The mainstream niche

As I strolled around in the local chain-perfumstore some perfumed insights just popped up. In these days when the launches of many nichelines becomes more and more bland and not distinguishable from other niche and mainstream offerings (we can call it "mainstremification" of the niche) an opposing movement occurs automatically when it comes to some "mainstream" parfumes or maybe better referred to "designer"parfumes. Just looking around in the ordinary assortment of the chainstore I visited, I came to some conclusions:

- The classics still remaining in the assortment  is way more interesting then the majority of the new niche realeases. A perfume that have survived five to ten years or more, even if gradually reformulated, has stood the test of time and is something special. Examples: Rive Gauche (YSL), No 5 & Coco (Chanel), Angel & Alien (Thierry Mugler), Infusion d'Iris (Prada), Aromatic Elixir (Clinique)

- There are good new releases too, even if increasingly rarer (in relative terms) i.e exactly the same phenomen as in the niche sector. From the latest two years: Esprit d'Oscar (Oscar de la Renta), Le Parfum (Elie Saab),  No 19 Poudre (Chanel), Body (Burberry), Candy (Prada).

- The, in some cases quite distinctive reformulations of some fragrances, with the new Dior policy as a hallmark, suddenly makes a ten year old bottle with an pre-reformulation formula to an almost niche fragrance. Examples are of course in particualar from the Dior range: Dior Addict, Dune, Miss Dior Cherie Edp. I will  definitely treasure my (not so) old Diors :-).

-This store had a tester of Miss Dior labled as that and not the new Miss Dior Originale. I bet the MDO version formula is somehow tweaked too.

When writing this I'm yearning for these and other distinctive "mainstream" fragrances. As I'm almost always  sampling different nichefragrances, a week or two in "mainstream" would be a great relief.

Chanel Les Exclusifs - No 28 La Pausa

Pic: Iris squalens, Photo by Bernd Haynold, (cc)

Wikimedia Commons, some rights reserved

Scroll down for an english version.
Aromatiskt cederträ med citrus och lätt irisrot är mitt sammanfattande intryck av Chanels ljusa irisdoft No 28 La Pausa som skapades av Jacques Polge som en del i Les Exclusifsserien 2007. Dofter mer åt Acqua di Gio hållet (än Chanel No 19 Poudre) är herr Parfumistas spontana kommenter och jag kan delvis hålla med. Irisen är mer irisrot än blomma men en lätt och ozonisk sådan, inte morotstonad, som längre fram i doftens nedtorkning får en mycket diskret, knapp märkbar, ton av läppstift. Cederträet ger en fin ton av nyvässad blyertspenna och den är mycket väl balanserad, blir inte pepprig eller för skarp och dominant. Citrus ger en fräschör och lyfter doften medan irisen balanserar och tillför en avslappnad elegans. I basen finns slutligen en lagom grön och lätt vetiver som ett ankare för No 28 La Pausa.

La Pausa är en i mitt tycke klassiskt modern doft som mycket väl även kan användas av herrar. Den är diskret och passar därför det doftofobiska kontoret. Många klagar på dålig hållbarhet under dagen men så är inte fallet för mig. La Pausa håller ofragmenterad mer än tolv timmar men projektionen är hela tiden låg vilket också är idén bakom många moderna dofter. Den finns där för bäraren och dem som kommer mycket nära men invaderar på intet sätt det gemensamma doftutrymmet. La Pausa är sammantaget en mycket bärbar doft för dagsbruk och den passar året om.

Jämfört med Chanels No 19 Poudre är La Pausa mer aromatiskt träig, fokuserar på irisroten och är i mitt tycke unisex. No 19 Poudre fokuserar på irisblomman med jasmin och lätt apelsinblomma som fond över en välmodulerad myskbas. Poudre är en i mitt tycke mycket mer feminin doft. Båda är lätta i projektionen men håller ofragementerade på bärarens hud. Båda har en plats i samma parfymgarderob då de är sinsemellen så pass olika, iristemat till trots.

In english:
Aromatic cedar with citrus and a light orrisroth is my general impression of Chanel's bright iris fragrance No. 28 La Pausa, which was created by Jacques Polge 2007 as part of the Les Exclusifs line. Smells more like in the Aqua di Gio way than iris as in Chanel No. 19 Poudre, is Mr. Parfumistas spontaneous comment and I can partly agree with that impression. The iris in La Pausa is more of the irisroot than the flower but a light and somehow cleande up ozonic root, without the typical carroteffect. Later in the drydown of the scent the iris gives a discreet, almost not detectable note of lipstick. Cedarwood gives a nice tune of a just sharpened pencil and the cedar is very well balanced, not peppery or too sharp and dominant. Citrus gives a freshness and lift to the fragrance while the iris balances and adds a casual elegance. Finally in the clean woody base of No. 28 La Pausa there is also a moderately green and light vetiver as an anchor for the composition.

No. 28 La Pausa is in my opinion, a classic contemporary scent that also fit men as well. It is very discreet and tuned down and therefore perfectly fits the scentofobic office. Many reviewers of La Pausa complain of poor durability during the day but this is not the case for me. La Pausa is still unfragmented on my skin more than twelve hours after application but the projection is low during the whole dry down, which is also the idea behind many modern fragrances. The fragrance is there for the wearer and those who come very close but by no means invades the common scentspace. To summon up: La Pausa is a wearable fragrance for daily use and it fits all year around.

Compared to Chanel No. 19 Poudre La Pausa is more of a aromatic, woody blend that  focuses on a sort of cleaned up iris root and La Pausa is in my opinion unisex. No. 19 Poudre focuses on the iris flower supported by jasmine and a light orange flower interacting over a well modulated white muskbase. Poudre is in my opinion definitly a more feminine scent. Both fragrances are light in the projection, but the longevity is good as they are both remaining unfragemented no me after wearing them for a whole day. Both have a place in the same fragrance wardrobe as they represents so very different interpretations of the iristheme.
Rating: 4

Noter: Fruktiga noter, iris, blomnoter, vetiver, träiga noter/ Notes: Fruity notes, iris, floral notes, vetiver, woody notes

Ramón Monegal - Umbra

Photo: Mr Parfumista (c)

Umbra the vetiverinterpretation by Ramón Monegal starts like a green, clean vetiver with some deep almost citruslike notes. The citruslike is not the usual light, sparkling one, and I suspect the impression emerges from the combination of other notes. Peppery notes are also emerging as the topnotes evolves, but more as supporters and not as distinct as the ginger-peppery effect in Prada Infusion d'Vetiver. The opening ackord is the part of Umbra that reminds me most of other vetivers but soon Umbra finds its own path: Umbra gets sweeter then the common vetiverfragrance and almost resiny, balmy, floral as it developes. Probably the geranium contributes to the green floral feeling. The dry down is exciting and unusual, the vetiver doesn't stands out like in the most straightforward light, rooty green vetivers.The vetivernote is restrained of the sweet, powdery tonka been in the base and despite the tonka sweetness. there is an aura of green, refreshing, moist, woody sweetness in Umbra. In the base a beautiful mossy note, similar to the one in Mon Patchouly also emerges and is present during the rest of the extended dry down of Umbra.

In lightness and texture Umbra reminds me about Prada Infusion d'Vetiver and Mona di Orio Les Nombres d'Or Vetyver but both these fragrances are more of straight forward, contemporary representants of the classical rooty, grassy vetiver fragrance. The vetiver that comes to my mind with some similarities with Umbra later stages is Andy Tauers smooth and gentle Vetiver Dance but this is more a cosy vanillia-vetiver where Umbra is more of an elegant chypre. Both fragrances has also in comman that they follows their own interesting path in the world of vetiver. The general impression of Umbra can be summeraized as the picture and smell of the coolness of the mossy, forest floor under high pines a summerday.

Even if classified as unisex I precieve Umbra as the most feminine vetiver I have sniffed so far. Umbra is definitly a vetiver that I will be delighted to wear as I usually have some "problems" with the more sharp, rooty "manly" versions. Umbra appears to be so wellcrafted and well thought out compared to many other representatives of the genre which smells like variations of the same theme compared to Umbras individuality. Even if Umbra is somehow relaxing, it's engaging to follow what is going on and trying to figure out what's happening next, during the dry down of the fragrance.

Umbra is suitable both for office and for dressed-up casual, year around but wears very well in the summer. Heavy appliers beware: Strong in concentration as in the case of almost every RM fragrance, two - three spritzes lasts for long. Sillage is more than medium and longevity about 24h.

Rating: 5

Notes: Vetiver, oakmoss, black pepper, geranium, fir, tonka bean

Ramón Monegal - Mon Patchouly

Picture: Cacao (Theobroma cacao), Photo: Luisovalles,

(cc)  Wikimedia commons, some rights reserved

The patchouli of the Ramón Monegal line, Mon Patchouly is not a variation of the earthy,woody, fresh, almost herbal theme of the note. Nor is it the other typical warm amber-patchouli variation. Mon Patchouly is a variation of the gourmand patchoulitheme in the tradition of Serge Lutens delisious Borneo 1834, but MP is a softer and more well-behaved interpretation.

Mon Patchouly starts with a scrumptious blast of cocapowder the note is dry in texture even if some sweetness is glimpsing through. There is also a whiff of an almost "men colognish note" but in a good way, not an "old mans scent" but something more elegant with amber. There is also a subdued flowery note with slight green almost moist facets, probably the moss. Even if vanilla isn't mentioned among the ingredients there is an accord in the middelnotes/early base that reminds me of the unsweet vanillapod note like in Montale Boisée Vanille blended with some dark ruhm similar to the vanilla-ruhm accords in L'Artisan Havana Vanille and Mona di Orio Les Nombres d'Or Vanille. As the MP dries down further in the base, the mossy note becomes clearer and more dominant, a sort of dark-green freshness is added to the ruhm-patchouli-ambra. The overall impression of the texture and style is something elegant as the original Chanel Coco to mention a recent example in the wake of the launch of the new Coco Noir.

Mon Patchouly is a delicious and comfortable scent in the gourmand style. On me the patchouli is not especially dominating, it's one of the prominent notes togther with amber and moss. I think its gourmand character makes it a perfect cold weatherscent and I will definitly re-test it in autumn-winter. Mon Patchouly is a perfect choice for evening wear and even if unisex I think it (despite the man cologne note) lean towards the feminine side. As many of Ramón Monegals fragrances, Mon Patchouly is very concentrated and just a few spritzes is quite enough, it's easy to overapplicate this one. The sillage is also extensive, the wearer will be noticed, but in a good way if using the right, minimal dose. Longevity 24h+.

Rating: 4+

Notes: Patchouli, olibanum, oakmoss, geranium, jasmine, amber

Top summerfragrances 2012

Photo: Mr Parfumista (c)

Suddenly the bright and shining early summer month of June disappeared, the high summer month of July is over and sadly most of the summer is gone. Two weeks ago I also noticed the first signs of the late summer, the late evening suddenly was dark, not bright as in the beginning of the summer. One week ago the crickets started to play a true sign of the late summer. Fragrancewise I have worn just a few typical summerfragrances, most of the preferred ones up to day I enjoy the year around. Even if I almost sampling different fragrances and not have much time to wear my favourites, here they are for summer 2012:

Nuit Etoilée (Annick Goutal): Light herbal, slight smoky this one reminds me of a starry night in the asphaltjungle.

Cologne Friction (Parfums de Nicolaï): The ultimate, green, grassy, cologne for lazy summers. Perfect for vacation in the archipelago or just anywhere. And for looking at a game of tennis.

Corps et Ames Eau de Toilette Apaisante (Parfumerie Generale): A 1970s inspired chypre-light featuring the verbena note. An airy and bright interpretation of the original CeA Edp.

Rebel (Antonio Visconti): A soothing, refined patchouli with delicate notes of dark and dry chocolate.

Cristalle Edt (Chanel): There is (almost) nothing like this citrus-mossy classic when it's comes to summer casual chic.

Impossible Iris (Ramón Monegal): Year around elegant-chic. Has made a rapid career and is now among my most appreciated irises.

Rose Etoile de Hollande (Mona di Orio): Monas lovely rose is an olfactorial masterpiece is a multifacetted creation that reflects both the brightness and the dark sides of the rose.

Amoureuse (Parfums DelRae): Whith it's dark, almost decaying flowers blended with cardamon, Amoureuse is a beautiful gem suitable for alls seasons. Love it.

Ubar (Amouage): There is a golden shimmer surrounding the white flowers of this fine Amouage classic. Always right to wear in it's understated elegance, the quiet sister among Dia and Gold.

Black Oud (Montale): This classic dark rosy, leathery, patchuli oud becomes creamy in texture when worn in warm and humid weather. And never fails to attract compliments....

Amouage - Interlude Man

Picture: Rheum rhabarbum, leaves and shafts.

Photo: Dieter Weber (Uellue), (cc) Wikimedia commons,

some rights reserved

Just as its female counterpart Amouage Interlude Man starts up anything but pleasant. Interlude Man starts with a strong, burned accord, resembling a turned up version of the burned wood accord of  Mona di Orios Les Nombres d'Or Cuir (in swedish summary in english here). As the accord in Cuir is leaning to the smell of an open fire accord where some meat is grilled a grey autumnday, the burned accord in Interlude Man remids me of the smell of burnt rhubarb pie as there is a light vanillic note glimpsing in the background. When the smoke has tuned down to a more comfortable level the tart, green, rhubarb note becomes more apparent. As rhubarb is not in the notelist, I suspect there is the oregano, the pepper and the incense that creates the tart and spritzy sensation. There is also something that is close to the taste of Zig-Zag pastilles (at least swedish readers probably knows this, pached in small red boxes with white letters on.) In the basenotes Interlude Man settles in well blended, woody, among them the typical oudnote, slight leathery notes. The woody note is smell very natural to me, almost as I sniff on a just cutted down conifers. The projection is large (be warned don't overapply this one) and the longevity is great, 24h+. Interlude Man suits very well for evenings but also as a scent for the day during the colder month of the year. To me Interlude Man is unisex even if leaning to the masculine side. Just to compare, I think Mona di Orios Cuir is more masculine in its expression than Interlude Man.

All in all I think Interlude Man is to close to Mona di Orios Cuir in style and personally I like Cuir better as it's more firm and clear in it's smokey, rough leathery woody character. Interlude Man feels like more uncertain about what it wants to convey. Starts though and rough but later leans anxiously to some tarter ans also sweeter subnotes. The blend also weakens in character and becomes more common, dry, peppery, woody, oud in style, a style that is all but original these days. In the latest stage of the basenotes the blend clears up and get much more interesting: The tart note similar to a smoother geranium becomes evident and this latest stage of Interlude Man i also think is the best one, the oud is similar to that in Mona di Orios Les Nombres d'Or Oud. All in all Interlude Woman to me are more uncommon and therefore I, despite its muddly note (on me), appreciate it much more than Interlude Man.

Rating: 3

Notes:  Bergamot, oregano, pimento berry oil, amber, frankincense, opoponax, cistus, myrrh, leather, agarwood smoke, patchouli, sandalwood

Thanks to Amouage for the sample to test.

Amouage - Interlude Woman

Picture: Zyklus der Monatsbilder, Szene: Der düstere Tag (The Gloomy Day)

(Monat Februar oder März), oil on panel by Pieter Brueghel the elder, 1565

Be warned, this is the most perplexing fragrance that I have tried in many years. It indeed shows a dual personality to me and this is one of the trickiest reviews that I have written.The new Amouage  Interlude Woman doesn't start pleasent at all .When just applied there is a smell almost like fortified wine. There are grapelike and some almost fermented fruity notes. Shortly thereafter the blend turns in a grey and gloomy mud note, supported with some subdued flowers, that mediates the atmosphere of mutued grey, beige and dark red colors of a gloomy day, just like the painting above. From other reviews I have read that many of the reviewers are experiencing an explosion of a great number of bright colors in this stage, but all I percive is this messy gloominess. There is also a fuggy smell, like a sultry closet with old, wollen clothes. When wearing Interlude Women very light applicated, the muddled note is less dense but nevertheless gloomy. A whiff of an accord containing the cold flower of crysanthemum also appears and reminds me a bit of the Serge Lutens beauty De Profundis (review in swedish). Experienced from many years of perfumsniffing I know that a challenging opening of a fragrance often leads to something even more interesting and sometimes also beautful. In Interlude Woman the muddled texture slowly decreases and now and then short whiffs of the excellent Amouage frankincense appears. When reaching the basenotes Interlude Woman clears up considerable, the mud is drying to a pleasent putty note.The fermented fruits developes to a note that could be described as "preserved prunes with leather " with a glimmer of the incense and some peppery oud added. As the drydown futher progresses there is also notes that reminds me of bay leaf and pickled juniperberries. This part of Interlude Woman I experience as more masculine than feminine in style and to me the fragrance is quite unisex. The basenotes are the best part of Interlude Woman and in this stage is both interesting and enjoyable, not as the top and middlenotes, which are almost solely interesting but not particulary enjoyable. The basenotes are lasting for long, during at least a whole day. The sillage is medium.

In Interlude Woman I find some similarities, i.e the mud note and the almost messy impression, with Amouage Opus III, but for me Opus III is better. Both Opus III and Interlude Woman is created by perfumer Karine Vinchon Spehn and maybe she uses some accord that doesn't goes well with my chemistry, as obviously Interlude Woman fits so many others.

All in all Amouage Interlude Woman isn't true to me even if  my appreciation of  the basenotes is growing. As mentioned above it's probably my skinchemistry as I havn't read a negative or not even neutral review of Interlude Woman. Could I come over the first part of the fragrance...But on the other hand my wallet is reliefed as it not has to live under the constant pressure from a new Amouage (from the regular line). These bottles almost always are screaming "own me".

Despite my shortcomings wearing this fragrance, I think of Interlude Woman as an interesting and demanding fragrance of high quality that also is strangely beautiful when reaching it's basenotes. And I somehow suspect that one day I will like it, I will get back to my sample the coming winter in order to reassess it. Even if challenging in character, to be an Amouage Interlude Woman is almost subdued and it is wearable in many different situations.

Rating: 3+

Notes: Bergamot, grapefruit, ginger, tagete, rose, frankincense, jasmine, orange blossom, helichrysum, opoponax, sandalwood, nut, coffee, kiwi, honey, agarwood, vanilla, benzoin, amber, sandalwood, oakmoss, leather, tonka, musk

Thanks to Amouage for providing a sample to try.