Oscar de la Renta - Coralina

Picture: Acacia constricta flower,

Photo by Stan Shebs (c) some rights reserved, Wikimedia commons.

Coralina is a mimosadominated contribution to the Essential Luxuries line of Oscar de la Renta. It's the third flower dominated fragrance of the line besides Mi Corazon (tubereuse) and Granada (orangeblossom).

Coralina starts with a sparkling, sunny, very yellow and natural smelling mimosa. The fragrance is happy and clean in a positive way (not detergent). The mimosa is brighter than I usually percieve the note, I typically smell it a bit darker and golden, powdery in scent and texture. As Coralina developes an almost cold violetnote appears, contrasting to the warm, sunny mimosa. Iris is also mentioned among the ingredients but I can't dedect it as a separate note, probably it balances the violet, preventing it from beeing (too) nice and sweet. There is also a part of Coralina that reminds me of light and elegant leather, but this part lasts only for a while wheras the mimosa take the centerstage again, supported by a green with traces of the crisp, greenness of bulbflower leaves. When reaching the basenotes, Coralina gets a bit of the mimosapowder, but on my skin just a hint.The main impression of Coralina in the basenotes is that of the fragrance fleeting around in an accord of mimosa/flower/musk which lasts good but is less interesting than the first half of the developement of the fragrance. Compared to another mimosa i have tried, Annick Goural Le Mimosa, Coralina is lighter in structure and with less body. The fragrances are different interpreations of this nice, yellow flower. Also Maria Candida Gentile Hanbury which have clear elements of mimosa is more fullbodied.

Coralina wears close to the skin and the lasts for long, 24h, subtle and full. A discrete and officefriendly fragrance that doesn't offering any sensations, just lingers, creating a comfortable aura to the wearer.

Rating: 3

Notes: Mimosa, violet, iris, musk, wood

Robert Piguet - Mademoiselle Piguet

Picture: The Reader, oil on canvas by Jean-Honoré Fragonard ca 1770-1772,
captures the warm and comforting spirit of Mademoiselle Piguet

Mademoiselle Piguet is another fragrance in the great Nouvelle Collection from Robert Piguet created by the "house nose" Aurelien Guichard.

Mademoiselle Piguet could be described as beeing vegetal, combined with orangeflowers with a sweet honeyed texture. The vegetal note is not damp and almost on the verge to rottening (but in a positive way)as in some interpretations for example Guerlain Jardins de Bagatelle Edp and Annick Goutal Passion, the vegetal note is almost fresh and reminds me of a fresh sugar pea. A similar impression is expressed in a Fragrantica review by clover.chen who refers to processed mung beens in desserts, something that I havn't tasted myself but can image when smelling the greenery of Mademoiselle Piguet. The orangeflower I perceive as very natural and fresh, not chemichal at all. The note has a wonderful honeyed nectar texture and smells just sweet delicious, probably the apricot adds this facet. There is something in the orangeflowernote that reminds me of the same note in Fracas, but in Mademoiselle Piguet it is somehow domesticated.

To me the structure of Mademoiselle Piguet is linear, the notes are preseant at the same time even if the vegetal phase is more apparent in the first part of the dry down of the fragrance and later instead is acting as one of the supporting notes in the background. To me the sweet , honeyed,  Mademoiselle Piguet also seems to be the female counterpart to the (to my nose) much more masculine dry, herbal-orangeblossom NoteS which I reviewed earlier this week, they are fragrances of the opposite side of the interpreation of orangeblossom-scale and are interesting to wear as complementary fragrances for different moods and occasions. As NoteS is more complicated, strict and a excellent choice for daytime professional wear, the Mademoiselle is a fragrance both for evening and comforting daytime wear, versatile enough to warming up during cold winterdays and to bloom beautifully in the summerheat. Mademoiselle Piguet, thanks to the interesting and well harmonised vegetal notes, has its own identity even if partly familiar to other fragrances featuring the orangeblossomnote.The longevity of Mademoiselle Piguet is extraordinary for an orangeblossom scent, I can smell the orangeblossom on my skin more then 30h after application.

I think Mademoiselle Piguet would be appreciated by those who like L’Artisan Seville à l’Aube, Maria Candida Gentile Hanbury and Annick Goutal Tubereuse (even if featuring another white blossom note I think Tubereuse and Mademoiselle Piguet have a similar pleasant, honeyed texture).

Rating: 5

Notes: Bergamot, orangeblossom, almond, apricot, tonka been

Robert Piguet - NoteS

Picture: From the manuscript of Bach's lute suite in G Minor
Wikimedia commons

NoteS is one of the perfumes in the interesting Nouvelle Collection (described here) from the honorable perfumehouse Robert Piguet. NoteS is created by the houseperfumer Aurelien Guichard.

Classified as a unisex fragance, NoteS to my nose is leaning much to the masculine side at least in the top- and middlenotes, but it is definitly wearable for a woman, I got positve remarks at the office wearing this. NoteS starts a bit brisk in the classical bergamot and herbal style. The opening of NoteS smells like a classical quality fougere to me with its clean, herbal accord. Also in the heart the classical refreshing geranium is appearing, gently mixed with some discrete and somehow dry orangeflowery notes. It's interesting how the orangeflowernote (as all flowery notes) could be so differently interpreted in different perfums from dry too very sweet. From the middlenotes there is a balsamic texture in NoteS and this balsamic, smooth feeling is amplified the more the fragrance dries down, even if the herbal element still is there. In the basenotes NoteS gets in the chypre direction with mossy notes strengthened with vetiver and softened and rounded out with dry, powdery tonka. In the base NoteS is clearly unisex and not leaning into any direction as in the top- and middlenotes.

NoteS is a wellcrafted elegant fragrance in the classical style but interpreted in a contemporary, smoother, balsamic way.  There are no harsh edges and the notes are just fleeting into each other in a wellcomposed manner, just like the name of this classy creation indicates. There is no chemical aquatic, no shrill pepper or loud woody notes in this contemporary classic.Wearable year around, very suitable in chilly autumn, escpecially the comforting basenotes. Longevity very good, sillage medium +. Simply yet another sucessful creation from the restored perfumehouse of Robert Piguet. NoteS is a fragrance of growing liking to me, it's a somehow "difficult" fragrance that takes it time to be fully appreciated, something that I really apprecite when it comes to perfume.

A fragrance for those who like (even if not smelling the same the fragrances mediates a similar impression): Yves Saint Laurent Rive Gauche pour Homme (more herbal), Rochas Macassar (more flowery and mossy) Givenchy Gentleman (mossy greener, more wet), Maria Candida Gentile Barry Lyndon (lavendel instead of white flowers).

Rating: 4+  (a bit too masculine for me)

Notes: Bergamot, clary sage, geranium, orange flower, vetiver, moss, tonka been

Maria Candida Gentile - Hanbury

Picture: Giardini Botanici Hanbury - pavilion.

Photo by Daderot, (cc) Wikimedia Commons, some rights reserved.

This weeks jurney to beautiful Italians Villa-gardens continuies also today. Villa Hanbury is a north italian Villa by the sea with a beautiful garden founded 1867 by the Hanbury family who runned the gardens for many decades but was passed to the University of Genova about thirty years ago. Among the flowers cultivated in the botanic garden, the golden mimosa is a speciality of the Hanbury garden and the flowers are also used to produce essence of mimosa. Mimosa of different types are present in some classical or familiar perfumes as Carons Farnesia, Annick Goutal Le Mimosa (in swedish) and Edition de Parfums Frederic Malle Une Fleur de Cassie. Mimosa is also the protagonist in Maria Candida Gentiles golden nectar Hanbury, a just beautiful fragrance that, just as intended, immediately transports me to a mediterrian garden in bloom.

Hanbury starts with a golden blast that I precive as produced by medium yellow flowers even if some withe especially the orangeblossom, also have prominent roles. On my skin a delicious orangeblossom is the most prominent note. There is also a winterblowing flower, Calycanthus praecox, in the fragrance, winterblooming flowers is unusual even in northen Italy. I don't know how it smells but I suspect it's one of the very nice notes that radiates from my skin wearing Hanbury. The florals are velvety in its structure and give me the impression of beeing soaked in honey and resting over a slight dry resiny base. Hanbury is a smooth and somehow full perfume and it has a beautiful depth. As the rest of the Maria Candida Gentile line, there a high precentage of naturals in the blend, something that is particulary evident in Hanbury, the flowery impression is very authentic. Compared to another delicious orangeblossom in a similar style, Sweet Redemption (summary in english) by ByKilian, Hanbury is more clean and flowery and SR more of a liquary and sweeter orangeblossom.

Hanbury is a beautiful, wellcrafted and casual- elegant fragrance that could be worn year around but blooms beautiful in warm weather. It's very feminine in style and wraps the wearer in comfort and pleasure. Sillage is close to the skin and longevity is medium almost for a day.

Rating: 4

Notes: Lime, bitter orange, orange, mimosa, white honey,calycanthus, musk, benzoin

Maria Candida Gentile – Barry Lyndon

Barry Lyndon is another beautiful fragrance in the complex and characterful Maria Candida Gentile spirit. But this time in a fragrance family that may not represent the typical dark and suggestive MCG style as Sideris and Cinabre beeing reviewed earlier this week.

Picture; Calluna Vulgaris (heather)

Prof. Dr. Otto Wilhelm Thomé, Flora von Deutschland, Österreich und der Schweiz,

 1885, Gera, Germany

Barry Lyndon is an aromatic-herbal-light leathery fragrance that perfectly suits the 18^th century irish adventurer, Barry Lyndon who has lend his name to this creation. I get images from a fox hunt an early autumn morning in the English countyside. The nature waking up, the chilly and crisp greenery, the smell from the leather in the saddles and and well-polished  ridingboots. Another image I get from Barry Lyndon is an Alpenwiese, a meadow in the alps a sunny day with it’s grass, heather and herbal plants.

To me Barry Lyndon starts with a dry and light almost dusty leathernote. Shortly it transfers to the pleasent “dust on a just ligthed bulb” note. Then the herbals gets more distinct I smell thyme and fresh minty notes but also an almost honeyed roundness, probably from the heather. As Barry Lyndon reaches the basenotes there is an almost suede-like note, combined accompanied with vanillic touches. There is also a fresh earty feeling present in the basenotes. A fragrance that comes to my mind when wearing Barry Lyndon is Maître Parfumeur et Gantier Eau de Camelia Chinois but that one is much less herbal.

Despite of beeing aromatic-herbal, Barry Lyndon is a full bodied fragrance, thick and complex in its contruction. It’s not thin, transparent and fleeting. As in the other MCG fragrances I have tried, much is going on during the whole dry down and Barry Lyndon doesn’t let it’s wearer rest. Unisex in style, leaning at bit to the masculine side. Proper for summer, this one will last also during the hot summerdays, and to the office.

Rating: 4

Notes: Aromatic herbs, artemisia, arnica, heather, leather, vetiver, vanilla

Later on I will certainly come back to review more from Maria Candida Gentile

as I highly appreciate this line.

Maria Candida Gentile - Cinabre

Photo: Mr Parfumista (c)

Cinabre is a beautiful, smooth, soapy, spicy rosefragrance, created by Maria Candida Gentile. The rose is preseant from the begnning even if changing it’s performance. Cinabres opening rose is similar to the rosy rose aspects in Annick Goutals Rose Absolue. The typical almost rubbery note that is a sign of natural roseoil is present. But as AG:s RA is all about roses and greenery, the rose in cinabre of course is leaning on cinnabar and other spices. After a while the rose is flowing in an opulent, retro soapiness. From this stage of Cinabre I get the picture of Sophia Loren taking a bath, using a luxary, rosy soap. In this stage the rose has darkened and is probably in the very beginning of decaying. The spicy, soapy, rose is resting on a warm, soft, smooth, almost woody-powdery resiny base. In the middle- and basenotes Cinabre partly reminds me of the beautiful natural perfume Roses des Bois from AbdesSalaam Attar Profumo (La Via del Profumo) another high quality italian perfumehouse.

Cinabre is very feminine in style. It is multifacetted and there is new interesting twists during the whole dry down. It’s an interesting fragrance that involves the wearer. Even if dense and bold and with a good projection the scent doesn’t take over the space. To me Cinabre is officefriendly (but probably not to the average swedish perfumewearer) because to me, wearing parfume, is not just about smelling good. It’s also about to get different impressions and to enjoy art in the everyday, and to me Cinabre is definitly a piece of art.

Rating: 5

Notes: Pepper, ginger, rose, benzoin, opoponax, vanille (and I bet a lot of others)

Maria Candida Gentile – Sideris

Picture: Piazza del Campo, Siena,

Photo by Ricardo André Frantz (Tetraktys), (cc),

Wikimedia commons, some rights reserved

Sideris by Maria Candida Gentile transports me to a small, Italian town, uncertain what century. Sideris to me is an ongoing exhange between the heat outside on the town square and the coolness in the medival church at the center by the square. But in the cool church there is also an almost sweet warmth, from the myrrh and incense burned as from the wax candles lighted during the mass. There is also some obscure, almost decaying notes lurking in the background, maybe deriving from what’s hiding below the stone floor of the church.

Sideris is all about a warm and fullbodied almost sweet incense. It starts spicy and with sweetness from the myrrh. In this stage, strangely enough I get an impression that is partly similar to Jean Claude Ellenas tropical-night blend Flora Bella from Lalique, probably due to the sweet myrrh and the dark, velvety feeling. As the dry down proceeds, the incense gets more pronounced. The incense and the whole fragrance stays warm, thick and dense during its whole dry down.The color of Sideris to me is dark, velvety blue, as the sky with twinkling stars during a mediterrian night.

Sideris is to me eternal and represent a scent in style that I can image have been used during the sixteenth and seventeenth centuries. Sideris also reminds me of the impressions of another eternal scent, Etros Messe de Minuit even if that one is much more flowery, light and transparent in style, it also have some of this both pleasant and unpleasent churchy notes described above.

Sideris warms up a grey and rainy day and as with all MCG I think of Sideris as officefriendly.Unisex in style. Great longevity, at least 24 hours and a distinct but not intruding sillage.

Rating: 5

Notes: Labdanum, saffran, myrrh, pepper, incense, rose, sandalwood, benzoin, woody notes

Maria Candida Gentile – General impressions of the line

Maria Candida Gentile is an Italian perfumer educated in Grasse. After returning to Italy she has started her own perfumehouse that wears her name, Maria Candida Gentile. I think Maria could be proud of lending her name to these beautiful fragrances: This is amazing stuff, significantly different from the usual niche offerings.A “niche-in-niche” line.

The Maria Candida Gentile fragrances are timless in character and they are transporting me to Italy, uncertain what century. The fragrances are what I will percived as very genuine and somehow “rough”, but harmonious, down to earth, they are combining the traditional Italian style*) in a sort of contemporary frame. The MCG line equivalent in french perfumery is the also down to earth, not so polished compared to the french style, Les Nereides even if MCG is more complex, denser and of a higher quality. MCG mixing the high quality ingredienses, the perfumes contains a high precentage of naturals, in a very interesting and suggestive way. These fragrances involve the wearers imagination from the very beginning to the the very end, more than 24 hours later.The MCG fragrances are not easy-going, cosy-comfort scents, they are like living creatures, demanding attention from its wearer. There is something going on the whole time (which on the other hand makes them difficult to review). But all this is exactly what I’m appreciating from a perfume, almost always anyway, sometimes of course I need something nice, polite and easy going.

In the coming entries (starts tomorrow)  I will try to summeraize the spirit of some of the gorgeous MCG:s.

*)In general I percive the italian perfumery as bolder, denser, more adventurous and free in mind and creation than the more contolled, perfected and elegant french perfumery. MCG is an excellent representative of the italian style taken to perfection. The MCG frags are no doubt rare and great artpieces of perfumery.

The MCG fragrances could be bought in 15 ml travelsprays for 25 EUR from her website http://www.mariacandidagentile.com/ . The perfumes are concentrated, a few spritzes goes a long way, this is great value for the money. The frags are also avaible in 100 ml from Aus Libe zum Duft.