Histoires de Parfums - Tubereuse 3 Animale update May 2012

Picture: strawflower, Helichrysum moeserianum.

Photo: Winfried Bruenken (Amrum) (cc) Wikimedia commons,

 some rights reserved.

Tubereuse 3 Animale is the third installment in the Histoires de Parfums Tubereuse triology, created by the HdP house founder the  ISIPCA-graduated Gérald Ghislain and Magali Senequier ( I think). The Tubereuse triology is a suite of different interpretations of tubereuse or more precise, perfumes with tubey as the common denominator but not necessarily tubereuse as the dominant note of the composition.

When I reviewed (in swedish) T 3 Animale almost two years ago I didn't like it at all. I thought it was an overdose of immortelle and too much tobacco and that the whole blend was unbalanced. But today, I
completely change my opinion, nowadays I just love this immortelle, hay, tobacco, slight honeyed tubereuse creation. Starts with a blond tobacconote, followed by a moderate dose of immortelle, not as heavy as in Annick Goutal Sables. As the notes mingles the tuberose quietly appears in to the blend. It's a tubey at the dark side of the spectrum, a tubey with the honeyed smell of the nectar, an interpretation that I have earlier experienced in Annick Goutals soliflore Tubéreuse (review in swedish) and in Mona di Orios Tubéreuse (also in swedish). The special tobacco-tubereuse mix I have earlier experienced in Liz Zorn (Sohivole) Tobacco & Tulle. As T 3 Animale reaches the basenotes there is something familiar with the blend. Mr Parfumista nails it when he states it has a similar vibe as Estee Lauders Spellbound but adapted to the 2010:s (even if created 2009 to be precise) as softer, more muted and without the bombastic sillage of Spellbound.  And as an old fan of Spellbound it is not surprising that I'm now also an admier of T 3 Animale.

Rating: 5

Notes: Neroli, kumquat, mandarine, bergamot, jasmine, tubereuse, plum, grass, hay, immortelle, tobacco, labdanum, wood

Histoires de Parfums - Tubereuse 2 Virginale

Picture: Prunus Avivum, Vogel-Kirsche im Früling

Photo: Benjamin Gimmel (BenHur), (cc) Wikimedia commons,

some rights reserved

Tubereuse 2 Virginale is the second installment in the Histoires de Parfums Tubereuse triology, created by the HdP house founder the  ISIPCA-graduated Gérald Ghislain and Magali Senequier ( I think). The Tubereuse triology is a suite of different interpretations of tubereuse or more precise, perfumes with tubey as the common denominator but not necessarily tubereuse as the dominant note of the composition.

T 2 Virginale is like it's name indicates a  bright, happy and cheerful white flowery scent with fruity accents. Virginale starts with a fresh, not at all sweet, cloying, cherry note. The note, accented with an almost peppery/insence note, is transparent in style. A hint of the smell of nailpolish whirls thoriug the scent after a while, but not at all in a unpleasent way. Soon thereafter there is also an accord that reminds me of a lip balm of my youth, don't remember it's name. It was american, the container was black with a white cap and the grease was in a pale pink nuance. Later in the middlenotes, bright and quite transparent white flowers intensifies the tubey is there but interwowen with the other white flowers in a boquet. In the background something sweet and almost gourmandy lurks, I almost recognize a tuned down version of the strawberry popcornnote of the original Christine Nagel 2005 composition of Miss Dior Cherie Edp. The basenotes of  T Virginale 2 are slight clean musky but in the right proportion, not the detergent clean musk but a nice white musk. There is also some patchouli in hte base, but in a gentler dose than in MDC Edp.

T 2 Virginale is a nice, inoffensive scent, perfect for officewear in spring and summer but also during the other seasons when longing for summer. Good, wellbalanced and very wearable.

Rating: 3

Notes: Cherry, mandarin, iris, tuberose, tiare flower, frangipani, blond wood, patchouli, vanilla, white musk

Histoires de Parfums - Tubereuse 1 Capricieuse update May 2012

Picture: A cacao tree with fruit pods in various stages of ripening.

Photo: Medicaster, (cc) Wikmedia commons, some rights reserved.

Tubereuse 1 Capricieuse is the first installment in the Histoires de Parfums Tubereuse triology, created by the HdP house founder the  ISIPCA-graduated Gérald Ghislain and Magali Senequier ( I think). The Tubereuse triology is a suite of different interpretations of tubereuse or more precise, perfumes with tubey as the common denominator but not necessarily tubereuse as the dominant note of the composition.

I have tested and reviewed (in swedish) T 1 Capricieuse almost two years ago. At that time I didn't caught its features and rated it as a slight more than good fragrance but it didn't really moved me at that time. Maybe I rushed through the sample too fast, because now I really like this interesting  iris-suede-coca-tubey blend. T 1 Capricieuse starts as a almost pure iris fragrance with the typical metallic, iris rooty note but without almost any nuances of carrot. The opening notes reminds me of Chanel No 19 Poudré and Heeley Iris de Nuit minus the carrot note. Then a note similar to Björnklister "Bear-glue", a white glue for paper that was common in my childhood, tunes in. Nostalgic-pleasant in some way. After a while the gluenote turns into a suede note dusted with coca powder and a muted tubereuse tunes in very discrete. As the blend dries down the flowery, coca, suede blend somehow intensifies in a beautiful, almost gourmand accord. This stage is very pleasant and the stayingpower is superior, it lasts until the next morning. I suspect that I applicated to little when I condemned the stayingpower two years ago. 

As a whole T 1 Capricieuse reminds me of the iris-suede Mythique by Parfums DelRae but the latter is more graceful, transparent and flowing than the more robust T 1  Capricieuse. Mythique is also an iris-suede without the tubeynote that makes T 1  Capricieuse warmer and with an almost mellow vibe.

T 1 Capricieuse is the perfect officeperfume, wearable year around except the hottest summerdays.

Rating: 4+

Notes: Saffron, bergamott, mandarine, iris, ylang-ylang, tubereuse, cacao, musk, suede

Parfumerie Generale - Corps et Ames Eau de Toilette Apaisante

Picture: "Springtime" or "Woman Reading" (Camille Monet)

Claude Monet 1872, oil on canvas, Wikimedia Commons

Handsome Pierre Guillaume is a constant threat to my creditcard, it's hardly that I dare to test a new creation from him. The new (or more precisely revived) Corps et Ames Eau de Toilette Apaisante is an excellent example of such a threat from PG: Floral chypre, built upon one of my top favourite PG:s the bold, flowery, light leathery almost minty geranium green chypre Corps et Ames Edp created in 2006. CeA Edt is a lightened up and  brighter interpretation of the loverly CeA theme. In topnotes vebena leafs are dominating giving CeA Edt an almost tea-like impression (but without the harsh qualities of the teanote), There is also citrusy, minty green aspects and as CeA Edt dries down, the rosiness of geranium and a clean wellblended patchouli enters the stage. The darker and denser leathery, imortelle notes of the original is left out in the Edt version that makes the whole blend sparkling as Champagne as the old Edp-version could be compared to a good Chablis. In the basenotes there is some light woody notes and a bright musk that gives this lovely composition a great longevity, it last more than 24h on my skin.

There is similarities in CeA Edt:s style and mediated sensation as in the great Papyrus de Ciane also from PG. Both CeA Edp, CeA Edt and PdC is PG:s elegant, casualstyle frags as opposed to the gourmands that are typical to the PG brand. CeA Edt is perfect for daytime wear and it’s also officefriendly. There is some retro-vibes in the blend that makes me associate to the great 70^th classic Eau de Rochas and also with the great green floral chypres of this era. With CeA Edt (and Edp) Pierre has proved there is still  possible to create a beautiful chypre or chypre-like creation despite of the IFRA restrictions.

The tweaking of the facets of an already introduced scent seems to be popular by now. When Pierre Guillaume highlights the lighter and brighter aspects of Corps et Ames, Daniela Andrier does the opposite when highlights the darker, smoother and denser aspects of Prada Infusion d’Iris Edp in the new Absolute version.

CeA Edt is particulary sutiable for spring and summer but would also be a nice reminder of the warmer months during the could season.

Rating: 5 (the same as CeA Edp)

Notes: Geranium leaves, verbena, jasmine, patchouli, sandalwood, musk

Thanks to Parfumerie Générale for providing the sample to test.

Histoires de Parfums - 1876 Mata Hari

Photo: Margaretha Geertruida "Grietje" Zelle, known as Mata Hari (1876-1917)

Unidentified photographer, public domain, Wikimedia commons

I have hard to belive that a famous femme fatale as the first world war suspected spy Mata Hari was smelling like a sweet, almost caramelized, rose on a base of cookies. But what do I know? The HdP fragrance 1876 Mata Hari is tribute to or just inspired of Mata (or both). 1876 Mata Hari is as almost all HdP:s created by the HdP founder, perfumer Gérald Ghislain in colloboration with perfumer Magali Senequie.

The pink sweet, rose is present from start to end in 1876. In the topnotes it has a slight transparent vibe and something that is similar to a green tea-note passing by. Then the blend sweetens in the cookie notes. I recoginze these kind of dry buttery notes from the backgroundnotes of perfumes such as Agent Provocateur aldehydic Maitresse and the jasmine/honeysuckle Burberry London for Woman. To me this note is similar to the smell when opening an enclosed cookie jar. There is also the smell of pink rose as in Parfums MDCI Rose de Siwa but the RdS rose is fresh and dewy compared to the gourmand rose in 1876 Mata Hari.  As a whole the Mata Hari blend also reminds me of Andy Tauers Une Rose Vermeille, maybe 1876 Mata Hari was one of the scents that has influented Andy when he created URV? But 1876 Mata Hari is paler and not as distinctint in character as URV and 1876 also lacks the jam and incense notes of URV. As Mata Hari reaches the basenotes the blend is almost creamy and fleeting, supported by a well balanced sandalwood. An gentle and calm earthy note also apperars  among the basenotes and makes the end of Marta Hari less sweet and more serious. Ironically just as the tragic story of her life.

1876 Mata Hari is a nice variation of the sweet-rose theme and it is as well as URV, Rose de Siwa and so on. Which fragrance to choose is of course up to the personal references when it coming to details. Personally I have hard to choose between URV and 1876 Mata Hari as both speeks to me in different ways despite the same theme: URV joyful and happy and 1876 Mata Hari dramatic and mysterious.

Rating: 5

Notes: Bergamot, mandarine, litchi, rose, iris, violet, carnation, caraway, cinnamon, vetiver, sandalwood, guaiac wood.

MDCI Parfums - Rose de Siwa

Photo: Mr Parfumista (c)

Rose de Siwa is created in 2006 by Francis Kurkdjian for MDCI Parfums. Rose de Siwa is a classical rose fragrance in the light and bright genre. It's a medium pink colored rose underscored with a sweet fruitiness from the litchi. There is also hints of other flowers to smooth out the rose and the whole composition rests on a distinct musky base.

Even if Rose de Siwa clearly is a rosefragrance, the rose is not heavy or predominant at all. It's a well blended fragrance and the notes are floating in a seamless manner. Rose de Siwa is a fragrance in the elegant, classical style, composed of high quality ingredients and there are no traces of detergent, plastic or sharp notes. Rose de Siwa first of all reminds me of the original Paris of YSL, in it's original formulation from the eightis, they have the violets and the pink roses in common. Other clean, bright, pink roses in the same style as Rose de Siwa is Rose Pivone by Parfums de Nicolaï and Quel Amour by Annick Goutal. In both of them the peony is more pronounced than in Rose de Siwa and they are also less sweet and fresher than the latter.

Even if not groundbreaking, Rose de Siwa is an elegant and at the same time versatile daytime fragrance.
As YSL Paris was a favorite of mine in my youth, I also have a ceartian weakness for Rose de Siwa.

Rating: 4

Notes: Litchi, peony, hawthorn, rose, violet, cedar, vetiver, musk

Etat Libre D'Orange - Putain des Palaces

Picture: Au Salon de la rue des Moulins, oil on canvas

painted by Henri de Toulouse-Lautrec in 1894.

Museum de Toulouse-Lautrec, Wikimedia commons.

The fragance with the controversial name Putain des Palaces was created by Nathalie Feisthauer for the avantagrde perfumehouse Etat Libre D'Orange in 2006. To me PdP is a fragrance that is not created to smell good or to be praised for it's masterful blending. This is one of those perfumes that are primarily created to make an artistic statement and on many wearers it of course also developes to smell good. It seems that PdP fits with my chemistry as the discerning Mr Parfumista comments "Today you also have a frag that smells good and that suits you" when sampling PdP.

The name Putain des Palaces is just right to this skanky, animalic, lipstick-putty, blend. In it's texture and partial in the lipsticknote PdP has similarities with Lipstick Rose from Frederic Malle. The similarities ends there as LR is innocent and pretty and PdP is the quite oppsite character. After applying PdP I can smell a noticeable note of cummin in the topnotes. According to the notelist there is no cummin but ginger, probably this note is the outcome of a handling of ginger that I have not perceived before. I like PdP in the topnotes, the sweaty "cummin" that for a short while mingles with a dirty, furry-animalic note that I recognize from Parfumerie Générales L'Ombre Fauve. As PdP dries down and settles in the middlenotes/beginning of the basenotes, there is a light leather or more like a suede note, a sultry violet-rose, still dirty and with hints of something that I perceive as a chalky note. The lipstick note is also there but the violet and rose dont feel clean and clear as in the luxary lipstick of Lipstick Rose. Despite some creaminess from the lipsticknote, there is a certain sharpness hiding at this stage, an at the same time round note that reminds me of a golden apple on the verge to be overripe. This note, which I belive is suede combined with flowers, I have earlier experienced in Etienne Aigners In Leather for Women and in Ava Luxes Film Noir. As the dry down get further and finally settles in the base, the violet and rose appears to brighten, get less skanky and a note similar to papyrus glimpse in the powdery musky base.

Putain de Palaces is a suggestive, haunting and alluring scent. It is not especially pleasant to wear, you have to be in mood to deal with the tragic reality this fragrance will display. In contrary to what one expects from the perfume of a Putain de Palaces, PdP is lingering close to the skin and has a medium sillage. The longevity is, as in the case with almost all ELDO fragrances I have tried, quite good and it is still there unfragmented late in the evening with traces the day after.

Rating: 5

Notes: Leather, mandarine, ginger, rose, violet, lily of the valley, amber

Editions de Parfums Frederic Malle - Lipstick Rose

Picture: Viola Riviniana and Viola Canina

Nordens flora, picture painted between 1917and 1926 by

swedish botanist Carl Axel Magnus Lidman

Wikimedia commons

Lipstick Rose is created by perfumer Ralf Schwieger for Editions de Parfums Frederic Malle year 2000 and was released with a bunch of other fragrances in the earliest edition of the house.

To me Lipstick Rose smells very innocent, well behaved and girl next door-ish. Even so (of course the girl next door wears a little pink lipstick on special occasions) Lipstick Rose is a appropriate name of this violety, rosy, slight powdery and slight earthy blend. The top- and middlenotes definitely conveys the picture and smell of a lipstick of high quality. There is a creamy and slight powdery note, dominated by violets. The rose is the second player and disappears on my skin as the scent drys down to the basenotes. In the basenotes there is still a trace of the powdery violet but the notes of vetiver and musk anchor it in a slight earthy base. On my skin those notes blended together also create a tealike note.

The powdery note present during the whole dry down reminds me of a polished version of the gunpowdernote that I appreciate in Lorenzo Villoresis Teint de Neige. In it's earlier stages Lipstick Rose is somehow a well-behaved violet-version of the, in comparison, wild and eccentric TdN. But Lipstick Rose don't goes the whole hog as TdN, neither by the gunpowdernot or by the soapiness as the Lipstick Rose powder never passes in to the great soapiness of TdN. Other fragrances that have similarities with LR is Andy Tauers beautiful Une Rose Vermeille a jammy, fruity rose with hints of violets and with the texture of Etat Libre D'Oranges Putain de Palaces. Even as also it's name indicates, this scent with it's dirty animalic heft is the direct opposite to the girl next door-ish Lipstick Rose, but the style,violets and the rose are in common. 

Lipstic Rose is a well executed, almost linear fragrance that is easy to wear for many non-casual occasions in autumn, winter and spring. It's a tad too sweet and powdery to feel appropriate for summerwearing.

Rating: 3

Notes: Rose, violet, musk, vanilla, vetiver, amber

Reassessements May 2012

Yesterday a lovely, sunny May 1th, we made the first boat trip for this season ( this years boatlaunch was this weekend) together with some friends. Cruising around on the  water in the heart of Stockholm is something I really will recommend. But nevertheless no idleness when it comes to me and fragtesting, during the cruise I have reassessed two fragrances that havn't left my mind since I tested and reviewed them. Havn't left my mind is generally a good sign when it comes to fragrances and proved to be the case concerning both the re-tested fragrances. I smell quite different aspects than when I reviewed Elie Saab Le Parfum back in grey November and Opus VI in March. I have updated the reviews with my new findings.

Histoire de Parfums – Blanc Violette

Picture: A Violet, viola sororia. Photo by: Hoodedwarbler12 (cc),

Wikimedia commons, some rights reserved

Blanc Violette is one of the fragrances in the Histoire de Parfums underline Soliloquies based on some of the classical notes. Blanc Violette is created by the HdP founder Gerald Ghislain and Magali Senequier

Blanc Violette starts with a powdery, aldehydic, retro accord that highlights the violets in the the lipstick-like way as seen in Editions de Parfums Frederic Malle Lipstick Rose and Etat Libre D'Orange Putain the Palace. But in Blanc Violette the violetnote is clearer compared to the other two and supported by other flowery notes of iris and ylang-ylang. In the middlenotes a lot of the powderness is toned down and a light, dry, white-peppery note appears, probably an element of the sandalwood in the base. Blanc Violette will continue as a rather shy but dominating violet supported by the other flowers and with a well-established contrast of anise and rice powder over a musky base with some light traces of vanilla. The anisenote never takes over the scent, as in many cases with this distinctive note, it's well interwoven, balances the other notes and gives the fragrance a special character. In style, not particulary in smell, there is a similarity with the chilly elegance of Jolie Madame by Pierre Balmain.

Blanc Violette is a chilly, yet soft scent that's perfect wearing during daytime in winter-spring and spring. It smells just like I imagine that the color light purple would smell. Both Lipstick Rose and Putain the Palace is warmer and more extrovert in style than the cool, understated elegant, yet comfortable Blanc Violette. Longevity of the day is so-so, just fragments remain in the evening.

Rating: 3 +

Notes: Violet, bergamot, iris, ylang-ylang, anise, sandalwood, ricepowder, musk, vanilla

Pierre Balmain - Jolie Madame

Photo: Mr Parfumista (c)

Scroll down for an english version.

Ursprungligen publicerat på min tidigare blogg "Parfumistans blogg" på Damerns Världs hemsida i januari 2008 

Germaine Cellier skapade Jolie Madame för Pierre Balmain 1952. Germaine Cellier var något av en husnäsa och hade 1947 skapat förebilden för alla gröna dofter, Vent Vert också för Balmain. Jolie Madame togs fram som signaturdoft för en konfektionskollektion från Pierre Balmain med namnet, just det: Jolie Madame.

Jolie Madame är en blommig chypre med ett visst läder/animaliskt inslag. Den är först grön och violig på mig och i inledningen tycker jag den är lite småtråkig. Sedan djupnar doften och det lädriga förenar sig med de torra blommorna. Luktar jag på tröjan dagen efter dominerar de animaliska tonerna. Doften är strikt och korrekt. Det är doften för en ordningsam och duktig flicka i ljusgrå cool wool-dräkt och bländvit stärkt krage på skjortan.

I Jolie Madame faller för en gångs de animaliska notern ut på ett bra sätt på mig. Annars blir de (i klassiska dofter) ofta för tunga och gammaldags på min hud. I Jolie Madame pågår väldigt mycket och man måste ta sig tiden att låta den utvecklas i lugn och ro över dagen. Jag tycker mest om den när den nått läderstadiet. Lädret är lätt och fint som en glacéhandske. Jolie Madame är en lite kylig doft som är en befrielse jämför med allt fruktigt, sötblommigt som dominerar blomsegmentet för närvarande. Passar mycket bra på våren och sommaren men är också en fin höstdoft, den matchar de bruna, multnande löven med sin doft. Perfekt för kontoret, diskret, koncentrerad och effektiv.

Trots att Jolie Madame är över femtio år är den tidlös. Tråkigt att den knappt används, men den kräver som sagt tålamod och dagens konsument gör ofta sitt val på de första minuternas upplevelse av toppnoterna.

Betyg 4

Noter: Neroli, koriander, gardenia, artemisia, jasmin, viol, apelsinblomma, ros,  tuberose, ekmossa, patchouli, vetvier, tokak, civet och castoreum.

Kommantar 2012: Betyget 4 dvs mycket bra kvarstår även om jag gillar den alltmer. Kanske beror det på min ökade dragning till vackra, klassiska dofter.

Summary

Pierre Balmains Jolie Madame, originally created by the great nose Germaine Cellier in 1953, is a classical, very wearable, light leathery, violet chypre, underscored by some touches of neroli. I'm referring to some of the latest formulations in Edt, my bottle is about seven to eight years. Jolie Madame is cool but in the same time strangely enough warm. It's the perfect officescent to the efficient clever woman in a light grey cool wool well tailored suit combined by a sharp, crisp white shirt. Jolie Madame starts almost a bit dull to me with a little to weak flowers dominated by violet and neroli combined with hints of green. But soon the blend is deepened and the leathery notes reveals themselves. The animalic notes that occurs a bit later are not dense or strong. Jolie Madame is a uplifting, elegant creation, uplifting for spring but fits also during the fall. If fragrances like this where offered in the stores instead of the typical fresh and clean detergentlike fragrances which are the norm of today, our olfactory environment would be of a definitly higher standard.

Rating: 4:

Notes: Artemisia, coriander, gardenia, neroli, bergamot, tuberose, narcissus, orris root, jasmine, rose, leather, patchouli, musk, coconut, civet, oakmoss, vetiver

By Kilian - Bamboo Harmony

Bamboo Harmony is the other of the two Calice Becker fragrances released 2012 in the ByKilian Asian Tales line.The line is planned to continue at least five fragrances which will be launched during the next three years.

As with Water Calligraphy earlier this week, I've recognize another fragrance immediately when spraying BH. This time I recognize a smoother Escale à Pondichéry by Dior in the earlier stages of the dry down infused with some hints of Keiko Mecheris Les Nuits D'Izu. After a while BH is back on the smoother EsP trail, with less spices, tea and jasmine than EsP BH is a nicer and more polite version on the citrus-tea-aromatic-flowery theme. Nice, pleasant, refreshing and harmless, this is the perfect officescent for summer. Also as well suited for casual wear.

Well blended and polished, no harsh or sharp notes but unoriginal and somehow dull to be an expensive By Kilian frag.

Rating: 3

Notes: Bergamot, neroli, bigaride, tea, mimosa, spices, oakmoss, holly, figleaves

By Kilian - Water Calligraphy

Picture: Bridge Over a Pond of Water Lilies, 1899,

Oil on Canvas by Claude Monet (1840-1926), Wikimedia Commons

Taking a break in my spring-violet serie, reviewing the new ByKilians:

Sorry Kilian! Despite the creation Water Calligraphy by Calice Becker for ByKilian is a very nice, well executed water lily - lotus flower dominated fragrance it is a disappointment to med. This because WC :-) smells just like old (1996) Gala de Dia by Loewe rebottled.

Starts slight fruity, followed by white watery flowers which  conveys a natural, non-chemical, watery impression. It's like sitting in the shadow during a hot summerday at a small pond with water lilies and greenerys. WC is liniar in it's structure, well blended and with a great longevity and this fragarance willl cope with the hottest days during the summer. Wearable both for casual and to work. WC has similarities in style with Bulgaris watery, fruity, flowery Omnia Coral but the latter is sharper and headier than the sleeker WC.

To summon up: A nice, well blended, refreshing frag that I really like but it lacks the originality and non-copied style that I expect from a house in ByKilians pricerange.

Update April 2014: Water Calligraphy has grown to be a favorite watery, flower to me. I find it minimalistic and beautiful, it is calming and relaxing. It was in the end of last summer when Water Calligraphy suddenly "klicked" for me. I think that the minimalistic approach makes it easy to dismiss some of the Kilan fragrances at first. But the Kilian fragrances are not simple at all, on the contrary, they seems to have hidden layers that ensures the wearer will not loose interest over time. They are of god quality and easy to wear, sort of fragrance wardrobe staples. 

Rating: 5 (April 2014)
Rating: 3+ (April 2012)

Notes: Water lily, grapefruit, jasmine, magnolia, vetiver, cardamom

Caron - Aimez-Moi

Picture: Viola Odorata, Fritz Geller-Grimm,

(cc) some rights reserved, Wikipedia

Scroll down for an english version.

Carons kanderade violdoft Aimez-Moi är skapad av Dominque Ropion som jag börjar inse är en av de parfymörer som jag gillar allra bäst. Hans allt annat än minimalistiska floraler har ett djup och intressanta vändningar under sin utveckling. En sådan doft är just floral-gourmanden Aimez-Moi.

Aimez-Moi inledes med ett nästan frånstötande flamberat ackord av viol, anis och en honungslik sötma. Inledande, på gränsen till frånstötande ackord brukar vara en signal om en spännande fortsättning, något som också är fallet under en dag med Aimez-Moi. Ganska snart klarnar doften upp och en frisk violdoft accentuerad av en lätt mintig ton och med kryddor som kardemumma och kryddnejlika  diskret upplyftande i bakgrunden. Anicen finns hela tiden närvarande som den mörka, söta motpolen till violen och de två interagerar som ett huvudtema genom hela doftens utveckling. Ett annnt inslag som jag tycker att Aimez-Moi vilar på är blont trä ungefär som frisk björkträ. Det finns också en lagom doserad, ljus mysk i bakgrunden. Dessutom nämns en rad andra ingredienser men de jag beskriver är de som jag tycker är mest framträdande. Överhuvudtaget har parfymören i Amiez-Moi skickligt spelat på kontraster, mörk och sött kontra ljust och friskt.

Den här beskrivna versionen är EDT:n. Doften är väl koncentrerad och räcker länge på huden. En varning måset utfärdas för överapplicering. Jag tog på för mycket en gång och då tog det söta överhanden på ett mindre smickrande sätt. Jag vet inte om Aimez-Moi fortfarande finns i parfym men jag kan tänka mig att den skulle vara otroligt fin i en dunklare skala också.

Aimez-Moi är i samma genre som Lolita Lempickas anisdominerde parfym med samma namn. Aimez-Moi är den eleganta och väluppfostrade av de två (tänk dräkt från Chanel), Lolita den tuffa och vilda (tänk svart läderjacka). Aimez-Moi är en mycket bärbar doft under vår, höst och vinter, den kan nog bli för söt för varma sommardagar.

I have realized that Dominique Ropion is one of my favorite perfumers when it comes to the floral dominated ones. Carons Aimez-Moi is an another example of his skillfull handling of flowers. In this blend the violet is featured, perfectly matched by anice.  

Aimez-Moi opens with an almost repulsive flambé chord of violet, anise, and a honeylike sweetness. A fragrance that opens with an almost repulsive chord is usually a sign of an exciting future, and this is also the case during a days wearing of Aimez-Moi. Pretty soon Aimez-Moi clears up and the smell of a fresh violet scent accentuated by a slight minty note and spices like cardamom and cloves that is discreatly uplifting in the background. The anice is constantly present as the dark, sweet antithesis to the violet and the two interact as a major theme throughout the entire development of the fragrance. Another element that I think is present in Aimez-Moi is blond wood, like the smell of fresh birch wood. There is also a suitably metered, light musk in the background. There are also a number of other ingredients mentioned for Amiez-Moi, but the ones I describe are the ones I think are most prominent. Overall, the perfumer in Amiez-Moi skillfully played on contrasts, dark and sweet versus bright and brisk.

To me Aimez-Moi is an elegant and well-behaved (think a Chaneldress) interpretation in the same category as the wild and though Lolita Lempicka (think a rough black leather jacket).

Rating: 4

Notes: Bergamot, anice, cardamom, violet, mint, iris, jasmine, magnolia, rose, wood, musk, amber

Serge Lutens - Bois de Violette

Photo: Mr Parfumista (c)

Scroll down for an english version.

Det är alltid svårt att reviewa stora klassiker som så många redan har ventilerat sina åsikter kring. Serge Lutens Bois de Violette är just en sådan hyllad (5:a enligt Luca Turin) och av en hel del faktiskt också dissad doft. De som dissar den tycker att den dofter syntetiskt trä och syntetisk viol, vilket också är helt korrekt eftersom det rör sig om syntetiska noter.

Bois de Violette känns som en melankolisk doft för mig. Den påminner mig mer om hösten och bruna löv strax innan snön gör sitt intåg än om små fina violer om våren. Doften inleds med viol och gröna viol blad och ganska snart känns den karaktäristiska cederträbasen som finns i Serge Lutens boisserie. Jag känner igen mycket från den doft som föregick boisserien, Shiseidos Feminite du Bois men FdB är mörkare, kryddigare, ett distinkt inslag av kanel, och träbasen är tyngre. Det kan i och för sig bero på att jag här jämför FdB från nittiotalet med en tämligen ny version av Bois de Violette, den var tidigare mer kraftfull somjag förstått det.

Efter ett tag känns BdV som en cederträ ask där man förvarat violblad. I nästa fas är det som om asken malts ned till ett mycket finkornigt pulver och doften blir träigt pudrig på mig. Cederträet är milt, inte så blyertspennelikt och liksom rått som det kan vara i vissa tolkningar. I slutfasen är BdV lite tvålig och ger mig vintagekänsla.

Bois de Violette är en mycket fin och bärbar doft, en sådan där att ta på sig när man inte riktigt vet vad man ska ta på sig. Doften är på något vis meditativ och lugnande. Den har en intressant utveckling där den går igenom de faser jag beskrivit ovan. En sådan där doft där, när jag sniffar på handleden, upptäcker att det hänt något nytt sedan sist (om jag inte sniffar för ofta vill säga). En sådan livfullhet i kompositionen är ett tydligt tecken för en högkvalitativ parfym. Projektionen är ganska nära och hållbarheten under dagen god.

It's always hard to review the great classics that so many reviewers already have vented their views about. Serge Lutens Bois de Violette is just such a  praised fragrance (rated 5 according to Luca Turin) but in the same time there are a lot of reviews that actually is anything but positive about this special violet-woody scent. Those who are not positive states that BdV smells of synthetic wood and synthetic violet, which is also correct because the case of the use of synthetic notes.

Bois de Violette is a fragrance that evoke melancholy feelings to me. It reminds me more of the autumn and the brown leaves just before the snow makes its way than the of the small fine violets in the early spring. The fragrance starts with violet and green violet leaves and pretty soon the distinctive cedar base found in Serge Lutens boisline make its entrance. I recognize much from the fragrance that preceded the whole boisline: Shiseidos Feminite du Bois. But FDB is darker, spicier, I can smell a distinct hint of cinnamon, and the wooden base is heavier. This in and of itself maybe because I compare FDB from the nineties with a fairly new version of the Bois de Violette, BdV in it's earlist formulations was much more powerful as I have understood it.

After some time of wearing the smell from BDV reminds me of a cedarbox where violet leaves have been kept.The next phase is as if the whole box with it's violet content, had been ground down to a very fine powder and the smell becomeswoody powdery on my skin. The cedarwood is soft, not as pencil-like and somehow raw as the note is interpreted in some fragrances. In the final stage  BDV is a little soapy and gives me some vintage feel.

Bois de Violette is a very good and wearable scent, one of those to put on when you do not really know what to wear. The scent is somehow meditative and calming. It has an interesting development when it goes through it's different stages. BDV is one of those fragrances which, when you sniff your wrist during the day, you will discover that something has happened new has happend since you sniffed it the last time, this vividness in the composition is a true sign of a quality fragrance. The projection is pretty close to the skin and the longevity is good.

Rating: 4+

Noter/Notes: Viol (blomman), violblad och cederträ./Violet (flower) Violetleaf, cedarwood

Winter strikes back

Picture: Mr Parfumista (c)

Winter strikes back again and today it's snowing as h--l ! Treating my self in the peachy, chocolate, rose, freesia, spicy, patchouli 1969 Parfum de Revolte from Histoire de Parfums trying to find "inspiration" to start with the yearly tax declaration of income. 1969 is a really nice, not too sweet, dessert like gourmand fragrance.

So then my spring-spring fragrancepost probably have to wait for some more weeks.

Carner Barcelona - Tardes

Picture: Tardes, afternon in the countryside

Photo: Carner Barcelona (c)

Carner Barcelona Tardes is created by one of my favourite perfumers Daniela Andrier, the housenose of Prada.In Tardes the founder of the house of Carner, Sara Carner, through Andriers nose will capture the peaceful summerafternoons in the catalonian countryside.

Tardes starts with slight chemical notes that disappears very fast and an airy almond shines through. Soon the almond is supported by flowers and some light herbal notes and it's not hard to imagine the source of inspiration to this balmy and calming fragrance. Tardes is fairly liniear during it's dry down and heliotrophe and musk are supporting and deepen the other notes in the base. I can feel a minior trace of the fresh lighted cigarettenote that I appreciate in D600 in the base, but it is just fragments compared to D600 . Maybe this cigarettenote is a part of the housenote of Parfums Carner, probably it's a part of the musk used in the base.
Tardes is an airy almondfragrance, not surprisingly as it's a creation of the queen of transparency and airiness Daniela Andrier. Tardes is not as sweet as most fragrances with almond as the dominating note. Fragrances as Etros Heliotrophe which has about the same sweetness but has more heliotrophe and tonka then Tardes, Kiss me tender (swedish) by Patricia de Nicolaï which is a pastry take on almond and heliotrophe which almost feels like marzipan. Fragrances as Dior Hypnotic Poison (swedish) and Jean-Charles de Castelbajac, Castelbajac  (swedish) also features almond but are completely different, denser types of fragrances. Keiko Mecheris Taormine (swedish) is also a different almond, it's creamy and smells similar to an almondy bodylotion. Even if Tardes is slight gourmandy it somehow remains fresh in caracter during it’s whole dry down. Tardes is a very longlasting fragrance that remains unfragemented on skin after a whole day. The projection is fairly close.
The overall impression of Tardes is the airy, gourmandy and almost chilly expression that is also present in another late Daniela Andrier creation, Prada Candy (swedish). As Tardes was launched 2010 and Candy 2011 it is quite likely that the perfumer has worked almost simultaneously with the fragrances and they therefore shares the same theme but using almond as the major note in Tardes and benzoin/resins in Candy. Of the two, I prefer Tardes whith it's fine tuned, almondy, floweriness.

Tardes, as well as my other favourite D600, is a wellcrafted, comfortable and wearable fragrance.It is appropriate for daytime, both casual and to work. An almond that is suitable also in summer due to it's Andrierian transparency and almost chilly airiness.

Rating: 4

Update summer 2013: Rating 5. After wearing from the sample some more times, I totally adore the almond-rosewood-heliotrope combination. Just great and FBW.

Notes: Geranium, rose, rosewood, almond, cedar, plum, celery, tonka, musk, heliotrope