Historiae - Orangerie du Roy

Picture: Louis XIV of France (1638-1715)
oil on canvas 1701 by Hyacinthe Rigaud (1659-1743)

Orangerie du Roy is an excellent orangeblossom dominated fragrances composed by Bertrand Duchaufour for the house of Historiae. This house creates fragrances inspired of the spirit of different eras of the french history.

Orangerie du Roy is inspired of the "Sun King" Louis XIV which adored the freshness of the orangeblossom. The King started a new era parfumevise directed to fresh, flowery perfumes, preferably orangeblossoms, after being overdosed with musk for many years.

Orange du Roy starts with a natural smelling, clean, orangeblossom, without musky or laudery details. The flower is contrasted by light, green herbal notes, somehow smooth and on the verge of soapy but the fragrance doesn't enter the soapy territory, just touches it. The orangeblossom is classic-fresh and recalls the scent of freshly pressed linen sheets in cool and shady room during a warm summerday in a luxury Mediterrian hotel. Even if Orange du Roy is linear or maybe circular in its structure it is not dull at all, it evokes images not just from Mediterrian hotels, I can also see the old Sun King in his warm whig, strolling in the gardens of Versailles a warm summerday. Orangerie du Roy is well balanced and made of fine ingredients of an impression number for a eaux styled fragrance. It's also reasonable priced ca EUR 25 for 15 ml/ ca EUR 49 for 50 ml.

Picture: Orangerie du Roy Edt
Photo: PR Historiae (c)

Orangerie du Roy is a real wristsniffer, perfect both for work and casual, especially during spring and summer. The longevity is very good for a an eaux styled edt, it lasts for more than a day.

I think those who sheer orangeblossoms as Prada Infusion Fleur d'Oranger and Hermès Cologne Orange Verte will also like Orangerie du Roy.

Rating: 4

Notes: Lemon, sweet orange, petit grain, basil, mint, bergamot, orangeblossom, ylang-ylang, honeysuckle, lavendel, thyme, mock orange, patchouli, vetiver, oakmoss, musk

Thanks to Fragrance & Art for the sample to test

Parfums deNicolaï - L'Eau à la Folie

Picture: L'Eau à la Foile
Photo: PR Parfums de NIcolaï

It's almost an old truth that you can always count on Patricia de Nicolaï. Well made fragrances to affordable prices, I can't understand all complaints of the bottles, I think they are charming  with their a bit homemade look, as they are just bottled and labled in the lab and then taken out for an immediate sell in the shop. L'Eau à la Foile, the creation of last year in Patricias L'Eau line, (precursors L'Eau Mixté 2010 (citrus/wood), L'Eau Chic 2011 (geranium)), is no exception. It's a wellmade, somehow robust, realible green, slight fruity, floral, slight boozy, spicy, woody light fragrance with a with a surprising longevity, for a day at least even if close to the skin most of the time.

L'Eau à la Folie starts with refreshing, sparkling notes of lime, citrus, a light white ruhmnote and some spritzy floralnotes. The opening is just like a refreshing Mojito a hot summerday. Mojito is also mentioned among the topnotes. As L'Eau à la Folie dries down the flowery impression strenghtens and there is a light spicy fizz that runs through the whole drydown of L'Eau à la Folie, and is also apparent in the light, blond woody base.

Picture: Mojito
Photo: from Gigilicom  

L'Eau à la Folie is such a pleasure to wear, a real wristsniffer that feel natural in comparison with all the fresh chemical laundry stuff out there. The name is well chosen, the fragrance is happy and smiling, ready for some minor madness. L'Eau à la Folie suits perfect for summer daytime wear, both for work and casual. I also think it will suit also in the middle of the cold and dark winter, when longing for summer. From the L'Eau line, I like L'Eau à la Folie best so far.

Rating: 4

Notes: Mojito, citrus, ginger, flowers, jasmine, green notes, fruits, wood

Fragrance(s) of the week (22) 2013

Photo: Mr Parfumista (c)

June will be the month focusing on reviews of the light, summerstyled fragrances that I have tested during the spring. Overall my favourites are dark, mysterious, orientals or heavier florals and of course also deep, mossy chypres and soapy/powdery aldehydes but this time of the year, I really appreciate and long for light and sparkling creations.

The Vagabond Prince - Enchanted Forest

Picture:The beautiful artwork bottle of Enchanted  Forest
Photo: PR The Vagabond Prince (c), all rights reserved 

Enchanted Forest is a 2012 Bertrand Duchaufour creation for the new perfumehouse The Vagabond Prince  founded by the very creative founders of Fragrantica , Elena and Zoran Knezhevich.

Enchanted Forest is an unsual fragrance, centered around the black currant accord. Even if black currant and its buds, are frequently used in different fruity and fruity green accords, that the blackcurrant rarely is the mainplayer. Another fragrance where this is the case is Lalique Amethyst which I havn't smelled. The initial accords of Enchanted Forest is like diving in a blackcurrant bush, the notes of the juicy    berries and the green tart leaves are very natural, luminous and vibrant. Probably the aldehydes helps to lift the black currant, with its intensity it could otherwise easily be cloying. When Enchanted Forest dries down in the middlenotes, the blackcurrant calms down but is still easily recognizable as the mainnote. Green light woody and fizzy notes as vetiver, pepper and especially coriander sparkels offsetted by some smooth flowery notes that just balances the blend and plays in the background. The base are slight musky dark but not heavy with distinct tart woody (fir,cedar) and resinnotes. There is also a transparant, fresh earthy, patchoulinote combined with a slight animalic vibe. The sweet notes are very subdued and not recognizable as separate notes, but they create a softness that balances the dark and  earthy woodiness.

Enhanced Forest is a fragrance that I think could be worn year around despite it evokes the image of a wild forest in early autumn to me, a cold, mossy dampness contrasted with the sunrays defying the high confiers and hitting the ground. Enhanced Forest as an idea and in its structure with green, aldehydic tartness, somehow reminds me of the earlier in 2012, Duchaufour creation for Aedes de Venustas with the same name, even if that one highlights the rhubarb.

Enhanched Forest is a strong fragrance that should be applied in moderation, if not, it could be overwhelming. The sillage is big to be a contemporary fragrance and longevity on skin is about 24h.

Rating: 3+

Notes: Pink pepper, aldehydes, sweet orange, flower cassis, blackcurrant leaf, hawthorn, rum, wine, rosemary, davana, blackcurrant buds absolute, blackcurrant, russian coriander seed, honeysuckle, rose, carnation, vetiver, opoponax, benzoin, amber, oakmoss, fir balsam absolute, patchouli, castoreum absolute, cedar, vanilla, musk.

Thanks to the Vagabond Prince for the sample to test.

Guerlain Mahora and Mayotte - Quick comparison

Picture: Mahora in its special tropical styled bottle and box
Photo: PR Guerlain (c)

As wellknown among perfumenerds the warm and full tubereusedominated tropical flower Guerlain  Mayotte in the Parisienne line (bee-bottles with a ribbon on its neck) created 2006 by Jean-Paul  Guerlain is said to be the same (or almost the same) as the Y2K creation of Jean-Paul Guerlain Mahora in the regular line, I think it's discontinued since many years. As mentioned in an earlier post, I received a sample of Mayotte from fellow perfumeblogger Fragrantfanatic to compare with Mahora.

Picture: Mayotte in the Parisienne bottle
Photo: PR Guerlain (c)

Accomplish a side-by-side test of the two I can conclude they are not the same fragrance even if very close to eachother. I suspect that Mayotte is a "lightweight" further development of Mahora, a adjustment to the taste to smoother and more discrete perfumes during the later years.  Compared to Mayotte, Mahora is shrill and loud with some almost vegetale (on the verge to decaying) notes, more in the style of a 1980s perfume. Mayotte is smoother, fuller more discrete and elegant in apperance and therefore easier to wear, a comfortscent that could be used anytime. Wearing Mahora you have to be in the right mood. All in all: The two fragrances are so close that one just have to own one of them. Below I insert the comment from Fragrantfantic the other week as she nails it when she conveys her impressions:

"I did try the Mahora yesterday by itself and it is similar (as in containing the same notes) as Mayotte but it's definitely not the same. The beginning is harsher and trashier, a metallic note is more pronounced and I don't get any gardenia. The drydown is longer and very similar the heart of Mayotte. Next step is to wear them side by side, we'll see if I stick to my words by then :)"

Notes:

Mahora: Orange blossom, almond blossom, green accords, ylang-ylang, neroli, tuberose, jasmine, sandalwood, vanilla, vetiver 

Mayotte: Neroli, frangipani, tuberose, indian jasmine, ylang-ylang, sandalwood, vanilla, vetiver

Fragrance(s) of the week (21) 2013 - That note

Photo: Parfumista (c)

 ....or maybe it's an accord. In perfumes featuring different flowers created during the latest one - two years there is a special scent that is tart, putty (moisty but in the same time powdery) slight musky basenote that I like much. As this note/accord has been increasingly frequent during this time period, I suppose that it's compliant to the coming regulations and just like oud has been a sort of substitute to filling  the void left after the banned oakmoss. I find this note/accord more or less pronounced in for example Chanel 1932 (with jasmine), Oriza L.Legrand Oeillet Louis XV (with carnation) Grossmith Amelia (with peony), Puredistance Opardu (with lilac) and Parfums MDCI Chypre Palatin (retro oriental slight spicy contemporary chypre). So there is just to choose what supplementing note one prefers.

M.Micallef - Royal Vintage

Picture: Robert Comte de Montesquiou-Fézensac (1855-1921)
Painting by Giovanni Baldini (1842-1931)

Royal Vintage is a fragrance intended for men in the M.Micallef Exclusive line. Royal Vintage is created by the M.Micallef housenose Jean-Claude Astirer. The fragrance is presented in an exclusive bottle, designed by Martine Micallef. The review is written from impressions mediated by the, when it comes to fragrances, fussy Mr Parfumista who has performed the testings of Royal Vintage.

Royal Vintage starts familiar classy cologne notes, similar to Geoffery Beene Bowling Green but more delicate and smoother in structure. Then a soft but in the same time slight fizzy, pink peppercorn note appears giving sparkle to the blend. There is also a dry, almost papery note apperant in this stage, not as strong and intense as the papyrusnote in Gucci Pour Homme, which also appears in a sweeter and spicier context than the cool and clean papernote in Royal Vintage.

When reaching its heart, Royal Vintage smells like the image of a clean and freshly ironed shining white linen napkin and tablecloth where an elegant gentleman just had lit a fresh cigarette made of high quality tobbacco. This accord, probably it's the among the notes mentioned cypress that creates the clean linen impression and the soft and smooth leather the fresh cigarettenote, is wellbalanced and lasts during the whole drydown, slight deepening in the basenotes. Overall the compostion evokes the image of a dandy.

Picture: Royal Vintage by M.Micallef
Photo: PR Parfums M.Micallef

The sillage of Royal Vintage is medium, it's clearly present during the whole dry down, could not offend anyone in its understated elegance. The longevity is amzing for a fragrance of this transparent character, Mr Parfumista tested Royal Vintage during a whole day performing heavy physical activity and Royal Vintage were still clearly present after 12h+ and on cloth for days. After a day of officewearing it was still there 24h later. I have read some opinons that Royal Vintage is close to Creed Aventus which I can't comment about as I havn't smelled that one. I think Royal Vintage smells of itself and that it's an excellent scent.

Royal Vintage really deserves its name, with its understated elegance, its well balanced precense and longevity this would perfectly match (even if not dandy-like) my favourite royalty H.R.H Prince Daniel in his daily duties. Until the princely nose will detect this gem, Royal Vintage will serve under anything but royal circumstances in Mr Parfumistas office, because for once, he has found something he judge as full bottle worthy.

Update January 2015: Mr Parfumista is testing Creed Aventus and his conclusion is that the Creed, even if a good perfume, is sweeter and more "perfumery"/pungent than Royal Vintage. As Mr Parfumista comments: "If I haven't already known and owned the much more distinctive Micallef, I had probably considered Aventus",

Rating: 5

Notes: Bergamot, pink pepper, cypress, leather, patchouli, musk