Short impressions of some new fragrances

Picture: Stockholm Sergels Square,
between  NK and Åhléns,
the two major departmentstores
Photo: Borrowed from the  KTH website

I have speed sniffed some relatively new arrivals this weekend. Below some short impressions:

Hermessence Agar Ebene (Hermès): A beautiful, high quality leather, first impressions of another Hermessence; Cuir d'Ange where Agar Ebene is fuller and more mature in its texture. Somehow I come to think of a nice and anxious leather, more "simple" in construction , not as complex and charcteristic as for example Chanel Cuir de Russie with its dry gunpowdery and light flowery notes. Unisex.

Hermessence Cedre Sambac (Hermès): A full and fruity, jasmine contrasted by the fresh, slight peppery cleanness of cedarwood. An intersting combination where the jasminenote reminds me about of the jasminedominated, white floral accord of Cacharel Scarlett but less sweet. Cedre Sambac is unisex, leaning to the feminine side.

Eau de Citron Noir (Hermès): Lemon with accompaning dry, smokey teanotes and slight peppery woody notes. Refreshing, without beeing clean in style, longlasting and with a good sillage taken ion consideration it's classified as an Eau de Cologne. Unisex leaning slightly to the masculine side.

Café Tuberosa (Atelier Cologne): Starts with thick tuberose, bergamot, blended with dry cacao and maybe a hint of coffee. It's a thick blend, vintage in style reminding me in texture and style of Vero Profumo Rozy. Later there are traces of the colognestyle with hints of citric notes.

Coco Mademoiselle Intense (Chanel): As a lover of Coco (Coco Noir) in all its incarnations, the Intense Mad inerpretation is just was I expected: A darker, denser, lower on the fragrance note scale then the regular Coco Mad. The patchouli is also more pronounced and the flowers subdued compared to the original. Even if similar to each other I need both variations....

Further fragrance reading...

Picture: Novemberrose
Photo: Parfumista (c)

I'm in some sort of writer's block but others have interesting perfumrelated things to share. Here some links to articles/posts I've appreciated recently.

Intresting thoughts about the battle between two versatile, very likable, everyday  fragrances launched in 2017  Chanel Gabrielle and Hermès Twilly - like them both.

And here comes reviews of them Twilly on Perfume Shrine and Twilly on Now Smell This Twilly on The Scented Salamander, Gabrielle on Bois de Jasmin and Gabrielle on Now Smell This, Gabrielle on The Scented Salamander.

An article about styling the winter wardrobe with perfumes on Fragrantica. The picture of the snowmen is just great :-)

Bois de Jasmin share us some words of wisdom from Christian Dior’s Little Dictionary of Fashion  timeless advices about style which of course including perfume.

More vintage, here about vintage perfume bottles

And last but not least - an inteview (with photo) with the mysterious perfumer Pierre Montale who many people doubt exist. Anyway, somebody is interviewed here 

Styling with perfume

Picture: The frame for the perfumes of last week
Photo: Parfumista (c)

Styling the SOTD with suitable outfits and accessoires is almost a science, especially under timepressure which is the ordinary state in the early mornings during a working week. I have found a routine to tackle this "problem". Doing some planning in advance gives the opportunity to concentrate on the choice of  SOTD the following mornings. I'm not organized like this often, but sometimes I got the "flow". Here is an example from last week:

First of all I chose a theme for the SOTD:s for the coming week which in this case was autumnal + oriental + dark fragrances + classic. Then I chose the beckground, the canvas for the composition, black dresses in jersey or light woolblend qualities act as a dark, simple neutral background. As the everyday frame to the composition, I chose the reaible accessories pictured above: Mulberry Chester in textured goat, my favourite November - December Hermès cashmere-silk shawl Collections Imperiales in black with pattern in muted autumn and winter colours, the Freywille Attersee bangle, vintage rings in gold with pearls and cabochon amethysts and a simple strand of pearls. The olfactory brushstrokes which completed the composition for each workday were:

Monday - Dior Eau Sauvage not an oriental but on the verge of beeing heavy applied the basenotes with moss, amber and musk are more pronounced. Still with the golden citrus glimpses and dark green aromatic accord.

Tuesday - Guerlain Shalimar Edp what a pleasure to wear this classic I imagine Shalimar as auburn in colour. Elegant, special, comforting and warm. Timeless.

Wednesday - Penhaligon's Halfeti not a classic but a representative of the western oud trend: Loud peppery saffron, oud  and woody notes over somoother and pleasant accords of a very dark red rose, creamy amber and leather. Potent and radiating, lasts for days on textiles and also with traces on skin after more then one showering. If it had a colour: Darkest of red and black.

Thursday - Chanel Coco Edt spicy, soft, cosy, strong and radiating but still elegant. A contemporary classic. Just as Shalimar, a real pleasure to wear.

Friday - Burberry My Burberry Black I like Burberry fragrances, it seems as their DNA suits my skintype. This fragrance is deep, dark, fruity, boozy, smokey, balsamic in a such pleasant and warming way. It also lasts for days on my shawl.

End of report from my well organized perfume week.

5 Autumn Fragrances 2017

Picture: Autumnleaves 2017
Photo: Parfumista (c)

Autumn is very rainy and quite warm this year. This weekend the sun was shining mauch and there was almost as late summer days. When it comes to fragrances, my choices are both "in between", transition fragrances or fragrances suitable for (almost) year around and some autumn/winter fragrances. And there are lot of Chanel I recognize when thinking of what I've worn lately.

Gabrielle (Chanel): The more I wear Gabrielle, the more I like it. This abstract, lightly glowing like an opal, restrained floral is an addicting fragrance. Gabriell is so easy and versatile to wear, attracting compliments and stay long on skin.

Twilly d'Hermès (Hermès): Ginger and a pale tuberose where the ginger is not too strong, it's just enough and adds a fizzy sparkle to the pale, watercolor tuberose. Twilly reminds me of a light outdoor variation of Vivienne Westwood Boudoir (the first version of it).

Coco Edt (Chanel): This one is of course for autumn and winter but is also a great transition fragrance. Warm, glowing like amber, with soft spicy notes where cinnamon most evident. A great spicy oriental, the Edt is more straightforward spicy than the Edp with it's more pronunced drak fruity and flowery notes.

1996 Inez & Vinoodh (Byredo): Light smooth leather over patchouli contrasted with the cold iris/violet and juniperberries that is very comforting and relaxing to wear. Perfect for grey, rainy days. Reminds me somehow slightly of the signature fragrance from Adrienne Vittadini.

Ambre Sauvage (Les Absolus Annick Goutal): A beautiful, dark, glowing amber. Like resting in front of the fireplace a dark and cold winterevening zipping on a good brandy or calvados. A clean an smooth amber contrasted by deep, black, patchouly.

6 Fragrances for Summer 2017

Picture: Clover 2017
Photo: Parfumista (c)

Soon already in the late days of summer 2017, time for a list of perfumes I like for summer. And not just for this summer but for summers in general.

Reverie au Jardin (Tauer): This is imo a neglected fragrance from Swiss perfume meastro Andy Tauers earlier creations, worn by me for about ten summers now. Seems simple but is in the same time clever in construction: Lavender, greenery like clove, an outdoor, green incense and probably a woody violetnote as Mr Parfumista associates to Dior Farenheit when I'm wearing Reverie au Jardin.

Eau d'Orange Verte (Hermes): What more to say after decades with this tangy, green, bitterorange elegant "fresh" brew grounded in moss, than: A masterpiece, the best and most versatile Cologne ever.

Verveine (Heeley): Round, full, like what I imagine a green full moon in dark August would look like if such should exist. A sort of grassy-fruity green scent with what I percive as a figgy-woody accord. Delicious for summer.

Mon Patchouly (Ramon Monegal): Dark, earthy patch in some interpretations is refreshing for middle and late summerdays. Mon Patchouly is a delicious but non-sweet take on patch with its powdery, dry powdery cocabeenfacetts.

Coton Egyptien (Phaedon): Ultra blue skies over sunbathed dunes, a loose shirt in a light, almost transparent, white, crisp egyptian cotton. The fragrance is green like grass, with a clean accord which smells almost like a green, dry, laundry detergent.

Musk Samarkand (Les Neréidés): A clean, robust white musk with something slight dirty lurking in its depts. No detergent and refreshing as a chilly summer breeze a hot sunny day. Reminds me of a budget alternative (but just as good as) to the new interpretation of Parfumerie Generales old Musc Maori 04: Le Musk et la Peau 4.1. My bottle of Musk Samarkand is an earlier version, the bottle with the bookmark angels on the sticker.

Carner Barcelona - Costarela

Picture: The Golden Beaches of Santa Susanna,
Costa Brava, Catalonia, Spain
Photo: vincentdesjardins (cc) 

Costarela is a citrus woody spicy Edp created for Carner Barcelona by Shyamala Maisondieu.

Costarela is built around a partly unusual accord, tart, light citrus combined with a subdued saffron. I can also smell something similar to fresh cardamon, maybe a nuance of the saffron blend. There is also a dry paper note present and the overall impression is fresh, windy, salty,  yellow sun and sand, dry driftwood on the shores. Later in the dry down, Costarela deepens a bit when the ambery - woody notes are added to the "day at the seaside" accord described above.

Costarela is a discrete and versatile contemporary citrus aromatic fragrance which is suitable to wear both for work and casual, especially in spring and summer. It's a quiet fragrance which is quite close to the skin with a calming effect  The fragrances is unisex, leaning slightly to the masculine side. Longevity  is for almost a day even if Costarela in its later stages is very discrete and gentle, sometimes almost undetectable but when one think it has disappeared, then it's suddenly appears again as a gentle wisper. It's like returning waves of seasideinspired accords. Wearing Costarela creates the image of the beach a sunny and windy day with the monotonous sounds of the waves rolling in, bringing driftwood, algae, seaweed, shells and the smells from the ocean with them.

Picture: Costarela
Photo: PR Carner Barcelona (c)

Other fragrances I come to think of (not smelling the same but with a similar impression) when testing Costarela are fragrances from different interpretations of the salty, woody or citrus theme: Maria Candida Gentile Finisterre and Lankaran Forest, Hermès Epice Marine and Dior Homme Cologne

Rating: 4

Notes: Bergamot, saffron, marine and sand notes, cedar, ambroxan, amber

Perris Monte Carlo - Santal du Pacifque EDP & Extrait

Picture: Staute of Ganesha in sandalwood
Photo by Ricce
Wikimedia commons 

The Santal du Pacifque duo (Edp & Extrait) was released 2016 together with the Absolue d'Osmanthus duo from monegasque perfumhouse Perris Monte Carlo. Both are a part of a range of perfumes which presents  "singlenotes" in different settings and interpretations. Here is my previous reviews of the line.

Picture: Santal du Pacifique EDP
Photo: PR Perris Monte Carlo (c)

Santal du Pacifique starts with a warm, sparkling, transparent sandalwood. with a prominent fignote. I think fig is a part of sandalwood as it's present also in for example By Kilian Sacred Wood  which is the sandalwood fragrance which is most similar to Santal du Pacifique from what I come to think of when wearing Santal du Pacifique especially in the Edp concentration. The Edp concentration is woodier and denser than the Extrait which emphasizes the flowery and light spicy aspects of sandalwood. Both versions lacks the cocoa accent which is present in sandalwoodfragranceas as Sacred Wood and Serge Lutens Santal Majuscule and are therefore lighter in apperance. The Edp is deeper, warm, smooth woody as one can imagine the scent of a piece of polished sandalwood in the sunset, warmed by the sun during the day. There are also darker, a bit pleasant dirty barnyardnotes glimpsing from the depts of the Edp contrasting the fresh sandalwood. In the later stages the SdP Edp reminds me lot of Exclusifs de Chanel Sycomore Edt but less green.As the latter has sandalwood as a prominent note beside the vetiver, that's not surprising especially as both fragrances has the similar tonality on the fragrance notescale. When it comes to the Extrait this version,as mentioned above, is more of a arier, soft woody floral with some warm dry salty, spicy elements. In the middlenotes there are also contrasting notes of a damp vegetation, in the same good way as the barnyardnotes in the Edp. A hint of the figgy note persist duting the whole dry down of the Extrait and contributes to a seaish impression and the overall impression is that the Extrait has some similarities with Hermès Epice Marine even if less spicy.

Picture: Santal du Pacifique Extrait
Photo: PR Perris Monte Carlo (c)

Santal du Pacifique is a versatile, casual elegant and comforting fragrace which could be worn year around. It's unisex even if the Edp probably will attract men more as it's less flowery and more woody. The Edp has medium sillage and the Extrait is close. Longevity for the Edp is over 12h and the Extrait almost for a day.
A clean and pared down contemporary sandalwood which smells natural and not of perfumery.

Rating: 5

Notes: Sandalwood, floral notes

Maria Candida Gentile - Rrose Sélavy

Picture: Rrose Sélavy (Marcel Duchamp)
Photo: Man Ray, 1921 

Rrose Selavy is an intriguing rosefragrance from italian perfumer Maria Candida Gentile dedicated to one of the leading artist of the dadaism Marcel Duchamp and his double identity Rrose Selavy. In the 1920:s Duchamps was photographed as a women, Rrose Selavy in a cooporation with Man Ray.

Rrose Selavy is an all through rosefragrance, built around different types of roses, and from different parts and extractions of the roses. The perfume starts with the natural smelling rose accord as for example in Annick Goutal Rose Absolue and Montale Taif Roses. As in both of these fragarnces, Rrose Selavy has the for the natural roseaccord typical rubbery note,  but less rubber than in the two mentioned fragrances. As Rrose Selavy developes, some light animalic, a bit furry notes appears as also a dry touch of something similar to cinnamon. The fragrance has a tea-ish texture, but there are no sharp or harsh edges as in some tea fragrances. This texture reminds me of Masque Russian Tea not the scent but the apperance. The clean and natural rose petal note (vevet pink if it had a color) appears now and then in short glimpses during the dry down, the rest of the time it's mixed with the other notes of rose. There is also a sort of herbal, candided impression in the basenotes, as the rosepetals are glazed in a light herbal sweetness. In the basenotes there is also a light leathery note and some of the dry fur is playing underneath.

Picture: Rose Sélavy
Photo: Maria Candida Gentile (c)

Rrose Selavy is in the same cold, airy but in the same time not thin style of velvet pink rose fragrance as Hermès Galop d'Hermès but Rrose Selavy is more eccentric in style, completely unisex, and less sweet in its restrained rosy, slight leathery apperance. The leathery tone in Rrose Selavy has the touch of fur mentioned above as the leather in Galop is that of a fine pair of gloves with a scent bordering to suede.

Rrose Selavy is an elegant not so rosy, rose soliflore. It's perfect for daytime wearing for example for office. Sillage is close, it's parfumeconcentration, longevity for more than a day if applying liberally, if only little applaied it lasts shorter than a day.

A beautiful and rare rose soliflore. It smells as it has many more notes than the variations of the rose and maybe it has as, notelists are seldom complete. .

Rating: 5

Notes: Rose petals, Turkish rose, May rose, Michelle rose, rose stems, rose leaves

Thanks to Fragrance & Art for the sample to test

5 Top fragrances for fall

Picture: Maple leaves
Photo: Mr Parfumista (c)

Autumn is late this year but finally it has arrived with its glowing colors, fresh chilly air and damp/moisty scents. Below some fragrances I like/like to wear this autumn, whether they are autumnal or not:

Bois Blond (Parfumerie Generale): Now when my sample is drained after years of occasionally wearing, I suddenly realized how much I will miss this dry, hayish, woody beauty. It's not the easiest fragrance to come close to and probably too masculine for me....Anyway a bottle is on its way.

Galop d'Hermès (Hermès): No toplist without a Hermès, their fragrances are versatile and suits me perfect for everyday wearing. Galop exceed my expectations with its juicy, rosy, soft leather with a slight sort of clean, animalic touch. It's now my favorite Hermès together with my all time feminine favorite from the house: Amazone.

No 5 L'Eau (Chanel): I have to confess I didn't want to like this as L'Eau is a far longer step away from the distinct super aldehydic original No 5 than No 5 Eau Première. Even if I tried to resist when tested in store, this flowing light flowery beauty with many the notes from No 5 but in different proportions and with a lighter base is a new classic.

Baume du Doge (Eau d'Italie): It's such a well balanced myrrh dominated fragence. Infused with orange, resins  and spices, BdG warns during grey and rainy days. To be worn with a cashmere sweater/shawl.

Baptême du Feu (Serge Lutens): A bit weired but intrguing fragances with light gourmand, citric, incense and smoky notes. The incense in style with the clean note in L'Orpheline, the citric notes cold as metal, the gourmand licour and spice, the smoke from gunpowder and campfires. Intriguing during it's whole dry down.

5 fragrances for the the height of summer

Picture: A stroll on the beach (1896)
Painting by Michael Ancher (1849-1927)
Wikimedia commons

The height of the summer is here and here are also five summer favorites 2016:

Aqua Sextius (Jul et Mad): So refreshing with its lime notes and watery texture. Green, wet, minty leaves and a dry woody-figgy accord, Aqua Sextius is perfect for a warm and sunny summerday. Excellent longevity even in high tempratures.

Un Jardin sur le Toit (Hermès):  Ripe fruits, greenery, damp soil and compost in an urban context, there is also a light touch of something that smells like the exhaust in the city air a warm summer day. UJslT is a comfortable fragrance, a fragrance to reach for days when I'm in a hurry and don't know what yo wear.

Eau Parfumee au The Bleu (Bulgari): This cologne really feels blue, the fersh, tea-ish structure of  the classic The Vert with lavender and iris. Hearbal, cool, earthy, combined with some elemets that slightly reminds me of Prada Infusion d'Iris which is no coincidence as the perfumer of both fragrances is Daniela Andrier.

Eau Parfumee au The Noir (Bulgari): This refreshing, leathery beauty could easily be a niche fragrance. Dry with smoky nuances but tea is not as detectable as in the other tea fragrances from Bvlgari. Probably the tea creates some of the smoky vibes and is the factor that lightens up the fragrance. Normally ingredients like in The Noir creates a ticker and heavier texture.

Imperial Tea (By Kilian): From the dark black tea to the regal white jasmine tea from Kilian. Clean and minimalistic, smelling just like a pot of fresh brewed jasmine tea. Very refreshing and easy to wear in summer.

I'm taking a summer break from blogging until August. Wish you a great summer!

5 Early summerfragrances 2016

Picture: Ulriksdal Palace, one of the Royal Castles,
a morning in early May 2016
Photo: Parfumista (c)

Today it's Swedens nationalday! Early June with it's fresh, fragile flowers and greenery is, just as May, the most beautiful time of the year in this northen part of the globe. Flowery and light, sparkling fragrances are comforting and easy to wear. Below five reaible favourites:

Fleurissimo (Creed): This post continues in a royal setting: The wonderful green bouquet with tubereuse, violet, iris over a light ambergrisbase, was according to the storytelling from Creed, the fragrance made for and worn by Grace Kelly on her wedding with Prince Rainer of Monaco. My skin amplifies the violet/iris and the tubereuse here performs as a supporter, not the star of the show as in most fragrances with tubereuse as one of the main notes. Surprisingly there is a pleasant bananalike note contrasting and smoothing the blend, the nuance shows the tropical side of the tubereuse which is present in warm and lush tubereuse fragrances as in Le Galion Tuberéuse

Rose Essentielle Edp (Bvlgari): A sparkling blend of violet and rose in (to my nose) almost equal propotions. The violet is dominating on my skin most wearings, but sometimes the rose comes through more. Sweet, with a texture like hard candy but in the same time sort of fresh. The base is musky, slight earthy. After more then ten years on the market, Rose Essentielle is still an intriguing and very wearable fragrance.

Photo: Parfumista (c)

Jour d'Hermès Gardenia (Hermès): A tart, clean, minimalistic gardenia without the moist, earty smell of mushroom as in the heavier examples in the genre. Elegant, inoffensive and very easy to wear in most daytime ocasions. Not as grassy as the original Jour d'Hermès Edt .

Magnolia Romana (Eau d'Italie): Sharp green with almost rubbery, juicy white and yellow flowers. Sounds strange but smells so good. This is a fragrance for sunny and windy days, as there is sort of a natural flow in Magnolia Romana. An intriguing, contemporary floral.

Cristalle Edt (Chanel): A day in Cristalle is like a day in a cloud of sparkling Champagne, even if a regular workday. Retro bergamot-citrus fresh but at the same time with a distictive green, mossy body with hints of bulbfowers. A timeless creation, allways right to wear, true casual chic.

5 favorites for spring 2016

Picture: Springtime, the first anemones
Painting of H.A Brendekilde (1857-1942)
Source: Blog of an art admier

It's May and full spring at last. This time of the year I always come to think about the romantic Heinrich Heine poem (from Dichterliebe) when I have to stay inside the office during the beautiful, ephemeral May days.

"Im wunderschönen Monat Mai,
Als alle Knospen sprangen,
Da ist in meinem Herzen
Die Liebe aufgegangen.

Im wunderschönen Monat Mai,
Als alle Vögel sangen,
Da hab' ich ihr gestanden
Mein Sehnen und Verlangen."

And now to the serious stuff: What to wear in this intense season:

Fleurs d'Oranger (Serge Lutens): The spring nights are often chilly and the days sunny and (quite) warm. Warm and sunny as the fullbodied Serge Lutens classic Fleurs d'Oranger. It's a staple neroli with deep, rounded flowers, some spices contrasted by a pleasant tnagy note.

Eau de Néroli Doré (Hermès): A splendid, neroli in the cologne style. Retro nostalgic but somehow contemporary, a touch of soapy with a very light metallic touch. I think it's inspiration from the first Hermès fragrance Eau d'Hermès. I can detect traces of the characteristic cumminnote but soft and wrapped in neroli. Maybe this is Jean Claude Ellenas tribute to the great Edmond Roudnitska, which I read somewhere was a mentor to JCE and also created Eau d'Hermès. Good longevity and sillage to be a cologne.

Eau de Rhubarbe Ecarlate (Hermès):  Good longevity and sillage to be a cologne. Tart, green/red like the steam of the rhubarb combined with a sort of fresh, wet, slight earthy note. I also sense a touch of what I think is a pink, crisp, light musky rose, but I'm not sure. This fragrance mingles very well with my skin and I recieve compliments. As with the neroli, good longevity and sillage to be a cologne.

Week End à Deauville (Parfums de Nicolaï): The salty sea meat the windswept forests near the coast. Green, mossy, minty, herbal and airy/watery/sandy with a crispy, white carillon of the small but sturdy Lily of the Valley. A wonderful interpretation of spring.

Déjè le Printemps (Oriza L.Legrand): The ulitmate springfragrance with crispy bulbflowers and galbanum. There is also a very light nectar-powder like note interacting with the sharper green notes which makes this to a delicous, sparkling, green almost springtime fragrance, a perfume for hte green fairy. A perfume for Tinkerbell.

Scented thoughts - May 2015

Picture: Swedens face (and voice :-) in 2015 ESC,
Måns Zelmerlöw
Photo: TT (c), PR SVT

Times flies and even if many fragrant thoughts are going on, there is so short of time to write them down.

* Now I also have a busy summer ahead, sniffwise at least.  Yesterday a lovely letter with samples form the best assorted nicheboutique in Sweden, Fragrance & Art. was waiting in the letterbox. As mentioned before, the ovner has an incredible talent for selecting good and unusual perfumelines. In the letter there were samples from a just introduced line, Franck Boclet, which I havn't recoginized until now. From sniffing from some of the samples, these seems very promisíng. And there were other exciting things in that letter too, stay tuned for comming reviews.
* To day is the Evening of the Grand Spectacle, final in Vienna of the  Eurovision Song Contest which is very fun to look at (an comment :-) together with friends and family. Sweden has a great chance to win it all with the very professional artist Måns Zelmerlöw, also nick-named Yum-Yum. It not just Måns handsome look and good artistery, the melody Heroes and animated light show are also great. I'll be dissapointed if Måns don't make it, this will be an exciting evening.
* Which fragrances are in rotation when not testing new samples, i.e what has been worn during the workdays lately? In the transition between spring and summer I crave both for lighter fragrances and darker. Favorites lately are some Hermèses as the tangy, fruity, almost composting smelling, slight rosy Un Jardin Sur le Toit.  Also the flanker to one of my all time favorites Amazone, Rose Amazone is worn relatively much. Even if I like the original better, at least in my 1990s version, I also like Rose Amazone very much, more easy to wear, not as deep  as the original, fruity, rosy, tangy (this one too :-). In the light category, my Puredistance sample of  the wonderful flowery WHITE is a great favorite. Elegant but in the same time so comfortable to wear, my vintage Hermès  Les Voitures a Transformation  (in blue) worn yesterday together with this gem is now soaked in Whites beautiful aura. When passing it, I can't resist to sniff the silk.
* When it comes to the darker ones, I have rediscoverd some great Parfumerie Gènèrales which I was not so found of some years ago but now find are great: The smoky, woody, sweet, caramelized, wheat of Cedre Sandarque is delicious. The vetiver accented, inscrutable, slight soapy, contemporary chypre Querelle is also fab, if lightly applied. If too heavy handed, it appears as a mens Cologne.

Ramon Monegal - Very Private

Picture: Beneath the Lilac at Maurecourt,
Painting by Berthe Morisot, 1874,
Wikiart

Very Private is an exclusive composition created by Ramon Monegal for Bergdorf Goodman, New York. The fragrance is said to capture the hypnotic and magical impression of the Bergdorf Goodman flagship store as well as Central Park in springtime.
Very Private starts with a sunny burst of what I percieve as yellow-green fruity notes, accompanied by fizzy peppery notes. There is also a hint of alcohol in the beginning, the impression of a fruit cocktail. Soon also rose and a note that reminds me of melon appears. the fizzy, fruity first stages of the perfume reminds me of another joyful Ramon Monegal - Lovely Day. Lovely Day and Very Private also have some common notes; rose and licorice and I can also smell a similarity also in whole accords of the fragrances even if Lovely Day is more peppery and fresher where Very Private is more flowery with a golden, warm, honeyed sweetness. The melonnote is of the Galia varity, not watermelon. The lilacnote, to my nose, is recognizable in the second part of the dry down and I have to smell very close to really sort it out from the seamless blended fruity-flowery mix. The basenotes are a pleasant musky mix with oak moss and licorice adding some dept and contrasting darkness to the this bright and happy fragrance.



Picture: Very Private in its white cap,
 inkwell bottle
Photo: PR Ramon Monegal (c)

Very Private I can imagine (the test is done in cold springweather) is a durable fragrance for warm, summerdays. Also suitable for spring and wearable in most occassions, very good to cheer up in the office. Perfumesnons should not fear away as this is a genuine fruity-floral fragrance, it's not the sickingly artificial smelling sweet fruity-floral, Very Private smells almost natural in its interpreation of florals and frutis. Sílage is medium and longevity good, for a day.

Those who like Hermès Un Jardin apres la Mousson, Ramon Monegal Kiss My Name (which is in a similar style as Lovely Day) and Guerlain Idylle Duet Jasmin-Lilas will probably also like Very Private.

Rating: 3+

Notes: Citrus, fruity notes, tea rose, violet, lilac, orange blossom, oak moss, licorice, vanilla, musk

Le Galion - Sortilège

Picture: Le Galion Sortilège
Photo: PR Le Galion (c)

Sortilège is like all the other re-released Le Galions a reinterpreation/ reconstruction of the Paul Vacher fragrances, created for his house, Le Galion during the 1930s to 1970s. The reworking of the fragrances is performed by perfumer Thomas Fontaine.

Sortilège starts with subdued, soft, very aldehydic flowers, a non perfumista would probably belive that the topnotes are off. The impression is very vintage, in a soft, non-screachy way, a wonderful opening to my nose. There is also a light, smooth spicy (cinnamon) impression, contrasting the soft flowers. As Sortilège reaches its heart flowers are still embedded in an aura of aldehydics but much softer and not as outstanding as in the initial blast. The flowers are warm, soft yellow, like the golden nectar, seamless mixed in a fleeting during a balsamic, warm, woody slight ambery base which becomes excellent creamy in texture after some hours.

Sortilège is a fragrance for elegant occasions year around. The sillage is medium and longevity for at least a day. Of course it could be worn also for work, this is a perfume that boosts ones confidence.

Picture: Le Galion Sortilège
Photo: PR Le Galion (c)

Sortilège, first created in 1965, havn't smelled the vintage, traditionally was one of the topsellers from Le Galion and I'll not be surprised if the modern interpretation will follow the original. It's a beautiful, retro styled fragrance, interpreted in a contemporary but in the same time timeless style. It's very elegant, sort of french in style, there are similarities in style, with the aldehydes in Hermès Calèche. Somehow I also associate to Parfums de Nicolaï  Le Temps d'une Fête even if the latter is a green floral fragrance, rougher and outdoorsy compared to the artistic bound floral bouquet in the salon, Sortilège. Also the beautiful Antonia from Puredistance comes to my mind when testing Sortilège. It could also be compared as the feminine counterpart to Le Galion Special for Gentlemen the same elegant timeless, retro style. To me Sortilège together with Special and Iris is the best fragrances from what I have tested from Le Galion.

Rating: 5

Notes: Lily-of-the-valley, lilac, ylang-ylang, aldehydes, jasmine, narcissus, rose, iris, mimosa, sandalwood, vetiver, labdanum, musk, amber 

Thanks to Fragrance & Art for the sample to test

Le Galion - 222

Picture: The light leather 222
Photo: PR Le Galion (c)

Le Galion 222 is another reissue/reconstruction of an old fragrance from the house of Le Galion. Thomas Fontaine has reworked the old formula of Paul Vacher.

222 starts with a accord  similar to cardamon (not mentioned in the notelist) and leather, first the spicy note appears, than the leather intensifies. In this stege 222 reminds me of the cardamon infused trio Veni, Vidi, Vici by Histoire de Parfum.The leather is a natural smelling, medium strenght leather, like the leather in a pair of gloves, not the rough leather of a black bikers jacket nor the smooth leather inside a fine handbag. The leathery/spicy accord is balanced with a cold, slight nondescript  flowery accord and the fragrance as a whole is cold in texture. The base is sort of clean, contemporary mossy/woody with the leather still apperant. In the basenotes 222 reminds me of a smoother and weaker Helmut Lang Cuiron (vintage version).

222 is a gentle leather, suitable for most daytime occasion, for most season exept the warmest summerdays. Those who like light leathers like Hermès Kelly Caleche, Cuir de Lancome etc, could also appreciate 222.

Rating: 3

Notes: Violet, myrrh, styrax, lavender, geranium, coumarin, oakmoss, cedar, sandalwood, vanilla, leather

Maison Francis Kurkdjian - Féminin Pluriel

Picture: Portrait of a young lady with a white veil,
oil on painting, unknown french painter ca 1800

Féminin Pluriel is the feminie part of the Pluriel compositions of Maison Francis Kurkdjian, with Francis himself as the nose. The masculine Pluriel will be reviewed in a coming post.

Féminin Pluriel starts with a bright, clean iris where the carrot is present but very well balanced, it never reaches the deep, rough, earthy territories like for example Serge Lutens Iris Silver Mist. Soon bright and almost sparkling violets and roses apperars, I imagine the roses as elegant creme colored ones and the violets in a pale violet nuance. Further in the dry down the flowers mingels in a beautiful, bright and uplifting boquet, subtle, trasparent and very elegant like a creme colored silk chiffon scarf flapping in the wind or the veil of a bride.There is something the overall impression that reminds me of two Jean Patou fragrances: EnJOy and Un Amour de Patou, mostly of the latter. From EnJoy there is something similar from the basic structure, a contemporary chypre with a patchouli-vetiver base. EnJoy is rougher, louder and have some frutiy  notes (which mixed together reminds) me of pineapple, these notes are not present in Le Pluriel. The flowery light rosy bouquet is in the same style as in Un Amour de Patou, even if not smelling the same, they mediates a similar impression. A note that is distinguishable when  I'm wearing Pluriel is the Lily-of-the-Valley, the spontaneus reaction from the kids are "Your smelling like grandma" and as Dior Diorissimo is my mothers it signaturefragrance there must be the LOTV. Even further in the dry down, a very light powdery impression with a glimpse of a soft lipstick note, apperars and when reaching the base, the vetiver steps forward making Pluriel a tad greener. The vetiver is dry and gentle and not of the rougher, masculine kind, the patchouli is in the clean, contemporary style, which is not dominating the base, just adding some slight earthy dept to it. There is also a balsamic quality in the texture, not the smell, of the base, despite all traces of balsams and resins are missing in the composition. This "balsamic"quality is also present but more pronounced, in another MFK favorite, APOM Pour Femme. There is also something common in style, not much in smell, with Jour d'Hermès but the latter is greener, harsher, sharper and more tangy in its scent.

Picture Féminin Pluriel
Photo: PR Maison Fracis Kurkdjian (c)

Féminin Pluriel is a very wearable fragance, both for business and for pleasure including occasions that deamnds an elegant outfit and fragrance. The sillage is medium and the longevity for a day, and when wearing Pluriel one could be sure it's attracting compliments. Pluriel is not as complicated as the earlier MFK fragrances so it will probably reach a greater audience than the more extreme ones.

I was very curious to compare Pluriel PF with an other great Francis Kurkdjian composition of 2014: My Burberry and thought there would be more similarities than it really is. Pluriel is very clean, innocent without any dirty notes, compared to My Burberrys urban garden and asphalt notes, Pluriel is an unspoiled country girl where My Burberry is the casual chic and though city girl. Taken as a whole My Burberry has more interesting twists with the contratsing flowery and urban notes but Pluriel is much more beautiful and elegant. Just as with My Burberry, I find Féminin Pluriel to be one of the best and most wearable fragrances of what I have smelled from the 2014 releases.

Rating: 5

Notes: Iris, violet, rose, jasmine, lily-of-the-valley, orange blossom, vetiver, patchouli leaf

Parfums de Nicolaï - Musc Monoï

Picture: Musc Monoï
Photo: PR Parfums de Nicolaï (c)

In the current tidewave of new nichehouses with strange or copy-cat fragrances, I'm even more grteful for the old, stable houses in this genre. The 25 years jubilee Parfums de Nicolaï is a true mainstay, creating high quality, elegant and in the same time effortless fragrances which also often are innovative even if the PdN house doesn't make any fuss about it. Such a fragrance is the latest release, Musc Monoï,as usual created by Patricia herself.

Musc Monoï is said to be inspired by summer, beach and the suntan oil Ambre Solarie and as I havn't tried the oil, I can't refer to if Musc Monoï is close to it or not. But when I refer to suntan oils in general, Musc Monoï is not smelling as the regular, coconut, big tiare overdosed ones. Musc Monoï in comparison is restraind and casual chic in the same time it's warm and highlights the sweet ylang-ylang backed up with a deeper jasmine and is brightend of the flowery-lemony qualities of magnolia in a beautiful way. There is also something aldehydic in its style, like a carefree, tropical island Chanel No 5 Eau Premièrè. It could also be a bohemic-chic cousin (draped in a 140x140 Hermès parero) to the classic aldehyde Hermès Calèche personality.Probably it's the warmth, the yellowness and carefree apperance of both fragrances that gives me these assosciations
.

Picture: Hermès "Jungle Love",
cashmere and silk  (140x140)
Photo: PR Hermès (c)

After the flowery beginning, Musc Monoï reach a more musky stage which deepens the apperance of the flowers. I can smell a salty quality as also some stripped down, dry coconut and the same with the, in general almost narcotic, tiareflower. It's like a minimalistic, domesticated accord of the nut/tiare and here I for the first time can smell some light traces of a sunscreen of my childhood, Snik an old austrian classic (mostly worn during the winterholidays in the swedish mountains), sadly I havn't seen in the shops in this millennium. As Musc Monoï dries down further, a slight juicy, but not fruity, quality shows up. Probably this is the dreaded note of calone, handled in the right, cautious way. The musk in Musc Monoï is not dominating as a note, to my nose it's more of a carrier of the floral and light salty notes and the musk is probably the component that lends the good longevity to Musc Monoï, it lasts for almost a day, off beach.

When it comes to the salty notes, such sometimes could be almost intrusive, I'm thinking of Laboratorio Olfattive Salina which I think is a ok smelling fragrance but it has to be handled carefully as it has a grand sillage and longevity for days. Salty notes lightly done like in Musc Monoï or Parfumerie Générales perfect summerfragrance Bois Naufrage doesn't require such considerations when applying and is therefore relaxing and uncomplicated.

Musc Monoï is easy to like but not at all simple. It's definitly a charming campanion for summer and it could easily also be worn in the tiresome summerdays in the office.Musc Monoï is avaible in the (new) Nicolaï standardbottles 30 & 100 ml from the PdN website.

Rating: 4+

Notes: Neroli, lemon, petitgrain,  ylang-ylang, jasmine, coconut, calone, magnolia, ylang-ylang, sandalwood musk

Thanks to Parfums de Nicolï for the sample to test 

Vero Profumo - Onda Voile d'Extrait

Picture: Onda Voile d'Extract
Photo: PR Vero Profumo (c) 

Onda Voile d'Extrait is swiss perfumer Vero Kerns of Vero Profumo alternative interpretation of the original Onda Extrait (released 2007). To me, the Voile d'Extrait is more similar to the Extrait then the Edp with its passionfruitnote which is the characteristics for the Edp versions of Onda, Rubj and Kiki.

In both Onda Extrait and Voile d'Extrait the vetivernote is dominating and in both fragrances in a different way than in most vetiverfragrances, especially the extrait is unusual. In both fragrances the vetiver is surrounded by spices, herbs, mossy and woody elements which creates the perfect image of the smell of early spring, when the snow has just melted and the sun is warming up the soil in the forestground. That was the situation when I tested Onda Voile d'Extrait and I took a walk around the small lake in the woodland nearby. Onda Voile d'Extrait matched perfectly as well as the drops of the Extrait that I worn on my left arm as reference. When comparing the two Ondas I think the Extrait is the more difficult of the two. The Extrait starts deeper, darker and almost animalic, dirty whereas the Voile d'Extrait is ligther and more sparkling, it has more of the fizzy gingernotes where Extrait has deeper and warmer spicy notes. The Extrait is more retro in style, with powdery, a bit dirty  notes and the vetiver is seamless blended with the other ingredients. The Voile d'Extrait is clearer, the vetiver is greener and more distinct and the composition is somehow fresher in appearance. I think the Voile d'Extrait will appear to a broder public than the Extrait which is more complicated and to generalize, more of a "perfumista fragrance". I like both versions but prefer the Extrait as it is more challenging during it's developement.

Onda Voile d'Extrait is suitable for casual daytime wear but it's also good for office. It's perfect for late winter and spring, the sillage is medium and longevity for 12h+.

Those who likes vetiver fragrances such as Chanel Sycomore and L'Artisan Parfumeur Coeur de Vetiver Sacré, sharp, dark, smoky greens as Hermès Eau de Gentiane Blanche and Eau d'Italie Sienne l'Hiver will probably also appreciate Onda Voile d'Extrait.

Rating: 4  (Onda Extrait still 5 just as when I tested 2009 and 2011)

Notes: Vetiver, ginger, nutmeg, coriander

The perfumed year 2013

Photo: Mr Parfumista (c)

Time to summerize some perfume related matters from 2013:

* The year started with the intention to say something perfumewise or perfumerelated each Saturday in the "Fragrance(s) of the week" post. This routine lasted as long as three quaters of the year then it subsided. Writing two posts a week, which usually are reviews, is just enough having a full time job in a complete different business, family etc.

* My Twitter also subsided after almost two years of SOTD tweeting. In the end I almost felt exhausted about this daily compulsion. In 2014 I'll try a middle course, tweeting for a  week now and then.

* During the year I tested, sniffed just for short briefs or evaluated fragrance testings outsourced to Mr Parfumista, a number of ca 135 fragrances. It  means that in about 37% of the days of 2013, some form of perfume evaluating activity took place. Upon this there are of course also fragrances just worn which I have not written about but I have registrated most of them in my "scentmemoey" as references.

*In 2013 there was just one or two fragrance free days and this was when I had a stomach flu. When I'm cold and can't smell anything I put on a light cologne for its ambience. In 2014 the sniffing rate will slow down (I think).

*Days when there are no fragrance assessments on the agenda I relax in comforting fragances as for example the Piguets, the Goutals, the By Kilians or the Hermes Colognes or just appreciate the classics. For example Guerlain Mitsouko is far more interesting than most of the new releases even in its current formula.

*I'll coming back to my perfume testing routines in a post next year, ie how I test and evaluate for a full review.

* In 2013, even if there where many good releases, my nose become a bit jaded. There is nothing wrong with the releases as such, but when sniffing a lot of fragrances, in the end, not many of them stands out. Different  fragrances within a certain category are generally very close in style and smell. When reviewing I try to don't let this affect the assessment as such, I like to compare them with other fragrances captured in the scentmemory.

* 2013 was also the year when the EU restrctions which became effective July 1 would put an end to many of the classics so I've stocked up some during the first half of the year, just to be sure. Today it seems as in reality nothing has happened, but who knows when the old stocks runs out.

* At the moment there are some positive signs about the perfumed future. I read somewhere on Bois de Jasmin that Victoria had smelled a new batch of Mitsouko which was very good and smelled much more like the vintage version. Some newly invented/improved moss substitutes are probably the reason for that. Hopefully this is just the start for new inventions and who knows, in the end and taken as a whole, maybe the restrictions dosen't matter. Maybe something even better comes out of this within a few years.

I wish all readers a Happy New 2014!