Tableau de Parfums (Andy Tauer) - Loretta

Picture: Loretta, the protagonist from the Brian Pera
"Womans Picture" movie Loretta

Loretta is a dark fruity floral oriental created by Andy Tauer for his line Tableau de Parfums. The parfumes in this line are created to match the characters in a serie of movies "Womans Picture" created by the filmmaker Brian Pera. Before Loretta the aldehydic Miriam has been released as also the very limited edition Dark Passage.

The story of the film is described as: "Loretta is a young woman who works as a maid at a motel. She is shy and withdrawn, but creates her own life in a fantasy world where she danced and falls in love with a man. She is sensual, sexy and seductive, but she has a secretive dark side."

Loretta starts with an accord dominated by sweet, almost jammy, dark ripe fruits where the plum is the prominent note. There are also  notes that reminds me of the scent of warm, dry and dusty leather accuented with a dry, dark and dusty touch of rose. As drying down, the dark plum takes even more the centerstage and further into the middlenotes the white flowers kicks in. First the orangeblossom dominates alterned by the tubereuse. The  farther in the dry down, the more the tubereuse becomes prominent to my nose. The tubereuse in Loretta is velvety, dark and thick, not transparent and light as a veil as in Jimmy Choo Flash reviewed earlier this week, the two fragrances are on the opposite sides on the scale. The tubereuse and the white flowers are sweetened by resins and by the dark jammy overripe plum even in the basenotes. There is also a hint of the typical  Andy Tauer labdanum-resin accord. 

Picture:Loretta in its unusual bottle.
Photo: PR  picture Tableau de Parfums

Loretta reminds me of fragrances like Rochas Femme (in swedish) with its dark plummy notes and dark flowers. The dusty and dry rose makes me think of Mona di Orio Les Nombres d'Or Rose Etoile de Hollande as also the warm dusty note "dust on a lighted bulb" in Mona di Orio Carnation (short impressions in swedish). The dark, sweet, jammy notes of Loretta reminds me of another Tauer favorite Une Rose Vermeille (in swedish) a wonderful, sweet, bright lipstick red rose. To conclude, Loretta is a fragrance in the contemporary retro style, intriguing to wear, especially the earlier dry, dusty, plummy accords, comfortable but in the same time inspiring in the dark resinious basenotes. Loretta i suitable for the colder months but I'm convinced it will bloom beautiful also during warm and humid summerdays, as before and also after a thunderstorm.

Loretta is the perfect fragrance for those who like dark, mysterious and challenging flowers and as I'm among those, wearing Loretta was a real pleasure for me.

Rating: 5

Notes: Dark plum, fruit, aldehydes, rose, tubereuse, jasmine, orangeblossom, carnation, cinnamon, patchouli, ambergris, leather, sweetened orris root , woody/resinous notes, labdanum

Thanks to Fragrance & Art for the sample of Loretta.

Jimmy Choo - Flash

Picture: Flash the latest Jimmy Choo release
Photo by Jimmy Choo (c)

As a longtime parfumista I shouldn't (of course) like Jimmy Choo latest fragrance Flash, but I have to confess, I really do like this mainstream release. Flash, created by experienced perfumer Christine Nagel, is a diluted and thin floral fragrance, so typical for a IFRA/EU compliant 2013 release even though, it has something appealing in its appearance. Maybe it's the contemporay interpreation of the cold white floral notes backed up by some light and spicy notes.

Flash starts flowery with a contemporary stripped down, cold tubereuse matched with a jasmine and a lily handled in the same way. The indolic, animalc notes are far away, and there is also no creamy aspects as for in example the lily dominated Baiser Volé from Cartier. Instead Flash has cold and clean and in the same time pleasant smelling flowers accentuated with a slight just recognizable note of frozen strawberries. The strawberrynote is not particular sweet, I percieve it as wellbalanced. Flash is quite linear in structure, but in the basenotes, some to the chilly impression, contrasing, light spicy, warmer notes appears as also a pleasant slight soapy note. Overall Flash is cold and the pale purple color of the juice is a perfect match to the feeling Flash intermediate: Its texture is like a pale, purple chiffon veil.

Flash is a very uplifting perfume, refreshing and even if pale, somehow distinctive. It's the perfect perfume for days when tired or even with a hang over. Flash is also a comfortable, non-offensive, office fragrance, versatile and a easy choice for days when not knowing what to wear. Flash will also be a good fragrance for spring. Despite Flash is representing the pale and almost bodyless structure of a modern mainstream, the longevity is almost 24h.

There is some similarities in style with the In the Garden of Good and Evil fragrances from ByKilian but Flash is more distinct, less fruity and maybe a bit sharper in edges but it definitly gives a greater value for the money. Another fragrance that strangely comes to my mind when wearing Flash in its basenotes is the transparant, smooth-spicy Rima XI from Carner Barcelona. It's probably the light spiciness just detectable in Flash that is the common link as also the chiffonlike texture of both frgrances even if the Rima XI veil is white where Flash is purple, Rima XI is not flowery at all to my nose. Those who like Prada Infusion deTubereuse could also like Flash.

Rating: 4 *)

*) Even if Flash doesn't reach a 5 rating in the overall assessement, Flash is a fragrance that I personally like very much regardless the overall rating

Notes: Strawberry, tangerine, pink pepper, tubereuse, jasmine, lily, heliothrope, white woods

Fragrance of the week (8)

Photo:Parfumista (c)

I never thought I would fall almost completely for a certain fragrance which I will review on Monday. Since testing it (two full wearings) I have been drawn to take some sniffs of the sample almost every day. They have to have trown in some addictive substances in the blend. Stay tuned.....

Histoires de Parfums - Vici

Picture: Victory, Bronze quadriga on Wellington Arch, London, England

Photo: Kadellar (cc) Wikimedia commons, some rights reserved.

Vici is the third installment in the Julius Ceasar conquest inspired trio where houseperfumer  Gérald Ghislain examines different facetts of cardamom. The Veni, Vidi, Vici fragrances are a part of the Edition rare line.

As Vici is the scent of victory, my expectations were something powerful. Instead, Vici is a nice and comfortable fragrance with medium projection. The dominating note to me is incense, and here of course we have the connection to victory. In the Roman, as in many anciant cultures, and almost until today, incense is burned to celebrate victory. The incense in Vici is the dry, transparent and white (if I use a color to image the note) incense of one of my favourite incenses, Andy Tauers Incense Extreme. But in Vici the incense is tuned down some notches. The other note that is distinct to me is a iris very similar to the iris that  complements the tubereuse in the terrific Histoires de Parfums Tubereuse I Capricieuse. The cardamom? I can smell the note in the opening accord together with some flowery notes which together creates a herbal touch of the top. The iris and incense then stepping into the front with the incense getting more prodominant as longer the drydown proceeds to the balanced woody-musk base.

As Veni and Vidi, Vici is also a pleasant, wearable but not especially original fragrance, something that maybe could be expected from a Edition rare line. To me, the regular Hdp line is over all better and more original than the two Edtiton Rare lines. I almost get the feeling that the main work is done for the regular line and that some of what is developed during that process is recycled in the Edition rare line. But this is just a speculation.

Vici would be appreciated by those who likes incense fragrances but also some irises as the one mentioned above and also Hermés Kelly Caleche as KC has a flowery-green-vegetal texture that have similarities with the flowery aspects of Vici.

Rating: 3+

Notes: Angelica, cardamom, red fruit, basil, violet leaf, galbanum, aldehydes, iri, osmanthus, incense, celery seed, patchouli, musk, cedar, raspberry

Histoires de Parfums - Vidi

Picture: Mount Ararat, photo by Elegant's, 

Wikimedia Commons, some rights reserved

Vidi is the second installment in the Julius Ceasar conquest inspired trio where the houseperfumer/founder  Gérald Ghislain examines different facets of cardamom. The Veni, Vidi, Vici fragrances are a part of the Edition rare line.

Vidi, I saw: When smelling Vidi I could (maybe) image Julius Ceasar looking out from the high mountains over another Asia minor country to conquer. The air in the mountains is high and clear, the sun has just warmed up the flowers, grass and herbs which pleasant smells are carried with the wind. Of course this image appears just because I have read about the inspiration to the cardamom trio, but the image is quite reasonable. Just as Veni, Vidi starts with a true cardamomnote that is present during the whole development of the fragrance. But as Veni is darker, sweeter and almost gourmand, Vidi features smooth ozonic notes ie supporting, ozonic notes of the contemporary style, not the dominating, sharp ones of the 90s. The ozonic notes accentuate the cardamom and fresh flowers with a light herbal touch and Vidi feels brisk and sprightly in character. The flowery, cardamom, ozonic accords are prominent in different variations during the whole dry down. One variation is that somewhere in the middle of the day, saffron suddenly take the center stage for a while. In the basenote  the pleasant "plasternote" appears, the note that is distinct in for example Musst de Cartier Edt 90s version and Comme des Garcons Jaisalmer.

Vidi is a wearable and comforting fragrance that is suitable for both professional and casual, daytime wearing year around. The fresh impression makes Vidi suitable also for summer, unlike Veni which I can image will be a tad to sweet when the weather is warm. Projection is somewhere between low and medium and longevity is good, more than 12h.

Rating: 4

Notes: Cardamom, cucumber, ozonic notes, rose, cyclamen, saffron, immortelle, musk, amber, vanilla, blonde woods

Histoires de Parfums - Veni

Picture: Bust of Gaius Julius Caesar

 Photo by Andreas Wahra, Wikimedia commons

Veni is the first fragrance in the Histoires de Parfums "cardamom trio", fragrances that highlighting different aspects of cardamom. The fragrances are inspirated of the conquests of Julius Ceasar and his celebrated words "Veni, Vidi, Vici!" .Veni is composed by Gérald Ghislain, founder and perfumer of the house Histoires de Parfums and, together with Vidi and Vici, a part of the Editions Rare line of 2012. The theme of Editions Rare 2011 was (of course) oud.

Veni, "I have come" starts with a true smell of cardamom, followed by a light and sweet flowery impression supported by different spicy notes. The caradamom is present during the whole dry down of Veni and the unusual, slight flowery, dark, a bit moisty, spicy accord are resting on a bit peppery, contrasted with sweet and resin basenotes. Even in the basenotes the cardamom note feels as natural and the other spices acts like a wellblended warming background.

To be honest, Veni doesn't induce the picture of Julius Ceasar on expedition in faraway countries. My impression of Veni is drinking a nice cup of  chai tea and eating a soft cardamom cake a cold winterday.

Veni is suitable to wear at daytime, escpecially during the colder months. The sillage is close and the longevity about twelve hours.

Those who likes Phaedon Cendres de The and also Dzhari (even if cardamom here just is a supporting note), just as Hermès Un Jardin Apres la Mousson could, even if different cardamom interpretations, also appreciate Veni (and it's sisterfrags Vidi and Vici).

Rating: 3

Notes: Cardamom, cinnamon, galbanum, lavendel, tagete, saffron, guaiac wood, patchouli, vanilla, caramel, musk, amber, benzoin, oakmoss

Fragrance(s) of the week (7) 2013

Tired of all the fleeting, almost spooky, watered down, similar smelling  IFRA/EU compliant fragrances of the latest year(s) my appreciation of the oldies or semi oldies has increased. Have been drawn to my samples    of two very different but both distinct characteristic (as always with) Maître Parfumeur et Gantier fragrances: The dirty jasmin/neroli La Reine Margot from the MPG sub-line Les Parfumes Historiques and the sunny, very uplifting but at the same time a bit weird herbal, floral, tea fragrance Eau de Camelia Chinois. Both are great stuff, which stands out from the pale crowd of today.

Pictures of the beautiful LPH/MPG falcons borrowed from the net

(c) Maître Parfumers et Gantier

Oscar de la Renta - Santo Domingo

Picture: Santo Domingo de Guzman 
Montage by Elvisanti1, Wikimedia commons

Santo Domingo is the unisex offering in the new Oscar de la Renta Essential Luxuries collection with fragrances created by Calice Becker. Santo Domingo is a tribute to Oscar de la Rentas birth place, the capital of the Dominican Republic. The fragrance captures the flowers, spices and colors of this island country.

Santo Domingo starts with a citrusdominated accord reminding of the start of Aramis classic Tuscany but greener and with a smoother, musky touch. As Santo Domingo dries down, the white, milky, musknote gets almost predominent as it wraps the slight smoky, spicy, tobacco into a pleasant creamy blend. It's the same construction as in Granada also from this line, where the orangeblossomnotes are wrapped in the same creamy musk. The impression of a contemporary creamy/milky Tuscany also remains during the whole dry down. Another fragrance Santo Domingo reminds me of is a much gentler and polite variation of the herbal, spicy, smoky Eau d'Iles from Maître Parfumeur et Gantier, a fragrance that also founds its inspiration from the scents of the Caribian Islands.

Santo Domingo is a well crafted fragrance, the notes interacts in a very balanced way and the fragrance has no sharp edges.  Santo Domingo, just as Tuscany, is a fragrance well suited for wearing in the office. Even if smooth in texture, Santo Domingo is clearly present during the whole dry down with a medium sillage and longevity for at least a day. The review is based on Santo Domingo worn by the picky Mr Parfumista and he likes this fragrance much.

Santo Domingo is another example of the good fragances of the Essential Luxuries line. I experience the fragrances as wellcrafted and balanced, subtle and refined in the same time as these fragrances are very easy to wear. On the other hand, they are not especially innovative or distinctive. All of the fragrances feels warm and comforting in their apperance and these fragances are well worth trying for those who are searching for a    wellmade and wearable everyday scent.

Rating: 4

Notes: Mandarin, citrus, bergamot, coriander, geranium, tobacco, vetiver, patchouli

Oscar de la Renta - Sargasso

Picture: Lines of  Sargassum 

Photo: Unknown, source NOAA FishWatch 

Wikimedia commons

Sargasso is a green slight flowery-acquatic, happy and sunny fragrance in the Oscar de la Renta Essential Luxuries line. Sargasso will express the essence of the Sargasso Sea, it's deep bluegreen
color and exceptional clarity that  touches the shores, the scents of salt and the marine vegetation that washes up to the beach at Oscar de la Rentas house.

Sargasso starts with an accord that is constructed (to my nose) as it has an embedded accord similar to the start of classical Eau de Rochas. It's just like that the "Eau de Rochas-accord" is a minor part of the main topaccord, which is smooth acquatic-green. When reaching the middle Sargasso becomes woodier and a bit sandy in texture, as sand meeting the salty water a sunny day, mixing in notes of driftwood and the special algae for the Sargasso Sea, Sargassum, just as the marketingblurb says. I can also smell traces of a flowery note, note that also is present in the base. The basenotes are smooth woody-green with supported by a slight white musky note, the same as present in Granada from this line, but to a lesser extent in Sargasso.

Sargasso is a smooth and tender acquatic fragrance in the fleeting style that characterizes many of the latest releases from many houses. I suspect that these fragrances are pre-compliant to the coming, much stricter regulations that probably will become effective the coming summer. Sargasso is discrete and is not chemical -screaming as some acquatics tend to be. It's a officefriendly character and best suitable for the summermonth, even if wearing it in the winter, conjures the images and feeling of the warmer season waiting about some months.


Sargasso is a fragrance for those who like Calypso Marine by Calypso Christiane Celle even if Marine is more distinctive, woodier and mediates a more watery feeling.

Rating: 3

Notes: Mandarin, lemon, juniper, petitgrain, spearmint, cucumber, lentisque, fennel, driftwood, patchouli, cypress

Fragrance of the week (6) 2013

Picture:Seated woman playing a kithara. From Room H of the Villa of P.

Fannius Synistor at Boscoreale, ca. 40–30 B.C.; Late Republican Roman.

Wall painting; fresco. Wikipedia Commons

 

Last weekend I made a rare find among my untested samples. I was browsing through the "Unsere Angebote" section on the website of Aus Liebe zum Duft where I noticed some bottles from the relative unknown italian house Sigilli. Sigilli is inspirated most of all by the ancient Italy, but also from the older history of some other countries. The eternal italian landscape, with its stunning views and of course all its scents and aromas  also a source to the line. As I remembered that I have a sample of Claudiae, the fragrance that was most intriguing to me after reading about the line earlier, I had to test it. And what a surprise: Claudiae starts almost repulsive to some noses, like clay, drying in the sun mixed by some herbal notes and natural smelling tomatoleaves.Subdued flowers and patchuli balancing out the composition. Wearing it, it's like being transported to the ancient Italy, to a city like Pompeii. Claudiae makes me curious to investigate the Sigilli line even more.

Oscar de la Renta - Coralina

Picture: Acacia constricta flower,

Photo by Stan Shebs (c) some rights reserved, Wikimedia commons.

Coralina is a mimosadominated contribution to the Essential Luxuries line of Oscar de la Renta. It's the third flower dominated fragrance of the line besides Mi Corazon (tubereuse) and Granada (orangeblossom).

Coralina starts with a sparkling, sunny, very yellow and natural smelling mimosa. The fragrance is happy and clean in a positive way (not detergent). The mimosa is brighter than I usually percieve the note, I typically smell it a bit darker and golden, powdery in scent and texture. As Coralina developes an almost cold violetnote appears, contrasting to the warm, sunny mimosa. Iris is also mentioned among the ingredients but I can't dedect it as a separate note, probably it balances the violet, preventing it from beeing (too) nice and sweet. There is also a part of Coralina that reminds me of light and elegant leather, but this part lasts only for a while wheras the mimosa take the centerstage again, supported by a green with traces of the crisp, greenness of bulbflower leaves. When reaching the basenotes, Coralina gets a bit of the mimosapowder, but on my skin just a hint.The main impression of Coralina in the basenotes is that of the fragrance fleeting around in an accord of mimosa/flower/musk which lasts good but is less interesting than the first half of the developement of the fragrance. Compared to another mimosa i have tried, Annick Goural Le Mimosa, Coralina is lighter in structure and with less body. The fragrances are different interpreations of this nice, yellow flower. Also Maria Candida Gentile Hanbury which have clear elements of mimosa is more fullbodied.

Coralina wears close to the skin and the lasts for long, 24h, subtle and full. A discrete and officefriendly fragrance that doesn't offering any sensations, just lingers, creating a comfortable aura to the wearer.

Rating: 3

Notes: Mimosa, violet, iris, musk, wood

Oscar de la Renta - Oriental Lace

Picture: Lace fabric

Photo from Textile talk

Oriental Lace, the oriental in the Oscar de la renta Essentials Collection, has almost none of the classic oriental accords, besides the varm honeyd, vanilla base. It's a fragrance of its own which puzzled me during a day of wearing. First after twelve hours wearing  I could realate to what Oriental Lace reminds me of: Juicy Fruit chewing gum, in a positive way.

Oriental Lace starts with a transparant, sweet spicy (a touch of cinnamon and barely a touch of the fiery jamiacan pepper) accord. After a while it gets a bit thicker in texture, as a dry-creamy-powdery lipstick, a light smell of cacao glimpses. Even if oriental, in this stage there is almost a light chillyness which gives Oriental Lace the character of a somehow frech oriental. Reaching the basenotes, the fragrance gets warmer and deeper, honey, almond  and vanilla take the centerstage.

Besides  Juicy Fruit chewing gum oriental Lace also reminds me of a merrier and brighter alternative to Serge Lutens Rousse. There is also something that reminds me of the transparant sweet, spicyness of Carner Barcelona Rima XI. Oriental Lace, even if a bit different, is a uncomplicated, comfortable and non-disturbing fragrance, perfect to wear at work. There is something very appealing to it, probably the transparent take of the very sweet notes: The honey/vanilla is undoubtedly sweet and those who like dry-woody vanillas, may think it's too sweet. But as transparant in character, the sweetness never overwhelms. Sillage is close, longevity very good, 24h.

Rating: 3+

Notes: Honey, almond, cacao, waxplant, vanilla

Fragrance of the week (5) 2013

Picture: Haversting pepper, Illustration from Le livre des merveilles de Marco Polo
 ("The Adventures of Marco Polo"), date unknown, Wikimedia Commons.

Rushing  through my Fredric Malle samples to figure out if there is any FB I "have to" buy before the perfumemarauder regalutions eventually takes effect this summer.  Read an interview somewhere (Basenotes?) where Malle stated that his perfumeportfoilo would be heavely affected if the rules are implemented. As my samples are a few years old (2009) some reformulations probably are already implemented, if I remember correctly 2010 was a year of though IFRA selfregulation, but anyway...
To my surprise the a bit strange creature Noir Epices by Michel Roudnitska, attracted compliments and that without me asking for an opinion. To me Noir Epices is both attractive and repulsive in the same time. I really like the dry spicy hot notes and the orange and rosewater. But there is also an overall impression of an old mans cologne worn on unwashed skin in some stages of the dry down. All these together makes Noir Epices challenging and interesting to wear, something that I appreciate very much when it comes to perfume.
PS: When going through the Frederic Malle consultation form on their website serveral years ago, the two recommended frags where Carnal Flower, which I, as a tubereuselover of course had to have, and Noir Epices

Oscar de la Renta - Mi Corazon

Picture: Polianthes tuberosa (flowers), Plants of Hawaii
Photo: Attribution to Forest & Kim Starr (cc) Wikimedia Commons

Mi Corazon ia another nice flowery fragrance in the Oscar de la Renta Essential Luxuries-line. Mi Corazon is created to Oscar de la Rentas daugther Eliza, his heart, and will symbolize their shared interest for gardening and their mutual liking to the ylang-ylang flower.

To me Mi Corazon is a tubereuse dominated fragrance to that extent that I will classify it as a tubereusefragrance. Of course the other flowers are there, but more as supporters that lifts the star of the show, the tubey. Despite my writing about the tubereuse as the star of the show, the tubey of Mi Corazon is no indolic, Grand Diva a la Fracas. Instead the tubereuse is of the contemorary, sparkling, uplifting and clean version. Mi Corazon starts bright, sparkling and with the crispy light greenery that accompanies bulbflowers. In this stage Mi Corazon reminds me of the 80s bright, green and warm Gianfranco Ferré  (signature). The tubereuse is there from the start and it is present during the whole dry down. In its heart and base notes, Mi Corazon, get sweeter and deepens a bit with the caranation and ylang-ylang which adds an slight honeyed texture to the tubereuse. In the basenotes there is a passage that reminds me of a gentler interpretation the dark tubereusecentered blend of Ysatis by Givenchy. The overall impression of Mi Corazon is that it is a good example of a classical, clean floral that smells somehow natural, probably a sign of high quality ingredients and skillful composition.

Mi Corazon is a very wearable fragrance, perfect for work as there is absolutly nothing disturbing in it. Suitable year around. Even if spring and summer seems as the natural choice for a fragance like this, it's very comforting to wear in the winter as Mi Corazon is a warm fragrance even if containing these green, crispy, elements described above. To me Mi Corazon is a perfect, classy fragrance for a young girl, instead of the syntethic, musky, floral, fruitiness intended for this group from the marketing.

Those who like bright tubereuses like Kiss My Name from Ramon Monegal, La Divina Tubereuse from Antonio Visconti and  Un Air de Damas Tubereuse from Parfums Dorin will probably like Mi Corazon.

Rating: 4

Notes: Peach, narcissus absolute, carnation, tubereuse, ylang-ylang, cederwood

Oscar de la Renta - Granada

Picture: Patio de los Arrayanes, Alhambra, Granada.

Photo by Jan Zeschky, (cc) Wikimedia Commons, some rights reserved.

Granada is a beautiful orange/orangeblossom fragrance which is a part of the 2012 introduced exclusive line of Oscar de la Renta - Essential Luxuries. In Sweden the Essential Luxuries will be introduced in February 2013.

Granada starts with a juicy orangenote, very true to how a fresh cutted orange smells. Inch by inch, Granada settles into a flowery blend where the orangeblossom interacts with jasmine and rose. The flowery blend is creamy in texture and there is a  sort of balsamic note present. Now and then the juicy orange shows up in short glimps, even in the base this tempting note is present. Granada is sort of circular in it's dry down, the some notes appears, disappears and re-appears. Except from the juicy start, Granada is very close to Maison Francis Kurkdjian APOM pour Femme, in some stages they are almost equal. To my nose APOM poue Femme is a bit greener, woodier, sharper and with a light detergent note that is not present in Granada. Granada is the nice little sister to the tougher big sister APOM pour Femme. Granada could evoke images of the inner courtyards of the palace of Alhambra during the time of the Moors, the rippling water of the fountains and ponds, the voices and laughter of the girls of the harem.

Even if  not a complicated fragrance (or despite of that), Granada is very plesant to wear and it lightens up a grey and cold winterday with its warm and happy appearance. Perfect for work or pleasure year around, a fragrance to choose when it's hard to decide what to wear. Longevity is very good, about 24h and the sillage is medium.

Granada is highly recommended to those who like L'Artisan Seville à l'Aube, Elie Saab Le Parfum and both MFK APOM pour Femme and APOM pour Homme.

Rating: 4

(As a follower to APOM pour Femme, Granada falls sligthly in points. If Granada has been the first of the two fragrances, the same had happened to APOM pour Femme)

Notes: Jasmine, rose, orange blossom

Fragrance of the week (4) 2013

Photo: Parfumista (c)

Is Musc Tonkin from Parfume d'Empire. Earlier this week there was something as unusual as a Perfumenerd AW here in Stockholm. Many beautiful fragrances where displayed (and sprayed) such as some from Roja Dove, Mona di Orio, Amouage, Parfum d'Empire, exclusive Guerlains and Chanels, but also most interesting of all, extraordinary beauties from a vintage collection. The vintage collector, who so generously exposed those treasures to our noses, also owned the brand new Musc Tonkin, animalic,dirty and vintage in style. Among all the wonderful fragrances, Musc Tonkin was the one that made the lasting impression to me. Of course the vintage  Guerlains, Givenchys, Chanels and others, with their dept, richness, high-quality ingredients and individual characters were outstanding and gorgeous. But as a specific fragrance, Musc Tonkin is the one!

Robert Piguet - Petit Fracas

 The sparkling and flirtatious spirit of
Petit Fracas (Robert Piguet)
Picture: All Posters.com

Petit Fracas from one of my absolute favouritehouses, Robert Piguet, it seems as the RP fragrances gets very well with my skinchemistry, is created by the housenose Auerlien Guichard 2012. The Petit Fracas is meant to be the entry to the Grand Fracas, the Queen of tubereuses and it is said to be aimed to the younger generation. According to me, it suits all ages of those who likes a well crafted frutiy-floral.

Petit Fracas starts with sparkling fruity notes, dominated by the pear and contrasted by a cacao note. The cacao blended with especially the pear creates an impression of butterscotch. The pearnote is recognizable in another recent Robert Piguet fragrance, the sparkling tubereuse/white floral Douglas Hannant.  The gourmand impression of Petit Fracas is present already from the start and the cacao note is running through the whole fragance. It gently interacts with the notes of each stage, creating different gourmand impressions. As the name of the fragrance indicates, tubereuse is of course the star of Petit Fracas, even if the cacaonote comes close as the most important, contrasting note.

As Petit Fracas reach the heartnotes, the white flowers takes the command with the tubereuse as the leader of the team. The tubereuse is more sparkling and clean than the dark, dense and almost animalic version of it in Fracas The cacaonote in this stage, appears as more dry and less sweet as its performance in the topnotes. Petit Fracas in this stage, to my nose is more close to Douglas Hannant, (but DH lacks the gourmand notes as a clear floral fragance) than to Fracas. At least compared to my 10+ years old version of Fracas, I don't know if the current forumlation is weaker. The flowery gourmand accord developes beautifully when interacting with the warm sandalwood and the smooth, rounded musk of the base. The effect is almost creamy and there is very comfortable to wear Petit Fracas as it performs in its sweet, mouthwatering, delicious greatness for about 24 hours. Something in the texture of Petit Fracas later stages, reminds me of another great Piguet, Mademoiselle Piguet even if that one is centered around orangeblossom and also features some almost decaying vegetable notes, perfectly contrasted to the clean orange. Sillage is contemporary medium, not as bombastic as Fracas. To summerize: Petit Fracas is a real pleasure to wear and a good example that there are indeed good fruity-florals on the market. Something that parfumistas often tend to forget when discussing this taunted category of fragrance :-)

Madonnas Truth or Dare with its mashmallow note comes to my mind when it comes to the cacao - tubereuse combination in Petit Fracas. Both are gourmand tubereuses where Petit Fracas is the well-behaved and subtle, and Truth or Dare the bold and perky one. I also think that those how like the sweet beauty Tubereuse Couture by Parfumerie Generale will like Petit Fracas very much.

Rating: 5

Notes: Bergamot, mandarin, pear, tubereuse, jasmine, gardenia, musk, sandalwood, cacao

Puredistance - M

Picture: The spirit of Puredistance M, 

Puredistance (c) all rights reserved

M is the masculine (or most masculine) fragrance in the excellent Puredistance line. It's a masculine oriental in the classical style, featuring soft leather notes. Even if classified as masculine, the elegant and smooth construction of the fragrance makes it suitable also for a brave woman, the same situation as with Aramis JHL. M is created by Roja Dove.

M starts with topnotes dominated by a natural leathernote, a leathernote like the scent of an elegant briefcase. After the leathery start, M transforms into a close wellbalanced spicyness with clear notes of carnation and clove. The leather takes a step behind but is still recognizable in the background. In this stage a very light and smooth note that reminds me of a soft, refined curry appears among the other spicy notes. On my skin anyway, this note is not clearly apparent on Mr Parfumista. In the basenotes, M get balsamic-resiny and more leathery again, a deeper and muskier leather than in the topnotes. To conclude it all: On my skin M is a harmonious mix of leather,carnation and spices.

Overall M gives me the association of resting in a wellworn armchair, nestled in a cashmereblanket, sipping an excellent cognac, in front of the fireplace at some old country estate.
M is most of all a masculine fragrance, but is so gentle and refined that it could also be worn comfortably by a women. In that sense M is unisex. M is a wellcrafted, comfortable fragrance made of quality ingredients and it suits both for formal worksituations and for festivite occasions. With its warmth M perfectly suits the colder months of the year, but I suspect it could also be fine for chillier summerevenings.

M is similar to Hermès great Bel Ami but to my and Mr Parfumistas noses, M is more leathery, darker, boozier and closer than the current version of  Bel Ami, but the style, and apperance is the same. M is even more close to the old Bel Ami-version in the "coctail-shaker-bottle" which is thicker, spicier and somehow boozier in texture. There are also similarities between M and the real leather classic Knize Ten and the contemporary but classic in style Cuir Mauresque by Serge Lutens. My nose also find some traces (the spicy cinnamon-warmth) of JHL (original formula).

M wears closer to the skin than Bel Ami but then M also is in perfumestrength whereas Bel Ami is in Edt concentration and therefore has a more extensive radiation. Longevity is about the same for both fragrances, they lasts for about 24h.

Rating: 5

Notes: Bergamot, lemon, jasmine, rose, carnation, vanilla, vetiver, patchouli, wood, labdanum, moss, cinnamon, clove, leather, musk

Fragrance(s) of the week (3) 2013

Photo: Mr Parfumista (c)

This week I had new experiences with two fragrances which until now have been a bit hard for me:

* Old Mitsi - Mitsouko. It seems as after almost ten years of experimenting I finally found the right dosage and right climat conditions etc as Mitsi now seems to fit quite well. Or at least I imagine so, as every true parfumista of course want this classic to fit. As I lunched with Fragrantfanatic that day, I got a professional opinion; the peaches over the moss was the main impression and that Mitsi smelled good.

* Today  (snowy as usual, - 20 C  :-) I percieved Douglas Hannant by Robert Piguet in a quite different way than when worn in the spring and summer. In the warmer months the pearnote takes the centerstage and DH becames fruity-floral in apperance with a touch of detergent. Today it performs as a bright, clearly tubereusedominated, white floral with just a light supporting pearnote and no laundry vibes. Delicious!

By Kilian - Forbidden Games

Picture: Boy with a Basket of Fruit
Oil of canvas by Michelangelo Merisi Cravaggio ca 1593
Wikimedia commons

Forbidden Games is the third installment in The Garden of Good and Evil line from By Kilian. Forbidden games is created by Calice Becker and is said to express the following: "When going beyond the boundaries has never been so exciting and dangerously attractive".

Forbidden Games starts a bit chemical, in a good way, fruity-floral, with emphasis on fruity, sort of like a compot of fruits as peach and apricots. Forbidden games is slight gourmand compared to the other two in the Garden of Good and Evil trio In the City of Sin and Good Girl Gone Bad. There is also like a light trail of cacaopowder glimpsing throughout the composition. As the rest of the trio very light and somehow thin and fleeting in charachter when taking into account the quite distinct ingredients mentioned in the notelist. A nice and good officescent that smells nice and can't harm anybody. Even if light the longevity is good almost for a day and the projection is close.

Just as hinted of in the In the City of Sin and Good Girl Gone Bad posts I suspect that  these sort of indistinct, fleeting charachters as I perceive from the Garden of Good and Evil  fragrances, is a good example of the coming, even more regulated perfumeworld that could be effective from 1 July 2013. Probably By Kilian is just pre-compliant.

Rating: 3

Notes: Apple, peach, plum, cinnamon, rose, geranium, jasmine, vanilla, honey, opoponax

By Kilian - Good Girl Gone Bad

Picture: Lü Ji, Birds in Osmanthus and Chrysanthemum,
13th century, Palace Museum, Beijing

Testing the next installment of the In the garden of Good and Evil subline of By Kilian, Good Girl Gone Bad. This almost natural smelling fruity-floral frag is created by Alberto Morillas. The spirit of the fragrance is described as "A woman who is game for anything in the world of love, of desire, of naughtiness"

Starts with fruity-flowery notes, osmanthus  contrubutes with the fruity-floral notes but there is also something similar to a mellow, yellow melon in the opening. Soon a tame tubereuse, some white flowers off-setted by a crisp but smooth narcissusnote appears. A very light creamy touch also appears in the middlenotes. There also some very light traces of cardamom (I think). Cardamom seems to be a it-note by now, Histoires de Parfums cardamomtrio Veni, Vidi, Vici is another example of this trend. The fruity-floral blend continues in the same style, supported by a conventional ambery-woody base.

To me there is nothing "Gone Bad" or naughty with this nice & fresh, totally officefriendly fragrance that could be worn in any season. There is more body to it than the initial perfume of the subline, In the City of Sin, but despite this, I percieve Good Girl Gone Bad as thin and uninteresting (I wonder if this depends on compliance with the new EU-regulations/IFRA selfregulations), but smelling nice. To me also GGGB just as ItCoS doesn't lend any remaining impression. On the other hand, Mr Parfumista think GGGB smells very good, "clean and wellblended not as the strange old-ladys scents you're insist to wear".To summon it all up: A nice smelling, easy to wear perfume that couldn't offend anybody. Taking the pricerange of By Kilian into account (if not buying the refills), I rather go for something mainstream, for example the Versace Vanitas Edt or Vanitas Edp if I wan't something in this uplifting, easy to wear style. The two latter also have a fuller body and are not fleeting.

Rating: 3+

Notes: Jasmine, osmanthus, may rose, tuberose, narcissus, amber, cedar

By Kilian - In the City of Sin

Picture: Still Life With Compotier, 

Painting by Paul Cezanne (ca 1879-1882)

Collection Mr. and Mrs. Rene Lecomte, Paris

Wikimedia commons

Sorry, but I get no sinful associations at all from this fleeting Calice Becker creation In the City of Sin. In the City of Sin is one of three initial offerings from the new ByKilian sub-line In the Garden of Good and Evil from handsome Hennessy heir, Kilian Hennessy. In the City of Sin is said to be "The temptation which leads to carnal desire".

In the City of Sin starts with a sparkling clean bergamot-cardamom dominated accord. Then some natural smelling fruity nots follows, there are no harsh chemical notes, instead the fruity notes are round, soft, fresh and perfectly ripe. The fruits reminds me of a tamer version of the fruity notes of Bombay Bling from Neela Vermeire creations.  The fruity notes are supported by a bright, pink rose and tha blend is grounded in a rather cold woody cedar-patchouli base.

As hinted above, instead of sinful, In the City of Sin is a quite innocent, very officefriendly scent that could be worn daytime year around but preferably during spring, summer and the early autumn. Nice and friendly but to be honest, nothing special when taking into account that In the City of Sin is created by the flower-champion Calice Becker. I have to admit that I like the two of many perfumistas critizised offerings of the Asian Tales line (Water Calligraphy and Bamboo Harmony) much better than this mediocre composition.

The question what is happening with the ByKilian brand is justified when smelling this fleeting (probably already fully IFRA-compliant) fragrance. Earlier there was body and strength in the By Kilians. The Arabian Nights collection is great as also many of the fragrances of the initial L'oeuvre Noire line.

Rating: 3

Notes: Bergamot, pink pepper, cardamom, apricot, plum, turkish rose, incense, atlas cedar, patchouli

Fragrance of the week (2) 2013

Picture:Vaslav Fomich Nijinsky (Вацлав Фомич Нижинский) (1890-1950), 

in the ballet Afternoon of a Faun

Painting by Leon Bakst (1866-1924), Wikimedia Commons

Fragrance of the week is definitly the intriguing The Afternoon of a Faun from Etat Libre D'Orange. Like the moisten smell of a mossy forestfloor, in the shadow of the forest of confier,  a late summerday. The Faun also has the delicate smell of an antique, precious wooden box, very vintage in style. I have already been complimented when wearing The Faun, so he is really something special... If I had tested this fragrance two weeks ago, it had been included in my best of 2012 list. I also have to admit that I couldn't resist The Faun and a bottle from the Escentual 20% sale last week has just arrived. A  fragrance with this special character is a must have to me

Many thanks to Fragrantfanatic for the sample that introduced me to this new favourite :-).

Place des Lices – Twenties

Picture: Where there's smoke there's fire" by American artist Russell Patterson (1893-1977).
Full-length illustration of a fashionably dressed Flapper, 1920s. Swann Gallery, Library of Congress.
Wikimedia commons. This would be the perfect illustration for Habanita :-)

Twenties from the Saint Tropez based house Place des Lices is a fragrance that will capture the spirit of the nightlife of the roaring twenties. As an eveninginspired fragrance from that era it’s “of course” an orientalstyled perfume, but a soft oriental contemporary interpreation.

Twenties starts with rounded spices which creates a soft and smooth aura round the wearer. As Twenties continuies in its drydown a slight gourmand note, but not especeially sweet note, appears, probably the honey. The delicious spicy-honey accord is resting over a well balanced ambery-patchouli base.

To me Twenties is not a wild, outrageous perfume for decadant nightlife of the 1920s, in my book such fragrances are for example Habanita by Molinard, Arpége by Lanvin and to some extent also Guerlain Shalimar. To me Twenties is a straight forward, easy to wear, comfortscent, perfect for relaxing with a good book in front of the fireplace. As a soft, non-offensive, oriental, Twenties is also suitable for daytime officewear to lighten up grey, chilly autumn- and winterdays. Sillage is close and longevity good.

Twenties resembles many soft oriental fragrances, it doesn’t stand out but is on the other hand a representative, well-made and quite affordable example of the genre, a good soft oriental basic alternative for the fragrance wardrobe.

Rating: 3

Notes: Vetiver, pepper, cumin, patchouli, amber, honey

Place des Lices - Fiordlatte

Picture: Summer Evening on the Souther Beach,
 oil on canvas by  Peder Severin Kröyer, 1893

Fiordlatte from Place de Lices starts a bit sharp with notes of green grass and some flowery notes. I bet I can smell a moderated galbanum, even if not mentioned in the notelist. When Fiordlatte settles a bit, a pleasant, soapy, glabanumlike, note appears. It’s similar to the “antique, bathroom, chalky” note that is also present, but more intense, in Vanille Tonka from Parfums de Nicolaï. This accord is fading, but not disappear completely, in a nice, a bit paper-dry in texture, white floral accord. Despite the “bathroom” vibe it’s not a watery floral of the kind that is en vouge by now for exemple Live in Love by Oscar de la Renta or Water Calligraphy from By Kilian. The white floral note feels more timeless and the dry white floral impression is more in the style of Un Amour de Patou by Jean Patou and Montale Crystal Flowers (even if rose centered) but subdued in comparasion.In the basenotes Fiordlatte becomes light musky and moistier. A slight sour note (in a positive way) which is present in many light rosefragrances becomes detectable and I think it’s the note of peony.

Fiordlatte is the perfect outdoor casualscent especially for spring and summer, preferably at sea as the dry white flowers will balance perfectly with the salty air by the seaside. Fiordlatte is also a nice casual or officescent when one has to be reminded of the lighter seasons of the year.

Rating: 3

Notes: Jasmine, cottonflower, peony, vanilla

Place des Lices – Pepper/Poivre

Picture: Piperaceae - Piper nigrum, Curtis’s botanical magazine,

 London 1832, Wikimedia Commons

My favourite from the house of Place des Lieces from what I have tested so far is the light and clean incensefragrance Pepper/Poivre which I reviewed in Swedish a year ago. Despite its name, to my nose Poivre is first of all an incense frgrance and second a pepperfragrance, but of course I’m no expert. Below is an extract in English of what I wrote about Poivre a year ago:

The Incense of Poivre

is high and clear, it’s not a heavy, dense church incense but more of the incense sticks burned outdoors in Asisa, perhaps outside a Buddhist temple high up in the Himalya. I think the incense note is reminiscent of a more modest and subdued version of the high and clean incense in Andy Tauers wonderful Incense Extreme. When it comes to Pepper / Poivre there is no risk of overdosing, which may occur in case Incense Extreme Pepper / Poivre also gives me associations to the wonderful interpretation of the air and surroundings in Bhutan, the wonderful Dzongkha by L’Artisan Parfumeur.

Pepper / Poivre, has a refreshing and almost cleansing effect. It is subtle and close to skin and fits perfectly in most settings during the day all year round. Can imagine that it is perfect in summer just as it feels like a welcome relief from all the spicy, sweet and mulled wine scents of the coming Christmas. Despite Pepper / Poivres lightness and transparency, it remains, although weakened, but unfragmented until the evening. Another plus with Pepper / Poivre is that it is a nichefragrance which is reasonable priced.

Rating: 4

Notes: Pepper, pink pepper, cummin, sage, leather, patchouli, musk, amber

Fragrance(s) of the week (1) 2013

Photo: Parfumista (c)

Almost every week there is a fragrance or fragrancestyle that I particulary crave. Maybe I wear the fragrance some day that particular week, just sniff it, tray it or just let the longing persist as I'm often totally off-season when it comes to what I crave and the season current. To examplify: The week before Christmas I suddenly started to long after the sparkling, grassy and green springlike Chanel No 19 Edt, this in the middle of the cold and darkest winter, with lot of snowing. The same phenomena, but in the opposite fragrancedirection, is happening in the middle of the summer, some years as early as around Midsummers Eve. Than in the warmth and brightness of the Nordic summer, I start longing for dark and deep fragrances as ambers, dark roses, ouds, patchouli. Another observation when it comes to my perfumecraving during the latest half year is an increasing need and appreciation for the classics as the classic Chanels, Guerlains, Rochas or Diors. When it comes tocontemporary perfumes, I prefer perfumes created in the classic style as the offerings of Puredistance, Parfums de Nicolï and Parfums MDCI or more complicated contemporary perfumes with many dimensions as the perfumes of Ramón Monegal, Amouage or Mona di Orio.

To conclude this philosophising: 1) Fragrancewise I'm often in the reverse season 2) Fragrancestylish the circle is completed, I'm back where it all started, with the classics or  classic styled, well-crafted fragrances.

For 2013 I will start to notice (and post) if there is a/some special weekly cravings. Here are my observations for the first week of January 2013:

- The longing for springfragrances has intensified. Today (chilly and grey outside) I'm wearing  the Guerlain iris/violet/mimosa/guerlinade classic Apres l'Ondee Edt and I'm constantly sniffing my wrists.

- The other perfume that influenced me this week and I really liked to wear at New Years Eve was a perfume that not belongs to any of the categories mentioned above: Miss Dior Le Parfum which IMHO is a well crafted, contemporary mainstream with some dept and body to it. Features that is becoming more and more rare these days,  both within mainstream and niche.

Les Parfums Historiques (Maître Parfumeur et Gantier) - La Reine Margot

 Marguerite de Valois, Reine de Navarre

Olja på trä av Francois Clouet

Bild:Wikimedia Commons

Summary in english, scroll down.
La Reine Margot är den andra doften i Maître Parfumer et Gantiers underlinje Les Parfums Historiques. I linjen utforskar man det historiska parfymeriet och har tagit fram två dofter dedikerade till två historiska personer - patchoullidoften Gerorge Sand och jasmin, ambra, myskdoften La Reine Margot. Dofterna som tagits fram liknar högst troligt de parfymer som de personer som stått som förebild för dofterna verkligen bar. I fallet George Sand har parfymören luktat på en liten parfymflaska som hängsmycke som varit George Sand och där känt de kvarvarande fragmenten av en patchoullidoft. I fallet drottning Margot (Margurite de Valois 1553-1615)  har man utgått från de ingredienser som löpanade beställts till det slott, d'Usson i Auvergne, där Margot på order av sin bror kungen, satt i ett slags husarrest under arton år. De dominerande ingredienserna är just jasmin, ambra och mysk och parfymen är blandad enligt den teknik som användes på femton-sextonhundratalen med ett fåtal ingedienser som interagerar.

De tre ingredienerna som används i La Reine Margot är av mycket hög kvalitet och man har låtit dess nyanser blomma ut på ett mångfacetterat sätt och det känns verkligen fascinerande att man kan få fram en sådan mångfald nyanser genom så få ingredienser.

Jasminen är stor, lortigt animalisk, pälsig men får på mig också djupt, mörkt, fruktiga nyanser med en liten kryddighet, ungefär som russin i glögg. På mig är det jasminen som dominerar i det närmaste totalt. De övriga två sekonderar, och är inte igenkänningsbara som separata noter. Deras roller verkar vara att ambran värmer och mysken binder ihop. Mysken bidrar antagligen också till lortigheten även om jasminolja i sig har en animalisk och lortig kvalitet. Jasminen ger i ett senare stdium också i från sig en gummiaktig, samtidigt lätt chokladig ton (troligen ambran) som jag inte känner igen från andra jasmindofter, kanske är det något som uppstår i kombination med de två andra ingredienserna.

Jag kan mycket väl tänka mig att en sådan här tung, mörk jasmindoft behövdes för att konkurrera med andra dofter och odörer som var en realitet i ett tidevarav där det var mer komplicerat att hålla sig ren och dessutom i kombination med tunga kläder med dito tyger som inte lät sig tvättas i första taget.

La Reine Margot sitter hela dagen även om jag inte känner den så tydligt på kvällen så gör omgivningen det. Herr Parfumista anser att det är tantvarning på doften citat "...och det är ju inte så konstigt om den nu är sedan femtonhundratalet".

La Reine Margot är en skickligt komponerad doft som fascinerar då den trots enkelheten i strukturen ger i från sig så många doftintryck. Spännande är också personen som är doftens förebild se http://sv.wikipedia.org/wiki/Margareta_av_Valois

Summary: La Reine Margot is created by perfumer Nicolas de Barry and inspired by the emancipated french/navarrian queen Margurite de Valois (1553-1615). The perfume is a part of the MPG Les Parfums Historiques-line. The predominant ingredients are jasmine, amber and musk and the perfume is mixed according to the technique used in fifteen-sixteen centuries with a few ingedients interacting. Despite the few ingredients La Reine Margot is a interesting blend that mediates images of the era of Margot. The typical dirty, animalic, musky jasmine of MPG is on spot recalling the smell of heavy clothing that not allow itselves to be washed in the first place. That combined with the (compared to todays standards) questionable hygiene routines. A well blended, skanky perfume in true MPG sprit that reflecting the life of Margot. And just as interacting with Margot, "her" perfum has to be worn with caution.

Rating: 4+

Notes; Neroli, bergamot, jasmine, musk, amber

Happy New 2013!

Photo: Mr Parfumista (c)

I wish all Perfumelovers a Happy and wellscented 2013!

The fragrance of New Years Eve 2012 was nothing complicated, but very nice smelling:
Miss Dior Le Parfum - almost tobacconotes, some velvety, slight dried- fruity flowers over amber.
I think this is an excellent example that good fragrances could be created among "the mainstream", taking all the restrictions when it comes to the ingredients in to account. 

The perfumed year 2012

Photo:Mr Parfumista (c)

Here we are again, another year has just accelerated away and unfortunately I think of 2012 as a year with much horror and fear in the world. But in the little world, the 2012 in Perfumeland, I think 2012 was a good year with many good releases and new findings when it comes to perfumes that suits me anyway. 2012 to me was above all two great perfumehouses:

* I became familiar with the great, high-quality perfumeline of Ramón Monegal, the spanish answer to Patricia de Nicolaï. Patricia a descendant to the Guerlains and Ramón a descendant to the Guerlains of Spain, the house of Myrurgia, both perfumers genuinely educated in the art & craft of perfumery and both starting their own perfume houses, free to create after their own ideas & noses. The Ramón Monegal line contains almost all variations of perfumery, and all with a personal twist. This line is a complete perfumewardrobe :-) and I'm really looking forward to additional creations during the coming years, I'm missing testing a new RM every second week :-). Luckily I have two more from the line internationally realeased 2012 to review that I have saved for 2013: Agar Musk and Cherry Musk. I'm also thrilled to test the special 2012 Christmas/New Years blend, a perfume that captures the essences of Ramón Monegals beautiful hometown Barcelona.

* I also finally get the beautiful perfumes of Puredistance and the launch of 2012, the classical styled Opardu was also my best fragrance of the year. The Puredistance is a sort of a perfumebrandbuildingconcept by the perfumeinterested, brandbuildingprofessional Jan Ewoud Vos. The house uses hired, well-known perfumers, Annie Buzantain for the female perfumes, I, Antonia and Opardu and Roja Dove for the masculine one, M. The concept seems to be very successful as the emotions conveyed are intimate, familiar, timeless understated elegance of high quality as if Puredistance already is classic house. The feeling of brandbuilding never occurs as in the case of the total contrast to Puredistance, the tiresome, so obvious brandbuildingconcept Byredo, oriented to anxious thirty-something urbanites.

As for the new perfumeyear 2013 I hope that the new EU legislation/self regulation of the industry (per 1/7) will not hit as hard as one can read from different initiated source; ie that many of the classics will not be recognizable anymore and that many fragrancehouses have to redo a great part of their fragranceportfolios. Therefore Dior with its critizised renaming of  the Miss Dior Cherie to the classical Miss Dior name probably has been in the forefront, they save the name and fill it with a content that will be compliant even after the new regulations becomes effective.