is also a hint of alcohol in the beginning, the impression of a fruit cocktail. Soon also rose and a note that reminds me of melon appears. the fizzy, fruity first stages of the perfume reminds me of another joyful Ramon Monegal - Lovely Day. Lovely Day and Very Private also have some common notes; rose and licorice and I can also smell a similarity also in whole accords of the fragrances even if Lovely Day is more peppery and fresher where Very Private is more flowery with a golden, warm, honeyed sweetness. The melonnote is of the Galia varity, not watermelon. The lilacnote, to my nose, is recognizable in the second part of the dry down and I have to smell very close to really sort it out from the seamless blended fruity-flowery mix. The basenotes are a pleasant musky mix with oak moss and licorice adding some dept and contrasting darkness to the this bright and happy fragrance.



Picture: Very Private in its white cap,
 inkwell bottle
Photo: PR Ramon Monegal (c)

Very Private I can imagine (the test is done in cold springweather) is a durable fragrance for warm, summerdays. Also suitable for spring and wearable in most occassions, very good to cheer up in the office. Perfumesnons should not fear away as this is a genuine fruity-floral fragrance, it's not the sickingly artificial smelling sweet fruity-floral, Very Private smells almost natural in its interpreation of florals and frutis. Sílage is medium and longevity good, for a day.

Those who like Hermès Un Jardin apres la Mousson, Ramon Monegal Kiss My Name (which is in a similar style as Lovely Day) and Guerlain Idylle Duet Jasmin-Lilas will probably also like Very Private.

Rating: 3+

Notes: Citrus, fruity notes, tea rose, violet, lilac, orange blossom, oak moss, licorice, vanilla, musk

Ramon Monegal - Dubai Next to Me

Picture: Dubai Next to Me
Photo: PR Ramon Monegal (c)

Dubai Next to Me is a limited edition from Barcelona based perfumehouse Ramon Monegal. The fragrance was (at least originally) distributed only in Dubai.

Dubai Next to Me starts peachy, not the atrificial, chemical peach, but an accord which feels quite natural. The coconut is very smooth and also feels natural in style. Soon the peach is offsetted with smooth spices and later in the dry down also smooth, velvety flowernotes appears as also balsamic and a very smooth leather note. The oud is very soft and acts as a deep woody ingredient in the base, not recognizable as a distinct note. Dubai Next to Me, even if consisting of deep and thick notes, appears as somhow refreshing and transparant, there is an almost cold, metallic vibe to it, probably from the combination of rose and some of the spices. The fragrance is very well blended, made of high quality ingredients and it performs as it is fleeting in circles seamless around the accords, Dubai Next to Me seems not to be built in the traditional pyramid structure of accords, to experience this fragrance gives me associations to the Hermès scarf/shawl De la Mer au Ciel with its eternal circles of life.

Picture: Beautiful Hermès De la Mer du au Ciel,
140x140 cm cashmere/silk,
designer Laurence Bourthoumieux
Photo: PR Hermès (c)

Dubai Next to Me is not a traditional, middle eastern perfume, it's a fragrance which is most certainly appreciated in any part of the world and it could be worn in most occasions except for sports. I think this fragrance demands much warmer tempratures than swedish spring (+10 C) to really bloom with its beautiful fruity, floral, spicy notes and I will test it again in the summer heat to confirm that. Silage is very close and longevity is good, for at least a day.

Other fragrances that I come to think of wearing Dubai Next to Me is Naomi Goodsir Or du Serail which is similar in style. Also Aqaba Midnight Sun even if stronger and more flowery, has something in common with Dubai Next to Me in the overall expression.

Rating. 4

Notes: Coconut, peach, melon, saffron, nutmeg, black pepper, jasmine, rose oil, rose absolute, frankinsence, cistus labdanum, oud, sandalwood, cashmeran, spanish leather, tonka, ambraceme absolute

Maison Nicolas de Barry - L'impératrice Sissi

Picture: Emperess Elisabet of Austria (1837-1898)
Painting by Amanda Bergstedt (1841-1918)
Wikimedia commons

L'impératrice Sissi from the historic line of Maison Nicolas de Barry is inspired of the Empress of  Austria-Hugary the beautiful  redhead Elisabeth of Bavaria. L'impératrice Sissi is create by Nicolas de Barry and Eddie Blanchet.

L'impératrice Sissi starts sparkling, flowery where natural smelling violets blended with iris, the flowery irisinterpretation are featured. Later on the fragrance goes more cosmetic, like the smell of lipstick, a bit putty- powdery, and this impression deepens as the dry down goes further on. The base is slight vanillic, musky powdery in a  pleasant way.

L'impératrice Sissi is a well made, not candy sweet pastille smelling violet, the flowery iris blances the violet in a perfect harmony. Simple in notes but well balanced and with good ingredients, L'impératrice Sissi is pleasant to wear year around, this is not the typical transaprent spring violet. It's a comforting but in the same time casual chic fragrance, wearable in most occasions.

Frederic Malle Lipstick Rose and L'Artisan Drole de Rose are fragrances in the same vein as L'impératrice Sissi in its later stages. The flowery opening is more in the style of Acqua di Parma Iris Nobile and Le Galion Iris.

I don't konw why  Elisabeth inspired to a violet fragrance, maybe because she liked to wandering in the nature or simply because violets where popular in the romantic era in the 19th century.

Rating:4
Rating: 5 (November 2016)

Re-testing Sissi in November 2016 - its a really great fragance, I like it even better now, the natural vanilla together with an almost herbal facet shines through in a much better way this time. 

Notes: Bergamot, violet, iris, vanilla

Thanks to Fragrance and Art for the sample to try

Maison Nicolas de Barry - Louis XV

Picture: Louis XV  (1710-1774)
Painting from 1730
  by Hyacinthe Riguad (1679-1743)
Wikipedia commons

Louis XV is the masculine counterpart to Madame de Pompadour also from Maison Nicolas de Barry reviewed earlier this week. Louis XV is created by Nicolas de Barry and Eddie Blanchet and part to the line inspired of historic royalties.

Louis XV starts with a sunny blast of sweet honeyed orangeblossom contrasted with the green and a tad bitter facetts of neroli. The opening is golden, as the rays of the sunset. As the fragrance developes, a classic bouquet of  flowers emerges and acts as a solid backgrund to the orange maintheme. The texture of the fragrance is as a smooth, silky golden velvet, suitable for a royal robe, worthy Louis XV himself. From the bouquet there are certain crispy green notes fleeting around in the blend, more or less noticeable as the flowery theme varies. Overall the composition has a citric tingeThe base is warm ambery, slight musky with just a small touch of soap. Louis XV is far from as ambery as Madame de Pompadour, Louis XV is a varitaion of the usual orange-/neroli theme and a much more straight forward white floral.

Louis XV is a very good orangeblossom interpretation, there is no harsh edges or artificial feeling. It's round and warm, very flowery, without the cologne texture common among many orangeblossom fragrances and also not as soapy as many of them. Louis XV to me is unisex and could be worn in most ordianry occasions, this is a fragrancs that adds everyday comfort and casual elegance. It also draws compliments. The sillage of Louis XV is medium and longevity not as great as the Madame P, Louis on my skin lasts for a day reapplied. This is strange as Annick Goutal Les Colognes Nèroli lasts for about a day without reapplication.

Picture: Louis XV
Photo: PR Maison Nicolas de Barry (c)

Fragrances that Louis XV reminds me of are Historiae Orangerie du Roy which is fresher and more colognestyled, Annick Goutal Neroli, which is thinner and less flowery, as well as it has some similarties with the more masculine, woody neroli Eau de Cardinal also from Maison Nicolas de Barry.

Rating: 4

Notes: Neroli, orange, roses, jasmine, violet, gardenia, hyacinth, daffodil, tubereuse, amber

Thanks to Fragrance & Art  for the sample to test

Maison Nicolas de Barry - Madame de Pompadour

Picture: Madame de Pompadour (1721-1764)
portrayed as a turkish lady, 1747
Painting  by Charles André van Loo (1705-1765)

Madame de Pompadour is a creation from Maison Nicolas de Barry, a house which creates fragrances inspired from the history. The fragrances is created by Nicolas de Barry and Eddie Blanchet.

Madame de Pompadour starts with a burst of florals under command of the regal iris, the flowery version, not the carrot root note. Soon the rest of the boquet takes over, different flowers are fleeting in and out from the centerplace. On my skin the bulbflowers daffodil and hyacinth are particularly present, supported by a beautiful tuberose. The amber blends very well with the flowers and creates a special glow to the perfume. Also the amber and iris particulary seems to connect during the dry down, plush, velvety aura. The base are ambery-musky with the flowers still very clear present and a touch of a contrasting slight earthy/dirty smell. There is also a touch of the special textile band-aid note present in vintage Musst de Cartier Edt.

Summarized: Madame de Pompadour is a beautiful floral-oriental bouquet, interacting with a glowing, ambery base creating a warm, rounded boquet. Even if classic in structure and ingredients Madame de Pompadour doesn't smell dated neither dense or loud. One could imagine that a fragrance inspired by Madame de Pompadour would be lighter, pink much more fluffy, powdery and painted in lighter pastel colors as fashionable in the Rococoera. But the reality beyond the pastels was, as we all know, strong odeurs, attempted to be hidden by perfumes. In the perfume there is a hint of a dirty note in the base, so subtle on almost not recoginze it at first. It's not at all like in the barnyardnotes fragrances.

Picture: The Mme de Pompadour flacon
Photo: PR Maison Nicolas de Barry 

Madame de Pompadour is suitable for all seasons but just for evening in the summer. It's very elegant and maybe too much for most offiicies even if a pleasure to smell and wear. Sillage is medium and longevity for at least a day.

Wearing Madame de Pompadour I somehow get to think of (even if not smelling the same) classic Creed flower boquets as Irisia, Fantasia de Fleurs and Tubereuse Indiana. Madame de Pompadour is for everyone who enjoy a wellmade, grand, timeless floral boquet.

Rating: 5

Notes: Iris, roses, jasmine, gardenia, violets, hyacinth, daffodil, tubereuse, amber

Thanks for Fragrance & Art for the sample to test

Ramon Monegal - Hand in Hand

Picture: Skiers

Painting by Frits Thaulow (1847-1906)

WikiArt

Hand in Hand is an oud-oriental  inspired perfume from the Barcelona based perfumehouse Ramon Monegal. As usual the very experienced perfumer, the house of Myrurgia offspring, Ramon Monegal. As Myrurgia is mentioned as the Guerlain of Spain, Ramon could be likened to a spanish version of Patricia de Nicolaï. Both well educated and experienced in perfume/perfume business, running own perfume houses, independent from the old family houses which since long been sold to some of the big ones.

Hand in Hand starts cold, with a woody smell of juniper bush and pine in winter. After a while a smoky accord appears, it's the fresh, dry smell from dry wood, lighted to a campfire a cold and sunny winterday in the forest. This is not the rough,  masculine, meaty, smoky accord as in the campfiresmoke in Mona di Orio Les Nombres d'Or Cuir, the smoke in Hand in Hand is more refined. After a while a hint of leather ant a peppery note also shines through. The dark rose is  discrerte in the first stages of Hand in Hand. Over all the first part of Hand in Hand (even if not smelling the same) reminds me of the first part of Robert Piguet Oud, which also contains the cold, pine note. These two fragrances could be described as the ouds of the North, they are very suitable to the Scandinavian landscape and colder tempratures. Hand in Hand also has some kinship to Frapin Nevermore, as an unsweet, dry relative to that dark, dramatic, boozy, intriguing one. In the second part Hand in Hand becomes more spicy, a spicy mix which togheter with a musky base brings forward the rose a bit more, even if the rosy note not is as dominating as in most rose-oud combos. The rosy note is as integrated with the other notes. In the later stages of Hand in Hand I find similarites with the dark, purple, rose from Parfumerie Générale Isparta.

Picture: Hand in Hand in it's inkwell bottle
Photo: PR Ramon Monegal (c)

The cold, confier and smoke accords  is the first part of Hand in Hand I find the most interesting, the second part is more familiar for this style of fragrance. Hand in Hand could be worn year around at any occasion where a more intense pefume could be accepted. The fragrance is very concentrated, and just as with Isparta, it's hard to avoid overapplying. Less is more is definitly what is applicable in this case. Sillage is great and longevity for 24h+. Hand in Hand is unisex, leaning to the feminine side according to my nose.

Rating: 4

Notes: Rose, oud, spices, musk

Le Galion - Sortilège

Picture: Le Galion Sortilège
Photo: PR Le Galion (c)

Sortilège is like all the other re-released Le Galions a reinterpreation/ reconstruction of the Paul Vacher fragrances, created for his house, Le Galion during the 1930s to 1970s. The reworking of the fragrances is performed by perfumer Thomas Fontaine.

Sortilège starts with subdued, soft, very aldehydic flowers, a non perfumista would probably belive that the topnotes are off. The impression is very vintage, in a soft, non-screachy way, a wonderful opening to my nose. There is also a light, smooth spicy (cinnamon) impression, contrasting the soft flowers. As Sortilège reaches its heart flowers are still embedded in an aura of aldehydics but much softer and not as outstanding as in the initial blast. The flowers are warm, soft yellow, like the golden nectar, seamless mixed in a fleeting during a balsamic, warm, woody slight ambery base which becomes excellent creamy in texture after some hours.

Sortilège is a fragrance for elegant occasions year around. The sillage is medium and longevity for at least a day. Of course it could be worn also for work, this is a perfume that boosts ones confidence.

Picture: Le Galion Sortilège
Photo: PR Le Galion (c)

Sortilège, first created in 1965, havn't smelled the vintage, traditionally was one of the topsellers from Le Galion and I'll not be surprised if the modern interpretation will follow the original. It's a beautiful, retro styled fragrance, interpreted in a contemporary but in the same time timeless style. It's very elegant, sort of french in style, there are similarities in style, with the aldehydes in Hermès Calèche. Somehow I also associate to Parfums de Nicolaï  Le Temps d'une Fête even if the latter is a green floral fragrance, rougher and outdoorsy compared to the artistic bound floral bouquet in the salon, Sortilège. Also the beautiful Antonia from Puredistance comes to my mind when testing Sortilège. It could also be compared as the feminine counterpart to Le Galion Special for Gentlemen the same elegant timeless, retro style. To me Sortilège together with Special and Iris is the best fragrances from what I have tested from Le Galion.

Rating: 5

Notes: Lily-of-the-valley, lilac, ylang-ylang, aldehydes, jasmine, narcissus, rose, iris, mimosa, sandalwood, vetiver, labdanum, musk, amber 

Thanks to Fragrance & Art for the sample to test

Le Galion - Snob

Picture: Tagetes, probably T. patula, on Gotland, Sweden
Photo: A friend of author Per Enström, user Plkr (cc)
Wikimedia commons, some rights reserved

Snob is another of the reworked and re-released fragrances from classical french perfumehouse Le Galion. The reworkings are performed by Thomas Fontaine, the originals were created by Paul Vacher.

Snob starts with sparkling, almost metallic, cold flowery, crisp fruity notes with a touch of saffron. As Snob dries further down, medium bright rosy note appears, if I imagine a color, it's creamy white. The rose is backed up with classical white flowers. Soon the note that seems to be the twist of this fragrance shows up; the tangy, sour and almost citric note of tagets, a great contrast to the rest of this well behaved floral mix. The tagets makes me think of Montale Aoud Red Flowers a darker and denser, more distinkt floral-woody-oriental fragrance featuring the not so common flower (in perfume); tagetes.
The flowery, sparkling coolness remains during the whole drydown of Snob. The base is bright as rest of the fragrance, woody-musky without powdery notes.

Picture: Le Galion Snob
Photo: PR Le Galion (c)

Snob is a good fragrance for spring and summer, an elegant, but not snobbish, officescent with a twist in the overall floral harmony. Longevity is good, about a day, sillage is descent. Those who likes a bright, wellmade  floral boquet in a timeless style like for example Jean Patou Joy would probably appreciate to test Snob as also the other florals from Le Galion, all well made in a opulent and timeless style. Which one to prefer is in the end up to the personal floral taste.

Rating: 3

Notes: Mandarin, bergamot, saffron, apple, rose, jasmine, orange blossom, iris, tagetes, sandalwood, cedarwood, musk

Thanks to Fragrance & Art for the sample to try.

Le Galion - 222

Picture: The light leather 222
Photo: PR Le Galion (c)

Le Galion 222 is another reissue/reconstruction of an old fragrance from the house of Le Galion. Thomas Fontaine has reworked the old formula of Paul Vacher.

222 starts with a accord  similar to cardamon (not mentioned in the notelist) and leather, first the spicy note appears, than the leather intensifies. In this stege 222 reminds me of the cardamon infused trio Veni, Vidi, Vici by Histoire de Parfum.The leather is a natural smelling, medium strenght leather, like the leather in a pair of gloves, not the rough leather of a black bikers jacket nor the smooth leather inside a fine handbag. The leathery/spicy accord is balanced with a cold, slight nondescript  flowery accord and the fragrance as a whole is cold in texture. The base is sort of clean, contemporary mossy/woody with the leather still apperant. In the basenotes 222 reminds me of a smoother and weaker Helmut Lang Cuiron (vintage version).

222 is a gentle leather, suitable for most daytime occasion, for most season exept the warmest summerdays. Those who like light leathers like Hermès Kelly Caleche, Cuir de Lancome etc, could also appreciate 222.

Rating: 3

Notes: Violet, myrrh, styrax, lavender, geranium, coumarin, oakmoss, cedar, sandalwood, vanilla, leather

Easterfrags 2015

Picture: The Peter the Great Egg, 1903
Photo: Uploaded from Dutch and UK Wikipedia,
no rights reserved for the file

Easter is more of a "fragranceholiday" than Christamas to me. In Christmas there are so many other competing smells as from the Christmastree, Glögg (swedish mulled wine), saffron bread, red cabbage, mustard etc. Easter is expressed in  three distinct fragrancegroups to me: The foody - gourmand fragrances, the crispy - green fragrances,  especially the ones containing bulb flowers or cold iris and the churchy- incense or precious resinfragrances. Below some reaible ones from each category:

The foody
Kiss Me Intense (Parfums de Nicolaï): Pastry and sweet floral high-level gourmand pleasure.
Cuir Garamanate (Parfums MDCI): Some dark, boozy almost liqurie notes hides in this powerful woody blend.
Nevermore (Frapin): Now we're entering the dark, boozy territory, mysterious and dark as Good Friday itself.

The crispy
No 19 Edp (Chanel): Contains more flowery notes than the Edt, beautiful iris, rose, galbanum accord.
Amazone (Hermès): Crispy, cold, green bouquet with bulbflowers with some amplifying fruity notes. An old time favorite, very casual chic.
Antonia (Puredistance): Green leaves and stems in a beautiful sunny, floral composition. Timeless, casual chic, perfect for the Easter lunch.

The churchy
Pink Quartz (Olivier Durbano): A pink mineral rose with myrrh, incenses and precious spices. Cold as the marble of the cathedral, contrasted with the warmth and smell of the incense burned inside.
Relique D'Amour (Oriza L.Legrand): The small medival chapel with a Madonnasculpture who has listened to centuries of prayers.
Passage d'Enfer (L'Artisan Parfumeur): Incense in the air, lillies on the altar and a ray of light shining through the gotic windows of the cathedral.

Wish you a Happy Fragrant Easter!

Parfums de Nicolaï - Kiss Me Intense

Picture: The Kiss (1908-1909)
Painting by Gustav Klimt (1862-1918)
Wikimedia commons

Kiss Me Intense is a reworked version of Kiss Me Tender Edt which was launched 2010. As usual when it comes to the house of de Nicolaï, Mme de Nicolaï herself is the creater of the fragrance.

Kiss Me Intense starts with a beautiful, warm, lush, sunny and somehow fresh note of heliotrope. It's not overly sweet, it's like it's just picked and some of the juicy green from the steam and leaves are also included. The heliotrophe is sweet and warm,  close to the scent of mimosa but thicker and darker in scent and texture. Almond and anice add gourmand sweetness to the fragrance and the mix smells almost like a soft almondcake. The flowery, gourmand accords are saftely anchored in a soft vanilla base. The fragrance is quite linear and the wearer could enjoy most of the notes  simultaneously. Kiss Me is a very cosy and embracing fragrance, like a smooth cashmerejumper. Somehow Kiss Me reminds me of how I imagine the atmosphere in beginning of the last century, the era of Gustav Klimt, where elegant ladies enjoying pasteries in Wiener cafés.

Picture: Kiss Me Intense in 30 and 100 ml
Photo: PR Parfums de NIcolaï (c)

To me Kiss Me Intense is a bit less pastery and more of the flower than the Edt version. It's a very good, sort of natural smelling gourmand fragrance, not too sweet or cloying, it has an uplifting sparkle to it. The gourmand style combined with the sweet flowernote makes Kiss Me perfect to wear for Easter. The longevity is good, at least for a day and sillage medium. Kiss Me is a fragrance for comforting, casual chic occasions and would also suit for casual Friday in the workplace.

Kiss Me is for those who like gourmands like Etro Heliotrope, Editions Frederic Malle Dries van Noten, By Kilian Intoxicated Carner Barecelona Rima XI and El Born

Rating: 5

Notes :Heliotrope, vanilla, star anise, almond, hay.