Boucheron - Jaïpur Bracelet

Picture: Jaïpur Bracelet
Photo: PR Boucheron (c)

The jewellery house Boucheron has been in the fragrancemarket since 1989 when the iconic floral-oriental Boucheron pour Femme was released. Even if this first release still is the jewel of the crown, the 2012
Jaïpur Bracelet, flanker of another classic from the house Jaïpur, is a very pleasant finding. Jaïpur Bracelet is created by Carlos Benaim. An earlier and now discontinued flanker to Jaïpur is Jaïpur Saphire

Jaïpur Bracelet starts with a green, slight herbal, flowery accord accentuated with orange-citirc notes which when interacting creates an almost berry tune to the fragrance which in turn softens the sharpness and warms up the coldness of the crispy flowers; Lily of the valley, hyacint, iris and carnation. If this fragrance had a color it would be medium, velvety pink, a bit darker than the color of the Jaïpur Bracelet box and bottle. From top to base Jaïpur Bracelet reminds me of a less sweeter version of the first Lalique fragrance with the same name. The Lalique contains berry and fruity notes but also vanilla and some white flowers and as a 1990 release it is bolder and with a bigger silage even if Jaïpur Bracelet has a not contemptible silage to be created as late as 2012. Instead of vanilla, sandalwood and musk as in Lalique, Jaïpur Bracelet ends up in the wellbalanced woody-musky base of cashmerean. Another fragence that reminds me of Jaïpur Bracelet is the big, bold and sparkling Dior Pure Poison (one of the three cretors of this is Carlos Benaim) but compared to Pure Poison, Jaïpur Bracelet is almost low-key.

Jaïpur Bracelet is the ultimate comfort scent, a real wristsniffer, an uncomplicated but well composed fragrance that brightens up the most gloomy day. As Jaïpur Braclet is not too sweet and with an excellent longevity, 24h+, it's perfect to wear in warm and sunny summerdays.

Rating: 4+

Notes: Basil, violet leaves, lemon verbena, bitter orange, petitgrain, hyacinth, lily-of-the-valley, carnation, iris, cypress, cashmeran

Teo Cabanel - Méloé

Picture:Hay Harvest at Éragny by Camille Pissarro 1901,
Wikimedia commons, (cc) some rights reserved (PD-1923)

Méloé is created by perfumer Jean-Francois Latty for the perfumehouse Téo Cabanel. This house were originally started in Algiers in 1893 but moved to Paris 1908. The house were re-started 2005 and have launched several new fragrances since then, most famous is the floral-oriental Alahine.

Méloé start with sparkeling citrus-/mandarinenotes, offsetted by a slight bitter (in a good way), powdery bergamotnote. There is also a touch of herbal and spicy notes, nutmeg is appears clearly to me and also a touch of basil. Méloé is fresh but not in a chemical or sweet way and the florals seems equally balanced with herbs and spice and the fragrance feels somehow natural and wellblended. There is also an almost watery-floral touch to Méloé, like in Oscar de la Renta Live in Love and By Kilian Water Calligraphy, but in Méloé the watery impression is much more subdued, even if still there, than in the two related fragrances. In the basenotes there is a white musk supported by mossy and woody notes, which deepens the fragrance in a bit darker nuances of green. All together, Méloé to me is a sort of aromatic-floral, not fruity-floral as I have read somewhere. 

Picture: Méloé in its stylish bottle.
Photo: PR Parfums Téo Cabanel

Méloé is an upliftining, surprisingly longlasting fragrance.The blend is specified as an Eau Légére, which is supposed to be lighter than an Edt, but I can smell whiffs of it after almost 24h on skin and on fabric some days after the day I was wearing it. Méloé is suitable for daytime wear, especially for spring and summer, but also, as lighter fragrances lasts better in autumn/winter, for days when longing for something lighter during the darker and colder.

Even if Méloé bears similarities with other fragrances in the light, refreshing, floral genre it has its own identity, the green herbal tinge and slight bitter (in a positive way) note.

Even if not similar fragrances but similar in expression, those who enjoy De Bachmakov (also herbal notes) from The Different Company, Dior Escale à Pondichéry (the flower and spice) and Chanel Cristalle Eau Verte (the green, slight bitter flowers) also could like Méloé.

Rating: 4

Notes: Bergamot, mandarin, lemon, lavender, basil, neroli, orange blossom, jasmine, nutmeg, musk, moss, amber, woody notes

Fragrance(s) of the week (29) 2013 - Green &herbal

Here we are in the middle of the summer.Almost every year I have started long for the dark orientals of the autumn & winter by now but this year I'm more in tune whith the season and like to wear herbal and green perfumes such as:
 My SOTD Reverie au Jardin a bit neglected and forgotten Tauer.Green incense  lavandel herbal dry beauty, the always so wearable Cologne Friction from Parfums Nicolai, the salty, musky galbanum of Balmain Vent Vert (I appreciate the new version more and more) and the cotton clean galbanum of Coton Egyptien from Phaedon. Overall I like the unsweet and natural in style fragrances at the moment but theses preferences will probably change soon...

M.Micallef -Art Collection Rouge No 2

Picture: The beautiful bottle of Rouge No  2
Photo: PR M.Micallef (c), all rights reserved

Rouge No 2 in the M.Micallef Art Collection 2013 is a just as comfortable, delicious sibling to Rouge No 1. Just as the latter, Rouge No 2 is created by the Micallef housenose Jean-Claude Astier and the red stunning bottle, a variation of Rouge No 1 by Martine Micallef herself.

Rouge No 2 just as Rouge No 1 starts sweet and delicious but to my nose No 2 is less soft fruity-vanillic and  lend more to green, tangy black currant notes but with a fudgy gourmand edge. In the middlenotes a whiff of a note (not mentioned among the ingredients) that smells almost as soft non-sweet coconut occurs but the mainplayers are violet and orchid underscored with jasmine, making a more serious impression than the louder middlenotes of No 1. There is something in this stage that reminds me of a clean and proper version of ELDO Putain des Palaces. Unlike the latter, there are no dirty or dangerous notes lurking beneath and the violet-orchid combo is not lipstick-y nor powdery. Even the animalic note that appears (castoreum), is somehow clean as a brand new luxuary fur coat. Beside the animalic note also the rest of the base of Rouge No 2 is darker, with resins and less vanilla than No 1. Another fragrance that Rouge No 2 reminds me of is Poudre de Riz by Huitème Art.

Overall my impression is that Rouge No 2 are darker and the more serious, intorvert sibling of the Rouges. Rouge No 1 has a happier, easy to go and more extrovert character than No 2. Both fragrances will suit for the occasions when one have to take care of oneself and to be wrapped in Rouge No 2 is just as comfortable as to be surrounded by No 1. Just as the charcters of the fragrances, No 2 is preferred for philosophical and No 1 for more outreach activities. Rouge No 2 could be worn year around expect in sunny summerheat but is on the other hand, perfect for dark late summer evenings. Sillage is medium and longevity is for 24h. A wellblended fragrance of high quality. Rouge No 2 is just as good as No 1 but my favorite is No 1 as i find it more original and intriguing, Rouge 2 doesn't stand out from the crowd as much as No 1. I think they complement each other in a good way. Both Rouge No 1 and No 2 are well worth trying for those in search for a just enough sweet, olfactory delight of high quality. These fragrances have nothing in common with the shrill fruity-florals which could be found among some mainstream offerings.

Rating: 4

Notes: Citruses, black currant, nutmeg; jasmine, violet, orchid, vanilla, labdanum, amber, castoreum

M.Micallef - Art Collection Rouge No 1

Picture: The beautiful Rouge No 1 bottle,
created by Martine Micallef herself.
Photo:PR by Parfums M.Micallef (c)

Rouge No 1 is the first part of the summer 2013 limited edition Collection Rouge from the house of the artful and beautiful bottles and perfume M.Micallef. It's a highend fruity floral, created by the M.Micallef houseperfumer Jean-Claude Astier. The red bottles of the two Rouges are stunning to say the least.

Rouge No 1 starts soft vanillic-fruity with an accord that smells almost as smoothed red berries in creme but this is probably the peach interacting with the other notes in this very pleasant gourmand symphony. There is also a contrasting pleasant note of "dry dust on a lighted bulb" which is present in for example Mona di Orio Carnation and makes the opening quite interesting. Particulary in this stage, Rouge No 1 has similarities with the delicious creamy-berry-fruity Jeunesse from Robert Piguet which is a bit more edgy in style. In the next stage Rouge No 1 becomes more floral as also the wellbalanced white musk in the basenotes which gives a certain contrasting dept in this almost edible, yummy blend. The intresting and well balanced "dustnote"weakens during the dry down but a hint is still there in the base, something that I appreciate of course as I usually like  a"weird" twist in a fragrance.

Rouge No 1 is quite linear and confidently recognizable, with its returning but gradually evolving accords, during the dry down. Despite edible as a pastry, Rouge No 1 is not dense and thick or too sweet and therefore also suitable for summer. It blooms beautiful in warm weather, the musk anchors the other ingredients and ensures a good longevity for 12h+.  The overall impression is a fragrance constructed with high quakity ingredients with notes that are arranged in a wellbalanced harmony. Rouge No 1 is a true wrist sniffer,very comfortable and easy to wear.

Rouge No 1 could be interesting to those who like M.Micallef Ylang in Gold as they are close in style and also, there are similarities in the context (expect the patchouli) of Miss Dior Le Parfum and also the, IMO underestimated comfortscent, Chanel Coco Noir.

Rating: 4+

Notes: Peach, mandarine, ylang-ylang, rose, jasmine, vanilla, musk, benzoin

Fragrances of the week (28) 2013: Oliver & Co - Impression of the line

Picture: Oliver & Co Discoveryset
Photo: PR Oliver & Co, (c) all rights reserved

The Oliver & Co line definitly has its own natural smelling aromatic fresh style. Overall I find the unisex fragrances from the Oliver & Co house to be just a little bit more masculine than feminine in style (to use the stereotypes) probably because the absense of sweetness which I find carcteristic for the Olvier & Co fragrances as also the aromatic texture they all, more or less, have in common. Anyway, I think both genders should test these original creations.

All the fragrances are strong but refreshing and also long lasting which is not a common feature when it comes to fragrances with a high content of naturals. Those who like fragrances in the style of Commes des Garcons Incenseserie would probably appreciate the Olvier & Co line as they conveys the same impression but without incense as the line features other ingredients. My personal favorites are Mousse and Resina followed by La Colonia.

From Oliver & Co:s website there is possible to order a priceworthy discoveryset  which I think will last very long as each vial is 10 ml and as my 2 ml vials still lasts very well after assiduous testing.

Oliver & Co - Resina

Picture: Resin from pine
Photo: Meanos (cc) Wikimedia Commons,
some rights reserved

Resina is a natural smelling balsamic, spicy aromatic blend from spanish nichehouse Oliver & Co and as all the fragrances created by the owner of the house; Oliver Valverde.

Resina starts with the balsamic wowen plasternote that I like so much and which is distinct during the whole dry down in Comme des Garcons Jaisalmer but in Resina it soon withdraws from the centerstage as also a almost medical aromatic blast. Then a phase with balsamic, light spicy, unsweet caramellic and light woody notes appears, the ingredients seems almost seamless blended and the fragrances is soft and less aromatic. In this stage Resina gives me the impression of a non-sweet version of Prada Candy (swe) with a note that is very close to sandalwood (but as this ingredient is not listed it has to the skillful blending that creates this effect) instead of the sweet powdery benzoin in Candy. The overall impression of Resina is a natural smelling, warm and comforting fragrance with interesting twists from the spices and resins.

Even if wearable year around Resina IMO is the most cold season friendly fragrance from Oliver & Co. Its non-swetness makes it also possible to wear during the summer even if the warmest days should be avoided.
Longevity is great, 24h and sillage is medium. Beside Mousse, Resina until now is my favorite Olvier & Co fragrance. But who knows, further testings might change this order :-)

Rating. 4+

Notes: Tolu balsam, elemi, myrrh, labdanum, opoponax, jasmine sambac, incense, benzoin, coffee, flame tree, mace, rooibos tea, tonka bean, star anise

Oliver & Co - M.O.U.S.S.E and M.O.U.S.S.E II

Picture: Gewürznelkenbaum, Köhler
 Medizinal -Planzen, Franz Eugen Köhler (1897),
Wikimedia Commons

Mousse and Mousse II are slight different takes on a original fresh spicy clovetheme. Both are created by spanish indieperfumer Oliver Valverde who uses a high precentage of naturals in his, despite this, strong and lasting fragrances.

Moussse: Starts with a distinct scent of airy clove which is unsweet and natural in its interpretation. It's clean but without any detergentnotes despite its consistent supporting musky theme. Even if the clove is airy and transparent in texture, this fragrance is very strong and demands a light application. As Mousse dries down the clove is tamed by a soft sandalwood which perfectly balances the fragrance. In this stage there is a hint of the scent from a soft high quality carnation soap. To summarize Mousse it's the perfect spicy counterpart to Comme des Garcons excellent incense-pine creation Kyoto.   

As Mousse is a non sweet and fresh clove it's wearable also during the summer and the musky spicy clove blooms in warm weather. Mousse is also right to wear during the rest of the year, a versatile sort of timeless ( even if contemporary I can easily image a king of the baroque-era wearing this) unisex fragrance, despite IMO, just as Kyoto, Mousse is leaning to the masculine side. Sillage and longevity (24h+) are great.

Mousse II: This is an even more airy, almost ozonic take on the original Mousse. The clove is lighter and the whole scent is brighter and the fizzy fresh notes of mint and cardamom is added. There are also a strike of the crisp green lily of the valley accord from La Colonia. Overall Mousse II is more playful, brighter, lighter not as distinctive/sharp as the original Mousse and therefore easier to wear. It's also a more feminine unisex fragrance than the original Mousse. Sillage is good and longevity for a day. Etros transparant carnation with clove, Dianthus comes to my mind when wearing Mousse II even if Dianthus is more concentrated of the carnation than its clove notes

Even if Mousse is more masculine I prefer it as it is much more original and also genuinely highlights the clove. There is no attempts to quiet down the powerful clove as I perceive as an intention in the flanker Mousse II. But Mousse II is definitly a good choice for those who prefer a more blended and tuned down perfume featuring clove.

Rating: Mousse 5, Mousse II  3+

Notes Mousse: Lime, aldehydes, clove, lavander, oakmoss, sandalwood, musk
Notes Mousse II: Lime, aldehydes, clove, lavander, cardamom, mint, lily of the valley, sandalwood, ambergris, musk

Olvier & Co - Vetiverus

Picture: Vetiver (Vetiveria zizanoides) Essential Oil
Photo: Itineranttrader, Wikimedia Commons

Vetiverus is also a part of the illustrated series from spanish perfumehouse Oliver & Co. My impressions comes from Mr Parfumistas testings of Vetiverus.

Vetiverus starts bold, almost medical smelling with notes that feels very natural, like in some creations from La Via del Profumo like for example Tabac. There are also an almost mossy impresson in the start. The start of Vetiverus is masculine IMO. As Vetiverus dries down, the intial harshness softens significantly and the compositon changes to a pleasent, dark green, soapy blend. In this stage Vetiverus is unisex but overall Vetiverus leans towards the masculine and that is probably the reason why Mr Parfumista like Vetiverus better than I do. Vetiverus smells very good on him and he has even consumed the sample, something which is not usual when it comes to this picky nose.

Vetiverus, just as La Colonia, is interesting in its development and in the same time easy to wear and officefriendly (expect the intial accord). Longevity is great (24h+) and sillage is medium+.

Those who like different interpretations of vetiver should definitly try Vetiverus, it has traces from both the more sharp herbal part of them (for example the LesNez Vetiver serie) as from the soapy ones as Guerlain Vetiver and Mona di Orio Vétyver.

Rating: 4

Notes: Labdanum, styrax, vetiver, ambergris, osmanthus flower, orange peel, patchouly, musk, coriander seed, clove bud

Oliver & Co - La Colonia

Picture: La Colonia by Oliver & Co
Photo: PR Oliver & Co

La Colonia from spanish nichehouse Oliver & Co founded by Oliver Valverde who also creates the parfumes, is not a cologne IMO even if it intermediates some elements of cologne freshness. Instead La Colonia performs as an Edt with good sillage and longevity, features that is rare when it comes to light fragrances these days.La Colonia is a part of the illustrated series where an illustration of Pablo Perez Sanmartin capturing the essence of each fragrance is included.

La Colonia starts with a acquatic-citirc accord and the opening is was I like the least with this fragrance, the initial stage feels too undescript "usual-light-perfum-y".Fortunately, this stage doesen't  last long at all, after a few minutes some fersh green, herbal slight spicy notes apperas with dill as the prodominant player to me. The dill in this creation is well blanced, dill I suspect can be too sharp and overwhelming but in La Colonia it's a good contrast to the flowers and soft woody notes. Another composition where dill is used in a pleasant way is Eau de Lalique. In the dry down of La Colonia there is also a fizzy green note playing in harmony with the crisp Lily of the Valley. I suspect this note is green pepper.

La Colonia is a fragrance with interesting twists but in the same time easy to wear, fresh without any detergentnotes and very officefriendly. Perfect for summer or anytime of the year when longing for warm summerdays.

Those who are fond of fragrances in the chilly, fresh, dark green style of Patricia de Nicolaï Week End à Deauville and Andy Tauer Carillon pour une Ange will probably appreciate La Colonia.

Rating: 4

Notes: Bergamot, ozone, dill, jasmine, green pepper, lily of the valley, sandal- and cedarwood

La Colonia and the other intriguing Oliver & Co fragrances is possible to order (free shipping around the world) from the Oliver & Co website. 

Fragrance(s) of the week (26-27) 2013 - Geeky

Photo: Parfumista (c)

One of my favorite perfumerelated occupations is side-by-side testings on different themes,.For example perfumes that I think are quite similar, when testing them one on each arm, in most cases the differences are bigger than what I have percived from smelling the fragrances separately. Another interesting exercise is to test different strenghts (perfume, Edp, Edt) which  also are more or less different formulas of the same fragrances. The most intriguing test is to compare formulations from different decades to find out how a fragrance has evolved from reformulations over the years. Such thrilling exercise are waiting this summer. Last week, on the monthly perfumelunch exhanging samples with  Fragrantfanatic, I recieved some interesting vintagesamples from FF:s bargain on Tradera (swedish E-bay). Now I looking forward to compare the Madame Rochas EDC (70s) with the Madame Rochas Pdt (80s?) and current Madame Rochas Edt I have. Also the Grés Cabochard Edt is very interesting, the sample I received from the 70s to the Edt version I have from the late 90s. I know that the current forumla is pale compared to the late 90s formula, if the difference is that big also between the 90s and 70s formula, than the 70s must be impressive!

Annick Goutal - Les Colognes Vetiver

Picture: Seaside Oregon, US
Photo by Apollomelos, Wikimedia Commons

The Vétiver in the Annick Goutal Les Colognes line, is the scent that IMHO is at least similar to the original. Les Colognes Vétiver is creatred/reconstructed by Isabelle Doyen. I have read somewhere that this reconstructions in Les Cologne line could be an attempt to rescue these classics in some shape from allt the regulations but I don't know.

Les Colognes Vétiver starts with an airy, seabreeze, light vetiver accompanied with something smelling of clean, soft leather. It has nothing of the intriguing scent of soapy silver polish which is carachteristic for the original Vétiver. As the cologneversion dries down, a light touch of a citric-flowery note appears, mingeling with the light, clean leather-vetiver note. The pleasant and discrete white musk of the other Les Colognes is also present in the vétiverversion grace it with some airy radiance. Les Colognes Vétiver is subtle but still present in a comfortable and seaside impression way. A very wearable stylish, fresh fragrance, perfect both for work and casual. Sillage is close but  when it comes to longevity, talking about seaside, Les Colognes Vétiver has more to be desired, it can not cope a three hour boattrip in the inner archipelago. In office sorroundings I suspect it will last for almost a day.

To really appreciate Les Colognes Vétiver I think one have to see it as a separate creation to the original Vétiver. To me the cologne version has more in common with the airy-transparent Etro Vetiver than with the original AG Vetiver Edt.

Rating: 4

Notes: Lemon, vetiver, rosemary, sage, iris

Annick Goutal - Les Colognes Néroli

Picture: Glass vial containing Neroli Essential Oil
Photo: Itineranttrader, Wikimedia Commons

Le Cologne Néroli is, just as the original Néroli Edt, created by the housenose of Annick Goutal, Isabelle Doyen in collaboration with Camille Goutal.

Le Cologne Néroli starts with fresh, pale green orangeblossom/neroli notes. The opening is sparkling and moist compared to the Edt-version, which I suspect is discontinued. The Edt starts with the orangeblossom/neroli but  supported by notes that gives it a herbal touch. After a while  notes smelling almost as fresh mushrooms appears in the Cologne, while the same passage in the Edt smells like a well kept stable with happy horses. The Cologne Néroli has the same typical, fresh luxurary linen colognenote as Le Cologne Eau d'Hadrien and lots of other better colognes. Just as the Hadrien Cologne, there is a fine, white musk base that intermediates a moisty impression. Overall the cologneversion is more flowery and sparkling, in the Edt version the orangy notes are combined with a herbal touch. Even if the Cologne Néroli is more similar to other nérolicolognes i prefer it slightly to the Edt.

Le Cologne Néroli has better longevity on me than the original Edt. I suspect that the white musk, just as in Le Cologne Eau d'Hadrien, is the facilitator of this. The Cologneversion lasts for more than a day with fragments left after 24h and the Edt lasts for almost a day.

Those who likes Hermès Eau de Cologne d'Orange Verte, Historiae Orangerie du Roy and the likes will probably appreciate Le Cologne Néroli.

Rating: 4+

Notes: Neroli, orangeblossom, petitgrain, heliotrophe, white musk

Annick Goutal - Les Colognes Eau d'Hadrien

Picture: Kornfeld mit Zypressen, 1888/1889
Painting by Vincent van Gogh (1853-1890) 

Annick Goutal Les Colognes is a light interpretation of some Annick Goutal fragrances form where it seems as some is disappered from the line as for example the intriguing Vétiver. Les Colognes Eau d'Hadrien could be an attempt to save this classic by interpreting it in another form and texture as the citric notes has gone true many restrictions during the lastest years which has step by step transformed the original formula to something too different. The older formula in my bottle from ca Y2K, but of course not oldest formula as Eau d'Hadrien is from the early eighties, is more lemony and dense in its structure than the paler and more woody current cologneversion.

Le Cologne Eau d'Hadrien starts with citrusnotes but to my nose there are more of the notes from the orangetree than lemonnotes in this version. Also the light fresh cypress note is much more evident than in the older version. If the old version has a color it's bright, yellow as a fresh lemon where the cologneversion is pale orange-pale-green it it had a color. To me Le Cologne Eau d'Hadrien is close to a thinner versin of Dior Escale à Portofino minus the almondnote in the latter and plus the fresh herbnotes of the former. Somewhere in the middle of Le Cologne Eau d'Hadrien a pleasant, slight bitter note of lemon cores also appears. The woody musky base are wellbalanced and the musk is pleasant, watery in texture and is probably the ingredient that provides this cologne a decent longevity. I feel traces of it in the evening after applying liberally in the morning. Perfect scent both for work (very officefriendly) and casual. Summery in style but, as with the old Eau d'Hadrien,  I would recommend wearing it on sunny winter to obtain a better longevity and to get time to catch this fine fragrance.

Rating: 3+

Notes: Lemon, tangerine, grapefruit, bergamot, petitgrain, cypress, basil, rosemary, musk

Fragrance(s) of the week (25) 2013 - Midsummer

Picture:Night on the Eve of Ivan Kupala
Painting by Henryk Siemiradzki (1892)
Wikimedia Commons

This week I been strolling in a the rosegarden testing Robert Piguets wonderful pinke rose, the new Rose Perfection  varied with Ramon Monegals intriguing and long lasting variation of the light rose, L'Eau de Rose. Serge Lutens metallic slight bloody but later in the drydown jammy rose La Fille de Berlin added some drama for a day.

On Midsummer Eve I forced myself to take a break in the roseparade, wearing something more non-descript floral/grassy/hayish to match this special day, my choice was the very versatile Jour d'Hermès. Smells very good but IMO with some longevity issus, it just last for 6-8h under out-of-doors conditions.

Historiae - Violette Imperiale

Picture: Empress Eugénie (1826-1920)
Portrait 1853 by Franz Xaver Winterhalter (1805-1873)

Violette Imperiale is the only of the five fragrances released so far from Historiae that is not created by the hyperactive Bertrand Duchaufour. Violette Imperiale is created by a perfumer unknown to me, Constant Michaux. Violette Imperiale is said to be inspired by Empress Eugénie, the spanish wife of Emperor Napoleon III of France. The story says her favoriteflower was violet but as the at least two other fragrances is created for her; Creed Jasmin Impératrice Eugénie /inspired of her; Histoires de Parfums 1826 Eugénie de Montijo, focuses on other flowers/herb plants as jasmin respective patchouli she probably, as a well known perfumista of her time, liked many of the scents in the perfumers palette.

Violette Imperiale starts with an airy, transparent blackcurrant note, first the berries and then followed by the tartness of the buds. After a while, the fragrances deepens as also rich, fresh fruity notes appears followed by sweet flowery notes where the violet is evident but not dominating the others. The violet is of the same sweet type as Violtabletter, a swedish jelly candy pastille which tastes as a sweetened violet flower. The berry, fruity floral theme is intensified by the white musky base but the musk is wellbalanced and counterbalanced by the light woody notes. Violette Imperiale newer goes powdery as for example Blanc Violette by Histoires de Parfums nor crisp and green as for example Annick Goutal La Violette, it stays fruity-violet-flowery during the whole dry down

Picture: Violtabletter swedish violet jelly candy
Photo: PR Fazer (c)

Violette Imperiale is a typical easy to wear fragrance, suitable especially for spring and summer, both for work and casual. I think it's contemporary in style and doesn't see some obvious connection to the era of Napoleon III. The sillage is medium and the longevity for about a day.

Rating: 3

Notes: Orange, blackcurrant, peach, violet, iris, raspberry, ylang ylang, vanilla, musk, amber, vetiver, sandalwood

Thanks to Fragrance & Art for the sample to test

Historiae - Rose de France

Picture: Francis I (1494-1547)
Painting  1530 by Jean Clouet (1475-1540)
Wikimedia Commons

Rose de France is the fourth fragrance created by Bertrand Duchaufour in the Historiae-line.It's said to be inspired of the Francis I era in the beginning of the 16th century

Rose de France starts fruity with almost raspberrylike topnotes  blended with roses. The first impression, put in a plesant way, is the smell of a coughmedicin for chlidren which I've been medicated with as a child.After this bold opening the roses steps forward in a dry, but never overwhelmimg or cloying, potpurri-like accord.
The dry roses smells very authentic but after a while the fragrance gets moistier, sweeter and the roses alive and accompanied with other fresh blooming flowers as the dewy peony. The now fresh, medium purple pink rose  is the protagonist during the rest of the dry down. The musky base with some balsamic and patchouli touches reminds me of the creamy, very pleasant, but artifical smelling white musky base of the Oscar de la Renta Essential Luxuries line.

To me Rose de France is a pleasant rosy fragrance perfect for office- and casualwear for spring and summer. I can't see the connection with the era of Francis I as I image the roses of this century as dangerous, dark, dirty and heavy. Sillage is medium and longevity for more than a day.

Those who like pink musky rosefragrances as for example Bulgari Rose Essentielle and Burberry Body Tender could also appreciate Rose de France.

Rating: 3

Notes: May rose, damascena rose, pear, bergamot, tagetes, rose absolute, magnolia, mock orange, clove, davana, peony, géranium, listea cubeba,  benzoin, vanilla, musc, amber

Thanks to Fragrance & Art for the sample to test

Fragrance(s) of the week (24) 2013

Picture: New Robert Piguets are tempting me
Photo: PR Robert Piguet (c) all rights reserved

In the middle of my "reviewing light and summery fragrances period" I drooling over these interesting (to say at least) new Robert Piguets. I'm so curious, and soon I'll also be able to sample two of them: A perfect bright rose, Rose Perfection (even if the line already has the IMO perfect bright rose blended with powdery orris, Calypso) and a floral chypre (I love chypres) Alameda. Hopefully I also get the opportunity to test the leather Knightsbridge later on but now I'm so thrilled to dive in these two beauties, which I already know they are in advance. After all they are Piguets and this genuine house has proven to be the most versatile for me beside Guerlain and Chanel which is a great achievement as the two latter are giants with houndreds of perfumes in their lines compared to this little quality house.

Historiae - Hameau de la Reine

Picture:  Petit Trianon, parc de Versailles
Photo by  Urban, (cc) some rights reserved
 Wikimedia Commons

Hameau de la Reine is green floral created by Bertrand Duchaufour for the french house Historiae. The fragrance is inspired of Marie Antionette  and her "revolt" against the Versailles court ie  "Marie-Antoinette wants to have her own little village to enjoy the pleasures of the countryside with her children. Her aspiration for a rural paradise is somewhat a result of the Enlightenment. The Queen had her Hameau built in Versailles in 1783, going against the traditions of the old Royal Court".

Hameau de la Reine starts sparkling, light green with citrusy accents. The greeney is like fresh buds with a touch of tart tomatoleaves. The greenery is very natural smelling and soon Hameau de la Reine elicts the image and scent of a sunny midsummer meadow with its wild untamed grass, midsummerflowers and moisty earth  underneath. As Hameau de la Reine dries down, flowery notes gets more predominant and now we are transported from the meadow to the garden of a sweet cottage, just as in Marie Antionettes little artificial, rual, village. Wild roses, mock orange and robust peonies are present over the green backgrund that has become slightly darker and accentuated by woody notes when the fragrance reaches the balanced musky, basenotes.

Picture: Marie Antionette (1755-1793)
Painting of Louise Elisabeth Vigée  Le Brun (1755-1842)
1783

Light green, airy and delightful, Hameau de la Reine is a perfect fragrance for the coming midsummercelebrations. It's a casual fragrance but also suits for work as it can't offen anyone. The sillage is close and the longevity not for a whole day which is surprising as the others tested from the line so far, Orangerie du Roy and Bouquet du Trianon (see previous reviews) both have very good longevity. But Hameau de la Reine is that sort of light fragrance that could be reapplied during the day without causing olfactory disasters, i.e the rule that says: Never apply perfume on unclean skin. But there are some exceptions: Some light and fresh fragrances, preferably citrus, could be used even a day after the previous shower.

Those who like Chanel Cristalle Eau Verte and the new version of Balmain Vent Vert will probably also appreciate the delicate Hameau de la Reine.

Rating: 3+

Notes: Bergamot, blackcurrant bud, tomato leaf, fig leaf, rose, galbanum, peony, geranium, mock orange, ivy, vetiver, patchouli, white wood, musk, honey

Thanks to Fragrance & Art for the sample to test

Historiae - Bouquet du Trianon

Picture: Queen Marie Antoinette of France walking in the park of Trianon
with two of her children.Painting 1785 by Adolf Fredrik Werthmüller  (!751-1811)

Bouquet du Trianon is a floral woody fragrance created for Parfums Historiae by the famous nose Bertrand Duchaufour. Historiae are using a high precentage of natural fair traded esential oils in their fine fragrances.

When it comes to the inspiration to Bouquet du Trianon the story tells: "On August 15, 1774, King Louis XVI makes a wonderful gift to his wife Marie-Antoinette: "You love flowers, I have a bunch to offer you: the Petit Trianon." At Trianon Marie-Antoinette created a haven of intimacy that allowed her to escape the etiquette. She indulged her taste for countrystyle patterns and pastel colors."

Bouquet du Trianon starts with an airy and fizzy burst of greenry, some crisp flowers and most of all blackcurrant buds. The black currant is the mainplayer in the topnotes and is still clearly recognizable during the whole dry down. There is also a light, transparant, almost incenselike note that accompanying the blackcurrentnote, maybe the mint and beewax combined with the refined and smooth sandal- and cedarwood notes creates this effect. The flowers of the blend takes the centerstage somewhere in the middlenotes and are still present in the woody base. The dominating flower is a light, transparent and fizzy tubereuse, note meety and indolic, but wellbehaved and minimalistic. There is also something reminding of a pleasant, hard caramellnote. In the top- and in the beginning of the middlenotes Bouquet du Trianon seems to be a transparent version of another recent Bertrand Duchaufour creation dominated by blackcurrant: Enchanted Forest from The Vagabond Prince. It is easy to suspect that the two fragrances where created simultaneously a transparent one and a heavier one. Of the two I personally prefer Bouquet du Trianon as it blends much better with my skinchemistry. The critical Mr Parfumista complimented Bouquet du Trianon, thought there is some1980s vibe of the perfume and even found some similarities in its apperance and style, even if Bouquet du Trianon is lighter, with the great Montana Parfum d'Peau.Personally I also find some similarities with Grossmith Floral Veil and with the spirit of Golden Chypre from the same house.

Picture: Bouquet de Trianon Edt
Photo: PR Historiae (c)

Bouquet du Trianon is a perfect fragrance for officewearing, elegant and not disturbing. Despite it's transaprant character, the sillage is medium and the longevity is for almost 24h. To me Bouquet de Trianon is a very comfortable springscent, a real wristsniffer and I'm very enthusiastic about it.

Rating: 5

Notes: Lemon, bergamot, mandarin, galbanum, mint, freesia, blackcurrant bush leaf,  tuberose absolute, ylang ylang, beeswax absolute, rose, honeysuckle, vetiver, patchouli, amber, musk, sandalwood, cedarwood

Thanks to Fragrance & Art for the sample to test

Fragrances for the Royal Wedding

Of course I can't resist choosing fragrances for the happy couple. Taken into account that the groom is american and both lives in the Big Apple the choices of course are from american houses:

For Chris: The classic Aramis JHL in vintage version. Maybe not a fragrance for a summerday but I think it's a fragrance for Chris. He seems to be a epicurean who wouldn't say no to a good cigar and a fine cognac or two. Exactly the impressions I get from vintage JHL.

For the coming Mrs. O'Neill, the Royal Princess Madeleine: Of course one of my favourite flowers, Parfums Delrae Amoureuse. This happy but in the same time deep and velvety floral with the distinct note of cardamom and something just a bit naughty lurking underneeth is the perfect choiche for the not at all blushing bride. The Princess had a broken engagemant some years ago, is also a well known shopper and former partygirl, which is not popular in this nation of  Jante.

And at least, I can't help choosing also the fragrance for the ambitious mother in law Eva Maria O'Neill:  Le Parfum Couture Denis Durand for M.Micallef this stunning, dark animalic rose  is a dangerous fragrance which will suit this extravagant lady perfectly.

Fragrances of the week (23) 2013 - Royal wedding

Picture: H.R.H Princess Madeleine
with her coming husband Mr Christopher O'Neil
Photo: Brigitte Grenfeldt (c) Kungahuset.se, all right reserved  

This entry is a summery for international readers about todays event The perfumereflections will follow in the next entry.

Today there is a Royal wedding here in Stockholm as H.M King Carl XIV Gustaf youngest daugther H.R.H Princess Madeleine marries an american (also with british citizenship) sort of hedgefundtrader/analyst with a very ambitious austrian mother Eva Maria O'Neill (a cool lady with, it seems as, a well thought out strategy for herself and her three children, from three of her four marriages with wealthy men); Chris O'Neill.

The happy couple lives in New York where the Princess works for H.M Queen Silivas charity Foundation Childhood in the US branch.and they will continue their life in NY also after the wedding. Mr O'Neill will remain as a "Mr", stay with his american-british citizenship and go on with his business as usual. Overall this couple isn't so (at least what is communicated by the press, so who really knows), how to put it in a polite way, "in tune with the times" as, and therefore not so popular, as the coming Queen H.R.H Crownprincess Victoria and her husband H.R.H Prince Daniel who are (almost too) perfect, hardworking, nice and well shaped/trained (personally, they are my favourites, good examples to the nation). He was a PT and owner of a successful gym company before his royal carrier but have to leave his business to serve the country as the husband of the coming Queen.

At 16.00 today everyone in Sweden who like pomp and circumstances, beautiful dresses and sparkling jewels, will gather in front of the televisions and I'll of course be one of them :-)

Historiae - Orangerie du Roy

Picture: Louis XIV of France (1638-1715)
oil on canvas 1701 by Hyacinthe Rigaud (1659-1743)

Orangerie du Roy is an excellent orangeblossom dominated fragrances composed by Bertrand Duchaufour for the house of Historiae. This house creates fragrances inspired of the spirit of different eras of the french history.

Orangerie du Roy is inspired of the "Sun King" Louis XIV which adored the freshness of the orangeblossom. The King started a new era parfumevise directed to fresh, flowery perfumes, preferably orangeblossoms, after being overdosed with musk for many years.

Orange du Roy starts with a natural smelling, clean, orangeblossom, without musky or laudery details. The flower is contrasted by light, green herbal notes, somehow smooth and on the verge of soapy but the fragrance doesn't enter the soapy territory, just touches it. The orangeblossom is classic-fresh and recalls the scent of freshly pressed linen sheets in cool and shady room during a warm summerday in a luxury Mediterrian hotel. Even if Orange du Roy is linear or maybe circular in its structure it is not dull at all, it evokes images not just from Mediterrian hotels, I can also see the old Sun King in his warm whig, strolling in the gardens of Versailles a warm summerday. Orangerie du Roy is well balanced and made of fine ingredients of an impression number for a eaux styled fragrance. It's also reasonable priced ca EUR 25 for 15 ml/ ca EUR 49 for 50 ml.

Picture: Orangerie du Roy Edt
Photo: PR Historiae (c)

Orangerie du Roy is a real wristsniffer, perfect both for work and casual, especially during spring and summer. The longevity is very good for a an eaux styled edt, it lasts for more than a day.

I think those who sheer orangeblossoms as Prada Infusion Fleur d'Oranger and Hermès Cologne Orange Verte will also like Orangerie du Roy.

Rating: 4

Notes: Lemon, sweet orange, petit grain, basil, mint, bergamot, orangeblossom, ylang-ylang, honeysuckle, lavendel, thyme, mock orange, patchouli, vetiver, oakmoss, musk

Thanks to Fragrance & Art for the sample to test

Parfums deNicolaï - L'Eau à la Folie

Picture: L'Eau à la Foile
Photo: PR Parfums de NIcolaï

It's almost an old truth that you can always count on Patricia de Nicolaï. Well made fragrances to affordable prices, I can't understand all complaints of the bottles, I think they are charming  with their a bit homemade look, as they are just bottled and labled in the lab and then taken out for an immediate sell in the shop. L'Eau à la Foile, the creation of last year in Patricias L'Eau line, (precursors L'Eau Mixté 2010 (citrus/wood), L'Eau Chic 2011 (geranium)), is no exception. It's a wellmade, somehow robust, realible green, slight fruity, floral, slight boozy, spicy, woody light fragrance with a with a surprising longevity, for a day at least even if close to the skin most of the time.

L'Eau à la Folie starts with refreshing, sparkling notes of lime, citrus, a light white ruhmnote and some spritzy floralnotes. The opening is just like a refreshing Mojito a hot summerday. Mojito is also mentioned among the topnotes. As L'Eau à la Folie dries down the flowery impression strenghtens and there is a light spicy fizz that runs through the whole drydown of L'Eau à la Folie, and is also apparent in the light, blond woody base.

Picture: Mojito
Photo: from Gigilicom  

L'Eau à la Folie is such a pleasure to wear, a real wristsniffer that feel natural in comparison with all the fresh chemical laundry stuff out there. The name is well chosen, the fragrance is happy and smiling, ready for some minor madness. L'Eau à la Folie suits perfect for summer daytime wear, both for work and casual. I also think it will suit also in the middle of the cold and dark winter, when longing for summer. From the L'Eau line, I like L'Eau à la Folie best so far.

Rating: 4

Notes: Mojito, citrus, ginger, flowers, jasmine, green notes, fruits, wood

Fragrance(s) of the week (22) 2013

Photo: Mr Parfumista (c)

June will be the month focusing on reviews of the light, summerstyled fragrances that I have tested during the spring. Overall my favourites are dark, mysterious, orientals or heavier florals and of course also deep, mossy chypres and soapy/powdery aldehydes but this time of the year, I really appreciate and long for light and sparkling creations.

The Vagabond Prince - Enchanted Forest

Picture:The beautiful artwork bottle of Enchanted  Forest
Photo: PR The Vagabond Prince (c), all rights reserved 

Enchanted Forest is a 2012 Bertrand Duchaufour creation for the new perfumehouse The Vagabond Prince  founded by the very creative founders of Fragrantica , Elena and Zoran Knezhevich.

Enchanted Forest is an unsual fragrance, centered around the black currant accord. Even if black currant and its buds, are frequently used in different fruity and fruity green accords, that the blackcurrant rarely is the mainplayer. Another fragrance where this is the case is Lalique Amethyst which I havn't smelled. The initial accords of Enchanted Forest is like diving in a blackcurrant bush, the notes of the juicy    berries and the green tart leaves are very natural, luminous and vibrant. Probably the aldehydes helps to lift the black currant, with its intensity it could otherwise easily be cloying. When Enchanted Forest dries down in the middlenotes, the blackcurrant calms down but is still easily recognizable as the mainnote. Green light woody and fizzy notes as vetiver, pepper and especially coriander sparkels offsetted by some smooth flowery notes that just balances the blend and plays in the background. The base are slight musky dark but not heavy with distinct tart woody (fir,cedar) and resinnotes. There is also a transparant, fresh earthy, patchoulinote combined with a slight animalic vibe. The sweet notes are very subdued and not recognizable as separate notes, but they create a softness that balances the dark and  earthy woodiness.

Enhanced Forest is a fragrance that I think could be worn year around despite it evokes the image of a wild forest in early autumn to me, a cold, mossy dampness contrasted with the sunrays defying the high confiers and hitting the ground. Enhanced Forest as an idea and in its structure with green, aldehydic tartness, somehow reminds me of the earlier in 2012, Duchaufour creation for Aedes de Venustas with the same name, even if that one highlights the rhubarb.

Enhanched Forest is a strong fragrance that should be applied in moderation, if not, it could be overwhelming. The sillage is big to be a contemporary fragrance and longevity on skin is about 24h.

Rating: 3+

Notes: Pink pepper, aldehydes, sweet orange, flower cassis, blackcurrant leaf, hawthorn, rum, wine, rosemary, davana, blackcurrant buds absolute, blackcurrant, russian coriander seed, honeysuckle, rose, carnation, vetiver, opoponax, benzoin, amber, oakmoss, fir balsam absolute, patchouli, castoreum absolute, cedar, vanilla, musk.

Thanks to the Vagabond Prince for the sample to test.

Guerlain Mahora and Mayotte - Quick comparison

Picture: Mahora in its special tropical styled bottle and box
Photo: PR Guerlain (c)

As wellknown among perfumenerds the warm and full tubereusedominated tropical flower Guerlain  Mayotte in the Parisienne line (bee-bottles with a ribbon on its neck) created 2006 by Jean-Paul  Guerlain is said to be the same (or almost the same) as the Y2K creation of Jean-Paul Guerlain Mahora in the regular line, I think it's discontinued since many years. As mentioned in an earlier post, I received a sample of Mayotte from fellow perfumeblogger Fragrantfanatic to compare with Mahora.

Picture: Mayotte in the Parisienne bottle
Photo: PR Guerlain (c)

Accomplish a side-by-side test of the two I can conclude they are not the same fragrance even if very close to eachother. I suspect that Mayotte is a "lightweight" further development of Mahora, a adjustment to the taste to smoother and more discrete perfumes during the later years.  Compared to Mayotte, Mahora is shrill and loud with some almost vegetale (on the verge to decaying) notes, more in the style of a 1980s perfume. Mayotte is smoother, fuller more discrete and elegant in apperance and therefore easier to wear, a comfortscent that could be used anytime. Wearing Mahora you have to be in the right mood. All in all: The two fragrances are so close that one just have to own one of them. Below I insert the comment from Fragrantfantic the other week as she nails it when she conveys her impressions:

"I did try the Mahora yesterday by itself and it is similar (as in containing the same notes) as Mayotte but it's definitely not the same. The beginning is harsher and trashier, a metallic note is more pronounced and I don't get any gardenia. The drydown is longer and very similar the heart of Mayotte. Next step is to wear them side by side, we'll see if I stick to my words by then :)"

Notes:

Mahora: Orange blossom, almond blossom, green accords, ylang-ylang, neroli, tuberose, jasmine, sandalwood, vanilla, vetiver 

Mayotte: Neroli, frangipani, tuberose, indian jasmine, ylang-ylang, sandalwood, vanilla, vetiver

Fragrance(s) of the week (21) 2013 - That note

Photo: Parfumista (c)

 ....or maybe it's an accord. In perfumes featuring different flowers created during the latest one - two years there is a special scent that is tart, putty (moisty but in the same time powdery) slight musky basenote that I like much. As this note/accord has been increasingly frequent during this time period, I suppose that it's compliant to the coming regulations and just like oud has been a sort of substitute to filling  the void left after the banned oakmoss. I find this note/accord more or less pronounced in for example Chanel 1932 (with jasmine), Oriza L.Legrand Oeillet Louis XV (with carnation) Grossmith Amelia (with peony), Puredistance Opardu (with lilac) and Parfums MDCI Chypre Palatin (retro oriental slight spicy contemporary chypre). So there is just to choose what supplementing note one prefers.

M.Micallef - Royal Vintage

Picture: Robert Comte de Montesquiou-Fézensac (1855-1921)
Painting by Giovanni Baldini (1842-1931)

Royal Vintage is a fragrance intended for men in the M.Micallef Exclusive line. Royal Vintage is created by the M.Micallef housenose Jean-Claude Astirer. The fragrance is presented in an exclusive bottle, designed by Martine Micallef. The review is written from impressions mediated by the, when it comes to fragrances, fussy Mr Parfumista who has performed the testings of Royal Vintage.

Royal Vintage starts familiar classy cologne notes, similar to Geoffery Beene Bowling Green but more delicate and smoother in structure. Then a soft but in the same time slight fizzy, pink peppercorn note appears giving sparkle to the blend. There is also a dry, almost papery note apperant in this stage, not as strong and intense as the papyrusnote in Gucci Pour Homme, which also appears in a sweeter and spicier context than the cool and clean papernote in Royal Vintage.

When reaching its heart, Royal Vintage smells like the image of a clean and freshly ironed shining white linen napkin and tablecloth where an elegant gentleman just had lit a fresh cigarette made of high quality tobbacco. This accord, probably it's the among the notes mentioned cypress that creates the clean linen impression and the soft and smooth leather the fresh cigarettenote, is wellbalanced and lasts during the whole drydown, slight deepening in the basenotes. Overall the compostion evokes the image of a dandy.

Picture: Royal Vintage by M.Micallef
Photo: PR Parfums M.Micallef

The sillage of Royal Vintage is medium, it's clearly present during the whole dry down, could not offend anyone in its understated elegance. The longevity is amzing for a fragrance of this transparent character, Mr Parfumista tested Royal Vintage during a whole day performing heavy physical activity and Royal Vintage were still clearly present after 12h+ and on cloth for days. After a day of officewearing it was still there 24h later. I have read some opinons that Royal Vintage is close to Creed Aventus which I can't comment about as I havn't smelled that one. I think Royal Vintage smells of itself and that it's an excellent scent.

Royal Vintage really deserves its name, with its understated elegance, its well balanced precense and longevity this would perfectly match (even if not dandy-like) my favourite royalty H.R.H Prince Daniel in his daily duties. Until the princely nose will detect this gem, Royal Vintage will serve under anything but royal circumstances in Mr Parfumistas office, because for once, he has found something he judge as full bottle worthy.

Update January 2015: Mr Parfumista is testing Creed Aventus and his conclusion is that the Creed, even if a good perfume, is sweeter and more "perfumery"/pungent than Royal Vintage. As Mr Parfumista comments: "If I haven't already known and owned the much more distinctive Micallef, I had probably considered Aventus",

Rating: 5

Notes: Bergamot, pink pepper, cypress, leather, patchouli, musk

M.Micallef - Ylang in Gold

Picture: Vintage Cote d'Azur PR poster 

Ylang in Gold is a truly delicious, luxurary, creamy, fruity, floral from french nichehouse M.Micallef situated in Grasse. Ylang in Gold is created by the "housenose" Jean-Claude Astier and as all Micallefs presentated in a artful bottle this one with shimmering gold, created by one of the two founders of the house, Martine Micallef. The juice itself is avaible in two versions: One goldshimmering and one plain transparent version.

Ylang in Gold starts amazing with an accord that smelle like a golden nectar. Creamy fruity notes, sprinkled with uplifting citrus and an almost liqour like note paired with coconut and slight green notes offsetting the sweetness. The flowers in Ylang in Gold is smooth, rounded and sweet yellow  in appearance (even if not yellow in reality), just as the protagonist of the fragrance, the warm, sweet and sunny ylang-ylang. The base is musky in a wellbalanced way with a damp mossy note offsetting the warm and sweet coconut, vanilla and sandalwood in the base. The whole composition is linear in style, extreamly pleasing and comfortable. Despite Ylang in Gold is consisting of powerful notes, the fragrance is surprisingly transaprent and subtle, sometimes almost not detectable for the wearer even if other can smell it. Ylang in Gold reminds me of a classic powerful floral-fruity-oriental from the early 90s, Chopard Casmir but in a current more transparent, smooth and less sweet interpretation. Casmir is louder, sweeter, darker and heavier with its vanilla-resin base   but there is a chord that smells very similar that goes through both of these fragrances.

Picture: The beautiful  presentation of the delicious Ylang in Gold
Photo: PR Parfums M.Micallef, (c) all rights reserved

Even if a symphony of pleasing sweetness, Ylang in Gold manages to lend over to the not too sweet territory. Ylang in Gold is very well crafted, highquality ingredients is used and it evokes true comfort and perfection, it is almost to perfect, there is no surprising twist hidden in the compostion. But that could be just ok for days when the wearer just need an elegant and caring fragrance, not a challenging one (as my favourite Micallef so far Le Parfum Couture Denis Durand for M.Micallef) that  requires constant attention. The image of the sunny south that the fragrance evokes, make it suitable for wearing in the summer and it has sufficient dept and longevity to last also during a hot summerday.

Ylang in Gold is a shining, yellow fragrance, casual chic, mediating a happy and sunny Cote d'Azur impression. Its texture reminds me of the cocosnutty and creamy character of the dessert gourmand Unkown Pleasures from Kerosene. I also think that those who like Estee Lauder Bronze Godess/Azuree Soleil will appreciate Ylang in Gold. And of course, fans of the original Hanae Mori, with the same name, as that 90s fruity-floral has similarities with Chopard Casmir from the same era.

Rating: 4

Notes: Peach, lichi, tangerine, fruity notes, geranium, sage, rosemary, artemisia, bitterorange, ylang-ylang, rose, lily of the valley, magnolia, mint, sandalwood, musk, moss, vanilla, coconut