Historiae - Violette Imperiale

Picture: Empress Eugénie (1826-1920)
Portrait 1853 by Franz Xaver Winterhalter (1805-1873)

Violette Imperiale is the only of the five fragrances released so far from Historiae that is not created by the hyperactive Bertrand Duchaufour. Violette Imperiale is created by a perfumer unknown to me, Constant Michaux. Violette Imperiale is said to be inspired by Empress Eugénie, the spanish wife of Emperor Napoleon III of France. The story says her favoriteflower was violet but as the at least two other fragrances is created for her; Creed Jasmin Impératrice Eugénie /inspired of her; Histoires de Parfums 1826 Eugénie de Montijo, focuses on other flowers/herb plants as jasmin respective patchouli she probably, as a well known perfumista of her time, liked many of the scents in the perfumers palette.

Violette Imperiale starts with an airy, transparent blackcurrant note, first the berries and then followed by the tartness of the buds. After a while, the fragrances deepens as also rich, fresh fruity notes appears followed by sweet flowery notes where the violet is evident but not dominating the others. The violet is of the same sweet type as Violtabletter, a swedish jelly candy pastille which tastes as a sweetened violet flower. The berry, fruity floral theme is intensified by the white musky base but the musk is wellbalanced and counterbalanced by the light woody notes. Violette Imperiale newer goes powdery as for example Blanc Violette by Histoires de Parfums nor crisp and green as for example Annick Goutal La Violette, it stays fruity-violet-flowery during the whole dry down

Picture: Violtabletter swedish violet jelly candy
Photo: PR Fazer (c)

Violette Imperiale is a typical easy to wear fragrance, suitable especially for spring and summer, both for work and casual. I think it's contemporary in style and doesn't see some obvious connection to the era of Napoleon III. The sillage is medium and the longevity for about a day.

Rating: 3

Notes: Orange, blackcurrant, peach, violet, iris, raspberry, ylang ylang, vanilla, musk, amber, vetiver, sandalwood

Thanks to Fragrance & Art for the sample to test

Historiae - Rose de France

Picture: Francis I (1494-1547)
Painting  1530 by Jean Clouet (1475-1540)
Wikimedia Commons

Rose de France is the fourth fragrance created by Bertrand Duchaufour in the Historiae-line.It's said to be inspired of the Francis I era in the beginning of the 16th century

Rose de France starts fruity with almost raspberrylike topnotes  blended with roses. The first impression, put in a plesant way, is the smell of a coughmedicin for chlidren which I've been medicated with as a child.After this bold opening the roses steps forward in a dry, but never overwhelmimg or cloying, potpurri-like accord.
The dry roses smells very authentic but after a while the fragrance gets moistier, sweeter and the roses alive and accompanied with other fresh blooming flowers as the dewy peony. The now fresh, medium purple pink rose  is the protagonist during the rest of the dry down. The musky base with some balsamic and patchouli touches reminds me of the creamy, very pleasant, but artifical smelling white musky base of the Oscar de la Renta Essential Luxuries line.

To me Rose de France is a pleasant rosy fragrance perfect for office- and casualwear for spring and summer. I can't see the connection with the era of Francis I as I image the roses of this century as dangerous, dark, dirty and heavy. Sillage is medium and longevity for more than a day.

Those who like pink musky rosefragrances as for example Bulgari Rose Essentielle and Burberry Body Tender could also appreciate Rose de France.

Rating: 3

Notes: May rose, damascena rose, pear, bergamot, tagetes, rose absolute, magnolia, mock orange, clove, davana, peony, géranium, listea cubeba,  benzoin, vanilla, musc, amber

Thanks to Fragrance & Art for the sample to test

Fragrance(s) of the week (24) 2013

Picture: New Robert Piguets are tempting me
Photo: PR Robert Piguet (c) all rights reserved

In the middle of my "reviewing light and summery fragrances period" I drooling over these interesting (to say at least) new Robert Piguets. I'm so curious, and soon I'll also be able to sample two of them: A perfect bright rose, Rose Perfection (even if the line already has the IMO perfect bright rose blended with powdery orris, Calypso) and a floral chypre (I love chypres) Alameda. Hopefully I also get the opportunity to test the leather Knightsbridge later on but now I'm so thrilled to dive in these two beauties, which I already know they are in advance. After all they are Piguets and this genuine house has proven to be the most versatile for me beside Guerlain and Chanel which is a great achievement as the two latter are giants with houndreds of perfumes in their lines compared to this little quality house.

Historiae - Hameau de la Reine

Picture:  Petit Trianon, parc de Versailles
Photo by  Urban, (cc) some rights reserved
 Wikimedia Commons

Hameau de la Reine is green floral created by Bertrand Duchaufour for the french house Historiae. The fragrance is inspired of Marie Antionette  and her "revolt" against the Versailles court ie  "Marie-Antoinette wants to have her own little village to enjoy the pleasures of the countryside with her children. Her aspiration for a rural paradise is somewhat a result of the Enlightenment. The Queen had her Hameau built in Versailles in 1783, going against the traditions of the old Royal Court".

Hameau de la Reine starts sparkling, light green with citrusy accents. The greeney is like fresh buds with a touch of tart tomatoleaves. The greenery is very natural smelling and soon Hameau de la Reine elicts the image and scent of a sunny midsummer meadow with its wild untamed grass, midsummerflowers and moisty earth  underneath. As Hameau de la Reine dries down, flowery notes gets more predominant and now we are transported from the meadow to the garden of a sweet cottage, just as in Marie Antionettes little artificial, rual, village. Wild roses, mock orange and robust peonies are present over the green backgrund that has become slightly darker and accentuated by woody notes when the fragrance reaches the balanced musky, basenotes.

Picture: Marie Antionette (1755-1793)
Painting of Louise Elisabeth Vigée  Le Brun (1755-1842)
1783

Light green, airy and delightful, Hameau de la Reine is a perfect fragrance for the coming midsummercelebrations. It's a casual fragrance but also suits for work as it can't offen anyone. The sillage is close and the longevity not for a whole day which is surprising as the others tested from the line so far, Orangerie du Roy and Bouquet du Trianon (see previous reviews) both have very good longevity. But Hameau de la Reine is that sort of light fragrance that could be reapplied during the day without causing olfactory disasters, i.e the rule that says: Never apply perfume on unclean skin. But there are some exceptions: Some light and fresh fragrances, preferably citrus, could be used even a day after the previous shower.

Those who like Chanel Cristalle Eau Verte and the new version of Balmain Vent Vert will probably also appreciate the delicate Hameau de la Reine.

Rating: 3+

Notes: Bergamot, blackcurrant bud, tomato leaf, fig leaf, rose, galbanum, peony, geranium, mock orange, ivy, vetiver, patchouli, white wood, musk, honey

Thanks to Fragrance & Art for the sample to test

Historiae - Bouquet du Trianon

Picture: Queen Marie Antoinette of France walking in the park of Trianon
with two of her children.Painting 1785 by Adolf Fredrik Werthmüller  (!751-1811)

Bouquet du Trianon is a floral woody fragrance created for Parfums Historiae by the famous nose Bertrand Duchaufour. Historiae are using a high precentage of natural fair traded esential oils in their fine fragrances.

When it comes to the inspiration to Bouquet du Trianon the story tells: "On August 15, 1774, King Louis XVI makes a wonderful gift to his wife Marie-Antoinette: "You love flowers, I have a bunch to offer you: the Petit Trianon." At Trianon Marie-Antoinette created a haven of intimacy that allowed her to escape the etiquette. She indulged her taste for countrystyle patterns and pastel colors."

Bouquet du Trianon starts with an airy and fizzy burst of greenry, some crisp flowers and most of all blackcurrant buds. The black currant is the mainplayer in the topnotes and is still clearly recognizable during the whole dry down. There is also a light, transparant, almost incenselike note that accompanying the blackcurrentnote, maybe the mint and beewax combined with the refined and smooth sandal- and cedarwood notes creates this effect. The flowers of the blend takes the centerstage somewhere in the middlenotes and are still present in the woody base. The dominating flower is a light, transparent and fizzy tubereuse, note meety and indolic, but wellbehaved and minimalistic. There is also something reminding of a pleasant, hard caramellnote. In the top- and in the beginning of the middlenotes Bouquet du Trianon seems to be a transparent version of another recent Bertrand Duchaufour creation dominated by blackcurrant: Enchanted Forest from The Vagabond Prince. It is easy to suspect that the two fragrances where created simultaneously a transparent one and a heavier one. Of the two I personally prefer Bouquet du Trianon as it blends much better with my skinchemistry. The critical Mr Parfumista complimented Bouquet du Trianon, thought there is some1980s vibe of the perfume and even found some similarities in its apperance and style, even if Bouquet du Trianon is lighter, with the great Montana Parfum d'Peau.Personally I also find some similarities with Grossmith Floral Veil and with the spirit of Golden Chypre from the same house.

Picture: Bouquet de Trianon Edt
Photo: PR Historiae (c)

Bouquet du Trianon is a perfect fragrance for officewearing, elegant and not disturbing. Despite it's transaprant character, the sillage is medium and the longevity is for almost 24h. To me Bouquet de Trianon is a very comfortable springscent, a real wristsniffer and I'm very enthusiastic about it.

Rating: 5

Notes: Lemon, bergamot, mandarin, galbanum, mint, freesia, blackcurrant bush leaf,  tuberose absolute, ylang ylang, beeswax absolute, rose, honeysuckle, vetiver, patchouli, amber, musk, sandalwood, cedarwood

Thanks to Fragrance & Art for the sample to test

Fragrances for the Royal Wedding

Of course I can't resist choosing fragrances for the happy couple. Taken into account that the groom is american and both lives in the Big Apple the choices of course are from american houses:

For Chris: The classic Aramis JHL in vintage version. Maybe not a fragrance for a summerday but I think it's a fragrance for Chris. He seems to be a epicurean who wouldn't say no to a good cigar and a fine cognac or two. Exactly the impressions I get from vintage JHL.

For the coming Mrs. O'Neill, the Royal Princess Madeleine: Of course one of my favourite flowers, Parfums Delrae Amoureuse. This happy but in the same time deep and velvety floral with the distinct note of cardamom and something just a bit naughty lurking underneeth is the perfect choiche for the not at all blushing bride. The Princess had a broken engagemant some years ago, is also a well known shopper and former partygirl, which is not popular in this nation of  Jante.

And at least, I can't help choosing also the fragrance for the ambitious mother in law Eva Maria O'Neill:  Le Parfum Couture Denis Durand for M.Micallef this stunning, dark animalic rose  is a dangerous fragrance which will suit this extravagant lady perfectly.

Fragrances of the week (23) 2013 - Royal wedding

Picture: H.R.H Princess Madeleine
with her coming husband Mr Christopher O'Neil
Photo: Brigitte Grenfeldt (c) Kungahuset.se, all right reserved  

This entry is a summery for international readers about todays event The perfumereflections will follow in the next entry.

Today there is a Royal wedding here in Stockholm as H.M King Carl XIV Gustaf youngest daugther H.R.H Princess Madeleine marries an american (also with british citizenship) sort of hedgefundtrader/analyst with a very ambitious austrian mother Eva Maria O'Neill (a cool lady with, it seems as, a well thought out strategy for herself and her three children, from three of her four marriages with wealthy men); Chris O'Neill.

The happy couple lives in New York where the Princess works for H.M Queen Silivas charity Foundation Childhood in the US branch.and they will continue their life in NY also after the wedding. Mr O'Neill will remain as a "Mr", stay with his american-british citizenship and go on with his business as usual. Overall this couple isn't so (at least what is communicated by the press, so who really knows), how to put it in a polite way, "in tune with the times" as, and therefore not so popular, as the coming Queen H.R.H Crownprincess Victoria and her husband H.R.H Prince Daniel who are (almost too) perfect, hardworking, nice and well shaped/trained (personally, they are my favourites, good examples to the nation). He was a PT and owner of a successful gym company before his royal carrier but have to leave his business to serve the country as the husband of the coming Queen.

At 16.00 today everyone in Sweden who like pomp and circumstances, beautiful dresses and sparkling jewels, will gather in front of the televisions and I'll of course be one of them :-)

Historiae - Orangerie du Roy

Picture: Louis XIV of France (1638-1715)
oil on canvas 1701 by Hyacinthe Rigaud (1659-1743)

Orangerie du Roy is an excellent orangeblossom dominated fragrances composed by Bertrand Duchaufour for the house of Historiae. This house creates fragrances inspired of the spirit of different eras of the french history.

Orangerie du Roy is inspired of the "Sun King" Louis XIV which adored the freshness of the orangeblossom. The King started a new era parfumevise directed to fresh, flowery perfumes, preferably orangeblossoms, after being overdosed with musk for many years.

Orange du Roy starts with a natural smelling, clean, orangeblossom, without musky or laudery details. The flower is contrasted by light, green herbal notes, somehow smooth and on the verge of soapy but the fragrance doesn't enter the soapy territory, just touches it. The orangeblossom is classic-fresh and recalls the scent of freshly pressed linen sheets in cool and shady room during a warm summerday in a luxury Mediterrian hotel. Even if Orange du Roy is linear or maybe circular in its structure it is not dull at all, it evokes images not just from Mediterrian hotels, I can also see the old Sun King in his warm whig, strolling in the gardens of Versailles a warm summerday. Orangerie du Roy is well balanced and made of fine ingredients of an impression number for a eaux styled fragrance. It's also reasonable priced ca EUR 25 for 15 ml/ ca EUR 49 for 50 ml.

Picture: Orangerie du Roy Edt
Photo: PR Historiae (c)

Orangerie du Roy is a real wristsniffer, perfect both for work and casual, especially during spring and summer. The longevity is very good for a an eaux styled edt, it lasts for more than a day.

I think those who sheer orangeblossoms as Prada Infusion Fleur d'Oranger and Hermès Cologne Orange Verte will also like Orangerie du Roy.

Rating: 4

Notes: Lemon, sweet orange, petit grain, basil, mint, bergamot, orangeblossom, ylang-ylang, honeysuckle, lavendel, thyme, mock orange, patchouli, vetiver, oakmoss, musk

Thanks to Fragrance & Art for the sample to test

Parfums deNicolaï - L'Eau à la Folie

Picture: L'Eau à la Foile
Photo: PR Parfums de NIcolaï

It's almost an old truth that you can always count on Patricia de Nicolaï. Well made fragrances to affordable prices, I can't understand all complaints of the bottles, I think they are charming  with their a bit homemade look, as they are just bottled and labled in the lab and then taken out for an immediate sell in the shop. L'Eau à la Foile, the creation of last year in Patricias L'Eau line, (precursors L'Eau Mixté 2010 (citrus/wood), L'Eau Chic 2011 (geranium)), is no exception. It's a wellmade, somehow robust, realible green, slight fruity, floral, slight boozy, spicy, woody light fragrance with a with a surprising longevity, for a day at least even if close to the skin most of the time.

L'Eau à la Folie starts with refreshing, sparkling notes of lime, citrus, a light white ruhmnote and some spritzy floralnotes. The opening is just like a refreshing Mojito a hot summerday. Mojito is also mentioned among the topnotes. As L'Eau à la Folie dries down the flowery impression strenghtens and there is a light spicy fizz that runs through the whole drydown of L'Eau à la Folie, and is also apparent in the light, blond woody base.

Picture: Mojito
Photo: from Gigilicom  

L'Eau à la Folie is such a pleasure to wear, a real wristsniffer that feel natural in comparison with all the fresh chemical laundry stuff out there. The name is well chosen, the fragrance is happy and smiling, ready for some minor madness. L'Eau à la Folie suits perfect for summer daytime wear, both for work and casual. I also think it will suit also in the middle of the cold and dark winter, when longing for summer. From the L'Eau line, I like L'Eau à la Folie best so far.

Rating: 4

Notes: Mojito, citrus, ginger, flowers, jasmine, green notes, fruits, wood

Fragrance(s) of the week (22) 2013

Photo: Mr Parfumista (c)

June will be the month focusing on reviews of the light, summerstyled fragrances that I have tested during the spring. Overall my favourites are dark, mysterious, orientals or heavier florals and of course also deep, mossy chypres and soapy/powdery aldehydes but this time of the year, I really appreciate and long for light and sparkling creations.

The Vagabond Prince - Enchanted Forest

Picture:The beautiful artwork bottle of Enchanted  Forest
Photo: PR The Vagabond Prince (c), all rights reserved 

Enchanted Forest is a 2012 Bertrand Duchaufour creation for the new perfumehouse The Vagabond Prince  founded by the very creative founders of Fragrantica , Elena and Zoran Knezhevich.

Enchanted Forest is an unsual fragrance, centered around the black currant accord. Even if black currant and its buds, are frequently used in different fruity and fruity green accords, that the blackcurrant rarely is the mainplayer. Another fragrance where this is the case is Lalique Amethyst which I havn't smelled. The initial accords of Enchanted Forest is like diving in a blackcurrant bush, the notes of the juicy    berries and the green tart leaves are very natural, luminous and vibrant. Probably the aldehydes helps to lift the black currant, with its intensity it could otherwise easily be cloying. When Enchanted Forest dries down in the middlenotes, the blackcurrant calms down but is still easily recognizable as the mainnote. Green light woody and fizzy notes as vetiver, pepper and especially coriander sparkels offsetted by some smooth flowery notes that just balances the blend and plays in the background. The base are slight musky dark but not heavy with distinct tart woody (fir,cedar) and resinnotes. There is also a transparant, fresh earthy, patchoulinote combined with a slight animalic vibe. The sweet notes are very subdued and not recognizable as separate notes, but they create a softness that balances the dark and  earthy woodiness.

Enhanced Forest is a fragrance that I think could be worn year around despite it evokes the image of a wild forest in early autumn to me, a cold, mossy dampness contrasted with the sunrays defying the high confiers and hitting the ground. Enhanced Forest as an idea and in its structure with green, aldehydic tartness, somehow reminds me of the earlier in 2012, Duchaufour creation for Aedes de Venustas with the same name, even if that one highlights the rhubarb.

Enhanched Forest is a strong fragrance that should be applied in moderation, if not, it could be overwhelming. The sillage is big to be a contemporary fragrance and longevity on skin is about 24h.

Rating: 3+

Notes: Pink pepper, aldehydes, sweet orange, flower cassis, blackcurrant leaf, hawthorn, rum, wine, rosemary, davana, blackcurrant buds absolute, blackcurrant, russian coriander seed, honeysuckle, rose, carnation, vetiver, opoponax, benzoin, amber, oakmoss, fir balsam absolute, patchouli, castoreum absolute, cedar, vanilla, musk.

Thanks to the Vagabond Prince for the sample to test.

Guerlain Mahora and Mayotte - Quick comparison

Picture: Mahora in its special tropical styled bottle and box
Photo: PR Guerlain (c)

As wellknown among perfumenerds the warm and full tubereusedominated tropical flower Guerlain  Mayotte in the Parisienne line (bee-bottles with a ribbon on its neck) created 2006 by Jean-Paul  Guerlain is said to be the same (or almost the same) as the Y2K creation of Jean-Paul Guerlain Mahora in the regular line, I think it's discontinued since many years. As mentioned in an earlier post, I received a sample of Mayotte from fellow perfumeblogger Fragrantfanatic to compare with Mahora.

Picture: Mayotte in the Parisienne bottle
Photo: PR Guerlain (c)

Accomplish a side-by-side test of the two I can conclude they are not the same fragrance even if very close to eachother. I suspect that Mayotte is a "lightweight" further development of Mahora, a adjustment to the taste to smoother and more discrete perfumes during the later years.  Compared to Mayotte, Mahora is shrill and loud with some almost vegetale (on the verge to decaying) notes, more in the style of a 1980s perfume. Mayotte is smoother, fuller more discrete and elegant in apperance and therefore easier to wear, a comfortscent that could be used anytime. Wearing Mahora you have to be in the right mood. All in all: The two fragrances are so close that one just have to own one of them. Below I insert the comment from Fragrantfantic the other week as she nails it when she conveys her impressions:

"I did try the Mahora yesterday by itself and it is similar (as in containing the same notes) as Mayotte but it's definitely not the same. The beginning is harsher and trashier, a metallic note is more pronounced and I don't get any gardenia. The drydown is longer and very similar the heart of Mayotte. Next step is to wear them side by side, we'll see if I stick to my words by then :)"

Notes:

Mahora: Orange blossom, almond blossom, green accords, ylang-ylang, neroli, tuberose, jasmine, sandalwood, vanilla, vetiver 

Mayotte: Neroli, frangipani, tuberose, indian jasmine, ylang-ylang, sandalwood, vanilla, vetiver

Fragrance(s) of the week (21) 2013 - That note

Photo: Parfumista (c)

 ....or maybe it's an accord. In perfumes featuring different flowers created during the latest one - two years there is a special scent that is tart, putty (moisty but in the same time powdery) slight musky basenote that I like much. As this note/accord has been increasingly frequent during this time period, I suppose that it's compliant to the coming regulations and just like oud has been a sort of substitute to filling  the void left after the banned oakmoss. I find this note/accord more or less pronounced in for example Chanel 1932 (with jasmine), Oriza L.Legrand Oeillet Louis XV (with carnation) Grossmith Amelia (with peony), Puredistance Opardu (with lilac) and Parfums MDCI Chypre Palatin (retro oriental slight spicy contemporary chypre). So there is just to choose what supplementing note one prefers.

M.Micallef - Royal Vintage

Picture: Robert Comte de Montesquiou-Fézensac (1855-1921)
Painting by Giovanni Baldini (1842-1931)

Royal Vintage is a fragrance intended for men in the M.Micallef Exclusive line. Royal Vintage is created by the M.Micallef housenose Jean-Claude Astirer. The fragrance is presented in an exclusive bottle, designed by Martine Micallef. The review is written from impressions mediated by the, when it comes to fragrances, fussy Mr Parfumista who has performed the testings of Royal Vintage.

Royal Vintage starts familiar classy cologne notes, similar to Geoffery Beene Bowling Green but more delicate and smoother in structure. Then a soft but in the same time slight fizzy, pink peppercorn note appears giving sparkle to the blend. There is also a dry, almost papery note apperant in this stage, not as strong and intense as the papyrusnote in Gucci Pour Homme, which also appears in a sweeter and spicier context than the cool and clean papernote in Royal Vintage.

When reaching its heart, Royal Vintage smells like the image of a clean and freshly ironed shining white linen napkin and tablecloth where an elegant gentleman just had lit a fresh cigarette made of high quality tobbacco. This accord, probably it's the among the notes mentioned cypress that creates the clean linen impression and the soft and smooth leather the fresh cigarettenote, is wellbalanced and lasts during the whole drydown, slight deepening in the basenotes. Overall the compostion evokes the image of a dandy.

Picture: Royal Vintage by M.Micallef
Photo: PR Parfums M.Micallef

The sillage of Royal Vintage is medium, it's clearly present during the whole dry down, could not offend anyone in its understated elegance. The longevity is amzing for a fragrance of this transparent character, Mr Parfumista tested Royal Vintage during a whole day performing heavy physical activity and Royal Vintage were still clearly present after 12h+ and on cloth for days. After a day of officewearing it was still there 24h later. I have read some opinons that Royal Vintage is close to Creed Aventus which I can't comment about as I havn't smelled that one. I think Royal Vintage smells of itself and that it's an excellent scent.

Royal Vintage really deserves its name, with its understated elegance, its well balanced precense and longevity this would perfectly match (even if not dandy-like) my favourite royalty H.R.H Prince Daniel in his daily duties. Until the princely nose will detect this gem, Royal Vintage will serve under anything but royal circumstances in Mr Parfumistas office, because for once, he has found something he judge as full bottle worthy.

Update January 2015: Mr Parfumista is testing Creed Aventus and his conclusion is that the Creed, even if a good perfume, is sweeter and more "perfumery"/pungent than Royal Vintage. As Mr Parfumista comments: "If I haven't already known and owned the much more distinctive Micallef, I had probably considered Aventus",

Rating: 5

Notes: Bergamot, pink pepper, cypress, leather, patchouli, musk

M.Micallef - Ylang in Gold

Picture: Vintage Cote d'Azur PR poster 

Ylang in Gold is a truly delicious, luxurary, creamy, fruity, floral from french nichehouse M.Micallef situated in Grasse. Ylang in Gold is created by the "housenose" Jean-Claude Astier and as all Micallefs presentated in a artful bottle this one with shimmering gold, created by one of the two founders of the house, Martine Micallef. The juice itself is avaible in two versions: One goldshimmering and one plain transparent version.

Ylang in Gold starts amazing with an accord that smelle like a golden nectar. Creamy fruity notes, sprinkled with uplifting citrus and an almost liqour like note paired with coconut and slight green notes offsetting the sweetness. The flowers in Ylang in Gold is smooth, rounded and sweet yellow  in appearance (even if not yellow in reality), just as the protagonist of the fragrance, the warm, sweet and sunny ylang-ylang. The base is musky in a wellbalanced way with a damp mossy note offsetting the warm and sweet coconut, vanilla and sandalwood in the base. The whole composition is linear in style, extreamly pleasing and comfortable. Despite Ylang in Gold is consisting of powerful notes, the fragrance is surprisingly transaprent and subtle, sometimes almost not detectable for the wearer even if other can smell it. Ylang in Gold reminds me of a classic powerful floral-fruity-oriental from the early 90s, Chopard Casmir but in a current more transparent, smooth and less sweet interpretation. Casmir is louder, sweeter, darker and heavier with its vanilla-resin base   but there is a chord that smells very similar that goes through both of these fragrances.

Picture: The beautiful  presentation of the delicious Ylang in Gold
Photo: PR Parfums M.Micallef, (c) all rights reserved

Even if a symphony of pleasing sweetness, Ylang in Gold manages to lend over to the not too sweet territory. Ylang in Gold is very well crafted, highquality ingredients is used and it evokes true comfort and perfection, it is almost to perfect, there is no surprising twist hidden in the compostion. But that could be just ok for days when the wearer just need an elegant and caring fragrance, not a challenging one (as my favourite Micallef so far Le Parfum Couture Denis Durand for M.Micallef) that  requires constant attention. The image of the sunny south that the fragrance evokes, make it suitable for wearing in the summer and it has sufficient dept and longevity to last also during a hot summerday.

Ylang in Gold is a shining, yellow fragrance, casual chic, mediating a happy and sunny Cote d'Azur impression. Its texture reminds me of the cocosnutty and creamy character of the dessert gourmand Unkown Pleasures from Kerosene. I also think that those who like Estee Lauder Bronze Godess/Azuree Soleil will appreciate Ylang in Gold. And of course, fans of the original Hanae Mori, with the same name, as that 90s fruity-floral has similarities with Chopard Casmir from the same era.

Rating: 4

Notes: Peach, lichi, tangerine, fruity notes, geranium, sage, rosemary, artemisia, bitterorange, ylang-ylang, rose, lily of the valley, magnolia, mint, sandalwood, musk, moss, vanilla, coconut

Fragrance(s) of the week (20) 2013 -Random perfumeimpressions

Photo: Mr Parfumista (c)

Havn't anything thought out to say perfumewise this weekend so here comes some random perfumeimpressions .

Samples that I ordered from Aus Liebe zum Duft  swiftly arrived during the week and some is already in testing on myself or familymembers. Impressions:

From the descriptions of the fragrance, Lostmarc'h Iroaz is a wild rose from the rosebushes of the shores of Brittany. This is a sort of airy, like the moist seaair, pink rose. Reminds me of the roses in Jean Patou Un Amour de Patou and Montale Crystal Flowers. A wearable, non-sweet rose.

Speaking of Montale, yesterday I couldn't resist trying one of the Montale samples I've ordered. Have sampled so many light, springappropiate fragrances the latest weeks (June will be a light fragrances reviw month) I now long for heavier stuff. Aoud Ever is a quite recent Montale blend that seems to consist of some Aoud Lime at the start lime but here added whith a dose of lemon which dominates the citric part. Then one of my favorite Montales, Amber & Spices appears but in Aoud Ever the peppery notes in the spicy mix are a bit more prounonced and are resting on a base dominated by sandalwood and of course oud.

Mr Parfumista is testing the new Comme des Garcons Black.Starts as a powerful fragrance containing elements of some other of Mr Parfumistas CdG favorites, the cool cypress and pine-like notes of Kyoto and the balsamic spice of Jaisalmer. There are also notes that resembles of a weaker and short lived version of the rough, almost burned leathernotes of one of Mr Parfumistas top favorites ever: Mona di Orio Cuir.

Myself is sampling the new Andy Tauer Noontide Petals. Starts as the powerful Incense Rosé but calms down very soon and then smells like a dimmed version of Incense Rosé with powdery accents. As the Incense Rosé accords tuning out, but still remains in the background, aldehydic flowers appears and the composition becames weak compared to the first half of the dry down. Nice fragrance but a bit messy in the same almost chaotic way as Histoires de Parfums L'Olympia Music Hall ie both these frags somehow intermediate an impression of don't be able to decide what direction to have. As I like or love almost every Tauer creation released so far, I definitly will give Noontide Petals further trials. Update May 28 2013: There was a beautiful scent lingering in a pashmina which I suspected was traces of Noontide Petals and today I have tested Noontide Petals again. This time in a lower dose than before and that was the trick. Today the fragrance was neiter messy or chaotic in the later drydown just perfect powdery, a bit soapy notes that embeds a typical Tauerstyled  accord, most similar to Incense Rosé mixed in the smoothness of luxury aldehydes. Contemporary elegance and in the same time comfort. Great, this is a 5 rated perfume for me and unfortunaly a new lemming!

Sniffing on a napkin saved since the lunch with Fragrantfanatic this Thursday where there are dots of different fragrances from the spanish house Oliver & Co. from a discoveryset that FF has borrowed from another parfumista. One of the M.O.U.S.S.E fragrances stands out from the fragrancedots and I think it's the first Mousse where the clove is very  pronounced and combined with balsamic spice as in Jaisalmer. This one could really be something! Also the balsamic dot that I think is Resina and La Colonia appeals to me. Overall, Oliver & Co. seems to be a house to explore further.

As Fragrantfanatic recently has visited Paris and there acquired a bottle of Guerlain Mayotte I'm now a happy owner of a vial of this that would be compared with its precursor Guerlain Mahora. And as FF now has a sample of Mahora, it will be very interesting to compare our findings from our respective coming side-by-side tests of these two heavy, tropical Guerlains.

Oriza L.Legrand - Déjà Le Printemps

Picture: The Return of Spring (Le Printemps)
Oil on canvas by William-Adolphe Bouguereau, 1886
Wikimedia commons

Déjà Le Printemps is the fourth fragrance in the great Oriza L.Legrand collection that I had the pleasure to try. Reviews of the others Rêve d'Ossian, Relique D'Amour and Oeillet Louis XV are published already published the latest months. The fragrances are created by Elisabeth Feydeau.

Déjà Le Printemps is just what the name indicates, a spring fragrance. A beautiful, lasting and unusual green fragrance. The marketing blurb is just on the spot:"A promenade in the wood awakening from a long winter sleep. Morning dew is glistening like a beads on a wild grasses which exude fresh flavor. The sun rises and its rays awaken wet flowers and fragrant leaves of fig trees swaying by wind. Tree buds swollen with young leaves, flower buds ready to bloom, and the earth, with its smell of turf and twisted roots, full of vitality. The first lilies of the valley reveal itself. It’s spring awakening. Spring has come."

Déjà Le Printemps starts with the green smell of the crisp, green, leaves of flower bulbs accompanied by fresh, light green grass. This green smell is almost always a bit sharp but in DLP the leaves are embedded in a note tha smells like a delightful, soft  suede. This suede accord I could recognize in a rougher and bolder presentation in for exmple Ava Luxe Film Noir.

As DLP dries down the suedenote recedes step by step and the green accords becomes  more spakling and radiant. There is also an almost tart crisp flowery note with a touch of orange which I can image as hints of  Lily of the Valley and orangeblosssom. There is alsosome alomst herbal green flower which could be the clover mentioned among the notes. Overall the flowery notes are playing in the background balancing the fresh leaves and grass. When DLP settles in the basenotes, the suede note slowly appears again, accompanied by deeper green notes as moss and vetiver.

Déjà Le Printemps is very uplifting and joyful to wear. It evokes the impression of sun even if grey outside. Therefore it's suitable not only for spring and summer, it's also comforting during the darker and colder months.

Those who like fragrances as Puredistance Antonia, Balmain Vent Vert and Ivoire, Chanel No 19 Edt, Parfums de Nicolaï  Week-End à Deauville (swe) and Van Cleef & Arpels First will certainly also like the gem (emerald) Déjà Le Printemps.

Rating: 5

Notes: Mint, orangeblossom, chamomile, fig leaves,clove, mown grass, lily of the valley, galbanum, musk, vetiver, cedar, moss

Thanks to Fragrance & Art for the sample of Déjà Le Printemps

Oriza L.Legrand - Oeillet Louis XV

Picture:Portrait of Louis XV of France (1710-1774)
Maurice Ouentin de La Tour 1748

Oeillet Louis XV is a multilayered and fascinating fragrance from the  venerable perfumehouse Oriza L.Legrand,established 1720. Oriza from gold (or) and rice (riz) as the house started as provider of ricepowder to the whigs which were fashionable at that time. Normally I'm no fan of carnation fragrances but Oeillet Louis XV is the fragrance that could change this (or is the exception) because it's by far the best carnation fragrance I have tested.

Oeillet Louis XV starts with a natural smelling carnation. It's the scent of a fresh and crisp carantion, just picked. The spicy facets of carnation are perfectly balanced and also feels very natural. The carnation in the opening I image as bright red  followed by likewise fresh white and pink carnations in the middlenotes. In this part the carnations are counterbalanced of some cold flowers, white lily and iris. In the basenotes the carnation is darker, the spicier clove appears. The notes interacting in the base together creates a light note reminiscent of  licorice which is very pleasant. The texture of  the whole drydown of Oeillet Louis XV
is powdery and smooth silky with a slight tart note that balances the dry, spicy carnations. When smelling Oeillet Louis XV  it is easy to image the dry ricepowder for the hair, whigs and skin as also the colorful costumes of the rocooera. This is the fragrance of Madame de Pompadour, the most famous of Louis XV:s mistresses, a fragrance for daydreams and nostalgia.

Picture: Full-length portrait of the Marquise de Pompadour
Pastelpainting by Maurice Quentin de la Tour between 1748-55

Oeillet Louis XV is all about carantion, an achivement that many fragrances mimicing this flower fails with. For example Vitroil d'Oeillet (in swedish) by Serge Lutens is more about iris-hyacinth-rose and  lacking the natural freshness. Maître Parfumeeur et Gantier  Soie Rouge is fruity and the carnation note is a bit too weak and fleeting. Both the mentioned carnation fragrances also doesn't manage to keep the scent of carnation sufficiently until the end of the development.

It's seems as I'm wearing Oeillet Louis XV very well as I received compliments spontaneously when testing it and I also feel very comforable in this unusual fragrance. Finally I found the carnation for me :-)

Rating: 5

Notes: Pink pepper, mandarin white carnation, carnation absolute, white orchid, iris, rose, spicy clove rice powder, white musk, white honey, woody notes

Thanks to Fragrances & Art for the sample to test.

Fragrance(s) of the week (19) 2013 - Hurry up!

Picture: Miss Dior
Photo: PR Christian Dior (c)

When I a few days ago was reading  this scary entry on the parfumehistorian/perfumeexpert Octavians blog 1000Fragrances, I can not help feel contended with my perfumecollecting strategy during the latest 6-7 months. I have stocked up and complemented with some classics that I really like or think a "full" perfumecollection should contain.

Of course these classics have been reformulated many times since they first appeared but as I have understand from reading the experts as Octavian and Elena at  Perfumeshrine the new regulations will almost completely ruin many of the greats. So the latest half year I have neglected  investments in current perfumereleases, of course I have tested as many as always from samples, but as FB investments I have given the classics the total priority. And even there are some very nice stuff in the current releases tested, overall I get a greater experience with these by this operation salvaged classics as Dior Miss Dior (orginale but the version before the Orignale was added to the name) back-up bottle and Dolce Vita, back-up bottles of Thierry Mugler Angel, Guerlain Shalimar, Mitsouko and L'Heure Bleue and also the 2010 version of Yves Saint Laurent Opium to spare my ca 25 ml left of the vintage Edt-version.

Today, it's only 61 days left, so hurry up if you want to be sure to secure some of the perfumelegacy for your collection.........

Picture: Guerlain Mitsouko
Photo: PR Guerlain (c)

Burberry Body Edt vs Burberry Body Tender Edt

Picture: The Absinthe Drinker, 
painting  by Viktor Oliva 1901, in the Café Slavia, Prague
Wikimedia commons

There is no secret I'm a fan of the original Burberry Body Edp, IMO a very well executed mainstream fragrance with the  tangy absinthenote contrasting the heavy but somehow bright, flourishing, flowers. Since Body was released in 2011 there has been some flankers/formulas/concentrations of the fragrance. In this post I will compare two of them: The Edt version from summer 2012 and the Tendre version from this spring. Both, just as the original Body fragrance, are created by Michel Almairac.

The Burberry Body Edt starts with a sparkling appledominated accord which is fresh and inviting, not too sweet. The typical Body absinth accord is present but very subdued comparing to the original and Tendre.
But soon, on my skin anyway, Edt becomes week and I it's mostly about some pleasant but quite indistinct contemporary musky floral with some crispy applenote. After a while, my favoured absintenote comes back in the game but just as subdued as in the topnotes. In this stage it smells like it's embedded with powder, which is pleasant but not interesting enough to my critical nose. The Edt continues like that, nice and pleasant, during the rest of the dry down, adding some nice chalky notes in the base.

The Burberry Body Tender Edt is another story. It starts up with heavy on my favourite absinthe-flower accord, this time featuring a medium pink rose. There is a pleasant tartness from the absinthe and there is also like the steams and leaves of the rose have been blended with the absinthe and this further strengthens the tartness. As Body Tender dries down some of the appelnote from Body Edt appears as a contrasting, sparkling effect to the rose and absinthe. The by me favoured tart note continues during the whole drydown and deepens and get darker in the moderate musky base.

Overall the Edt version is more polite, fruitier, more powdery, weaker and the absinthenote is much tuned down compared to the Tender-version. I prefer the latter and would happily wear it as a summerBody if a bottle fell from the sky.

Rating: Burberry Body Edt : 3,  Burberry Body Tender: 4

Notes: Burberry Body Edt: Green apple, peach, absinthe, rose, sandalwood, tea, musk, cashmere woods, amber, vanilla

Burberry Body Tender: Lemon, apple, peach, absinthe, rose, tea leaves, jasmine, sandalwood, cashmere woody accords, vanilla, musk, amber

Rosenotes in a haste

Photo: Mr Parfumista (c)

Recently I have been hit by a sort of roseobsession and when reviewing Grossmith Saffron Rose I felt the urge to sniff some fragrances in the same category ie orientel styled or inspired roses and also clean rosesoliflores. Here are the impressions from what I smelled from the teststripes:

Rose Absolue (Annick Goutal): The truest and cleanest rose, mixed of rose absolues from six different rosetypes. This is like diving in an ocean of rosepetals, experience all the different facets of the scent of roses:  Fresh, green and steamy,dewy, smooth, spicy and velvety. Natural, elegant and relaxing. The reference rosesoliflore.

Taif Roses (Montale):The house of oriental styled roses is of course Montale.There are countless variations where the rose are more or less prominent compared to the other notes, usually oud. Taif Roses is a rosesoliflore, where the rose is supported with some of the leaves and steams which creates a slight rubbery note and a very light lemony note in the top.

Highness Rose (Montale): Dark, velvety, intense, lush and fresh red roses. This is THE rosesoliflore, grand in its "simple" apperance. A regal perfume.

Roses Musk (Montale): A crispy and peppery red rose blended with musk. Radiant and with a great sillage. This one has to be sparely applied.

Aoud Rose Petals (Montale): Saffron and a bright medium pink rose mixed in a delicious creamy combination refreshed by green cool geranium and anchored in a proper dose of oud and other precious woody notes.

Aoud Queen Roses (Montale): The most "perfumery" like rose fragrance in the group. Here there is a red rose which is darker, smoother and the oud  is more pronounced than in Aoud Rose Petals. A slight leathery note is also appearing, almost integrated with the dark rose.

When sniffing side by side on scentstripes there is very evident  how different the scents really are despite the common denominator the rose, and some cases also the oud. And this seems to be a general observation: Fragrances from the same family that seems to be similar when first smelled, mostly appears to be quite different when investigated more in detail.

Fragrance(s) of the week (18) 2013 - Perfumetreasures in the North

Picture: The City of Sundsvall, Sweden,
Engraving ca. 1690-1710, Erik Dahlberg, Svecia Antiqua et Hodierna, Wikimedia Commons

In the City of Sundsvall,a coast town almost in the middle of Sweden, there is a little fragrancetreasure: Fragrance & Art - a niche-perfumeshop with some very rare nichelines carefully selected by the owner who has just an excellent nose snifffng up so many intriguing fragrances. Within niche, even if carrying different styled lines, Fragrance & Art has a special focus on reconstructed historical brands, fragrances inspired by the history and also vintagestyled fragrances.As there are genres that I truly appreciate and find intriguing, combined with the excellent taste of the owner of Fragrance & Art, I always know that samples from there will be a pleasure to test. The first screening consistent with my taste is already done and I can concentrate on the best ones.

Picture: Les Eaux de Toilettes de Historiae
Photo: Historiae (c)

This week,I have started my sniff through a line that I havn't heard of before, a french line called Historiae, focusing on fragrances that intermediate different eras of the French history. This delicate fragrances are light in style Edt:s and despite that, distinct in character and with good longevity, good choices for the coming summer. Four of five fragrances are created by the great nose Bertrand Duchaufour and taken that into account, the line is quite reasonable priced ca EUR 25 for 15 ml and ca EUR 49 for 50 ml. Reviews will follow later.

Luckily for those who want to try some unusual fragrances, Fragrance & Art has a webshop with sampleservice and shipping around the word.

By Kilian - Flower of Immortality

Picture: Peach Blossoms  (1878)
Oil on canvas by Winslow Homer
 Wikimedia commons

Flower of Immortality is the third installment in the By Kilian Asian Tales line. FoI is, like most of the Kilians, created by Calice Becker. The Asian Tales line is aimed to the asian market and features subtle, transparant fragrances as these type of fragrances is said to be preferred there. The first two fragrances of the line were the elegant but in the same time refreshing Water Calligraphy and Bamboo Harmony.

Flower of Immortality starts with mouthwatering topnotes of peach (the fruit) accompanied by a note that feels like peachblossom. The peachnote is very realistic and I havn't smelled peachblossoms but I can image a scent like this. This is the best peachaccord since MDCI Parfums Peche Cardinal even if that one is denser and a bit darker in its peachy loveliness. In the middlenotes the peaches calms down but is still clearly present when the contrasting, cool iris accompanied by a subtle rose appears. There is not the carrotsmelling earthy iris, which surprises me as according to the list of ingredients there is also carrotseeds in the blend, the iris is clean, powdery and polite, just as the texture of FoI in the middle and basenotes. I also think that the tonkabeen mentioned among the ingredients adds a powdery warmth to the fragrance.

Picture: By Kilian Flower of Immortality
Photo: PR By Kilian

Flower of Immortality is a polite, elegant, refreshing, officefriendly and easy to wear fragrance, perfect for spring and summer especially for days when the only wish perfumewise is to be ensured smelling very good. In some way FoI is almost too perfect, it smells so good, is so wellconstructed and is so wellbehaved that I suspect the wearer could be a bit bored if wearing this to often. The only drawback is that FoI fades away quickly and is just a too faint trail of the scent after a few hours.

Rating: 4

Notes: White peach, carrot seeds, iris, black currant, rose, tonka bean

Kerosense - Unknown Pleasures

Picture: Strand (beach) at Skagen (ca 1900)
Painting by  Peder Severin Kröyer, Wikimedia commons

Unknown Pleasures is one of the latest fragrance from the indieperfumer John Pegg, creating frags for his own brand Kerosene. Before John started to create pefumes, he worked in the Detroit automobileindustry which have inspired to the unique, by John himself, handlacquered bottles.

Unknown Pleasures starts with an accord very close to a waffle cone filled with lemon sorbet paired with vanilla icecream. Just in the beginning a citrus, slight woody classical cologne note appears creating an almost necessary contrast to the sweetness, probably this is the Earl Grey tea note mentioned in the notelist. After a while the teanote steps back and is not recognizable as a separate note but it's present as a part of the blend. When drying down to the base, the lemonsorbet-vanilla ice creme-waffle cone impression persist and the fragrance is becoming just slightly powdery. In the whole drydown but particulary in the basenotes, I can smell a sort of almost refreshing, green coconutty note which seems to be present to a greater or lesser extent in most Kerosene fragrances, probably a part of the "Kerosenade" base. This particular green coconutty accord is also present in another favourite of mine: Etat Libre d'Orange Tom of Finland which Unknown Pleasures reminds me a bit of in the basenotes.

Picture: Unknown Pleasures
Photo: PR Kerosene (c) all rights reserved

Unknown Pleasures is not the elegant, complicated and serious fragrance. Instead it is friendly, funny, sunny, warm and happy just like the pleasant feeling of eating icecream a warm and sunny summerday during the holiday. The fragrance is a great gourmand, truly delicious and it's the perfect replacement for a dessert and could therefore act as a substitute for a diet product :-). Unknown Pleaures, just as its name indicates, brings pure joy and comfort. The sillage is medium and longevity for more than a day. IMHO Unknown Pleasures is the second best fragrance of the Kerosene-line so far, and the best for me. The number one Kerosene over all is still (not for wearing myself but its suits great for Mr Parfumista) the multifaceted, boozy, dark and rough Copper Skies.

I think those who like vanillic gourmands in general and fragrances in the style of Estee Lauder Bronze Godess/Azureé Soleil would also like Unknown Pleasures.

Rating: 5

Notes: Earl Grey tea, lemon, honey, bergamot, tonka, caramel, vanilla, waffle cone

Thanks to  Fragrancefanatic at Riktig Parfym for the sample to test.

Fragrance of the week (17) 2013 - philosophical thoughts about Opium

Picture: New Opium Edp
Photo: PR Yves Saint Laurent (c)

This week has been a week in Guerlain, except Tuesday when I wore Yves Saint Laurent Opium Edp in the current version.To me it was a pleasant experience despite all complaints I have read in different blogs and forums. Yes, of course it isn't the same as earlier formulas, compared to my Y2K Opium Edt formula the new Opium is woodier, darker, less spicy-floral and for a short while it has a slight artifical vibe. But most important is that the special Opium style and aura is still there, I don't think it has lost its soul which is what is important to me. It's just an Opium adapted to a new decade, just as much older classics as Guerlain Shalimar and Chanel No 5 have done multiple times. Of course a fragrance could not smell as before as the circumstances are changing over the years and maybe also it should not as it's, at least from a Parfumista viewpoint, interesting to investigate the development of a certain fragrance between different decades and formulas. This exercise is almost as exploring different but similar in style fragrances.

Grossmith - Floral Veil

Picture: Queen Victoria in her weddingdress 1847
Painting by Franz Xavier Winterhalter (1805-1873)

Floral Veil is one of the four classy fragrances released in the Grossmith Black Label Collection so far. Floral Veil is created by another perfumer than the other three: Jean-Marie Santantonio.

Floral Veil starts with an accord somehow familiar to me, I recognize the scent from some fragrance in the past but haven't sorted out yet which on it could be. There are light and transparent green and citrus-fruity notes, not sweet but refreshing. The delicate flowers joins soon, they are smooth, transparent and seemless blended, the only flower that is detectable as an own note to me is the airy tubereuse, a tubereuse without is regular companion the orangeblossom. The beautiful sheer florals are supported by light, green and fresh notes, the geranium for instance doesn't reach its typical tarty green stage, it's subdued and just there to create an natural, green freshness.The musk is the note in the foreground in the basenotes but it's so well blended with warm amber and silky cashemrean woody notes that I don't think of it as a separate note. One fragrance that comes to my mind when testing Floral Veil is the first Gianfranco Ferré, named Gianfranco Ferré, from the 80s. As a fragrance from that bombastic decade it is of course much stronger and the tubereuse has much more body, even if light for that era. In comparisation Floral Veil is like a translucent fairy.

Floral Veil is really a perfect name for this creation. When wearing the fragrance, I almost feel the smoothness of a chiffong veil in weightless slik and I can image a young, romantic bride wearing this. Floral Veil is also the perfect first fragrane for a young girl, even if the creation is timeless and also could be worn with grace by a 90+ old lady also. Floral Veil is all about understated class and elegance, just perfect which on the other hand in the long run could be a bit dull, but that is certainly no problem for me as I almost never wears the same frag two days in a row. Floral Veil is the fragrance to reach for situations when the wearer needs confidence but when it's not when it is not appropriate to stand out from the context for example when  giving a presentation at the boardmeeting.

Rating: 4

Notes: Citruses, green notes, lemon, black currant, geranium, rose, ylang-ylang, tubereuse, vanilla orchid, musk, cashmeran (wood), amber

Thanks to Fragrances & Art for the sample to test.