Annick Goutal - Les Colognes Néroli

Picture: Glass vial containing Neroli Essential Oil
Photo: Itineranttrader, Wikimedia Commons

Le Cologne Néroli is, just as the original Néroli Edt, created by the housenose of Annick Goutal, Isabelle Doyen in collaboration with Camille Goutal.

Le Cologne Néroli starts with fresh, pale green orangeblossom/neroli notes. The opening is sparkling and moist compared to the Edt-version, which I suspect is discontinued. The Edt starts with the orangeblossom/neroli but  supported by notes that gives it a herbal touch. After a while  notes smelling almost as fresh mushrooms appears in the Cologne, while the same passage in the Edt smells like a well kept stable with happy horses. The Cologne Néroli has the same typical, fresh luxurary linen colognenote as Le Cologne Eau d'Hadrien and lots of other better colognes. Just as the Hadrien Cologne, there is a fine, white musk base that intermediates a moisty impression. Overall the cologneversion is more flowery and sparkling, in the Edt version the orangy notes are combined with a herbal touch. Even if the Cologne Néroli is more similar to other nérolicolognes i prefer it slightly to the Edt.

Le Cologne Néroli has better longevity on me than the original Edt. I suspect that the white musk, just as in Le Cologne Eau d'Hadrien, is the facilitator of this. The Cologneversion lasts for more than a day with fragments left after 24h and the Edt lasts for almost a day.

Those who likes Hermès Eau de Cologne d'Orange Verte, Historiae Orangerie du Roy and the likes will probably appreciate Le Cologne Néroli.

Rating: 4+

Notes: Neroli, orangeblossom, petitgrain, heliotrophe, white musk

Annick Goutal - Les Colognes Eau d'Hadrien

Picture: Kornfeld mit Zypressen, 1888/1889
Painting by Vincent van Gogh (1853-1890) 

Annick Goutal Les Colognes is a light interpretation of some Annick Goutal fragrances form where it seems as some is disappered from the line as for example the intriguing Vétiver. Les Colognes Eau d'Hadrien could be an attempt to save this classic by interpreting it in another form and texture as the citric notes has gone true many restrictions during the lastest years which has step by step transformed the original formula to something too different. The older formula in my bottle from ca Y2K, but of course not oldest formula as Eau d'Hadrien is from the early eighties, is more lemony and dense in its structure than the paler and more woody current cologneversion.

Le Cologne Eau d'Hadrien starts with citrusnotes but to my nose there are more of the notes from the orangetree than lemonnotes in this version. Also the light fresh cypress note is much more evident than in the older version. If the old version has a color it's bright, yellow as a fresh lemon where the cologneversion is pale orange-pale-green it it had a color. To me Le Cologne Eau d'Hadrien is close to a thinner versin of Dior Escale à Portofino minus the almondnote in the latter and plus the fresh herbnotes of the former. Somewhere in the middle of Le Cologne Eau d'Hadrien a pleasant, slight bitter note of lemon cores also appears. The woody musky base are wellbalanced and the musk is pleasant, watery in texture and is probably the ingredient that provides this cologne a decent longevity. I feel traces of it in the evening after applying liberally in the morning. Perfect scent both for work (very officefriendly) and casual. Summery in style but, as with the old Eau d'Hadrien,  I would recommend wearing it on sunny winter to obtain a better longevity and to get time to catch this fine fragrance.

Rating: 3+

Notes: Lemon, tangerine, grapefruit, bergamot, petitgrain, cypress, basil, rosemary, musk

Fragrance(s) of the week (25) 2013 - Midsummer

Picture:Night on the Eve of Ivan Kupala
Painting by Henryk Siemiradzki (1892)
Wikimedia Commons

This week I been strolling in a the rosegarden testing Robert Piguets wonderful pinke rose, the new Rose Perfection  varied with Ramon Monegals intriguing and long lasting variation of the light rose, L'Eau de Rose. Serge Lutens metallic slight bloody but later in the drydown jammy rose La Fille de Berlin added some drama for a day.

On Midsummer Eve I forced myself to take a break in the roseparade, wearing something more non-descript floral/grassy/hayish to match this special day, my choice was the very versatile Jour d'Hermès. Smells very good but IMO with some longevity issus, it just last for 6-8h under out-of-doors conditions.

Historiae - Violette Imperiale

Picture: Empress Eugénie (1826-1920)
Portrait 1853 by Franz Xaver Winterhalter (1805-1873)

Violette Imperiale is the only of the five fragrances released so far from Historiae that is not created by the hyperactive Bertrand Duchaufour. Violette Imperiale is created by a perfumer unknown to me, Constant Michaux. Violette Imperiale is said to be inspired by Empress Eugénie, the spanish wife of Emperor Napoleon III of France. The story says her favoriteflower was violet but as the at least two other fragrances is created for her; Creed Jasmin Impératrice Eugénie /inspired of her; Histoires de Parfums 1826 Eugénie de Montijo, focuses on other flowers/herb plants as jasmin respective patchouli she probably, as a well known perfumista of her time, liked many of the scents in the perfumers palette.

Violette Imperiale starts with an airy, transparent blackcurrant note, first the berries and then followed by the tartness of the buds. After a while, the fragrances deepens as also rich, fresh fruity notes appears followed by sweet flowery notes where the violet is evident but not dominating the others. The violet is of the same sweet type as Violtabletter, a swedish jelly candy pastille which tastes as a sweetened violet flower. The berry, fruity floral theme is intensified by the white musky base but the musk is wellbalanced and counterbalanced by the light woody notes. Violette Imperiale newer goes powdery as for example Blanc Violette by Histoires de Parfums nor crisp and green as for example Annick Goutal La Violette, it stays fruity-violet-flowery during the whole dry down

Picture: Violtabletter swedish violet jelly candy
Photo: PR Fazer (c)

Violette Imperiale is a typical easy to wear fragrance, suitable especially for spring and summer, both for work and casual. I think it's contemporary in style and doesn't see some obvious connection to the era of Napoleon III. The sillage is medium and the longevity for about a day.

Rating: 3

Notes: Orange, blackcurrant, peach, violet, iris, raspberry, ylang ylang, vanilla, musk, amber, vetiver, sandalwood

Thanks to Fragrance & Art for the sample to test

Historiae - Rose de France

Picture: Francis I (1494-1547)
Painting  1530 by Jean Clouet (1475-1540)
Wikimedia Commons

Rose de France is the fourth fragrance created by Bertrand Duchaufour in the Historiae-line.It's said to be inspired of the Francis I era in the beginning of the 16th century

Rose de France starts fruity with almost raspberrylike topnotes  blended with roses. The first impression, put in a plesant way, is the smell of a coughmedicin for chlidren which I've been medicated with as a child.After this bold opening the roses steps forward in a dry, but never overwhelmimg or cloying, potpurri-like accord.
The dry roses smells very authentic but after a while the fragrance gets moistier, sweeter and the roses alive and accompanied with other fresh blooming flowers as the dewy peony. The now fresh, medium purple pink rose  is the protagonist during the rest of the dry down. The musky base with some balsamic and patchouli touches reminds me of the creamy, very pleasant, but artifical smelling white musky base of the Oscar de la Renta Essential Luxuries line.

To me Rose de France is a pleasant rosy fragrance perfect for office- and casualwear for spring and summer. I can't see the connection with the era of Francis I as I image the roses of this century as dangerous, dark, dirty and heavy. Sillage is medium and longevity for more than a day.

Those who like pink musky rosefragrances as for example Bulgari Rose Essentielle and Burberry Body Tender could also appreciate Rose de France.

Rating: 3

Notes: May rose, damascena rose, pear, bergamot, tagetes, rose absolute, magnolia, mock orange, clove, davana, peony, géranium, listea cubeba,  benzoin, vanilla, musc, amber

Thanks to Fragrance & Art for the sample to test

Fragrance(s) of the week (24) 2013

Picture: New Robert Piguets are tempting me
Photo: PR Robert Piguet (c) all rights reserved

In the middle of my "reviewing light and summery fragrances period" I drooling over these interesting (to say at least) new Robert Piguets. I'm so curious, and soon I'll also be able to sample two of them: A perfect bright rose, Rose Perfection (even if the line already has the IMO perfect bright rose blended with powdery orris, Calypso) and a floral chypre (I love chypres) Alameda. Hopefully I also get the opportunity to test the leather Knightsbridge later on but now I'm so thrilled to dive in these two beauties, which I already know they are in advance. After all they are Piguets and this genuine house has proven to be the most versatile for me beside Guerlain and Chanel which is a great achievement as the two latter are giants with houndreds of perfumes in their lines compared to this little quality house.

Historiae - Hameau de la Reine

Picture:  Petit Trianon, parc de Versailles
Photo by  Urban, (cc) some rights reserved
 Wikimedia Commons

Hameau de la Reine is green floral created by Bertrand Duchaufour for the french house Historiae. The fragrance is inspired of Marie Antionette  and her "revolt" against the Versailles court ie  "Marie-Antoinette wants to have her own little village to enjoy the pleasures of the countryside with her children. Her aspiration for a rural paradise is somewhat a result of the Enlightenment. The Queen had her Hameau built in Versailles in 1783, going against the traditions of the old Royal Court".

Hameau de la Reine starts sparkling, light green with citrusy accents. The greeney is like fresh buds with a touch of tart tomatoleaves. The greenery is very natural smelling and soon Hameau de la Reine elicts the image and scent of a sunny midsummer meadow with its wild untamed grass, midsummerflowers and moisty earth  underneath. As Hameau de la Reine dries down, flowery notes gets more predominant and now we are transported from the meadow to the garden of a sweet cottage, just as in Marie Antionettes little artificial, rual, village. Wild roses, mock orange and robust peonies are present over the green backgrund that has become slightly darker and accentuated by woody notes when the fragrance reaches the balanced musky, basenotes.

Picture: Marie Antionette (1755-1793)
Painting of Louise Elisabeth Vigée  Le Brun (1755-1842)
1783

Light green, airy and delightful, Hameau de la Reine is a perfect fragrance for the coming midsummercelebrations. It's a casual fragrance but also suits for work as it can't offen anyone. The sillage is close and the longevity not for a whole day which is surprising as the others tested from the line so far, Orangerie du Roy and Bouquet du Trianon (see previous reviews) both have very good longevity. But Hameau de la Reine is that sort of light fragrance that could be reapplied during the day without causing olfactory disasters, i.e the rule that says: Never apply perfume on unclean skin. But there are some exceptions: Some light and fresh fragrances, preferably citrus, could be used even a day after the previous shower.

Those who like Chanel Cristalle Eau Verte and the new version of Balmain Vent Vert will probably also appreciate the delicate Hameau de la Reine.

Rating: 3+

Notes: Bergamot, blackcurrant bud, tomato leaf, fig leaf, rose, galbanum, peony, geranium, mock orange, ivy, vetiver, patchouli, white wood, musk, honey

Thanks to Fragrance & Art for the sample to test