Midsummer (and some concerns about Caron)

Picture: Midsummerflower
Photo: Mr Parfumista (c)

So here we are, already the magic summersolstice with the shortest night of the year i.e not dark at all, just more or less light outside. But when it comes to the temprature one could suspect it's the wintersolstice we are celebrating. Yesterday was the coldest Midsummereve in decades and perfumewise I felt to put on some spicy-woody YSL Opium instead of something traditional midsummer flowery or green grassy. It all came to a compromise, I chose a flower but not at light pretty summerflowery one.

Instead I went for a classical, dramatic, elegant and restrained soliflore, Caron Tubéreuse which has intrigued me lately, inspired from the great review on Suzannes Perfume Journal as well as a post on The Scented Salamander and the fact that I suspect (don't know from any official source) that Tubereuse is discontinued. At least as a fragrance widly avaible in a bottle and not only as an urn/fountain-extrait. Can't find it on the Caron website which is also the case with for example Bellodgia (there is a new release called Più Bellodgia) and I suppose the old, cranation dominated one is replaced with a new interpretation of the fragrance as last years regulations hardly affected the substances which creates the smell of carantion.

Definitly Caron Tubereuse should have more attention. It's not the bombastic, flowery, tuberose as Robert Piguet Fracas, nor the green, crisp, leafy, sunny tuberose as Frederic Malle Carnal Flower. Caron Tubereuse starts with a honeyed nectarnote like in Annick Goutal Tubereuse but not rounded and warm in texture as the latter. Caron Tubereuse on the contrary is cold, slight bitter-green and strangly enough at first dry but later dark-green slight mossy, a bit moisty in texture. It's a dark and restraind fragrance and even if not smelling close, I think Caron Tubereuse expressing a similar mood as Mona di Orio Les Nombres d'Or Tubéreuse which is a lighter in texture tuberose compared to the Caron.

Summer

Picture: The entry of Gustav Vasa,
the future king Gustav I of Sweden
to Stockholm in Midsummer Eve 1523
Painting by Johan Gustav Sandberg (1782-1854)

This year I'm taking a break for summer. June is the the brightest month up here in the North with the cresendo in Midsummer. Even if vacation is far away, one really have to take care of these rare summerevenings when coming home from work. Of course I'll chime in with one or another entry, but it will not be on a regular basis.

I wish you a great summer!

Rania J - Lavande 44

Picture: King Henry VIII,  (1491-1547)
Painting ca 1537 by Hans Holbein (1498-1543)
Wikipedia commons 

Lavande 44 is the lavenderinterpretation of Rania Jouaneh, perfumer with her own house, Rania J.
Lavande 44 starts with a natural smelling sparkling lavender highlighted by slight bitter, aromatic citrusnotes. After a while some spritzy green, almost like geranium appears, probably traces from the vetiver mixed with lavender and others. When moving further there is also an almost gourmand vibe in the fragrance, maybe the powdery, sweet tonka gives that effect. In the basenotes, Lavande 44 is considerably darker in character and texture then most lavender fragrances. The combined notes, creates a very pleasant leathery note and ther is also a pleasant almost sour note that contrasts the sweetness of the tonka been. The lavender is still present in the basenotes but not as herbal as in the beginning of the fragrance. In this stage it's much more intergrated with the other notes and harder to pick out as a separate one. In the basenotes Lavande 44 reminds me of a more straightforward Vero Profumo Kiki Extrait or Kiki Voile d'Extrait, the Kikis to my nose are a bit more complicated with some more layers in the compositions. As a great Kiki devotee I of course also like Lavande 44. Just like most of the other Rania J fragrances, Lavande 44 is in the same time contemporary and timeless, which seems to be a feature of the Rania J. line. Lavande 44 is, just as Rose Isthar, a fragrance that I can imagine whiffing by in the Tudor court, the pleasant smell of lavender but with something dark and dangerous underneath. Would have been perfect as a shared fragrance between Henry VIII and Anne Boleyn.

Picture: Lavande 44
Photo: PR Rania J. (c)

Lavande 44 is a lavender also for autumn and winter. It's close to the wearer and perfectly officefriendly. Longevity is good for a lavenderfragrance, over a day.

Even if Lavande 44 is darker and more dramatic, I think that fans of natural smelling lavenderfragrances on the higher end of the fragrance notescale, such as Maria Candida Gentile  Luberon  and Caldey Abbey Perfumes Caldey Island Lavendel (swe) would appreciate Lavande 44.

Rating: 4+

Notes: Bergamot, petit grain, lavender, patchouli, tonka been, oud, labdanum, vetiver, musk

Thanks to Rania J for the samples to try.

Rania J - Rose Ishtar

Picture: Queen Elizabeth I of England in her coronation robes,
patterned with Tudor roses and trimmed with ermine.
She wears her hair loose, as traditional for the coronation of a queen,
 perhaps also as a symbol of virginity. The painting, by an unknown artist,
dates to the first decade of the seventeenth century (c.1600)
 and is based on a lost original also by an unknown artist.
Wikimpedia Commons

Beware Rose Ishtar from Rania J is nothing of the usual roseinterpretation, either the modern or the classic take. Rose Ishtar is a special and intriguing rose. It's really a rose of its own.

Rose Ishtar starts with a blast of harsh almost sour notes. There is a herbal wibe, dry, dark, tick and dense, sharp without any rounding sweet, fruity notes. There is also something soft spicy about Rose Ishtar. As longer Rose Ishtar dries down, the more of the rose is apparent. The rose is unsweet, tangy but in the same time dry and it's a natural smelling rose with no artificial/cosmetic notes at all. This is the most unsweet rose I have tried. When I image Rose Ishtar in this stage I think of it as a powdery mauve taupe rose if there are roses in this color.When reaching the basenotes, soft patchouli combined with a well balanced sandalwood is deepening and darkening the scent further. Here there are strings of purple in the mauve. Some discrete sweet powdery notes of vanilla and heliotrophine appears and balances the edgy aspects in a pleasant way.

Rose Ishtar is a concentrated fragrance, one has to be careful when applying, it could easily be overpowering. If properly applied, Rose Ishtar has a medium sillage and longevity for more than a day. I think Rose Ishtar is a perfect fragrance for autumn, the imagened color range, texture and tonality of the fragrance is that of the autumn. There is also something eternal over this somehow insidious powerful perfume, I can imagine the glorious Queen Elisabeth I of England, a Tudor rose, wearing a fragrance smelling like Rose Ishtar.

Rose Ishtar is a unisexfragrance but to me it's a manly rose, at least in the top and middlenotes, with its powerful, harsh edges, in the base it's more feminine. Nevertheless I like to wear it but have to be in mood for a demanding perfume that day. Because Rose Ishtar is truly demanding, special and intriguing, a rose of its own

Rating: 5

Notes: Bergamot, cassis, rose damascena, sandalwood, patchouli, vanilla, heliotrophine, musk

Rania J - Jasmin Kâma

Picture: Kâmadeva, 18c engraving
Wikipedia Commons 

Jasmin Kâma is the jasmine interpretation in the Rania J natural perfumeline. As with all Rania J:s the smell, in this case of jasmine, also is very natural an unartificial. Jasmin Kâma is named after Kâmadeva, the indian god of Kâma; love, wish and desire.

Jasmin Kâma starts with a plush frutiy jasminenote in full bloom. The fruity jasmine reminds me a bit of the great opening of Montale Jasmin Full. Soon the animalic aspect shines trough but never takes over the fragrance and turns it "full skanky". This part makes me think of the skanky jasmineperfumes from Maître Parfumeur et Gantier Jasmine and La Reine Margot (from the subline Les Parfumes Historiques) but in Jasmin Kâma the animalic part is milder. The interplay between the beautiful fruity side of the jasmine and its animalic counterpart is what makes this fragrance interesting, even if quite linear in structure. In the basenotes, Jasmin Kâma is a bit darker and the a soft combination of musk and patchoul deepens the jasmine and creates a velvet like texture.

Jasmin Kâma is a straight forward, casual jasmine that is perfect for spring and summer. I think it will perfect fit a white casual outfit in cotton or linen. The sillage is close and the longevity almost for a day. Even if casual in style, Jasmin Kâma is perfect for officewear, it's notable but not at all overpowering.

Even if not an original jasmine fragrance, there are plenty in the same style, Jasmin Kâma should definitly be tried by those who are searching for a jasmine soliflore.

Rating: 4

Notes: Bergamot, Rose Damascena, jasmin absolute, patchouli, musc, vanilla, wood, heliotropine

Rania J - Oud Assam

Picture: Before the race,
Painting, oil on panel, ca 1882-84
 Edgar Degas (1834-1917)
Wikipedia Commons

Oud Assam is the oud fragrance in Rania J:s natural perfume line.Oud Assam is created by Rania Jouaneh.

Oud Assam starts with a burst of dirty, animalic notes contrasted by a discrete offsetting glimpse of dense orangenotes. The orange is not of the sparkling, light character, the impression is more like orange combined with dark chocolade, but in this case, orange combined with animalic notes. As Oud Assam dries down further, a very well interpreted leather establishes and Oud Assam is an intriguing interaction between barnyard, leather and woody notes, even if it gets more polite later in the basenotes with a note similar to dark, dry chocolade or maybe a dry tobacconote. and it's almost as the orange glimpses through together with some musc and in this stage a very pleasant, almost pure, part appears. Despite the demanding notes especially in the first part of Oud Assam, the fragrance is smooth and comforting in texture and it feels natural and very wellbalanced  in style. There are non of the harsh or peppery notes which are so common in synthetic ouds. Oud Assam is very special and a pleasant surprise, one of the very best ouds both I and Mr Parfumista has tested so far. The comforting oudnote in Oud Assam reminds me of the oud in the amber-oud fragrance from Maître Parfumeur et Gantier Ambre Doré but drier and smoother. The first part of Oud Assam is maybe not the best officefragrance but the second part would be no problem. Anyway, Oud Assam is perfect for cozy days at home or for walks in the forest during autumn and winter. Sillage is medium and longevity for almost a day.

Oud Assam is totally unisex. When Mr Parfumista wears Oud Assam less of the animalic notes appears and more of the polished ones. In the later stages Oud Assam is a gentle, woody perfume which smells pure and natural. Mr Parfumista find something in the pure notes in Oud Assam that reminds him of vintage Cartier Santos and I agree when smelling them side by side. On my skin Oud Assam takes another route, the animalic-dirty. I can still smell the stablenots in the late drydown.

Overall Oud Assam is an intriguing and very special oud that takes many twists during its drydown. Oud Assam should be smelled on skin, it's fine on the scentstrip but warmed up and mixed with ones own chemistry something almost magical heppens and Oud Assam reaches a higher level. It's a very personal fragrance as almost different perfumes are appearing depending on who is wearing Oud Assam. Mr Parfumista also want to add that he truly appreciate the lack of pepper in this oud as he is so fed up with all the bombastic, peppery oudnotes out there.

Oud Assam is a real gem and should be tested by those who like oud and wellcrafted woody perfumes. Even if not smelling the same, Oud Assam has the natural feeling of delicate and comforting oud just as Mona di Orio Les Nombres d'Or Oud and The Different Company Oud Shamash. Oud Assam is also a priceworthy alternative to those fragrances.

Rating: 5

Notes: Bergamot, sweet and bitter orange, oud, cedarwood, vetiver, incense, pepper, tonka bean, musc 

Rania J - Ambre Loup

Picture: Gum rockrose, Capsule and seeds, (labdanum)
Photo: Roger Culos (cc) Wikipedia Commons,
some rights reserved

Ambre Loup is as the name indicates, the ambercentered fragrance in the  Rania J:s natural perfume line. Ambre Loup is composed by Rania Jouaneh, just as all the perfumes of the house. Rania, while growing up, was livning in the Orient as well as Africa, is now living in France. She is inspired olfactory by her multicultural background.

Ambre Loup starts with relatively dark animalic notes, this part reminds me of the opening of one of my most favorite amberfragrances L'Ombre Fauve by Parfumerie Générale. But where L'Ombre Fauve goes further in investigating some weird notes, Ambre Loup suddenly turns in a lighter, very pleasant, almost bubblegum, a tad smokey, rubbery ambery accord. This accord is IMHO close to what could be smelled in the lovely bubblegum-amber fragrance Jean Paul Gaultier 2, but it is less sweet interpreted in Ambre Loup.

Ambre Loup is a fitting name for the composition as the fragrances seems to loop around, after a while the deep animalic amber is appearing again, then the lighter amber. The longer Ambre Loup dries down, the more of both the animalic and the bubblegum amber notes are blended together to a quite dark, distinct ambery, slight musky harmony which is very comfortable and relaxing. In the basenotes Ambre Loup reminds me of another excellent amber from the latest years which also contains a wellbalanced amount of oud: Ambre Doré by Maître Parfumeur et Gantier, also a real wristsniffer just as Ambre Loup. The oud in Ambre Loup is also similar to the note in Oud Assam (will be reviewed in a coming post) but more subdued. In texture and spirit, Ambre Loup also reminds me a bit of another favorite, Le Labo Labdanum 18. Ambre Loup has an excellent longevity, the basenotes are left unfragmented 24h after application. The sillage is quite close and it is definitly officefriendly, if properly applied it could not disturb anybody. Ambre Loup is perfect for the colder months but also for a rainy and cold summerevening.

Picture: Glass vial containing Cistus Essential Oil (labdanum)
Photo: Itineranttrader, Wikipedia Commons

In summary Ambre Loup is a perfect basic amber, straightforward without any oddities. It never gets too vanillic sweet as some ambers, nor too herbal as others. The animalic notes are tempered and lends a dark dept to the fragrance. Could be recommended to those who are searching for a staple amber.

Rating: 4+

Notes: Peru balsam, labdanum, vanilla, oud, guaiacwood, cedarwood, musk

Fragrance(s) of the week (19) - An intriguing perfumeline

Picture: It's a rainy May so far....
Photo: Mr Parfumista (c)

With start on Monday I'll review fragrances from a line that I have grown to like very much. It all started with that I "inheritated" some samples from my perfumfriend S at Riktig Parfym. From what I smelled I immediately understood I had to try the whole line out properly and contacted the perfumer for samples. The perfumes in the line are of the kind that the more I try them, the more facets I discover. The fragrances is not of the most technical perfection, instead they mediate a genuine, rustic feeling and are comforting, interesting and very wearable. Stay tuned on Monday to find out about a terrific line.

Maria Candida Gentile - Gershwin

Picture:  Publicity portrait of George Gershwin (1898-1937),
with autograph ca 1935, Wikipedia Commons

Gershwin is inspired of the wide range of music, from jazz to classic and operas, composed by George Gershwin. Maybe it's also inspired of his too short life. It's one of the first releases in the classical Maria Candida Gentile line and is classified as unisex, to my nose leaning a bit more to the masculine side.

Gershwin starts refreshing with excellent citrusnotes, underscored with a fizzy and wellbalanced pepper. The woody elements are soon coming forward and an almost juniperthree-like note appears. In both the top- and the middle stages Gershwin reminds me of a fresh, woody, chilly favorite of mine, The Different Company De Bachmakov. There is also something that slight resembles the chilly aura of Helmut Lang Cuiron.
Even if the overall impression of Gershwin is that of a linear fragrance, there is a notable difference between the top- and middlenotes and the base where Gershwin dries down in a beautiful, rounded almost honey-like incense. The incense is soft and not overpowering or sharp. Even in the basenotes, the impression of the  forest like freshness of the earlier stages of the fragrance are still present but it's not the mainplayer anymore.

Picture: Gershwin in its stylish bottle
Photo: PR Maria Candida Gentile (c)

Gershwin is just as DeBachmakov, the perfect fresh fragrance for spring and summer. It's suitable both for casual and work. The only drawback is the longevity, Gershwin fades away too fast, there are just light traces left after a workingday. Except that, Gershwin is another winner from Maria Candida Gentile.

Those who appreciate Andy Tauers Incense Extreme and Parfumerie Générale L'Eau Guerriere even if these fragrances doesn't smell too close, they are somehow common in style.

Rating: 4

Notes: Winter and Sicilian lemons, bitter orange, grapefruit, pink pepper, sycamore (maple), water flowers, cloves, sandalwood, incense

Maria Candida Gentile - Finisterre

Picture: Fisterre, Galicia, Spain
Photo: Greta, Wikimedia Commons

Finisterre is one of the latest releases in the classical line of my favorite Italian perfumer, Maria Candida Gentile. Finisterre is a contemporary representative of the, among many (snobbish) perfumistas, not so valued (to be diplomatic) aquatic genre. This genre seems to have a revival recently with Hermès Epice Marine as a forerunner. The aquatics of the 2010s doesent have the traditional melon (calone) note and re-interprete the genre.

Finisterre is inspired by the second (the first is Cabo da Roca outside Lisabon which I've wisited myself) outermost tip of the Iberian Peninsula, Cape Finisterre in Galicia, where the wawes of the atlantic ocaean rolls in over the cliffs with full power. Finisterre really captures what I image as a sunny, windy summerday at the place. The first part has something in common with the original Kenzo pour Homme but without the intriguing aromatic aquatic twisted lily of the valley note that is the characteristic of the Kenzo. Very soon a very well done, not sharp, turpentine note appears and is present during the whole dry down. It's contrasted with a green, non sweet, minty note and when these notes are interacting a sea like note appears. There are also a woody freshness of fir present softened with a discrete sandalwood and immortelle. The immortele is not at all the bombastic proportions of for example Annick Goutal Sables or leathery strong as in Histoires de Parfums 1740 Marquise de Sade. The herbal qualities of Finisterre expresses itself as an soft anise/ licorice-like nuance which discretely accompanies the other notes. A note of crisp green leaves, just like fresh tulip or other bulbflowers crispy leaves i  spring also appears and this part reminds me of the beautiful springfragrance of Oriza L.Legrand Déjà le Printemps.  There is also a relaxing, salty, balsamic aspect of Finisterre, probably the ambregris which lends the composition a true oceanic expression.
Even if no distinguishable incensenote there is also an almost churchy aspect of Finisterre, a nuance of what is much more noticeable in MCG Sideris and Exultat. Maybe this is mirroring the fact that Finisterre is the final destination of the pilgrims of the Way of Saint James, the last 90 km walk from the pilgrim metropole Santiago de Compostela. When reaching Finisterre, the pilgrims following an old tradition, burns their clothes or shoes. Finsterre is a quite linear composition to my nose and one experience most of its features at the same time.

Picture:. The stylish bottle of Finisterre
Photo: PR Maria Candida Gentile (c)

I instantly liked Finisterre for the first time when I tried it and my liking has constantly growing through the wearing from the sample supplied by Fragrance & Art. Finisterre is also drawing compliments, several people have independitly complimented this aquatic wonder. A perfect summerfragrance, both for casual and for office. Not the most complicated MCG fragrance but on the other hand, who wants to analyze the whole time, sometimes at least me, just want to relax in a good fragrance. Finsterre is just great IMO and it has joined my other two most favorite MCG:s  Sideris and Cinabre in the top.

Rating: 5

Notes: Sea notes, immortelle, pine tree, ambergris, sandalwood

Parfumerie Générale - Grand Siècle Intense 7.1

Picture: Grand Siècle Intense
Photo: PR Parfumerie Générale (c)

Grand Siècle Intense 7.1 is the just released, fourth fragrance in the Signature Collection of Parfumerie Générale, collection which Pierre Guillaume started to create 2012 to mark the 10th anniversary of Parfumerie Générale that year. The collection will capture Pierres development as a perfumer and offers different interpretations of some of the Parfumerie Générale perfumes from the past. The Signature Collection is only avaible at Parfumerie Générales own website.

Grand Siècle Intense is a follower to the very natural smelling bitter citrus cologne Cologne Grand Siècle in which Pierre Guillaume was inspired by the court of the Sun King Louis XIV in the seventeenth century and the few and pure ingredients which then was avaible to the parfumer. 

Grand Siècle Intense starts with natural smelling bitter citrus and green notes. A realistic and refreshing, slight fizzy note of mint leaves appears after a while. This mint is also present in the original Maroocan Mint tea inspired Harmatan Noir 11, but in this fragrance, blended with smokey, spicy almost metallic notes. The minty note is also present in the easier to wear Noir Marine from the Phaedon line. Grand Siècle Intense goes on with green-woody notes, with the sparkilng green of cypress over light woods, fresh moss and a well intergrated vetiver. The cypress slightly reminds me of the sparkling green in Annick Goutal Eau d'Hadrien. A slight smokey touch also appears and glimpses of a very fine leather also appears and in the basenotes there is also a light, well rounded sweetness, probably the honey, which prevent the fragrance from beeing too aromatic in style.Just as in Cologne Grand Siècle there are no harsh or artifical smelling notes which seems to be quite common in cheaper aromatic/citrus fragrances. As usual with Parfumerie Générale this is high quality stuff and it's a smooth, delightful and easy to wear fragrance. Grand Siècle Intense is, just as it's forerunner, with its close sillage, perfect both for casual and office wear in spring and summer. The only drawback, just as with the cologneversion, is the longevity. Even if I applied liberally, I have to reapply every two-three hours and 75% of my 2 ml sample was gone after one wearing. On the other hand, I have dry skin so this is probably not a common problem.

Comparing the two Grand Siècle versions, Cologne Grand Siècle is more of a cologne in style (even if not fully) with citrusy, lemony notes and also with a for the fragrance characteristic note of a hard citruspastille. In  Grand Siècle Intense the cologne inspired theme is most present in the early stage of the fragrance, later it's more of a citiric, green, light woody aromatic perfume. Both fragrances are unisex even if the cologne IMO is leaning a bit more to the masculine side and the Intense is just neutral.

Rating: 4 (if rating how it smells, its structure and quality of ingredients), 3 (if taken the longevity issues in consideration)

Notes: Bergamot, bitter orange, lemon leaves, mint, cypress, vetiver, patchouli, oakmoss, tobacco absolute, hay, honey

Van Cleef & Arpels - Un Air de First

Picture: Jasminum sambac 'Grand Duke of Tuscany'
Photo: Scott Zona (cc) some rights reserved, Wikimedia Commons

Un Air de First is a new interpretation by perfumer Nathalie Gracia-Cetto to celebrate the 35th anniversery of the first Van Cleef & Arpels fragence, the classic First created by Jean-Claude Ellena.

Un Air de First is a proper name for this fragrance, it is airier and cleaner than the original during the whole developement of the fragrance. It starts aldehydic, flowery, green but the flowers are fruity and bright compared to the soapy and heavier flowers of First. I also pervieve the flowers of Un Air de First as perdominantly clean and white (even the rose is white) wheras Firsts flowers are heavier and with a higher degree of yellow flowers. Pretty soon in the drydown, a note that almost smells like fresh tobacco appears in  Un Air de First. Galbanum is als glimpsing but not as noticable as in First. Later on the tobacco is lit and a clean note of cigarettesmoke appears accompanying the jasmine. The notemix is not at all dirty as in Etat Libre d'Orange Jasmine et Cigarettes but it's not as dry and subtle as in M.Micallef Royal Vintage, it's more round and fruity. Un Air de First continues to dry down in a lipsticky, aldehydic flowery manner and is underscored by a musky slight woody base.

Picture. Un Air de First
Photo: PR Van Cleef & Arpels (c)

Un Air de First has succeded to perserve the spirit of the original, just as Balmain with the new interpretation of Ivoire where the new version is fruitier and brighter than the original. The fact that the spirit of First is perserved is also proved by Mr Parfumistas comments about a " much too ladylike scent". I think Un Air de First is sort of contemporary ladylike and as it's very strong, one have to be careful with application, it is not airy=light. The sillage is great and as also the longevity, about 24h.

Rating: 3+

Notes: Galbanum, Peach, Fruity Notes, Jasmine, Rose, Green Notes, Vetiver, White Musk

By Kilian - Imperial Tea

Picture: Flower close up of Jasminum officinale
Photo: B.traeger (cc) some rights reserved, Wikimedia Commons

Imperial Tea is the other of the two latest releases in the By Kilian Asian Tales Collection, a collection with transparent, elegant and relaxing fragrances of high quality ingredients. Even if delicate in style, the Asian Tales fragrances have good lastingpower and sillage to be modern, light compositions. The Asian Tales line IMO is especially good for spring and summer. Imperial Tea is created by Claice Becker with the intention to recreate the olfactive impression of  a freshly brewed cup of exquisite jasmine tea.

Imperial Tea starts with a beautiful, very natural smelling jasmine, which is sparkling, light and uplifiting. After a while a contrasting almost green a bit tart, chalky note appears which remainds me of the smell in the oyster colored Jugendstyled bathroom of my grandmother. This note, is also present for a while in By Kilian Playing with The Devil and just a tad denser also in Vanille Tonka from Parfums de Nicolaï. When Imperial Tea dries down, it is obvious that  the jasmine is not as clean as the initial impression. In the middlenotes the animalic undertone of jasmine appears, contrasting the cleaner notes just as the chalky note persist. The teanote of Imperial Tea is subtle and just accompaning the jasmine. It is a light, gentle, white teanote, like silver tip tea and there is absolutely non of the for many teafragrances typical harsh, wet wipe note. The teanote of Imperial Tea is the best subtle teanote that I have smelled in perfume so far. In the basenotes, Imperial Tea becames darker in its tonality but the wellbalanced jasmine, tea, green chalky, slight animalic combo still persists.

Picture Bai Hao Yin Zhen tea leaves (white tea)
Photo: lateasquirrel (cc) some rights reserved, Wikipedia Commons

Imperial Tea is perfect for sipping white tea in a blooming jasmine bower a warm early summer day. It's a casual chic fragrance, perfect for daytime wear and is also very suitable for office. Compared to the other By Kilian which feature jasmine, Love and Tears, Imperial Tea is more minimalistic and less flowery in style. Both fragrances are classied as unisex and to my nose Love and Tears leaning more to the feminine side than Imperial Tea which is positioned in the middle but also slight more feminine. Longevity is for a day, if freely applied, the sillage is close, a true wristsniffer. This is a must have for summer :-)

Rating: 5

Notes: Jasmine, tea

By Kilian - Sacred Wood

Picture: Santalum Album in Hyderabad
Photo: J.M Garg (cc) some rights reserved,
Wikimedia Commons

Sandalwood perfumes are a tricky fragrance cathegory for me. The iconic  Guerlain Samsara is too bold for me (even if my friend Fragrancefanatic have some anosmic problems with it), the heavy sandalwood + curry(?) Serge Lutens Santal de Mysore which is the only fragrance so far that has caused me an allergic reaction, Parfums Frederic Malle Dries van Noten is a bit too sweet and almondcookie like too remind me of the real wood. Etro Sandalo (old version) is good but maybe a bit too dense. And so one could go on... Until now, when I have found my ideal sandalwood (so far): By Kilian Sacred Wood from the Asian Tales Collection, as most Kilians created by Calice Becker. CB is well known for her excellent floral interpretations but apparently she is also a champion of woods. As a composition Sacred Wood is built around the olfactive impression of Mysore Sandalwood. This sandalwood is prohibited to use because of over-exploitation and a similar accord has been  reconstituted in Sacred Wood.

Sacred Wood starts with delicious sparkling, transparent sandalwood. The cocosaccent in the sandalwood is distinct in the operning and is almost flowery and reminicent of the cocoslike note in tubereuse. Soon there is also a tart, slight, fizzy but in the same time smooth and milky green note contrasting the sandalwood. The milky green note reminds me of fig, not a listed note but the effect is similar. The sandalwood, tart milky fig combination persists during the whole dry down of Sacred Wood but as longer the fragrance dries down the more prominent the sandalwood is. In the later basenotes, the impression is of solid, warm sandalwood.

Picture: Sacred Wood By Kilian
Photo: PR By Kilian (c) 

Sacred Wood somehow reminds me of a woody Annick Goutal Ninféo Mio and is just as this dark green.figgy  fragrance, a perfect companion for summer. Even if transparent in texture, Sacred Wood is a powerful fragrance that lasts for almost 24h and has a medium sillage. Its warmth makes it also nice to wear during the colder month. Sacred Wood is suitable both for work and festive occasions, an elegant,  sandalwood in a contemporary but in the same time timeless interpretation.

Rating: 5

Notes: Sandalwood oil, milk, wood, spices

Fragrances for Easter

Picture: Easter postcard early 20th century
Wikipeda Commons

During the years my Easterfragrances mostly have been from the following cathegories: Incense, gourmand or green. This year therefore I'll feature one favorite from each category that will fit for Easter in some sense.

Passage d'Enfer (L'Artisan Parfumeur): The well balanced incensenote combined with an elegant white lily gives me associations of a cathedral in Easter. Rays of springlight flowing through the high, gotic windows and the voices from the choir is rises towards the gotic arches.

Imperial Tea (ByKilian):Technically this is of course not a gourmand but as I've a bit stomach ache and less appetite than usual, nothing really gourmand attracts me at the moment. It does however this refreshing and calming jasminetea fragrance. Review will follow next week.

Déjà de Printemps (Oriza L. Legrand): What could be more springlike green than the crisp and fresh leaves of springtime bulbflowers, fresh grass and glimpses of Lily of the Vally. Déjà de Printemps captures a just blooming springgarden perfectly.

Happy Easter!

A reminder about Mohur....

Photo; Mr Parfumista (c)

It seems as when I reviewed the beautiful Mohur Extrait from Neela Vermiere in september last year, it was not yet widely released. The broader launch was some weeks ago at Esxence 2014, information from Lucas on Chemist in a Bottle, read his very well written report from the event here.

Mohur Extrait is my favorite from Neela and I was reminded of its dark, rosy, velvet, golden, purple revelation when trying the airy, silk, silver, purple rose from Parfumerie Générale, Isparta 26 lately. Mohur Extrait could be a perfect companion in the coming Easter, especially on the serene and sad Good Friday as the fragrance is a calming and perfect for the contemplative mood. Here is the link to the full review of  Mohur Extrait.

Maria Candida Gentile - Burlesque

Picture: Perfumer Maria Candida Gentile
started to create her own rosewater as a little girl.
Photo: This cute photo of Maria is published on her website
(c) Maria Candida Gentile

The initial impression of Burlesque is like a candied iris accord, enhanced by dark, balsamic notes. There are also swirls of a light incense which performs in an almost sweet woody accord, for a while this part smells like wood from a juniper bush. Burlesque smehow reminds me of a balanced and non-excessive L'Artisan Explotions D'Emontions Skin on Skin. Later on, there is a light cosmetic note shining through in Burlesque, combined with a touch of gunpowder. There is something that reminds me a bit of a clean interpreation of Etat Libre d'Orange Putain des Palaces. The longer in the drydown, the more the beautiful blended patchoulinote comes forward. The patchouli is warm, smooth a bit sweet and almost light herbal. There are absoluetly no harsh or dusty impression from the patchouli. Burlesque is my favorite from the three tested from the Exclusive Collection, very pleasant and in the same time intresting to wear during a whole workday. As a perfume the sillage is close, a real wristsniffer where interesting things going on. Longevity about a day. 

Rating: 5

Notes: Blood orange, iris, rose, patchouli, incense

Thanks to Fragance & Art for the sample to test 

Maria Candida Gentile - Lady Day

Picture: Billie Holiday (1915-1959),
Photo: PR  (Getty) (c)

Lady Day starts intriguing with a cold, dry, cold flower (gardenia) complemented with almost tarry, leathery notes. As Lady Day dries down the gardenia comes forward, the composition becomes warmer and almost balsamic. From the middle to the base Lady Day reminds me of a gentler and less sweet version of the early 2000nd Bertrand Duchaufour creation for Lalique Flora Bella. As I like Flora Bella, Lady Day is also a very nice acquaintance. Just as Serge Lutens Une Voix Noire, Lady Day is a tribute to Billie Holiday and I think both fragrances are appropriate as such; Lady Day mirrors the positive sides of Billies life symbolized by the characteristic gardenia worn by her, Une Voix Noire the darker sides with the decaying interpretation of the flower.

I can image Lady Day as a perfect companion warm and humid summerevenings in the tropics but also for the dark nights of August up here in the North. Medium longevity, lasts for a workingday, and close sillage as this is an extrait.

Rating: 4

Notes: Galbanum, gardenia, peru balsam

Thanks to Fragance & Art for the sample to test 

Maria Candida Gentile - Luberon

Photo: Mr Parfumista (c)

Lately I've tested some fragrances from Maria Candida Gentile, an Italian perfumer who's creations I really appreciate, see my reviews of some of the earlier releases Exultat, Hanbury, Barry Lyndon, Cinabre, Sideris. This week I'll write about my impressions of three fragrances from the Exclusive Collection and starts with the lavender beauty Luberon.

Luberon is inspired of the lavenderfields in the Provencale region with the same name. Trying it, I can imagine cycling around the lavendelfields a sunny summerday  inhaling the wonderful herbal-flowery scent. Luberon starts with the most natural smelling lavenderaccord, reminicent of the lanvender gold standard in the genre, Caldey Island Lavendel (swe). After a while tha lavender blend with other notes and becomes almost chalky-oily, a bit similar to a light petrolnote, maybe the minty leaves creates this effect together with the lavender. The rose nor the woody note is noticable as a separate notes, it's the beautiful lavender which dominates during the whole drydown. The longevity is very good for a lavenderfragrance, it lasts for a whole day performing outdoor activities, which also is the right setting for Luberon. Where Caldey Island Lavendel is musky in the base, Luberon is of a drier, woodier character.

Rating: 4

Notes: Lavender, rose, mint, oakmoss, cedar

Thanks to Fragance & Art for the sample to test 

Fragrance(s) of the week (14) 2014 - Kilian and more....

Picture: Kilian Hennessy,
the founder of  ByKilian
Photo: PR ByKilian (c)

Today I'm testing one of the new ByKilans from the Asian Tales collection: Sacred Wood. A great fragrance which I'll review when I have tried it a few more times. This week, I entered the Kilian-universe again, wearing the delicious honeyed tobacco Back to Black which has been neglected for too long. This made me think of one of my favorites flowers last summer, Water Caligraphy which is a fragrance that I have grown to love. See my updated review. The other floral favorites last summer was Annick Goutal Néroli (the discontinued Edt) and the perfect pink rose Rose Perfection by Robert Piguet. Now I'm longing for summer and the fragrance summer wardrobe.

PS: What a coincidence, the two "coverboys" of the perfume world, Pierre Guillaume and Kilian Hennessy in two entries in a row :-)

Parfumerie Générale - Isparta 26

Picture: Pierre Guillaume
Photo: PR Parfumerie Générale (c)

As almost always when reviewing something from Parfumerie Générale it's hard to resist publish a picture of the perfumer Pierre Guillaume himself :-)

But now over to todays subject, Pierres latest release, a beautiful dark rose named Isparta 26. Isparta is named after the turkish province which roses produces superior roseoils, featured in this fragrance and 26 as PG:s numbered collection now has reached that number of fragrances.

Just reading about the ingredients of Isparta makes me excited. I have to admit that I'm very fond of the rose-patchouli-ambroxan combination in fragrances such as Juliette Has a Gun Lady Vengeance and Frederic Malle Portrait of a Lady, and this accord, in Isparta combined with balsamic and animalic accords, makes me drool.

Isparta starts heavy but in the same time transparent and light, the rose is really purple, and the rosy smell is a bit tart and as a contrast it's surrounded by a not too sweet, jammy note. A clean, cold patchouli is also contrasting with a high and clear darkness, just as the night sky a starry night. As Isparta dries down it becomes a bit warmer, even if it remains in the cold spectrum, with balsamic and woody notes, among them a well balanced oud. The clean amber, the ambroxan is not as evident as in Portrait of a Lady, in Isparta it is handled with a lighter hand. In the basenote there is also a moisty, mossy note thar togeter with the tart, purple rose are contrasting the ambrox-oud combo. The mossy note together with the rose is what is left after 24h. The moss in this stage reminds me of the refreshing and uplifting mossy note of Parfumerie Générale Papyrus de Ciane.

Picture: Isparta, a dramatic, dark, purple rose
Photo: PR Parfumerie Générale (c)
  

I have read some comment that Isparta doesn't add anything new to the rosegenre. I have to strongly disagree as IMHO this is an unusual combination of the strong and intense but in the same time airy and light. In texture Isparta is just as an exquisite, purple silk veil with silverstitches and embroderies. That image makes me think of another beautiful purple rose, Neela Vermeire Creations Mohur Extrait, which seems to be Ispartas antithesis in the purple, rosy spectrum. Mohur is like a dense, smooth, purple silk velvet with golden stiches and embroderies as opposed to the light, transparent, sliver silk veil of Isparta. Even if these purples of course are not smelling the same, Mohur Extrait (which is more spicy and flowery than Isparta) somehow reminds me much more of Isparta than the more obvious (when reading about its notes) ambrox-rose-patchouli Portrait of a Lady. Just as Mohur, Isparta gives me images of a relaxed, life i luxury, somewhere in the East, during the time of Thousand and one nights.

Despite its light texture, Isparta 26  is strong in its concentration and one have to be careful when applying, too much and Isparta transforms to a sillagemonster. About four spritses is enough of Isparta to keep it within the limit of officetolerable. Sillage is great and longevity for days if more than the four spritses is applied :-)

Rating: 5

Notes: Red berries, rose, peru balsam, calamus, patchouli, olibanum, benzoin, oud, ambroxan, moss

Vero Profumo Voile d'Extraits - Summary

Picture: Vero Kern with her Mito Edp
Photo: PR Vero Profumo (c)

My conclusion from testing the Volies d'Extraits and comparing from my testing of the Extraits and what I remember form my earlier testings of the Edp:s is:

* The Edp and Extraits/Voiles d'Extraits are different enough to justify owning one from each category if you are a Vero aficionado.

* When it comes to the Extraits vs Voile d'Extraits there is more of a question which version to own, ie if you prefer you fragrance in the higher octaves or in the lower register of the scale.

Overall the perfumes of Vero Kern is intriguing, high quality creations with great personalities and the line is flexible enough to let everyone find his/her favorite version.

Vero Profumo - Kiki Voile d'Extrait

Picture: Mr Dunfords Champion wirehaired Foxterrier
Arthur Wardle early twentieth century painting

Over the years, Kiki both in Extrait and Edp has grown to be my favorite fragrance from Vero Kern, dethrone Rubj to be number two. Therefore it was of course very intruiging to test Kiki in the Voile d'Extrait version.

Kiki in Extrait is an multifacetted fragrance with notes of lavender and some notes that reminds me of wheat and beer notes over a dark, fresh earthy accord in the basenotes. Review here. The Edp version is almost gourmand in style and the passionfruitnote contrasted with dark patchouli is more prounanced. Review here.

To make a long story short, I think that Kiki Voile d'Extrait is close to the extrait (just as Rubj and Onda) it just play one or two ocataves higer on the scale. The fragrance is brighter and more sparkling in its apperance and the lavender is a bit more pronounced.

All the Kikis are intriguing fragrances with new twists in each stage. Kiki is a demanding, stubborn, racy and energetic character which is never boring, just as the two (after each other) wirehaired foxterriers of my grandparents who were named Kiki.

Kiki Voile d'Extrait has a good longevity just as the extrait, over 12h. Nice to wear during autumn, winter and early spring.

Rating: 5

Notes: Bergamot, citron, black currant, passionfruit; lavender, geranium, musk, patchouli, opoponax, amber caramel

Vero Profumo - Rubj Voile d'Extrait

Picture: Bayâd singt zur Laute vor der Herrin und ihren Dienerinnen
Bild im "Die Geschichte von Bayâd und Riyâd" (« Hadîth Bayâd wa Riyâd »),
Maghrebinisches Manuskript, 13 Jh, Wkimedia Commons

Rubj Voile d'Extrait from Vero Profumo is, just as Onda Voile d'Extrait reviewed a few days ago, a lighter and brighter variation of the Extrait version of the fragrances. Rubj Voile d'Extrait is created by Vero Kern.

Rubj Voile d'Extrait starts brighter and fresher than more spicy and darker Rubj Extrait with its dirty notes of cumin. In the Voile d'Extrait, even if not mentioned in the notelist, I almost smell a note of a fresh lavender instead of the cumin. Just as in Rubj Extrait, the orangeblossom note is very beautiful, deep and full and without any syntetic wibes as in many orangeblossom fragrances. Also the jasmine is full bodied in texture, natural and blends perfectly with the orangeblossom. Even if Rubj Voile d'Extrait lays an octave or two higher than the Extrait, it also intermediate the image of resting on a couch, hiding from the heat at noon in the palace gardens of Alhambra during the days of the Moors in Al-Andalus. The Extrait is like resting in the same place in the warm and velvet dark evening, lighted by the stars, the full moon and the torches in the palacegarden, listen to the sparkling of the fountains and the music from the lute and other strings.

Overall, to my nose, Rubj Extrait is a bit more complex with its dirty, retro notes and Rubj Voile d'Extrait is easier to wear and could therefore be appreciated among a wider audience.  Rubj Voile d'Extrait is as indicated above, proper for daytime wear and the mysterious Extrait is better suited for evenings and nights even  if I don't care about such "rules" and wears the Extrait also at daytime. Longevity for both fragrances are about 12h, the Extrait a bit longer and the sillage is good, with a bit better radiance from the Voile d'Extrait.

Rating: 4+ (Extrait still 5)

Notes: Orange blossom, jasmine, musk, cumin

Vero Profumo - Onda Voile d'Extrait

Picture: Onda Voile d'Extract
Photo: PR Vero Profumo (c) 

Onda Voile d'Extrait is swiss perfumer Vero Kerns of Vero Profumo alternative interpretation of the original Onda Extrait (released 2007). To me, the Voile d'Extrait is more similar to the Extrait then the Edp with its passionfruitnote which is the characteristics for the Edp versions of Onda, Rubj and Kiki.

In both Onda Extrait and Voile d'Extrait the vetivernote is dominating and in both fragrances in a different way than in most vetiverfragrances, especially the extrait is unusual. In both fragrances the vetiver is surrounded by spices, herbs, mossy and woody elements which creates the perfect image of the smell of early spring, when the snow has just melted and the sun is warming up the soil in the forestground. That was the situation when I tested Onda Voile d'Extrait and I took a walk around the small lake in the woodland nearby. Onda Voile d'Extrait matched perfectly as well as the drops of the Extrait that I worn on my left arm as reference. When comparing the two Ondas I think the Extrait is the more difficult of the two. The Extrait starts deeper, darker and almost animalic, dirty whereas the Voile d'Extrait is ligther and more sparkling, it has more of the fizzy gingernotes where Extrait has deeper and warmer spicy notes. The Extrait is more retro in style, with powdery, a bit dirty  notes and the vetiver is seamless blended with the other ingredients. The Voile d'Extrait is clearer, the vetiver is greener and more distinct and the composition is somehow fresher in appearance. I think the Voile d'Extrait will appear to a broder public than the Extrait which is more complicated and to generalize, more of a "perfumista fragrance". I like both versions but prefer the Extrait as it is more challenging during it's developement.

Onda Voile d'Extrait is suitable for casual daytime wear but it's also good for office. It's perfect for late winter and spring, the sillage is medium and longevity for 12h+.

Those who likes vetiver fragrances such as Chanel Sycomore and L'Artisan Parfumeur Coeur de Vetiver Sacré, sharp, dark, smoky greens as Hermès Eau de Gentiane Blanche and Eau d'Italie Sienne l'Hiver will probably also appreciate Onda Voile d'Extrait.

Rating: 4  (Onda Extrait still 5 just as when I tested 2009 and 2011)

Notes: Vetiver, ginger, nutmeg, coriander

Vero Profumo - Mito Voile d'Extrait

Picture: The great swedish soprano Birgit Nilsson (1918-2005),
maybe the closest to a Diva we have had in this country of Jante. 
MitoVoile d'Extrait would have fit character as Birgit perfectly.
Photo: Gunnar Harnesk 1948, Wikimedia commons

The "Les Voile d'Extrait" sub-line from Swiss perfumer Vero Kern is another interpretation of Veros beuatiful perfumes and EDP:s Mito, Rubj, Kiki and Onda.  Just as the differences between the perfume and EDP line justifies owning both versions of the favorite, also the Voile Extrait versions are sufficiently different to justify owning also these. When it coems to Rubj, Kiki and Onda I think the Les Voiles d'Extraits are closer to the perfumes than to the EDP:s, the speical passionflower accord in the latter distinguishes the EDP:s of this three most from the perfume and the Les Voile d'Extrait-line. Mito EDP that is a later creation than the first three of the house is without this passionflowernote. But now to todays subject the stunning beauty Mito Voile d'Extrait.

Picture: The retrostyled bottle of
Mito Voile d'Extrait
Photo: PR Vero Profumo (c)

When Mito Vd'E starts the round, sunny,  fresh citrusy note of Mito is clearly present but not dominating as in Mito EDP. Instead a beautiful tubereusenote is taking the centerstage. The tubereuse is the varm, honeyed, nectarladen tubereusenote of Annick Goutal Tubereuse which smells like as I image the tubereuse flowers on the fiield during the day, exposed in the strong sunlight. Mito Vd'E is very feminine (whereas Mito EDP is more unisex) and voluptuous, a perfume for a Diva, but not the heavy diva as Fracas. Mito Vd'E is more transparent in texture and somehow a retro but  in the same time modern impression is achieved. The flowery notes which are present in the middle notes of Mito EDP for instance the magnolia are amplified in Mito Vd'E and the interaction of tubereuse and magnolia reminds me of another fragrance which combines these notes; Arquiste Flor y Canto even if the magnolia is more distinct in the latter and the combination is soapy, which is not the case with MitoVd'E. Compared to the original Mito EDP, Mito Vd'E is warmer and much more flowery, the original is a juicy citron, with distinct green and also some slight almost herbal notes and a moisty mossy base. The mossy base is also present in MitoVd'E but a bit smoother in character, or maybe just dazzled by the flowers. To compare the both Mitos: Mito EDP could be the daytime version and Mito Vd'E could be the evening/more festive version of the Mito theme.

Rating: 5

Notes: Citrus, galbanum, tubereuse, champaca, hyacinth, magnolia, peach, cypress, labdanum, moss, musk

Fragrance(s) of the week (11) - Mainstream week

Photo: Mr Parfumista (c)

Sometimes I'm just fed up wearing and analyzing all these pretentious nichefragrances. This week I felt I had to relax during the weekdays by wearing straightforward mainstream fragrances. And of course, I couldn't stop analyze....:-)

Monday: My new favorite for spring Elie Saab Le Parfum L'Eau Couture reminds me of lily of the valley, some greenery over vanilla. Springlike crispy but in the same time warm.

Tuesday: Miss Dior Edp current version (former Miss Dior Cherie). Don't understand all the compliments about this contemporary chypre, floral, musky and light fruity. I think it's a good representative of the genre and a perfume with it's own characteristics, which are still recognizable after reforumlations, even if the strawberryflowers and the popcornnote seems to be replaced compared to the original 2005 Miss Dior Cherie release. Not many niche fragrances has a personality like this modern classic.

Wednesday: My liking for Boucheron Place Vendôme is growing. An elegant contemporary floral with contrasting notes reminiscent of airy tobaccoleaves in the basenotes. Would be perfect for spring in companion with an ivory colored, elegant, light, wollen suit, worn with a smooth silk top.

Thursday: Chanel Coco Mademoiselle Edp is in the same contemporary chypre floral category (with the typical patchouli in the basenotes) as Miss Dior Edp but darker, more formal and grown up. Just as pleasant as Miss Dior to wear during a working day, but provides a more serious impression.

Friday: Nina Ricci  Nina L'Elixir is a candied version of the original Nina, sweeter with less of the uplifitng citrusy sparkle of its forerunner. Strangly, in the dry down, Nina L'Elixir suddenly starts to smell like a much sweeter, crystallized Frapin Speakeasy. Nothing wrong with this perfume but this was the let down during the week, Nina L'Elixir doesn't play in the same leauge as the other tested, or for that matter, the original Nina in in which I perceive the same comfort level as in the fragrances tested Monday-Thursday.

Now I have to plan my next "theme-week", a week in Guerlain could be something....

Olivier Durbano - Heliotrophe

Picture: A bottle of Heliotrophe with the bloodstones (heliotrophes)
which are the inspiration for the fragrance
Photo: PR Olivier Durbano (c) 

Heliotrophe or bloodstone is the semiprecious stone that inspiered to this red and warm perfume from Olivier Durbano.

Heliotrophe starts balsamic, with a hint of mandarine and a smell similar to red "autumberry" notes such as cranberries and rowan berries. There is also a tender, juicy, spiciness present combined with an almost powdery slight vanillic note, probably the heliotrophe (flower). After a while a herbal impression also appears. The herbal note creates a slight medical impression. In its earlier stages, Heliotrophe reminds me of Serge Lutens Chypre Rouge. Later Heliotrophe deepens and gets warmer with a light saffronnote which interacts with the resins and woods in different layers of the perfume, just as the incense typical for all the perfumes in the Bijoux Pierre Poemes. Heliotrophe is the smells from the forest with it's morass' a sunny day in the early autumn.

Picture: Another peace of inspiration to Heliotrophe
Photo: PR Olivier Durbano (c)

Heliotrophe is another outdoor fragrance from Olivier Durbano. Not as extreme as the ultimate fragrance for outdoor life, Black Tourmaline (see earlier review) instead a softer, gentler and friendlier one, easier to wear and suitable also for work. The sillage of Heliotrophe is close and longevity for less then a day. On fabric Heliotrophe lasts much longer and its character strangely enough shows off better on fabric then on my skin. Even if a bit tame compared to the other testes Durbanos, it's an original scent well worth testing.

Rating:3+

Notes: Elemi, olibanum, ginger, blood mandarin, angelica, chili pepper; saffron, magnolia, nagarmotha, heliotrope, myrrh, cedar, sandalwood, musk, ambergris, benzoin

Thanks to Fragrance & Art for the sample